Awards | Frank Doyle, who wrote thousands of Archie Comics scripts, and Steve Skeates, who wrote for both Marvel and DC Comics, will be honored with this year’s Bill Finger Award for Excellence in Comic Book Writing. Both were chosen by a unanimous vote of a committee headed by Mark Evanier. The awards will be presented July 13 during the Eisner Awards ceremony at Comic-Con International in San Diego. [Comic-Con International]
Legal | The Oatmeal creator Matthew Inman’s war with Funnyjunk has heated up the Internets over the past few days, but Andrew Orlowski questions why Inman didn’t simply send FunnyJunk a takedown notice under the Digital Millennium Copyright Act when he realized his comics were being posted without permission. “Without the DMCA, Inman found himself in a knife fight armed with just a stick of celery,” Orlwoski said, and he blames his failure to use it on “nerd web culture.” “Inman didn’t use the ammunition available to him at all — he simply decided to play the victim. Whether he did so through naivety, ignorance or cynicism, it is impossible to say.” [The Register]
Graphic novels | The Will and Ann Eisner Family Foundation and the American Library Association will launch the Will Eisner Graphic Novel Prize for Libraries at the ALA summer conference, held June 21-26 in Anaheim, California. Three libraries each year will be selected to receive all the books nominated for the Will Eisner Comic Industry Awards, as well as a $2,000 voucher to buy additional graphic novels and a $1,000 stipend to hold comics-related or author events. Libraries to register to win at the ALA conference; winners will be announced June 24. [Publishers Weekly]
Graphic novels | Calvin Reid and Heidi MacDonald look at the graphic novel presence at last week’s BookExpo America. [Publishers Weekly]
Conventions | ReedPOP has officially announced it will fold the New York Anime Festival into New York Comic Con, rather than continue them as separate events held at the same location. “This move has nothing to do with our loyalty or commitment to the anime community and everything to do with the growth and identity of New York Comic Con as a leading pop culture event,” ReedPOP’s Lance Fensterman said in a statement. “NYCC embraces all elements of the pop culture world, including anime, and we have evolved to a point where the existence of NYAF outside our universe is almost a contradiction. We will be better able to serve the anime community from within the NYCC infra-structure rather than have a show which is separate and which will always be dwarfed by everything that New York Comic Con represents and is.” [press release]
Passings | Cartoonist Jim Unger, whose one-panel comic Herman served as an inspiration for Gary Larson’s The Far Side, passed away Monday at his home in British Columbia. He was 75. The comic appeared in about 600 newspapers worldwide from 1974 until Unger’s retirement in 1992. [The Daily Cartoonist]
Conventions | A group of 21 events companies, including New York Comic Con and BookExpo America organizer Reed Exhibitions, are opposing a plan by New York Gov. Andrew Cuomo to tear down the Jacob K. Javits Convention Center. In a letter to the governor that was also distributed to 600 other officials, the Friends of Javits said they would not patronize the much larger venue that’s to be built in Ozone Park, Queens, primarily because of its distance from Manhattan. [Crain's New York Business, via ICv2]
Conventions | Comic-Con International is just six weeks away, and you know it’s coming when Tom Spurgeon posts his annual list of tips for enjoying the convention. It’s a wealth of information, compiled over 17 years of con-going, so go, learn. [The Comics Reporter]
Conventions | David Glanzer, Comic-Con International’s director of marketing and public relations, looks back on this year’s WonderCon, which was held in Anaheim, California, rather than in San Francisco, touches upon the uncertainty about the location for next year’s show — “we just don’t have dates at the Moscone Center yet” — and discusses changes to pro and press registration for Comic-Con. [ICv2]
Conventions | Grant Morrison talks about MorrisonCon, the Sept. 28-30 convention billed as “a once-in-a-lifetime experience.” “It’s not going to be ‘Come here and buy some comics and listen to a few panels,’ ” he says. “After two days you will be a changed person.” Tickets for the Las Vegas show, which is limited to 1,000 attendees, cost $767, and include a two-night stay at the Hard Rock Hotel, access to the guests and after-hours parties. [The Hollywood Reporter]
Organizations | Tom Spurgeon reports that The Hero Initiative has now received close to $3,000 so far due to campaigns asking those people who watch Marvel’s The Avengers to donate money to the organization. The Jack Kirby Museum, meanwhile, reports it has received $1,300 from Avengers-related giving. [The Comics Reporter, The Kirby Museum]
Conventions | Chris Butcher, co-founder and director of the Toronto Comics Art Festival, reports that about 18,000 people attended this year’s TCAF-related events: “TCAF 2012 was the most ambitious festival yet, and my most ambitious personal undertaking. With more off-site and lead-up events than ever before, more partnerships than in previous years, an additional day of programming, and more than 20 featured guests, I worried in the weeks leading up to the show that perhaps we’d bit off a bit more than we could chew. Luckily through the talent and support of some wonderful folks we had varying levels of success on every front, and as always, lessons were learned and we think 2013 will be even stronger.” [Comics212]
The Cartoonists Rights Network International (CRNI) has bestowed the 2012 Courage in Editorial Cartooning Award on two artists who have experienced persecution for their work, Syrian Ali Ferzat and Indian Aseem Trivedi.
