censorship Archives - Page 3 of 6 - Robot 6 @ Comic Book Resources
The school board in the Japanese city of Matsue has restricted student access to Keiji Nakazawa’s Barefoot Gen, the autobiographical story of a six-year-old boy who survived the Hiroshima bombing.
The board ruled that the book will remain in elementary and junior high school libraries but only teachers will have access to it; students will not be allowed to check it out.
Barefoot Gen, which originally ran in Shonen Jump, a magazine for teenage boys, is based on Nakazawa’s own experiences; he was seven years old and on his way to school when the bomb was dropped, and the adult who was walking with him was burned to death on the spot, and his father, brother and sister were killed when their burning house collapsed on them.
The Matsue school board made its decision last December, after a complaint was filed with them alleging “Children would gain a wrong perception of history because the work describes atrocities by Japanese troops that did not take place.” Many Japanese nationalists deny that Japanese troops were involved in the Rape of Nanking or committed war crimes during World War II, such as the events depicted in the book. Nonetheless, the school board said its decision was based strictly on the level of violence in the books and not on the political nature of the complaint.
Barefoot Gen has been acclaimed worldwide, and it is included in the Hiroshima Public Schools’ peace education curriculum for elementary school students, although there have been calls for it to be removed from schools there as well.
Conventions | Nearly 10,000 people flocked to the Lexington (Kentucky) Comic and Toy Convention over the weekend, far exceeding expectations. [Kentucky.com]
Piracy | This is about movies and music more than comics, but it’s an interesting perspective: Thorin Klosowski explains why he gave up on illegal downloads. The short answer: It’s now easier to stay legit. [Lifehacker]
Commentary | Julian Darius takes a hard look at last week’s removal of Persepolis from Chicago classrooms and what that says about our society’s attitude toward torture. [Sequart]
Awards | Dave Brown received the Cartoonist of the Year award at the Society of Editors’ UK Press Awards. [The Independent]
Chicago Public Schools have been told to disregard an earlier order to remove Marjane Satrapi’s acclaimed 2000 graphic novel Persepolis. Instead, the Chicago Tribune reports, CEO Barbara Byrd-Bennett has asked that the autobiography no longer be taught to seventh-graders. It will, however, remain in libraries.
Word of the initial order spread quickly following the removal of copies of the book Wednesday afternoon from Lane Tech College Prep, one of the largest schools in the city. The move sparked outcry from teachers, parents and students, who had organized a protest for later this afternoon.
Although Persepolis in included in the district’s curriculum for seventh-graders, Byrd-Bennett said in a letter sent to principals this morning that it may not be appropriate for that age group. According to the Tribune, the district released images from the graphic novel depicting a man being whipped, burned with an iron and urinated on.
Depicting Satrapi’s experience is a child and young adult in Iran during the Islamic revolution, Persepolis has received almost universal acclaim. The 2007 animated adaptation directed by Satrapi and Vincent Paronnaud was nominated for an Academy Award.
Reports began circulating last night that Chicago Public Schools has instituted a ban on Marjane Satrapi’s 2000 graphic novel Persepolis. Copies of the book apparently were taken Wednesday afternoon from Lane Tech College Prep High School, one of the oldest, largest schools in the city, as a preamble to a district-wide ban.
ROBOT 6 reached out to the CPS press office this morning and has been promised a response by the end of the day.
Word spread through a post on the parent/teacher news blog CPS Chatter that included a photo of an e-mail (below) from Lane Tech Principal Christopher Dignam to his staff regarding the move. The only reason given was a directive handed down from a regular Chief of Schools meeting held Monday.
Retired CPS teacher Fred Klonsky had more information on his blog, noting a report from one teacher that “News on social media boards yield that CPS is claiming that there was a set of new books sent to schools and the distributor included copies of this one by mistake. Since CPS hadn’t paid for them, schools were asked to pull the books and send them back. ‘a mix-up.’ The books, in fact, were purchased some years ago by an English teacher when she applied (and received) a grant to pay for them.”
The story of Satrapi’s own experience as a young girl living through Iran’s Islamic Revolution, Persepolis has experienced near-universal acclaim, winning, among other awards, the American Library Association’s Alex Award for adult books that have special appeal to teenage readers.
UPDATE (9:46 a.m.): DNAinfo Chicago reports teachers, parents and students are planning a protest this afternoon in response to the graphic novel’s removal. The website spoke to a representative for Pantheon Books, Satrapi’s North American publisher, who noted that Persepolis has never been banned in the United States.
UPDATE 2 (10:38 a.m.): Mayor Rahm Emanuel has told DNAinfo Chicago he’ll “take a look into” the book’s removal.
UPDATE 3 (12:50 p.m.): Chicago Public Schools CEO Barbara Byrd-Bennett has told principals to disregard the previous directive. However, she’s asked that Persepolis not be taught to seventh-graders.
