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Censorship | At least one comic, alas unnamed, was among the thousands of books removed this week from a Turkish government restricted list. Most of the bans were widely ignored anyway, but Metin Celal Zeynioglu, the head of Turkey’s publishers’ union, pointed out one important effect of lifting them: “Many of the students arrested in demonstrations are kept in prison because they’re carrying banned books. From now on, we won’t be able to use that as an excuse.” [The Australian]
Publishing | Tom Spurgeon’s latest holiday interview is with Shannon Watters, the editor of BOOM! Studios’ children’s comics line, which includes Adventure Time, Bravest Warriors and Peanuts. [The Comics Reporter]
Awards | The National Cartoonists Society initiated a webcomics award last year, and this year the organization is splitting it in two, one for short-form works and one for long-form. The challenge with including webcomics, says NCS President Tom Richardson, is that to be eligible, creators must make the majority of their money from cartooning. “That isn’t an easy thing to quantify anymore. With online comics, we need to take into account site traffic, professionalism in consistent and regular publication, online community activity and other factors that are the hallmark of professional online work,” he says. “In some cases, it’s pretty obvious the creator is making a career out of cartooning. In some, it’s not so obvious.” [Comic Riffs]
Retailer Bob Ficcara, owner of the well-regarded Metro Entertainment in Santa Barbara, California, is in desperate need of help.
In 2011, he suffered a minor stroke while working at the store, and discovered his health insurance wouldn’t cover much of his medical expenses; that was just a year after Ficcara racked up bills from surgery and physical therapy required for an Achilles tendon injury. He was unable to reach a payment-plan agreement with the medical providers, who took him to court to secure liens and levies. A month ago, Ficcara’s bank account was emptied, and at about the same time his wife Jamie was laid off from work. Now, Ficcara stands to lose the comic store he’s owned since 1991.
However, cartoonist Bill Morrison, co-founder of Bongo Comics, hopes to prevent that from happening. He’s moving quickly to organize auctions of original art to raise the $30,000 Ficcara needs to save Metro Entertainment. Unfortunately, time isn’t on Morrison’s, or Ficcara’s, side: The debt is due Jan. 14.
Morrison is already off to a good start, though, receiving original art from the likes of Dave Gibbons, Bruce Timm, Eric Powell, Paul Smith (shown at right), Dean Yeagle (below), Geof Darrow, Tone Rodriguez (below), Evan Dorkin, Jim Woodring, Humberto Ramos and Herb Trimpe (as well as himself, of course). But he’d like to get more original work from major artists. Those interested in contributing should contact Morrison at firstname.lastname@example.org. Update: Neal Adams has contributed a Hal Jordan/Green Lantern piece, which you can see below.
He plans to begin the auctions Sunday on eBay; although Morrison doesn’t have any auctions set up yet, you’ll be able to find them through his user ID juliennefryes. He’ll promote the auctions at Comic Art Fans as well. Cash donations will also be accepted through PayPal (email@example.com), or by check to:
As the final hours tick down on the Kickstarter campaign for To Be Or Not To Be, cartoonist Ryan North’s Choose Your Own Adventure-style take on Hamlet has raised more than $481,000 — that’s 2,405 percent of its $20,000 goal — easily breaking the crowdfunding platform’s record for most successful book project.
As we reported last month, To Be Or Not To Be will allow (adult!) readers to be one of numerous characters from William Shakespeare’s play, including the ghost of Hamlet’s father. “Also,” the Kickstarter page offers, “unlike Shakespeare I didn’t skip over the pirate scene in Hamlet. You get to fight PIRATES. With SWORDS. And yes OF COURSE you can choose which body part you cut off. Why would you write a book where you can’t do that is my question.” What’s more, North enlisted an all-star roster of artists — ranging from Kate Beaton and Kazu Kibuishi to Vera Brosgol and Dustin Harbin — to illustrate the prose book.
In an article this morning on Wired.com examining the blockbuster success of the campaign, North notes, “No [publisher] would drop hundreds of thousands of dollars on getting this book made because you don’t know if the audience will show up for it, and you have to front all these costs. The better you want to make the book, the riskier it gets. But with Kickstarter, we know the audience is there when we make these decisions.”
Talking with Laura Hudson, Tom Helleberg of New York University Press predicts, “It probably won’t be long until Kickstarter (or something similar) completely replaces the slush pile and agents when it comes to filtering submissions. Then presses are going to have to figure out how on Earth they are going to attract successful authors who are effectively earning 100 percent royalties on self-produced projects.”
Update (11 a.m. PT): Since this post was published, an additional $20,595 was pledged to the project, bringing the tally to more than a half-million dollars. Eighteen hours remain in the campaign.