Ferzat, who is 60 years old, has been a cartoonist for many years, but he didn’t encounter trouble until 2011, when he drew a number of cartoons critical of dictator Bashar Al-Assad’s brutal suppression of the democracy movement. Syrian security forces abducted Ferzat and beat him, deliberately breaking both his hands. This did not silence him; on the contrary, he went public about the abuse, and his work is available (in Arabic) at his website. He also has a Facebook page.
Trivedi is the force behind the Cartoons Against Corruption website, which collects editorial cartoons protesting against not only government corruption but also attacks on free speech, including restrictions on the internet. Trivedi was charged with treason and “insulting national symbols” for this, but he nonetheless remains active in the free speech movement in India.
CRNI will present the awards during the Association of American Editorial Cartoonists convention in September.
Roger Langridge is the latest creator to say he is no longer going to work for Marvel or DC Comics because of concerns about the way they treat creators.
The subject came up last week, when Langridge, the writer of Thor: The Mighty Avenger, the Muppets comics (originally created for BOOM! Studios and now being republished by Marvel) and John Carter: A Princess of Mars, was interviewed on The Orbiting Pod podcast. After chatting about his newest comics Snarked! and Popeye (which IDW Publishing has just expanded from a four-issue miniseries to an ongoing series), he added this:
I’m very happy to be cultivating a working relationship with people like BOOM! and IDW at the moment when Marvel and DC are turning out to be quite problematic from an ethical point of view to continue working with.
I think it’s down to everybody’s individual conscience, but I think those of us who have options—and I do have options, I’ve got a working relationship with a couple of different publishers, I’ve got illustration to fall back on, I’m not beholden to Marvel and DC for my bread and butter, so it seems to me that if you do have the option you should maybe think hard about what you are doing and who you are doing it for. I was writing the last issue of John Carter when the news came that Marvel had won a lawsuit against the heirs of Jack Kirby, and Steve Bissette wrote a very impassioned post about the ethics of working for Marvel under those circumstances, and pretty much then I figured I should finish the script I was writing and move on, and it’s not like Marvel needs me. It’s no skin off their nose if I don’t accept anything else from them in the future.
On his blog, Langridge clarifies that he made the decision last summer, at a time when he wasn’t doing any Marvel or DC work, so he’s not so much quitting as deciding not to go back. His statements come less than a month after iZombie and Superman writer Chris Roberson made headlines with his announcement that he’s ending his relationship with DC because of its treatment of creators and their heirs.
Comics | A near-mint copy of 1940′s Batman #1, which marks the first appearances of the Joker and Catwoman, sold this week for $850,000 — a record for that issue — in a private transaction arranged by Heritage Auctions. The seller purchased the comic just two years ago for $315,000. [CNN]
Publishing | Cory Casoni is leaving his position as director of marketing for Oni Press for a position with NAMCO BANDAI Games Inc. as the head of marketing for ShiftyLook comics. Thomas Shimmin and Amber LaPraim, who joined Oni earlier this year, are taking joint positions as marketing coordinators. [press release]
Creators | Alison Bechdel discusses her family, her psyche, and the challenges of drawing a memoir that’s set in therapy sessions: “I watched all the episodes of “In Treatment” at one point, to see how they managed to make two people sitting in a room so very dramatic. And it was basically just good writing and good acting. So that gave me the hope that I could pull this story off without adding a car chase or an explosion. Though there is a kind of a car chase, now that I think of it, when a Sunbeam bread truck almost runs me off the road. My story also goes in and out of other texts — movies, psychoanalytic papers, children’s books — which creates some more overt visual excitement. And I use a dream to begin each chapter. I know you’re not supposed to write about your dreams, but the dreams have a dramatic sweep that everyday life doesn’t.” [The New York Times]
Passings | The Comics Journal collects tributes to Maurice Sendak, the legendary children’s book author and illustrator who passed away Tuesday at age 83. Philip Nel, director of Kansas State University’s Program in Children’s Literature, also writes an obituary for the influential creator of Where the Wild Things Are. [TCJ.com]
Publishing | In an interview with the retail news and analysis site ICv2, IDW Publishing President and CEO Ted Adams says that while digital sales are at 10 percent of print sales, both are going up: “There’s just no question at this point that selling comics digitally is definitively not impacting [print] comic book sales. If anything you could make the argument that the success of digital is driving more print comic book sales. The correlation at this point is that increased digital has resulted in increased print. Whether or not that is a direct correlation, I don’t know how you would figure that out. I can say with no uncertainty that our increased digital revenue has come at a time when we’ve had increased comic book sales.” [ICv2]