It was January 1955. Dwight D. Eisenhower was in the White House, Adventures of Superman was on television, and in sleepy Galesburg, Illinois (population 31,425), the local Exchange Club had seized upon one goal: the eradication of comic books that might fuel juvenile delinquency.
Writing for The Register-Mail, Galesburg County Library archivist Patty Mosher delves 58 years into the city’s past when, spurred by a National Exchange Club circular, the men of the local service organization set off to root out objectionable publications that targeted children and teens.
Sure, the “Galesburg cleanup,” as it became known, wasn’t as flashy as the mass burnings of comic books seven years earlier in Binghampton, New York, or as officious as the Cincinnati Parents Committee’s annual ratings reports.
But by gosh, it was well-organized!
Censorship | At least one comic, alas unnamed, was among the thousands of books removed this week from a Turkish government restricted list. Most of the bans were widely ignored anyway, but Metin Celal Zeynioglu, the head of Turkey’s publishers’ union, pointed out one important effect of lifting them: “Many of the students arrested in demonstrations are kept in prison because they’re carrying banned books. From now on, we won’t be able to use that as an excuse.” [The Australian]
Publishing | Tom Spurgeon’s latest holiday interview is with Shannon Watters, the editor of BOOM! Studios’ children’s comics line, which includes Adventure Time, Bravest Warriors and Peanuts. [The Comics Reporter]
Awards | Dotter of Her Father’s Eyes, by Mary and Bryan Talbot, has won the Costa Book Awards (formerly the Whitbread Awards) in the biography category, marking the first time a graphic novel has received the literary prize. “Just being shortlisted was amazing and hearing we’d won the category was stunning,” Mary Talbot said. “We’re delighted of course, both personally – it’s the first story I’ve had published – but also for the medium, I can’t believe a graphic novel has won.” [The Guardian]
Awards | Jacques Tardi, the acclaimed creator of West Coast Blues, It Was the War of the Trenches and the Adèle Blanc-Sec series, has refused France’s highest honor, the Legion d’Honneur medal: “Being fiercely attached to my freedom of thought and creativity, I do not want to receive anything, neither from this government or from any other political power whatsoever. I am therefore refusing this medal with the greatest determination.” [AFP]
The director of the Greenville County Public Library system in South Carolina has decided to remove Alan Moore and Jacen Burrows’ Neonomicon from library shelves following a patron complaint — even though her own board recommended that the book continue to be available.
The trouble started in June, when a parent allowed her 14-year-old daughter to check out the book, which was shelved in the adult section. “It looked like a murder mystery comic book to me,” Carrie Gaske said at the time. “It looked like a child’s book. I flipped through it, and thought it was OK for her to check out.”
Neonomicon is, of course, not a child’s book, as Gaske learned when her daughter asked the meaning of a “nasty” word. Gaske then gave the graphic novel a second look and saw that it included explicit sexual content. “I feel that has the same content of Hustler or Playboy or things like that,” she told local media. “Maybe even worse.” Gaske filed an official challenge to the book, and it was removed from circulation while the library’s internal committee discussed it.
Conventions | Creators like Neal Adams, Tim Bradstreet, Howard Chaykin, Amanda Conner and Scott Lobdell will headline the Long Beach Comic & Horror Con, held Saturday and Sunday at the Long Beach Convention Center. “I think most of our artists are thrilled to come back each year,” said Phil Lawrence, principal sales director for the event. “This is the earliest we sold out our Artists Alley and we have almost 190 tables. By focusing on the artists and giving them their due, they seem to keep coming back and signing up earlier — and they promote the show, which helps us out, too.” [Gazettes.com]
Occasionally we see public clashes between the mandate of public libraries to serve everyone without restricting access to books and the desire of parents and caregivers to keep children from seeing sexually explicit material they aren’t ready for.
The most recent incident involves a 10-year-old girl who checked out a stack of manga that included the second volume of Makoto Tateno’s Hero Heel from the White Center Library, just south of Seattle. The book had a parental advisory mark on the front cover (applied by the publisher, not the library) and was rated 18+ (again, by the publisher) on the back cover, but there was no family member watching what the girl checked out; her grandmother dropped her off at the library and waited in the car until she came out with her books. Her uncle, Travis De Nevers, found the book after she brought it home and wrote to the library, saying:
How can it be that a young girl can check-out this book? Why would it even be located in a place where children would have easy access to it? It was by chance that I happened to pick up the book from a pile of her library books and noticed the label.
I do not want this to happen again to my niece or other children. I am asking that you review your check-out practices and make the changes necessary to prevent it. Please send me a response detailing your steps to correct this serious situation.
(Note: The linked post includes fuzzy but NSFW scans from the book.)
