Crime | Police arrested and released two suspects in the murder of Kenneth McClure, the St. Louis retailer found shot to death on Tuesday. Prosecutors have asked for more evidence before deciding whether to file charges against the 25-year-old woman, who had reportedly worked at Legends Comics & Sports Cards and had been in a relationship with McClure, and a 32-year-old man, who is related to the mother of the 13-year-old girl who accused McClure of rape. [St. Louis Today]
Publishing | DC Comics announced three promotions in its manufacturing and operations departments: Alison Gill to senior vice president-manufacturing & operations; Nick Napolitano to vice president-manufacturing administration; and Jeff Boison to vice president-publishing operations. DC Publicity Manager Alex Segura also announced this morning that today is his last day at the company. [The Source, The Source]
Comics | A copy of Detective Comics #27 bought for 10 cents by Robert Irwin in 1939 sold at auction Thursday for $492,937. It’s not a record price for the first appearance of Batman — a CGC-graded 8.0 copy fetched more than $1 million in February — but the $400,000 that the 84-year-old Irwin will make after the commission fee is subtracted will more than pay off the mortgage on his home. [Sacramento Bee]
Digital piracy | The U.S. Senate Judiciary Committee on Thursday unanimously approved a bill that would grant the Justice Department the right to shut down a website with a court order “if copyright infringement is deemed ‘central to the activity’ of the site — regardless if the website has actually committed a crime.” In short, Wired’s Sam Gustin writes, the Combating Online Infringement and Counterfeits Act “would allow the federal government to censor the internet without due process.” [Epicenter, AFP]
Programming Director Bill Kartalopoulos has released the programming schedule for the upcoming 2nd annual Brooklyn Comics and Graphics Festival, taking place on Saturday, Dec. 4 in Williamsburg, and it’s a doozy. Lynda Barry & Charles Burns and Françoise Mouly & Sammy Harkham will be paired off in panels that are perhaps the highlight of the show, while other spotlighted cartoonists include Golden Age artist Irwin Hasen (in conversation with Paul Pope, Evan Dorkin, and Dan Nadel) and Big Questions author Anders Nilsen, who drew the still-awesome poster you see above.
Check out the full schedule in the BCGF press release after the jump.
Publishing | Japanese magazine publisher Enterbrain has pulled both volumes of Kazuaki’s manga Kai Yorihito Kaiyori Shiki because of the unauthorized use of licensed photographs. The editors and the creator have apologized to readers and the copyright holders. [Anime News Network]
Retailing | Erik Henriksen surveys Portland, Oregon-area retailers about the potential effects of digital comics on the direct market. “Digital has blown up at a time when print sales are falling due to high prices combined with an over-saturated market,” says Adam Healy of Cosmic Monkey Comics. “Digital comics are one of the few ways to bring in new readers and perhaps lure back old readers. The vast majority of the public is barely aware comics are still being made, and fewer still are willing to make a special trip to a comic book store to figure out what’s going on in the comic world. Digital sales potential is in the millions, whereas print comics sales’ ceiling currently is around 100,000. Digital is not a threat to print sales, mostly because they are so low already.” [The Portland Mercury]
Aboard the CBR mothership, Alex Dueben talks to Black Hole author Charles Burns about his new book X’ed Out, in stores this week from Pantheon. And by the sound of it, the book — the first in a trilogy — is thoroughly indebted to Belgian comics master Hergé’s timeless Tintin tales, from the cover to the coloring to the format itself:
There’s certainly a very strong Herge influence. If you just think of the Franco-Belgian style of creating comic albums in that format, the way those European make them which is the 64 pages, 48 pages. A hardbound albums with continuing characters. I was one of those rare kids of my generation who grew up reading Tintin and it had a very profound effect on me, so this is the way that I can kind of reflect on that and play with some of those ideas.
“Black Hole” was always conceived of as being a book that would be all collected together. I’m not conceiving of this as, “Here’s three books that will eventually be collected into one book.” When I get interviewed by the French and Belgian press, I won’t be answering this question, because it’s a different tradition. I’m kind of emulating that tradition by doing a series of books in this manner. For example, when I was doing a signing in Southern France, there was someone who came up to me and who explained that he was really hesitant to buy “Black Hole” for a long time because it just seemed too foreign to him, this idea of this big volume. He wasn’t used to that idea of the graphic novel format, whereas now, it’s really been assimilated over there and popular over there as well. Here, the questions I get asked are, “Gee, this seems like a really slender volume for a graphic novel.” It’s not trying to pass itself off as a big graphic novel. It’s a different style of storytelling.
Unfortunately, Hergé passed away before he could ever release a graphic album in which he processed the influence of Charles Burns. Too bad — I would have liked to have seen Captain Haddock grow a small but strangely erotic vestigial tail.
Welcome to What Are You Reading?, where the Robot 6 crew talks about the books that made it off our “to read” piles and have moved on to greener pastures. This week our special guest is J. Caleb Mozzocco, who blogs regularly at Blog@Newsarama and on his personal blog Every Day Is Like Wednesday.
To see what Caleb and the Robot 6 crew have been reading, click below …
From Timely to Hepburn to Zatanna, Robot 6 now turns its gaze for its week-long themed sketchbook spotlight into the visage of star of screen, TV and sometimes even comics: Mr. T.
These sketches were accumulated by longtime comics fan Rico Renzi.