Legal | Iranian cartoonist Mahmoud Shokraiyeh has been sentenced to 25 lashes for a cartoon he drew that depicted Arak Member of Parliament Ahmad Lotfi Ashtiani in a soccer jersey. [The Daily Cartoonist]
Publishing | In a wide-ranging interview, Dynamite CEO Nick Barrucci talks about the comics market, the demise of Borders, digital comics and the slump in book sales: “[T]here are more and more trade paperbacks and hard covers coming out, so there’s less chance of getting as much attention as you’re used to, and reorders are down because of it. As the number of trade paperbacks and graphic novels increases, the number of SKUs increases, the number of units sold per SKU is decreasing. There are very few exceptions to this. I remember looking at the Diamond chart from a month or two ago and the bestselling trade paperback that month was 7,000 units. It might even have been a Walking Dead trade paperback, and as much as two years ago the bestselling trade paperback sold 12-15,000 units.” [ICv2]
Comics | With the success of The Avengers film, Kendall Whitehouse discusses the narrative techniques comics have “explored and exploited,” including “multi-issue story arcs, crossovers, team-ups, reboots and multiple title tie-ins,” noting they not only help sell more comics but also have blazed the trail for complex stories: “The story has now become a world unto its own that allows the reader to explore whichever dimensions are of the greatest interest. Follow the events from the perspective of Iron Man or Thor. Or just peruse the core series and ignore the supplementary story elements. The series presents a nearly unbounded narrative universe for the reader to experience. It is easy to interpret this with a cynical eye as nothing more than a series of cheap marketing tactics designed to pump sales. And yet, when well executed, something larger emerges.” [Knowledge@Wharton Today]
Retailing | Saturday’s Free Comic Book Day also served as the grand opening for Aw Yeah Comics, a store in Skokie, Illinois, owned (as the name suggests) by Tiny Titans creators Art Baltazar and Franco Aureliani and retail veteran Marc Hammond. [Skokie Review, Time Out Chicago]
Canada’s own Doug Wright Awards were presented Saturday night in conjunction with the Toronto Comics Art Festival, and Kate Beaton, who the 2009 Emerging Artist award, fulfilled that early promise by taking home the award for the best book for Hark! A Vagrant.
Ethan Rilly won the Doug Wright Spotlight award for Pope Hats #2, and Michael Comeau received the Pigskin Peters award, given for experimental or avant-garde comics, for his Hellberta. In addition, cartoonist Terry “Aislin” Mosher, who has been drawing cartoons for The Montreal Gazette for 40 years now, was inducted into The Giants of the North, the Canadian Cartoonists Hall of Fame.
Legal | A Tunisian court last week convicted Nessma TV President Nebil Karoui of “disturbing public order” and “threatening public morals” by broadcasting the animated adaptation of Marjane Satrapi’s Persepolis, which features a scene that briefly shows an image of God. The Oct. 7 airing resulted in an attempted arson attack on the network’s offices and the arrest of some 50 protesters. Karoui was fined $1,600 by the five-judge panel; two members of his staff were fined $800 each. Prosecutors and attorneys representing Islamist groups pushed for Karoui to be sentenced to up to five years in prison. Others argued for the death penalty. [The Washington Post]
Business | Target will stop selling Amazon’s Kindle devices in its stores over a dispute regarding “showrooming,” where consumers check out a product at Target stores and then go home to buy it on Amazon for a cheaper price. Around Christmas, Amazon’s Price Check app gave shoppers a 5 percent discount on any item scanned at a retail store. “What we aren’t willing to do is let online-only retailers use our brick-and-mortar stores as a showroom for their products and undercut our prices,” Target executives wrote in a letter to vendors. Target will continue to carry Apple’s iPad, Barnes & Noble’s Nook and the Aluratek Libre. [The New York Times]
Publishing | Continuing its domination of the graphic novel sales in bookstores, The Walking Dead laid claim to seven of the Top 10 spots on BookScan’s April chart. The series, by Robert Kirkman, Tony Moore and Charlie Adlard, took the first four positions. What’s more, 12 of the Top 20 graphic novels were volumes of The Walking Dead. [ICv2.com]
Publishing | Robot 6 contributor Brigid Alverson talks to Right Stuf director of marketing and communications Alison Roberts about that company’s announcement earlier this week that it will be publishing the first three volumes Hetalia: Axis Powers as a print-on-demand books. The series was originally licensed by Tokyopop, which is co-branding the books with Right Stuf. [MTV Geek]