After 14 years, and more than 3,500 cartoons, James Kochalka is bringing his diary comic American Elf to an end. Since October 1998, Kochalka has been chronicling small slices of his daily life in short comics, seldom longer than four panels, and if you read the comic, you already know he has mixed feelings about ending it.
Of course, Kochalka has plenty still going on, including the animated version of his comic SuperF*ckers, plus teaching at the Center for Cartoon Studies, playing rock music and being the Cartoonist Laureate of Vermont. He’s going to keep the American Elf site live, and of course, you can get the collected editions from Top Shelf (and digitally via comiXology).
Keeping a diary comic for 14 years is a singular achievement, so we asked Kochalka to talk a bit about the experience of creating — and living — American Elf.
You don’t step on Superman’s cape. You don’t spit into the wind. And you don’t mess around with Matthew Inman, creator of the wildly popular webcomic The Oatmeal. Charles Carreon learned that earlier this year, when he sued Inman over allegedly defamatory comments and was made an Internet laughingstock.
Now Inman has taken aim at Jack Steuf, who last week wrote an unflattering profile of the cartoonist at BuzzFeed. (True confession time: I linked to the article in Comics A.M., although by the time I read it, the most egregious error had already been removed.) Inman posted the BuzzFeed article in its entirety and added his own annotations, taking issue with almost every point and ending with the allegation that Steuf had to leave his last job after a fake birthday card that mocked a poem written for Sarah Palin’s son, who has Downs Syndrome.
The most serious error in the BuzzFeed article is that Steuf relied in part on what turned out to be a fake profile of Inman on a website called SodaHead. The profile portrayed Inman as married, with children, and a staunch Republican, none of which is true. In fact, Inman is not married, has no children, and voted for Barack Obama both times. BuzzFeed removed the inaccurate information and added a terse note at the end of the article:
Update: A previous version of this piece linked to a profile that implied Inman was married, had children, and holds certain political beliefs. The profile is a fake. Inman refused to comment for this story, but posted an extended challenge to it on his website.
As mea culpas go, that’s pretty thin gruel. This is bad stuff. It’s poor journalistic practice to trust anything online, and the fault lies not just with the reporter who did it but also with the editor who let it get by. As Slade Sohmer points out in a nice analysis of the situation at HyperVocal, BuzzFeed’s nonchalant response erodes the website’s credibility and, by association, online media in general.
Comics | Regina, the capital of Saskatchewan, appears to be embracing its role in this week’s Avengers#1 as a target of an alien “origin bomb” that struck the city, changing its biosphere and altering billions of years of evolution in mere minutes. Tom Brevoort, Marvel’s senior vice present and executive editor, tells a local newspaper he’s unsure why Regina and Perth, Australia, were selected, but local retailer Chad Boudreau seems glad it happened. “We had no advanced notice of it,” he said. “It just happened that someone reading the comic saw it in there.” He expects strong sales at Comic Readers, with those who don’t typically follow comics buying the issue out of curiosity. [The Star Phoenix]
Charles Schulz’s Peanuts captured the hearts and minds of millions during its long run, and continues in various cartoons, comic spin-offs and other products. But as it turns out the beloved cartoonist also used his Peanuts characters to win the heart of at least one woman during a brief courtship.
The renowned Sotheby’s is hosting an auction of a series of very personal letters that Schulz sent in 1970 and 1971 to a photographer he met named Tracey Claudius during the waning years of his first marriage. Although never intended for public display, these communications from Schulz reveal an endearingly romantic side of the usually reserved cartoonist. Sold by the family of Claudius to pay medical bills, the 56 pages of letters include 22 original drawings of Peanuts characters. The auction house expects them to bring in at least $250,000.
The Associated Press notes that in two letters, Schulz told Claudius he must stop calling her because the long-distance charges had been discovered by his wife: “Soon after, he created a strip in which Charlie Brown berated Snoopy for his obnoxious behavior when he’s not allowed to go out ‘to see that girl beagle.’ In subsequent panels, Charlie warns Snoopy ‘you’d better start behaving yourself’ and when Snoopy picks up the telephone, Charlie Brown yells ‘And stop making those long-distance phone calls.’
