Charles Burns Archives | Robot 6 | The Comics Culture Blog

Comics A.M. | 78-year-old collector has ‘rescued’ 75,000 comics

brown collection

Collecting | For the better part of three decades, 78-year-old Ray Brown has been “rescuing” comic books and giving them a good home — namely, his. The South Dakota man estimates his collection includes some 75,000 comics, the bulk of which he purchased from five Rapid City-area stores that went out of business. “They take up a lot of room,” he says. “They don’t eat anything, though.” Brown doesn’t read them, however; instead he simply takes pleasure in saving them from the trash bin. He does sell a few on the Internet from time to time, but he’s in no hurry to get rid them. [Black Hills Fox]

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10 creators withdraw names from Angouleme Grand Prix list [Updated!]

Julie Maroh's drawing from the BDEgalite website

Julie Maroh’s drawing from the BDEgalite website

Ten comics creators have withdrawn their names from consideration for this year’s Grand Prix d’Angouleme, in protest that the list of 30 nominees doesn’t include a single woman.

As of this morning, Daniel Clowes, Chris Ware, Charles Burns, Riad Sattouf, Joann Sfar, Milo Manara, Pierre Christin, Etienne Davodeau, Christophe Blain and Brian Michael Bendis have indicated, personally or through their publishers, that they are joining the boycott launched by the French group BD Egalite.

Meanwhile, Franck Bondoux, executive officer of the Angouleme International Comics Festival, defended the choices in the French newspaper Le Monde, saying the Grand Prix is a lifetime achievement award for artists who have reached a certain age. “Unfortunately, there are few women in the history of comics,” he said. “That’s the reality. Similarly, if you go to the Louvre, you will find few women artists.”

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Comics A.M. | DC and Marvel in the creator-owned era

Daredevil, by Marcos Martin

Daredevil, by Marcos Martin

Comics | David Harper examines why Marvel and DC remain important — “indispensable,” even — despite the ascendance of creator-owned comics. “Opposite to what it was before where you’d form yourself in your own comics and then graduate to the big companies, now the big companies are going to form you in order to graduate you to your own comics,” Marcos Martin explains. “That’s why I think Marvel and DC are indispensable. They’re great. That means there is an industry. We need that industry in order to bring creators and form them so they can at one point put together their own stories.” [Sktchd]

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Comics A.M. | Lethem to guest-edit ‘Best American Comics’

"The Best American Comics 2015," by Raymond Pettibon

“The Best American Comics 2015,” by Raymond Pettibon

Comics | Novelist Jonathan Lethem is the guest editor for this year’s Best American Comics collection, the first to come from outside the comics realm. Series editor Bill Kartalopoulos says he was “amazing”: “He clearly knows a lot about comics and cartooning. His novels draw on his lifelong love of comic books, he’s written Omega the Unknown for Marvel, and he’s more than familiar with the historical and contemporary landmarks in comics. But as someone who’s not ‘from’ the comics field he brings an entirely fresh perspective to the material from the past year that we considered for the book. He doesn’t bring any baggage to the table about who ‘should’ be included in this volume based on status or popularity or currency. Comics can be so insular sometimes, so we’re lucky to have this kind of attention from someone like Jonathan.” [Publishers Weekly]

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The comics industry cameos of Peter Bagge’s ‘Sweatshop’

Picture 4

You’ll be forgiven if you missed Sweatshop the first time around. Sure, it was created, written and mostly drawn by Peter Bagge, and yes, it was published by DC Comics, but not for long. It lasted just six issues in 2003 and, according to Bagge’s afterword to the new collection (published not by DC, but Fantagraphics), then-DC President Paul Levitz decided to pull the plug around the time the second issue shipped.

The unlikely pairing of DC with talent like Bagge was apparently an outgrowth of editor Joey Cavalieri’s success with the hardcover Bizarro Comics anthology, which teamed “alternative” comics creators with DC regulars. Bagge, who had written DC’s poorly received nine-issue Yeah!, met with Cavalieri and decided on a pretty perfect premise for a comedic comic book. (Yeah!, by the way, was drawn by Gilbert Hernandez and was also collected by Fantagraphics rather than DC.)

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Comics A.M. | Rhode Island Comic Con exceeds capacity

Rhode Island Comic Con

Rhode Island Comic Con

Conventions | The Rhode Island Convention Center exceeded capacity Saturday for what may be the first time in its history, leading the state fire marshal to temporarily bar entry to Rhode Island Comic Con. At one point, about 1,500 attendees were left out in the rain, including some people who stepped out for a minute and couldn’t get back in. Organizers sold a reported 23,000 tickets for a venue that holds just 17,000, and the way the show was configured reduced the capacity to about 15,000. They apologized Saturday afternoon for the “hiccup.” [Providence Journal]

Comics | Joshua Rivera picks the best comics and graphic novels of October. [Entertainment Weekly]