“I don’t think he was objecting to us having it so much as how we are protecting kids her age from encountering things that might be difficult,” Bill Ptacek, director of the King County Library System, said in an interview with Robot 6. “Our response was, we are not in the business of policing what anybody gets. We adhere strongly to the idea of free and open access; we do expect either parents or caregivers to be actively engaged and be sure they are comfortable [with their children's choices].”
Publishing | Belgium, birthplace of Tintin and the Smurfs, is beginning to see its government-funded efforts to revive the country’s once-thriving comics scene pay off, with small publishing houses, self-publishers and digital comics portals springing up. [Deutsche Welle]
Creators | Habibi creator Craig Thompson posts an account of his recent trip to Jordan, which coincided with the troubles in Libya. Disconcertingly, he learned that Habibi is banned there, but his experiences in the schools and studios he visited stand in stark contrast to what the rest of us were watching—and even what he experienced while traveling from place to place. (Craig also gives a shout-out to a couple who got engaged while waiting in line to see him at the National Book Festival in Washington, DC; the groom-to-be concealed the ring in a hollowed-out copy of Blankets.) [Craig Thompson]
Banned Books Week kicks off today, and the American Library Association’s Office of Intellectual Freedom has lots of resources for those who are interested, including a blog and lists of the most challenged books over the past 10 years or so.
The Comic Book Legal Defense Fund, which is a co-sponsor of Banned Books Week, has a comics-specific list on their site as well, compiled by Betsy Gomez. Click on the title of any comic and you will get more details about the book, why it was challenged, and what the outcome was. The list includes everything from J. Michael Straczynski’s The Amazing Spider-Man to Alan Moore and Dave Gibbons’ Watchmen, and you could do a lot worse than to just spend the week reading those graphic novels.
The CBLDF also has a list of ComicsPRO retailers who are having special events around the country to celebrate banned comics, and offers brochures and other resources for retailers who want to have their own events.
Organizations | Jillian Kirby, the 16-year-old granddaughter of Jack Kirby, makes a pitch for Kirby4Heroes, a campaign to encourage donations to The Hero Initiative on Aug. 28, which would have been the legendary creator’s 95th birthday. [Los Angeles Times]
Comics | Roger Rautio, who’s spearheading an effort to establish a physical Comic Book Hall of Fame, said he’s received responses from officials in four cities — Chicago, Cleveland, New York City and San Jose — and he may meet with a Chicago city council member as early as next month. [North Country Now]
Creators | Cartoonist Reinhard Kleist discusses his graphic novel The Boxer, the true story of Polish Jew Harry Haft, who had to fight other prisoners at Auschwitz for the entertainment of the Nazi soldiers. [Deutsche Welle]
In one of the dumbest library challenges ever, Carrie Gaske of Greenville County, South Carolina, earlier this month caused Alan Moore and Jacen Burrows’ Neonomicon to be pulled from the shelves of the Greenville County library system after her 14-year-old daughter checked the book out and Gaske discovered it contained adult material.
The horror graphic novel was shelved, appropriately, in the adult section. Minors over 13 can check out adult books with a parent’s permission, so Gaske skimmed through the book, saw nothing offensive, assumed it would be a children’s book anyway because it’s a comic, and allowed her daughter to check it out. It wasn’t until they got home, and the daughter asked the meaning of an unfamiliar word, that Gaske realized it actually was an adult graphic novel and flipped out. She has challenged the book, and the library has removed it from circulation so a committee can review it. In other words: The library classified the book appropriately as an adult book, Gaske chose to ignore that classification, and now she wants to put it off limits to everyone.
On Monday, the Comic Book Legal Defense Fund teamed with the National Coalition Against Censorship and the American Booksellers Foundation for Free Expression to write a letter to the Board of Trustees of the Greenville Public Library calling for the book’s return to the shelves. The letter points out that withdrawing the book, even temporarily, infringes the First Amendment rights of all the adults who use the library.
The Cartoonists Rights Network International (CRNI) has bestowed the 2012 Courage in Editorial Cartooning Award on two artists who have experienced persecution for their work, Syrian Ali Ferzat and Indian Aseem Trivedi.
Ferzat, who is 60 years old, has been a cartoonist for many years, but he didn’t encounter trouble until 2011, when he drew a number of cartoons critical of dictator Bashar Al-Assad’s brutal suppression of the democracy movement. Syrian security forces abducted Ferzat and beat him, deliberately breaking both his hands. This did not silence him; on the contrary, he went public about the abuse, and his work is available (in Arabic) at his website. He also has a Facebook page.
Trivedi is the force behind the Cartoons Against Corruption website, which collects editorial cartoons protesting against not only government corruption but also attacks on free speech, including restrictions on the internet. Trivedi was charged with treason and “insulting national symbols” for this, but he nonetheless remains active in the free speech movement in India.
CRNI will present the awards during the Association of American Editorial Cartoonists convention in September.