cci2011 Archives | Page 2 of 8 | Robot 6 | The Comics Culture Blog

SDCC ’11 | A roundup of Sunday’s announcements


As is typical, Sunday was a bit slower in terms of announcements at the San Diego Comic-Con, but there were some on the last day of the show:

At the Fear Itself panel, Marvel made several announcements, including a new Defenders series by Matt Fraction and Terry Dodson. The team includes Dr. Strange, Iron Fist, Namor, Red She-Hulk and Silver Surfer.

• Jason Aaron and Marc Silvestri will chronicle the adventures of Bruce Banner and his alter ego starting in October, when Incredible Hulk #1 hits the stands.

• Much like Siege begot the Heroic Age, Fear Itself will bring Battle Scars, a post-event branding for the Marvel Universe titles. Several Shattered Heroes one-shots will be released, focusing on how Fear Itself impacts various Marvel heroes.

• Marvel confirmed the launch of The Fearless, a bi-weekly series by Matt Fraction, Chris Yost, Cullen Bunn, Mark Bagley and Paul Pelletier.

• DC Comics released a gallery of character designs and sketches for the New 52 launch.

• Comic-Con International released the full list of Inkpot Awards recipients from this year’s show. The list includes Steven Spielberg, Alan Davis, Chester Brown and many more.

SDCC ’11 | Fantagraphics to publish EC Comics Library

from Corpse on the Imjin by Harvey Kurtzman

from Corpse on the Imjin by Harvey Kurtzman

On the same day that Fantagraphics announced The Complete Zap Comix, the publisher revealed it will bring yet another treasure trove of groundbreaking comics back to the stands. At its panel at Comic-Con International and in an interview with The Comics Reporter’s Tom Spurgeon, Fantagraphics announced it had acquired the rights to publish the EC Comics library from the representatives of its late publisher, William M. Gaines.

Known for pushing comics’ boundaries of formal innovation and craft as well as raw content before anti-comics hysteria and the creation of the Comics Code helped stifle the publisher in the mid-’50s, EC has generally been reprinted in formats that center on its (in)famous horror, crime, science fiction, and war anthology series, such as Tales from the Crypt, The Vault of Horror, The Haunt of Fear, Crime SuspenStories, Weird Science, Weird Fantasy, Two-Fisted Tales, and Frontline Combat. What sets the Fantagraphics reprint project apart is that individual creators’ work will be culled from the series in which it appeared and presented in a series of black-and-white solo spotlight volumes. The first four books announced will collect war stories written by Harvey Kurtzman (Corpse on the Imjin and Other Stories, featuring art by Kurtzman, Gene Colan, Russ Heath, and Joe Kubert), suspense stories by Wally Wood (Came the Dawn and Other Stories), horror stories by written by Al Feldstein and illustrated by Jack Davis, and science fiction stories by Al Williamson.

Click on over to The Comics Reporter for more details, including an interview with editor and co-publisher Gary Groth.

SDCC ’11 | A roundup of Saturday’s announcements


Three down, one to go … here’s a list of the major comics-related announcements made at Comic-Con International in San Diego on Saturday:

• A number of new projects were announced or promoted at Image’s Creator-Owned Comics panel, not the least of which is the return of Brian K. Vaughan to comic books. Vaughan will write a book called Saga, which is co-created and drawn by Fiona Staples. Vaughan told CBR that the book is “an epic drama chronicling the life and times of one young family fighting to survive a never-ending war. 100 percent creator-owned. Ongoing. Monthly. Fiona and I are banking issues now.”

• Image also announced that Walking Dead creator Robert Kirkman is collaborating with Charlie Adlard on a new series of graphic novels called Album. The books will be released roughly 18 months apart, 60 pages long, with different themes each year, with the first being Passenger. It’s co-published with Delcourt in France and will be available simultaneously in English and France.

