Conventions | Wizard’s executive chairman Mike Mathews tells Heidi MacDonald that after the resignation of former CEO Gareb Shamus, the company wants to be “a Switzerland of entertainment” and mend fences with members of the industry: “Gareb is one of these types of personalities who has taken strong positions over the years with various people in the industry and brands. And that kind of hurt us because of where we are trying to go — we’re trying to be a Switzerland of entertainment and we want to try to try to reach out to brands.” MacDonald notes the company is offering a $100 credit toward Wizard conventions to former Wizard subscribers whose subscriptions abruptly ended when the magazine was shut down. A new CEO is expected to be named early next month. [The Beat]
Conventions | Image Comics announced several more guests for the Image Expo, scheduled for Feb. 24-26 in Oakland, California. The lineup now includes Blair Butler, John Layman, Rob Guillory, Nick Spencer, Joshua Fialkov, Joe Keatinge, Jim McCann and Jim Zubkavich, among many others. [press release]
Organizations | The Associação da Luta Contra o Cancer is running an awareness campaign in Mozambique featuring images drawn by artist Maisa Chaves of Wonder Woman, Catwoman, She-Hulk and Storm checking their breasts for lumps. [Daily Mail]
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes, and first issues so that I don’t have to come up with a new way to say, “ Life with Archie is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Richie Rich Gems Winter Special - In addition to their modern-look Richie Rich, Ape has also re-introducied the classic version in both new and reprinted adventures. I missed the solicit for Richie Rich Gems #44 last month (which picked up where the Harvey series left off in 1982), but the series continues with not only the Winter Special, but #45 as well.
Dragons vs Dinosaurs - I haven’t had great luck with Arcana’s books in the past, but c’mon. The title alone…
Hero Happy Hour: On the Rocks - This, on the other hand, is no risk at all. I’m a big fan of Dan Taylor and Chris Fason’s superhero bar stories and this is an all-new, 80-page adventure. Not reprints; not even a printed version of the webcomic. It’s all-new and I need it.
The Dare Detectives: The Snow Pea Plot Collected Edition – Archaia prepares for their publishing Ben Caldwell’s Dare Detectives: The Kula Kola Caper by re-publishing the first story that was originally put out by Dark Horse.
In many ways, for longtime DC superhero readers, this is the first week of the rest of our lives. This is the week the first batch of New-52 second issues come out, and as such, this week the New 52 stops being a September-specific gimmick. We all know the second issue is where the rubber meets the road. Accordingly, in conjunction with a look at December’s titles, here’s where I am after a month of first issues.
Back when the September solicitations came out, I listed 37 books that I was planning at least to try:
Action Comics, All-Star Western, Aquaman, Batgirl, Batman, Batman And Robin, Batwing, Batwoman, Blackhawks, Blue Beetle, Captain Atom, Catwoman, DC Universe Presents, Demon Knights, Detective Comics, The Flash, Frankenstein: Agent Of SHADE, The Fury Of Firestorm, Green Lantern, Green Lantern Corps, Green Lantern: New Guardians, Grifter, Justice League, Justice League Dark, Justice League International, Men Of War, Mister Terrific, Nightwing, Red Lanterns, Resurrection Man, Static Shock, Stormwatch, Supergirl, Superman, Swamp Thing, and Wonder Woman
Although I risk reigniting the controversy over Catwoman #1, I couldn’t resist posting this reimagining of Guillem March’s cover by DrawAARGHHH — I couldn’t find a real name — that substitutes Bruce Wayne for Selina Kyle. I think it’s the caption that hooked me: “Batman. He’s not the hero Gotham needs, but he is the one that Gotham desires.” Or maybe it was that the bag of diamonds looks vaguely phallic.
See the full image below, along with March’s original. Catwoman #2, by March and writer Judd Winick, arrives Oct. 19.
Comics | Dismayed by the portrayal of Catwoman in DC Comics’ relaunched series, Alyssa Rosenberg of ThinkProgress asks whether feminists are wasting their time in hoping and lobbying for better portrayals of women in mainstream superhero comics. While she understands the desire to walk away, the decides in the end “it’s worth it to keep nudging”: “… Even if the industry doesn’t change, there should be voices in the background when folks read these books pointing out their problems. The key is getting folks who really just want to see, say, Catwoman bang Batman and nothing else to hear those critiques and to find a way to engage with them constructively, which is really, profoundly difficult. But I’d rather live in a world where people who don’t want to hear the works they like criticized have to work to shut them out, rather than leaving them to relax into the blissful sounds of silence.”