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Comics A.M. | Graphic novel sales up 10% in bookstores this year

Saga, Vol. 1

Saga, Vol. 1

Graphic novels | Sales of graphic novels are up 10 percent so far this year compared to the same period in 2013, according to Neilsen BookScan, which tracks sales in bookstores and other general retail channels. In terms of unit sales, that’s about 5.6 million books sold this year, as opposed to 5.1 million in 2013. The trend is echoed by Diamond Comic Distributors’ numbers for the direct market, which show graphic novels up 3.8 percent in dollars and 5.8 percent in unit sales year to date. [Publishers Weekly]

Creators | Alison Bechdel is having a busy week: Following the news that she has been awarded a prestigious MacArthur Foundation fellowship, she announced her new book: The Secret to Superhuman Strength, a memoir of her obsession with exercise and a history of American fitness fads, to be published in 2017 by Houghton Mifflin Harcourt. [The New York Times]

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Comics A.M. | Chinese cartoonist fears returning home

A cartoon by Biantai Lajiao

A cartoon by Biantai Lajiao

Political cartoons | “I think it might be pretty risky to go back home,” says Chinese cartoonist Wang Liming, who’s on Japan in a business trip and is thinking about staying there. “If I go back, they might use my cartoons as an excuse to detain me.” Liming, whose pen name is Biantai Lajiao (Perverted Chili Pepper), was arrested and briefly detained in 2013 on charges of “rumor-mongering,” stemming from a post on the microblog site Weibo. This time, an anonymous commenter on a state-owned discussion board called Liming a “traitor” because of a cartoon he posted online that showed mainland Chinese being sent to Hong Kong to oppose the Occupy Central pro-democracy campaign and demonstrate how to kowtow to the government. “That post is written like something out of the Cultural Revolution,” Liming said, calling it a “smear campaign.” He has 500,000 followers on Weibo and another 340,000 on Sina Weibo, and he says he is losing income because his accounts have been shut down. [Radio Free Asia]

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Comics A.M. | Phoenix Comicon disrupted by malfunctioning fire alarm

Phoenix Comicon

Phoenix Comicon

Conventions | The Phoenix Convention Center was evacuated Thursday, the first day of Phoenix Comicon, after a fire alarm was triggered by a damaged heat sensor (something similar occurred during last year’s event). Attendees were allowed back in to the venue after about 30 minutes. The convention, which in 2013 drew a record 55,000 people (leading organizers to cap attendance), continues through Sunday. [The Arizona Republic]

Retailing | Kirby Tardy, owner of Collectors Comics in Grand Rapids, Michigan, looks back at 35 years in the business. The store opened downtown in 1979 as Opalia’s Amorphium, and started out carrying a wide range of merchandise; since then it has gone in the opposite direction from many comics shops and focuses mainly on comics themselves, not peripheral items like figures or games. At one time there were several branch locations, and Tardy and his wife Debbie spent a lot of time going to comics conventions in the 1990s. The couple is planning to retire next year, but hopes the business will continue with new owners. [MLive.com]

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Comics A.M. | Final Dandy print edition features Paul McCartney

Publishing | The final print edition of the 75-year-old children’s comic The Dandy arrives Tuesday, featuring a cameo by none other than Paul McCartney. When it was announced the publication would move online, McCartney wrote the editors explaining it was his lifelong dream to appear in the comic; tomorrow he’ll be seen along with Desperate Dan. [Daily Mail, Daily Mail]

Passings | Jeff Millar, the co-creator, with Bill Hinds, of the comic strip Tank McNamara, has died at the age of 70. [Houston Chronicle]

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Comics A.M. | Angoulême announces official selections

40th Angoulême International Comics Festival

Awards | Although the website for the 40th Angoulême International Comics Festival is down, several outlets managed to pick up on the official selections for the 2013 festival, to be held Jan. 31-Feb. 3. Contenders for book of the year include Big Questions by Anders Nilsen, Daytripper by Gabriel Ba and Fabio Moon, Fables by Bill Willingham, Matthew Sturges and others, The Hive by Charles Burns, The Nao of Brown by Glyn Dillon, Paying For It by Chester Brown, and The Walking Dead Vol. 16 by Robert Kirkman and Charlie Adlard. Fatale Vol. 1 by Ed Brubaker and Sean Phillips, and The Green River Killer by Jeff Jensen and Jonathan Case were among those named in the crime comic category. [BoDoi]

Publishing | Bluewater Productions Publisher Darren G. Davis isn’t afraid to talk about real numbers: Bluewater’s income is about $2 million a year, and the most popular titles sell 5,000 to 10,000 copies apiece, although others never make it out of the triple digits. And while he admits he doesn’t have a thick skin, Davis says he has gotten used to criticism: “I’ve learned that I’m not my company. When they attack my company, they are not attacking me personally.” [The Columbian]

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This weekend, it’s the Brooklyn Comics and Graphics Festival

One of the more interesting, art-focused and idiosyncratic comic conventions around, the Brooklyn Comics and Graphics Festival, will take place this weekend.