• Jonathan Hickman and Nicky Pitarra will team up for The Manhattan Projects at Image. Hickman is also doing a book called Secret with artist Ryan Godenheim.

Continue Reading »

SDCC ’10 | Legendary announces new titles from Pope, Wagner [UPDATED]

The Tower Chronicles

Legendary Comics announced at its panel this afternoon at Comic-Con International that it will publish new projects from Paul Pope and Matt Wagner.

Set for release this holiday season, PulpHope is a more than 200-page retrospective of Pope’s career, featuring many pieces that haven’t been seen before. A previous edition was published in 2007 by AdHouse Books.

The Tower Chronicles, developed by Wagner with Legendary CEO Thomas Tull, is a supernatural action-adventure about a bounty hunter with a hidden past who, backed by a team of high-tech mercenaries, protects civilians from the things that go bump in the night.

“We are thrilled to be working with Pope and Wagner on these upcoming projects for Legendary Comics,” Editor-in-Chief Bob Schreck said in a statement. “Just as our film division works with the best-in-class talent and filmmakers to produce content for the fandom demographic, so too will Legendary Comics move forward on our mandate to publish works from the best in A the industry.”

Legendary also will release Frank Miller’s Holy Terror in September.

Update: The Hollywood Reporter reports that Simon Bisley will provide artwork for the Tower Chronicles. They also provide additional details on the PulpHope book, calling it “a revamped version of the artist’s out-of-print art book titled PulpHope, stripping away 100 pages and throwing in 100 new ones incorporating work Pope has done in the music, toy and clothing spheres, as well as other material.”

SDCC ’11 | Lady Luck revealed as mystery Justice League member

Justice League, by Jim Lee

When the line-up for the post-relaunch Justice League was revealed a few weeks ago, many fans wondered who the woman was on the right, beneath Green Arrow and Hawkman. Was it Zealot, Black Canary, Power Girl, Savant, Lady Quark or any of the other characters fans guessed?

Well, if you guessed the 1940s character Lady Luck, then you’re in luck …

At the DC Comics “New 52″ panel today in San Diego, Justice League writer Geoff Johns solved the mystery. As Kiel Phegley reports on CBR, the character is “a reinvention of an old character called Lady Luck…every time she buys a lottery ticket she wins. She’s going to get involved with the JLA after she attempts to buy out WayneTech.” He added she takes up crime fighting because she feels her life of luck has left her frustrated and directionless.

If you’re curious as to who the original Lady Luck was, a quick look around the internet reveals she was created and designed by Will Eisner in the 1940s under the pseudonym “Ford Davis,” along with artist Chuck Mazoujian. She was created to fill the back pages of a 16-page Sunday newspaper supplement that was done in the form of a comic book; Eisner’s The Spirit occupied the first half, and Lady Luck shared the spotlight with Ms. Mystic. Other creators who worked on the character include writer Dick French, and artists Nick Cardy, Klaus Nordling and Fred Schwab. In those comics, Lady Luck didn’t have super powers, and her alter ego was Brenda Banks. You can find more information on her here and here.

SDCC ’11 | Jock creates poster for upcoming film The Divide

The Divide by Jock

Jock of Detective Comics and Losers fame has a created a poster for Mondo, Alamo Drafthouse’s collectible art boutique. The poster is for the upcoming movie The Divide, and the poster was revealed last night during a “special basement screening” at the San Diego Comic-Con (How cool does that sound — basement screening? I imagine them having cage fighting right afterwards).

The movie, due in 2012, is described as such:

In this graphic and violent, post-apocalyptic thriller, nine strangers—all tenants of a New York high rise apartment—escape a nuclear attack by hiding out in the building’s bunker-like basement. Trapped for days underground with no hope for rescue, and only unspeakable horrors awaiting them on the other side of the bunker door, the group begins to descend into madness, each turning on one another with physical and psycho-sexual torment. As supplies dwindle, and tensions flare, and they grow increasingly unhinged by their close quarters and hopelessness, each act against one another becomes more depraved than the next. While everyone in the bunker allows themselves to be overcome by desperation and lose their humanity, one survivor holds onto a thin chance for escape even with no promise of salvation on the outside.