“I’ve been a comic convention-going-sketch-addict since I got my first Brian Stelfreeze Batgirl at Heroes Con in 1997,” Renzi says. “I started my Mr. T sketchbook at a local comic show, the Small Press Expo, in 2000, I think. While it’s cool to see independent comic artists’ take on your favorite superhero, at the time I was losing interest in those kinds of comics. Mr. T see seemed like someone who although he was a real person, was a cartoonish enough that he could be drawn quickly by pretty much anyone without reference.”
“It’s been a blast to see what people think of when they hear his name,” says Rico. “My first book is completely full, I’ve been thinking of starting a second volume. I miss getting Mr. T sketches!”
To see Renzi’s collection so far, he’s set up a blog at mrtsketchbook.tumblr.com.
As the final days of summer start to waste away and you’re looking for something to enjoy before hitting the books for school, there’s no better place to find some good stuff to read than right here in our weekly What Are You Reading? column.This week our guest is journalist/blogger Heidi MacDonald, of The Beat and Publishers Weekly fame.
To see what Heidi and the rest of the Robot 6 crew have been reading, click below …
OK, I’m not going to be winning any photography awards anytime soon, but I picked up a lot of interesting comics at the American Library Association midsummer meeting, and I wanted to write about them while they were still fresh.
Hit the jump for details.
- AdHouse will distribute 3X4, by Scott Morse, Lou Romano, Don Shank and Nate Wragg, the guys behind Sex and Science and The Ancient Book of Myth and War. AdHouse describes the book as “a unique collection of paintings built around the simple aesthetic of the numbers 3 and 4. Be it shape, line, texture, or color, this collection dares to boldly add a new perspective to modern art.”
- Per Ross Campbell, the sixth edition of his popular Wet Moon series of graphic novels from Oni Press is now slated to come out next year. “I’ll be finished with the book on the same schedule, but Oni has restructured their workflow a bit so their turnaround/build time is longer now, making WM6 most likely a February 2011 release,” he wrote.
- Heidi at the Beat points out that this preview of the London Book Fair by Publishers Weekly reveals that Ben McCool and Billy Tucci are working on a graphic novel adaptation of the film Alexander Nevsky by Russian director Sergei Eisenstein.
- Jim Rugg will debut a new Rambo minicomic at this weekend’s SPACE event.
- Meathaus has scans of a Charles Burns minicomic called Free Shit “with preview art from an upcoming project of his.”
- Rami Efal has self-published Never Forget, Never Forgive, which was originally serialized on the webcomics collective site ACT-I-VATE. “It is a tragedy taking place in 16th century Japan and is a cross between Kurosawa’s Throne of Blood, Sophocles’ Antigone, and Lone Wolf and Cub,” according to the author.
Photographer Max Oppenheim and prosthetics artist Bill Turpin‘s recreations of the “yearbook photos” found in Charles Burns’s teen-sex-horror graphic novel Black Hole are spreading around the nerd Internet like the teen plague itself. You can find a couple at the Fantagraphics blog, and a couple more at Boing Boing, and a few more at io9, and the whole set at The Operators. Oppenheim and Turpin created the images for British magazine 125, but they’ll be on permanent display in my nightmares.
He’s the man who helped bring us the sublime Kramers Ergot 7 and the ridiculous Boys Club. Now publisher Alvin Buenaventura is lending his Midas touch to stalwart literary magazine The Believer for its annual Art Issue.
At his Blog Flume group blog, Buenaventura reveals that In addition to an Acme Novelty Library/Jack Surives “crossover cover” by regular cover artist Charles Burns, the issue features an interview between Acme‘s Chris Ware and Jack‘s Jerry Moriarty, other interviews with Aline Kominsky-Crumb and Peter Blegvad, and a poster by Moriarty.
Finally, the issue sees the launch of a new monthly feature: a comics spread featuring new strips from Burns, Al Columbia, Matt Furie, Tom Gauld, Lisa Hanawalt, Tim Hensley and more, edited by Buenaventura himself.
Click over to Buenaventura’s blog for sample art, click the individual links for the respective features, and get ready to gorge on some great comics content.
Wow — between this and issue #33 of The Believer‘s sister publication McSweeney’s Quarterly Concern, dubbed The San Francisco Panorama and featuring comics by Art Spiegelman, Chris Ware, Dan Clowes, Erik Larsen (!) and more, it’s a good time to be a fan of comics in high-end literary periodicals.
Correction: The above image was misattributed to Charles Burns, when the artist was in fact Ray Frenden. Our apologies to Mr. Frenden.
Found via Sean Collins.
The all-new, all-improved Savage Critics is off to a great start so far, as new hires Sean T. Collins and Dick Hyacinth offer their own takes on one of the best graphic novels of the past 10 years, Black Hole. Here’s Sean:
Needless to say that’s just about the most accurate depiction of the emotional life of teenagers I’ve ever seen. It’s how I remember high school. It’s not terribly far removed from how I remember college. (And to be perfectly honest, when I think of how I look at the world even now, it’s within spitting distance of how I live today, which is probably a big part of why this is one of my favorite comics.) But of course, things do change. Bad things usually get better, which is why it’s such a goddamn tragedy any time a teenager commits suicide because of a bad grade or a breakup–or when a group of sick kids feels it necessary to drop out of school, run away from home, and in the case of some characters literally throw their lives away. And unfortunately, good things often get worse; parents do understand, at least some of the time, and it’s damn hard to tell someone “I’ll love you forever, no matter what” and mean it, and two stoners driving across country probably won’t be able to find a cozy apartment where he can make an honest living and she can work on her art and they both live happily ever after. That’s a tragedy too.