At The Atlantic, Noah Berlatsky points out that not all comics are like Catwoman or Red Hood and the Outlaws, and recommends some alternatives. Meanwhile, Tom Foss jokingly suggests that the “new” Starfire is merely replacing longtime New Teen Titans creeper Terry Long. [ThinkProgress, The Atlantic]
Casting an eye over the expanse of superhero comics, you’ll find yourself looking at a number of heroes so popular that they’ve spawned spin-off characters that are either younger, pluckier or, more often than not, of the opposite sex. From DC’s Supergirl (tied to Superman) to Marvel’s Ms. Marvel (connected to Captain Marvel), this has been a trend going on longer than most of us have been around. But in this world of male heroes sharing their costume designs with women, I’ve always wondered why there isn’t much going the opposite way: heroes who base their costumes and names on heroines.
One of the key reasons is that by sheer number there are far more popular male superhero characters than female characters. By my unscientific estimation, the only female superheroes the general public could name would be Wonder Woman, Supergirl, Invisible Woman, Catwoman, Jean Grey and Storm. Compare that to the male heroes most people know, and you’ll get the picture. But even then, where are the male counterparts to those female heroes I mentioned?
The closest thing we have to that is DC’s Catman, the lone example of an in-continuity character borrowing his style from a female character — Catwoman. There’s also the rare alternative universe where all genders are switched, such as Earth-11 as seen in Teen Titans Spotlight #11, or other unique circumstances.
I’m not saying DC should bring back Wonder Man (or Captain Wonder) as a counterpart to Wonder Woman in the New 52, but she does have a pair of star-spangled pants she’s not using.
A week after the first issues of Catwoman and Red Hood and the Outlaws stirred controversy with their depictions of Selina Kyle and Starfire, DC Comics has released its first official statement on the matter. Well, at least on part of it.
“We’ve heard what’s being said about Starfire today and we appreciate the dialogue on this topic,” a representative wrote last night on the publisher’s Twitter feed. “We encourage people to pay attention to the ratings when picking out any books to read themselves or for their children.”
Red Hood and the Outlaws #1, which depicted a string bikini-clad Starfire as a semi-amnesiac who has sex with Red Arrow simply because he’s there — “Do you want to have sex with me?” — is rated “T” for teen, meaning it’s deemed appropriate for readers age 12 and older. “T”-rated titles “may contain mild violence, language and/or suggestive themes.”
DC’s statement arrived hours after a widely circulated article appeared on i09.com in which fantasy author Michele Lee asked her 7-year-old daughter, a fan of Starfire from the Teen Titans animated series and comic books, what she thought of the version appearing in Red Hood and the Outlaws.
“I mean, grown ups can wear what they want,” the girl said, “but … she’s not doing anything but wearing a tiny bikini to get attention. [...] I want her to be a hero, fighting things and be strong and helping people. [...] Because she’s what inspires me to be good.”
Publishing | DC Comics associate editor Janelle Asselin has left the company, reportedly for a job with Disney. She clarifies on Twitter that, contrary to a report, she wasn’t escorted from the building on Tuesday but, rather, left “at my leisure.” Asselin had been with DC since 2008, working primarily on Batman books like Batman and Robin, Batman: Streets of Gotham, Red Robin, Birds of Prey and the relaunched Batman, Batwoman, Detective Comics and Savage Hawkman. [Bleeding Cool]
Publishing | Longtime editor Betsy Mitchell is taking early retirement from her post as editor-in-chief of Del Rey, where she helped create Del Rey Manga. Tricia Pasternak, a former Del Rey Manga editor herself, has been promoted to editorial director. Del Rey was established as a science fiction prose imprint; the manga line was created in 2004 and was mostly shut down in 2010, when Kodansha began publishing its manga directly in the U.S. However, Del Rey still publishes a handful of manga and graphic novels, including xxxHolic, King of RPGs, and Deltora Quest. [Publishers Weekly]
Legal | In a twist that sounds like something out of a comic (or even an ad from an old comic), a witness in the Michael George trial testified he saw someone wearing an obviously fake beard outside George’s Clinton Township, Michigan, comics shop a few minutes before George’s first wife Barbara was murdered inside the store in 1990. [The Tribune Democrat]
Some fans and comics pundits have been up in arms over the past few days about the sexual depictions of two of DC’s characters in the New 52. In this week’s Catwoman #1, we saw some heated foreplay between Batman and Catwoman that’s raised eyebrows and, perhaps, the profile of the relaunched title. Artist Eric Canete has responded to the fervor with a comic. Instead of trying to explain it further, just read:
This brings up a lot of questions that I’ll leave to the comments section below. But mine is this: When do we get to see Eric Canete do some more comics?
Just sayin. Check out Comic Twart for the rest of the er … strip.
In a week in which the debuts of Batman and Wonder Woman fired on all cylinders, you have to think DC Comics didn’t expect the spotlight to be stolen by the first issues of Catwoman and Red Hood and the Outlaws. Alas, online discussion over the past 48 hours hasn’t been focused on the accessibility of the former or the potential of the latter (if indeed either demonstrates accessibility or potential). Instead, it’s centered on a bra-flashing Selina Kyle engaging in aggressive costumed sex with Batman, and a semi-amnesiac Starfire who’s become little more than an emotionless sex mannequin.