Comics | The editor-in-chief of the Boston Phoenix denies accusations that the alternative weekly canceled Karl Stevens‘ satirical comic Failure because advertiser Anheuser-Busch was offended by last week’s strip, which referred to Bud Light as “diluted horse piss.” Stevens, whose comic has appeared on ThePhoenix.com since 2009, claims he was told by the art director that Failure was being canceled specifically because of the Bud Light jab. “Apparently I offended Bud Light, and cannot be trusted,” Steven told Publishers Weekly. However, Editor-in-Chief Carly Carioli called the accusation “categorically false,” insisting Failure was canceled because it no longer fit The Phoenix, which has changed from a weekly newspaper to a weekly magazine. “It is categorically false that Karl’s strip was discontinued due to any outside objections. As the Phoenix’s editor in chief, it was my sole decision to discontinue Failure,” Carioli told The Boston Globe. “There were no sponsor objections — zero — to this strip or any other that I’m aware of.” [Publishers Weekly, The Boston Globe]
Richard Bruton draws our attention to Your Days Are Numbered, a London-based free quarterly “graphic fiction magazine” chock-full of interviews and illustrations, all presented in a smartly designed package. The current issue (the fourth), which you can browse below, includes interviews with the likes of Brandon Graham, Chris Ware and David Ziggy Greene (who also provided the cover art).
You can subscribe to Your Days Are Numbered on the magazine’s website.
Comics | Ohio drivers moved a little closer to getting their Superman specialty license plate Wednesday as the proposal was outlined for a state Senate committee. The bill, which already passed the state House, is on track to go to the full Senate for a vote before the end of the year. The Siegel & Shuster Society launched the campaign for the plates in July 2011 to honor the 75th anniversary of the Man of Steel in 2013; the character, which debuted in 1938, was created six years earlier in Cleveland by Jerry Siegel and Joe Shuster. The original plan for the plates to include the slogan “Birthplace of Superman,” that met with objections from Warner Bros., which insisted he was born on Krypton. The legend will now read, “Truth, Justice and the American Way.” [Plain Dealer]
Manga | Tony Yao summarizes a recent article from The Nikkei Shimbun that analyzes the readership of Shonen Jump, which is 50 percent female despite the magazine being targeted to boys (“shonen” means “boy” in Japanese). They break down the popularity of series by gender and discuss how the female audience affects editorial decisions. [Manga Therapy]
Passings | Cartoonist and animator Bill White has died at the age of 51. According to his Lambiek page, White studied animation at the Kubert School and was a penciler and inker for a number of publishers, including DC Comics, Marvel, Archie, Disney and Harvey. His animation work included stints on Ren and Stimpy and Inspector Gadget. Infinite Hollywood has a nice remembrance. [The Daily Cartoonist]
Comics | Jim Beard looks at the apparent contradiction between the mass popularity of superhero movies and the relatively limited audience for the comics that spawned them; Mark Waid attributes this to a lack of comics shops, while Ethan Van Sciver thinks that most people simply have a hard time reading comics. Two local retailers weigh in as well, making this an interesting and well-rounded overview of the problem. [Toledo Free Press]
Legal | South African President Jacob Zuma has formally withdrawn his defamation lawsuit against cartoonist Jonathan Shapiro (who goes by the pen name Zapiro) and will pay a portion of his court costs as well. Zuma dropped part of the case last week, a claim of 4 million rand for “impairment of dignity.” A spokesman for Zuma said the president had more important things on his mind and didn’t want to set a precedent that “may have the effect of limiting the public exercise of free speech.” [The Citizen]
Passings | The Catalan artist Jose Luis Ferrer, who signed himself simply “Ferrer,” died Monday of a brain tumor. Ferrer’s work appeared in 2000AD, Starlord and other British comics, but he was an international artist with work published in Germany, France, Sweden and the United States as well. [Down the Tubes]
It seems every time Superman, Spider-Man or any comics character steps near a political issue it becomes front-page news, not just on Comic Book Resources but in mainstream publications like USA Today. But politics and comics aren’t that unfamiliar to each other — in fact, they cross paths every day in editorial cartoons and comic strips. And one of the strongest and most popular voices in modern editorial cartooning is Portland, Oregon-based cartoonist Matt Bors. A 2012 Pulitzer Prize finalist, Bors can be read regularly nationwide in independent papers, as well as on Daily Kos and, of course, his own website.
It’s a busy time of year for Bors, as he just launched a Kickstarter campaign to fund the first collection of his editorial cartoons and essays under the banner Life Begins At Incorporation: Cartoons & Essays By Matt Bors. He’s taking time away from his post as comics journalism editor at Cartoon Movement and moving forward with more projects of his own. I talked to him about his career, his thoughts on the industry, and the perceived divide between comic books and editorial cartoons.
Created by student D.C. Parsons, the comic (above) depicts a father explaining to his young son, “If you ever tell me you’re gay … I will shoot you with my shotgun, roll you up in a carpet and throw you off a bridge.” The boy replies, “Well, I guess that’s what you call a ‘Fruit Roll Up,'” and the two share a hearty laugh.
The strip drew immediate condemnation both on campus and off, with a petition on Change.org demanding the firing of the newspaper’s editor-in-chief, cartoonist and copy editor attracting more than 4,600 signatures.