SDCC ’11 | Marvel to launch The Fearless in October

The cover of the August Previews catalog gives us an indication of how Marvel will follow up Fear Itself, and what we should expect to emerge from the publisher’s Sunday panel at Comic-Con International.

October will see the debut of The Fearless, “an event that shows readers what’s in store for their favorite characters in the wake of the Fear Itself event. Anyone that enjoyed Fear Itself should be interested in finding out how Captain America, the Avengers, and other characters from all across the Marvel Universe deal with the aftermath.”

Although further details haven’t been publicly released by Marvel or Diamond Comic Distributors, Newsarama reports that the twice-monthly series will be written by Matt Fracion, Cullen Bunn and Chris Yost, and illustrated by Mark Bagley and Paul Pelletier. The website also confirms the October launch of Incredible Hulk, by Jason Aaron and Marc Silvestri.

Stay tuned to Comic Book Resources for more information as details surface from Comic-Con.

SDCC ’11 | Fantagraphics to publish Complete Zap Comix

As was revealed during today’s Fantagraphics panel at San Diego, the Seattle-based company plans to publish The Complete Zap Comix. The book, which will collect every issue of the seminal underground comics series to date, is tentatively scheduled to be released in the fall of 2012. It will be a hardbound, two-volume slipcase, similar to their collections of Harvey Kurtzman’s Humbug magazine and Bill Mauldin’s Willie & Joe series.

One of the most influential comics ever published, the first two issues of Zap were created entirely by Robert Crumb, who then invited other artists to contribute, including Spain Rodriguez, the late Rick Griffin, S. Clay Wilson, Victor Moscoso, Gilbert Shelton and Robert Williams. The series quickly not only catapulted Crumb and the other artists to stardom (or a relative stardom at any rate), it quickly became seen as one of the more prominent symbols of the counterculture movement of the 1960s, along with LSD, rock music and head shops (where issues were usually sold). While it was not the first underground comic, it was viewed by many both inside and outside the counterculture movement as the lodestone for the underground comics scene, and its existence and influence directly led to the development of the alternative comics scene in the 1980s and 1990s.

Fantagraphics was kind enough to share today’s revelation with Robot 6 prior to the start of the San Diego con, and we took the opportunity to talk to publisher Gary Groth about the project, its origins and the comic’s significance.

Continue Reading »

SDCC ’11 | You have until 1 p.m. to bid remotely in the CBLDF art auction

Snarkd Ship, Roger Langridge

The Comic Book Legal Defense Fund is holding an art auction tonight in San Diego to raise money for their various programs, but even if you can’t attend the live auction, you can still bid on some really nice art (like the above Snarked image by Roger Langridge). But you’ll need to hurry — bids will only be accepted until 1 p.m. Pacific today. You can find complete details, including a list of what’s up for auction, on the CBLDF site or after the jump.

Continue Reading »

SDCC ’11 | Because every hero (and villain) needs to eat

While riding the bus back to my hotel yesterday, we passed the world famous Kansas City Barbeque, where several heroes and one villain had just finished dining.

Kansas City Barbeque is well known as the setting for the famous bar scene in the 1980s Tom Cruise movie Top Gun, but as you’ll see in the image below, it’s also the favorite BBQ joint of super heroes from every publisher — including Crusader and Darkblade from Love and Capes, who are on the poster behind Cap:

Continue Reading »

SDCC ’11 | A roundup of Friday’s announcements

The Massive

Friday was a busy day in San Diego, with a full slate of announcements capped by the Eisner Awards in the evening.

• Image Comics will resurrect the classic television show MacGyver as a five-issue miniseries written by MacGyver creator Lee David Zlotoff and Doctor Who writer Tony Lee, and illustrated by Becky Cloonan.

