Axel-In-Charge: Waid & Samnee on "Black Widow" and the Dawn of the All-New, All-Different Era
Digital comics | George Gene Gustines takes a quick trip through the landscape of digital comics, dropping in on Mark Waid, comiXology’s David Steinberger and Marvel’s Avengers vs. X-Men Infinite Comic. Much of this is familiar territory to regular readers of this blog, but hey, it’s The New York Times noticing digital comics! [The New York Times]
Digital comics | FreakAngels writer Warren Ellis looks at three recent digital comics, noting how they all limit themselves to “two-tier storytelling”: “Accepting and exploiting new limitations is always part of a new format. These three projects, though, can’t produce even a full-page spread without some serious scheming and dancing.” [Warren Ellis]
Conventions | Wizard’s executive chairman Mike Mathews tells Heidi MacDonald that after the resignation of former CEO Gareb Shamus, the company wants to be “a Switzerland of entertainment” and mend fences with members of the industry: “Gareb is one of these types of personalities who has taken strong positions over the years with various people in the industry and brands. And that kind of hurt us because of where we are trying to go — we’re trying to be a Switzerland of entertainment and we want to try to try to reach out to brands.” MacDonald notes the company is offering a $100 credit toward Wizard conventions to former Wizard subscribers whose subscriptions abruptly ended when the magazine was shut down. A new CEO is expected to be named early next month. [The Beat]
Conventions | Image Comics announced several more guests for the Image Expo, scheduled for Feb. 24-26 in Oakland, California. The lineup now includes Blair Butler, John Layman, Rob Guillory, Nick Spencer, Joshua Fialkov, Joe Keatinge, Jim McCann and Jim Zubkavich, among many others. [press release]
Organizations | The Associação da Luta Contra o Cancer is running an awareness campaign in Mozambique featuring images drawn by artist Maisa Chaves of Wonder Woman, Catwoman, She-Hulk and Storm checking their breasts for lumps. [Daily Mail]
Since I began interviewing comics creators back in 2005, I’ve talked to Brian Wood more than two dozen times. When we first spoke, Channel Zero had just been collected by AiT-PlanetLar and he was working on his second creator-owned project, The Couriers. Since then he grew into one of the biggest names in independent comics before graduating to the offices of DC’s Vertigo imprint, where he’s entered the mainstream with works like DMZ, Northlanders and his return to Demo. He recently completed writing his first work on company-owned characters in almost a decade, reviving Wildstorm’s Dv8 series. With DV8 and Demo v2 behind him and DMZ counting down to the final issues, Wood is redoubling his efforts on his Viking crime series Northlanders while getting ready for a new round of series — including one chronicling musicians that sounds like my new favorite comic.
Chris Arrant: Let’s start with an easy one – what are you working on today, Brian?
Brian Wood: Oh, I guess we’re starting off with me being lame and saying “its something I can’t talk about,” that’s yet to be announced. So let’s forget I said that and instead I’ll lie and say that today I started the first issue of the final year of DMZ. I’ll probably actually start on that tomorrow. I’ve also been on a real tear recently with coming up with new ideas and pitches, for some reason. I have that fear that all of us have at one point or another, which is the fear of not having another good idea ever again, the fear of not being able to create something to follow a current critical success. I mentioned DMZ in its final year. I also concluded Demo recently, and I finished writing DV8 many months back. A lot of stuff ending, and requiring a bunch of new stuff to replace it. A new “era” in my career, really, especially when it comes to doing something to follow DMZ. Anyway, after worrying too much I’ve enjoyed a real run of creativity, and have seven or eight mostly completed pitches just sitting here. Enough to last me a while.