I feel as if I should be worked up by the depictions but, to be honest, I’m just deflated by the whole thing. The best I can muster is, “Sigh … again?” and maybe, “This is the kind of storytelling and characterization you relaunched your entire line for?” But here are some of the highlights of what others are saying on the subject:
• Winick’s statement to Newsarama about the response to Catwoman #1: “This is a Catwoman for 2011, and my approach to her character and actions reflect someone who lives in our times. And wears a cat suit. And steals. It’s a tale that is part crime story, part mystery and part romance. In that, you will find action, suspense and passion. Each of those qualities, at times, play to their extremes. Catwoman is a character with a rich comic book history, and my hope is that readers will continue to join us as the adventure continues.”
Whether by accident or design, this week was dominated by female leads (four, not including Starfire in Red Hood) and Bat-titles (four including RH; five if you count Birds Of Prey). It is tempting to say the woman-led titles ran the gamut of experiences from A to D, but thankfully it is a little more complicated than that. As you might expect, the week produced issues of varying quality, although I found something to like about each one. Sometimes it was harder to find that one thing, though….
Naturally, SPOILERS FOLLOW.
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In theory, the DC Universe Presents anthology has a longer lease on life because its sales can’t be judged fairly on the basis of only one arc. I suppose that, given Deadman’s relationship with one of Hawk & Dove’s headliners, that book’s readers might be interested in this one. By and large, though, the audience for this title is made up either of DC stalwarts waiting for a good Obscure Character X story, or (less likely, I’d say) impulse buyers. Such an approach might have been a great way to introduce a totally new character within the context of the New 52, and piggyback that feature on the rest of the relaunch’s popularity — but I’m not surprised DC chose Deadman, fresh off Brightest Day.
The New York Comic-Con is coming up Oct. 13-16, and Warner Bros. has revealed some animated plans for the show.
Warner Home Video, Warner Premiere, DC Entertainment and Warner Bros. Animation will present “an action-packed hour of first looks” at DC Universe Animated Original Movies that Friday from 3 to 4 p.m., which will include the premiere of the animated short Catwoman, starring Eliza Dushku as the voice of title character. The 15-minute short will be included on the release of Batman: Year One, which arrives Oct. 18 on Blu-ray, DVD, for Download and On Demand.
The panel will also include the first footage to be seen from Justice League: Doom, the next entry in the ongoing series of DC Universe Animated Original Movies.
Panelists will include the voice of Batman, Kevin Conroy, DCU executive producer Bruce Timm and casting/dialogue director Andrea Romano … and quite possibly welcome a few surprise guests to the stage. An autograph session with the panelists will immediately follow the panel.
Taking over the DC Comics Twitter account today, editor Rachel Gluckstern revealed Guillem March’s cover for Catwoman #4, teasing, “What business could Catwoman possibly have at Stately Wayne Manor?”
The relaunched Catwoman, by March and writer Judd Winick, debuts next week. The fourth issue arrives in December.
Ahead of the release on Wednesday of Flashpoint #5 and Justice League #1, signaling the beginning of its line-wide relaunch, DC Comics has kicked off a promotional assault in the mainstream press to sell “The New 52″ to a broader audience. While USA Today, with a circulation of 1.8 million the second-largest newspaper in the United States, looks to be the hub for coverage, DC has also reached out to publications like the New York Daily News, the New York Post and the Boston Herald. Here are the highlights so far from the 11th-hour push:
• USA Today takes a broad overview of the relaunch, talking with DC Co-Publishers Dan DiDio and Jim Lee, Chief Creative Officer Geoff Johns, and a couple of retailers. “There are plenty of angry customers over this,” says John Robinson, co-owner of Graham Crackers Comics chain in Illinois. “I’ve heard the usual ‘I can’t believe they’re doing this,’ ‘They’ve betrayed us,’ etc. I’d say about 60% to 70% of those protesting the loudest will still end up buying the stuff. There’s just too much hype and interest — even the haters are curious.”
• The newspaper also hones in on the publisher’s new same-day digital strategy, which debuts Wednesday at 2 p.m. ET when Justice League #1 will be available for purchase digitally. Hank Kanalz, senior vice president for digital at DC Entertainment, acknowledges the challenges of getting the initiative off the ground: “Some books are working really far ahead of schedule, some are down to the wire, and it’s just a matter of coordinating and about overcommunicating. We have to make sure it goes off without a hitch, which is why we’re not sleeping right now. We’re going much wider to a mass audience than ever before, so it’s a matter of making sure we have everything ready to go.”