The bulk of  festival will be held from noon to 7 p.m. Saturday at Our Lady of Mount Carmel Church, located  in the Williamsburg section of Brooklyn, N.Y. The show has expanded considerably, however, to include a number of other events, including gallery shows and a film festival.

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Food or Comics? | Havarti or The Hive

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

The Hive

Chris Arrant

If I had $15, I’d make up for lost time and get the first collection of Mind the Gap (Image, $9.99). Rodin Esquejo is an absolute gem in my opinion, and Jim McCann looks to have crafted a story with some definite suspenseful power. After that I’d get James Stokoe’s Godzilla: Half Century War #3 (IDW, $3.99). This has become one of my favorite serials to come out, which for a work-for-hire book is tough. Instead of doing a story in service of the concept, it uses the concept to create a great story – and Stokoe really loves Godzilla and puts a face to those humans who oppose him. Finally, I’d get the free Cyber Force #1 (Image/Top Cow, $0) because, well, it’s free. I have an unabashed love for the original Cyber Force, and previous reboots haven’t really gelled the way I wanted to. I’m excited to see what Matt Hawkins brings to this, and I’m glad Silvestri is involved even if only on covers and designs.

If I had $30, I’d first stop for Glory #29 (Image, $3.99). I tend to read this series in built-up bursts, and I’m overdue to catch up. I like the monstrous rage Ross Campbell brings to this, and seeing Joe Keatinge capitalize on the artist he has to create a broader story is thrilling. After that I’d get a Marvel three-pack in Hawkeye #3 (Marvel, $2.99), Daredevil #19 (Marvel, $2.99) and AvX Consequences #2 (Marvel, $3.99). I’d buy David Aja illustrating a phone book – seeing him getting a great story is icing on the cake.

If I could splurge, I’d lash onto Charles Burns’ The Hive (Pantheon, $21.95). I’m reluctantly late to the game when it comes to Charles Burns, but X’ed Out clued me into his awesome cartooning power. After devouring his previous work, I’m excited to read The Hive as it first comes out. I don’t quite know what to expect, but after finally coming around to Burn’s skill I’m up for pretty much anything. Continue Reading »

What Are You Reading? with Jay Faerber

Welcome to What Are You Reading?, our weekly look at what’s been on our nightstands lately. Our guest this week is Jay Faerber, writer of Dynamo 5, Near Death and Noble Causes. The second Near Death trade just came out this week, and his new comic, Point of Impact, comes out Oct. 10.

To see what Jay and the Robot 6 crew have been reading, click below.

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Food or Comics? | Wonton soup or Womanthology

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

20th Century Boys, Volume 22

Chris Arrant

If I only had $15, I’d walk out a happy camper despite only having one book, because that book is 20th Century Boys, Vol. 22 (Viz, $12.99). While your typical American comics fan may have no idea who Naoki Urasawa is, he is in my mind undoubtedly the best cartoonist working today. Twenty-two books in and he hasn’t let up, delivering comics’ example of long-run storytelling perfection a la Sopranos. Friend is one of the most terrifying villains I’ve seen in comics in some time, and the mad assemblage of childhood pals out to stop him are some of my most treasured fictional friends.

If I had $30, I’d come back to comic stores on an American tip, starting off with Godzilla: Half Century War #2 (IDW Publishing, $3.99) by James Stokoe. I missed this when the first issue came out, but since then I’ve found it and relished its pure cartooning chaos. The first issue was an ideal debut, and I’m interested to see Stokoe take Lt. Murakami to Vietman in the ’60s for the ongoing war on Godzilla. After that I’d get the satisfying chunk, Dark Horse Presents #16 (Dark Horse, $7.99). I’ve been repeating the same praises every month, so let me try to spin it differently. This new issue, I have little idea what’s in it besides the return of Crime Doesn’t Pay; there’s a new series by Jimmy Palmiotti and Justin Gray in it I have heard nothing about, but DHP has re-built its track record of excellence and I’m fine spending $7.99 sight unseen. My final pick would be Daredevil #18 (Marvel, 2.99). Chris Samnee is quite different than the original artists on the book, but is excelling with Mark Waid in a new way — and that’s good. Instead of aping what had gone before, Samnee assuredly gives us his own style that would make any true fan of art in comics smile.

Oh ,wait, I found some money. I know, I’ll buy Memorial, Vol. 1 (IDW, $24.99). I missed this in singles, and this hardcover looks like the perfect chance to me to make up for past mistakes. These covers by Michael WM Kaluta really get my heart beating, and I’ve been wanting to read more of Chris Roberson on his own. The preview on IDW’s website gives me the impression it’s got down-to-earth personality amidst a fantasy world, and reminds me of classic supernatural fiction like A Wrinkle in Time or The Lion, the Witch and the Wardrobe.

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