Brian Wood’s newest project was announced — The Massive, about environmentalists who survive the last environmental collapse. The comic will start its run in Dark Horse Presents #8 in January.

• Vertigo Executive Editor Karen Berger confirmed that Scalped will end with issue #60.

• Marvel teased the return of the Scarlet Spider.

• DC Comics released more interior art for several of their “New 52″ titles, including Aquaman, Mister Terrific and more.

Continue Reading »

SDCC ’11 | Winners announced for 2011 Eisner Awards

Eisner Awards

IDW Publishing led the 2011 Will Eisner Comic Industry Awards with five wins, including Joe Hill for best writer for Locke & Key and Darwyn Cooke for best writer/artist for Richard Stark’s Parker: The Outfit. The awards were announced last night during a ceremony at Comic-Con International in San Diego.

Other winners included Vertigo’s American Vampire, by Scott Snyder, Stephen King and Rafael Albuquerque, for best new series,  Image’s Chew, by John Layman and Rob Guillory, for best continuing series, and Skottie Young for best penciler/inker for Marvel’s The Marvelous Land of Oz. Comic Book Resources earned its second Eisner for best comics-related periodical/journalism.

The complete list of winners can be found below:

Continue Reading »

SDCC ’11 | Oni announces Rascal Raccoon’s Raging Revenge

Brendan Hay of Robot Chicken fame is teaming up with artist Justin Wagner for a new series from Oni Press called Rascal Raccoon’s Raging Revenge. Announced at the Oni Press panel at the San Diego Comic-Con today, the book asks the question, “What if the coyote ever killed the Road Runner?”

The story stars Rascal Raccoon, a “meanie” in the cartoon world, who takes credit for the accidental death of his nemesis, Jumping Jackalope. Rascal goes through an existential crisis as a result of killing his arch-enemy and goes looking for new targets for his rage. The book comes out in December, and you can check out preview pages that were revealed at the panel after the jump.

Continue Reading »

SDCC ’11 | Dark Horse’s Star Wars comics go digital

Dark Horse announced at the Dark Horse/Star Wars panel today that it is adding Star Wars comics to its the Dark Horse digital store. Over 50 titles are available right now, including Star Wars: Crimson Empire, Marvel’s adaptation of Episode IV: A New Hope, The Clone Wars, Knights of the Old Republic, Legacy: War, Knight Errant, The Old Republic, Jedi: The Dark Side, and Darth Vader and the Lost Command. Dark Horse will continue to add both new and backlist Star Wars titles to their digital store weekly. The price point for single-issue comics is $1.99, but there are some bargains: KOTOR #1 and Clone Wars #1 are free, and Crimson Empire #1, Knight Errant #1, and The Old Republic #1 are priced at 99 cents. And it looks like the store is offering a discount on bundles of these comics, as it does with others, with a six-issue arc of Star Wars: Legacy, for example, priced at $8.99 instead of $11.99.

SDCC ’11 | IDW to publish Artist’s Edition of Eisner’s The Spirit

IDW Publishing announced yet another Artist’s Edition today at Comic-Con International in San Diego: A collection of Will Eisner’s The Spirit, to be released in 2012. The 144-page book will be shot from the original art, and the black-and-white strips will be photographed and reproduced in color in order to catch every nuance and correction — as you can see from the cover image. The book will also be in the large “Golden Age” format, which is bigger than the other Artist’s Editions.

Editor Scott Dunbier says this edition will focus on Eisner’s work from just after his return from World War II, because his work showed a new maturity in that period. “When he came back to the strip in 1946, he became, I think, one of the foremost comic artists ever,” Dunbier told CBR. “His storytelling reached such heights, he really produced a nearly unparalleled body of work during this period.” Dunbier and Dennis Kitchen, who is the agent for Eisner’s estate, are in the process of selecting the stories for the book.

Browse the Robot 6 Archives