Legal | Asterix co-creator Albert Uderzo has filed a legal complaint against his daughter Sylvie and her husband Bernard Choisy, claiming “psychological violence.” The dispute began in 2007, when Sylvie and Bernard were dismissed from their positions at Les Éditions Albert René, which published Asterix; a year later, Uderzo sold his stake in the company to Hachette Livre. The two filed their own legal challenge in 2011, claiming Uderzo, who is now 86, was being exploited by others. In this week’s filing, Uderzo says he is perfectly capable of managing his own affairs, and adds, “The sole purpose of these acts is to undermine our psychological integrity and to hasten our debility, in order to get their hands on our legacy, which they covet.” [The Guardian]
You can add Charles Schulz to the long list of artists who have been featured in IDW’s Artist’s Edition series. Along with the Jim Steranko S.H.I.E.L.D. and Captain America editions, the Dave Gibbons Watchmen edition and Jack Kirby’s New Gods edition came the news that IDW will release a Peanuts Artist’s Edition.
“Having grown up with Charlie Brown, Linus and his blanket, Snoopy and the Red Baron…I could not be happier about bringing them into the IDW family,” said Ted Adams, CEO and Publisher of IDW Publishing, in a press release. “In the world of comic art, it does not get any bigger than Peanuts.”
The first is Batter Up, Charlie Brown, another in the series of Peanuts collections organized around a theme, rather than chronologically. It’s due in April, just in time for Opening Day. As Tom notes, this must mean that last year’s Christmas-themed book went over pretty well, and he also points out that the 65th anniversary of the strip is coming up in 2015.
Next up is The Complete Eightball, collecting the first 18 issues of Daniel Clowes’ comic in a deluxe format, two hardcover volumes in a slipcase. Eightball has been collected before, but not like this: In addition to the prestige format, the new edition, which coincides with the 25th anniversary of Eightball‘s debut, includes material that has only been published in the original comics. Fantagraphics Associate Publisher Eric Reynolds told Spurgeon there is “a not-insigificant amount of strips that for whatever reason, Dan never wanted to collect.” The book will also include additional commentary by Clowes, making it sort of the director’s cut of Eightball. Watch for it in August 2014, and start saving now, as the list price is $95.
Finally, there’s Buddy Buys a Dump, the latest collection of Peter Bagge’s Buddy Bradley comics, and the first to appear in seven years. The 144-page book will include some previously unpublished material, and the expected publication date is in April.
Auctions | The original art for two Peanuts Sunday comics, one of them autographed by Charles Schulz, sold for a combined price of $78,200 at auction on June 6. [artdaily.org]
Creators | Zander Cannon and Kevin Cannon, who are doomed to be forever yoked by the parenthetical phrase “no relation,” reminisce about the days when they were paid for their work in beef, and talk about their digital-first strategy, serializing Zander’s Heck and Kevin’s Crater XV in their monthly digital magazine Double Barrel before releasing them in print. Mark Waid drops in to praise the Cannons for their digital strategy, saying, “If you let the audience access your material over the Web rather than force them to search — often in vain — for a retail outlet, they’ll be your fans for life.” [Minneapolis Star Tribune]
Comics | To mark the 75th anniversary of Superman, and the premiere this week of Warner Bros.’ Man of Steel, Edward Helmore of The Telegraph recounts the long and bitter legal feud between DC Comics and the families of creators Jerry Siegel and Joe Shuster over the rights to to the multibillion-dollar property, a battle from which the publisher has seemingly emerged victorious. [The Telegraph]
Comics | The New York Post’s Reed Tucker has some ideas on how to “fix” comics, starting with cutting the cover price to increase sales. [Parallel Worlds]
Comics | With an exhibit of original art from Charles Schulz’s Peanuts opening in a local gallery last week, a local comic convention in the works, and a thriving comics retail scene all year round, South Florida could just be the next comics hotspot. [WLRN]
I’m sharing this mostly because I just like holiday cards from comics publishers, whether I get them in the mail or see them on someone’s blog. But I also appreciate that this one includes three comics incons and the reminder that Fantagraphics has Christmas-related books featuring each of those characters. I’ve already mentioned Charlie Brown’s Christmas Stocking a couple of times (I have a copy and it is indeed as sweet and lovely as it looks), but didn’t realize that Nancy Likes Christmas and Walt Disney’s Donald Duck: A Christmas for Shacktown are also things that exist. Gonna need at least that Donald Duck one.
– Craig Schulz, son of Charles Schulz, on the ripeness of a CGI Peanuts movie
“Yeah, the technology is right. Because pen and paper was never quite good enough.”
– Russ Fischer, commenting on the story for /Film
I get what Schulz is saying. “This film” doesn’t refer to just any Peanuts movie. There have already been at least two of those in traditional, hand-drawn animation. What he’s saying is that if they’re going to try to translate the Peanuts characters to CGI, that’s not something he wanted to rush into.
But while I’m not sure that Fischer’s snark is all that fair, I’m also not exactly sure why now is suddenly the time where technology has caught up and is adequate for portraying Charlie Brown’s round head and Lucy’s lumpy hairdo as computer animation. Is Schulz suggesting that the Peanuts CGI movie needs a level of technology greater than say, Toy Story or How to Train Your Dragon?
As explained on the Fantagraphics website, most of Charles Schulz’s creative energy went into the daily Peanuts comic strip, but he also made some special side projects featuring his famous characters. This month, the publisher is releasing a collection of two of those projects, both Christmas-themed.
The title of the collection gets its name from the earlier project, 1963′s Charlie Brown’s Christmas Stocking, a collection of 15 one-panel cartoons for Good Housekeeping. Each features Peanuts characters offering a joke or reflection on the season. The other piece is a story from a 1968 issue of Woman’s Day in which Linus and Lucy explain the meaning of Christmas to Snoopy, with the beagle offering his own opinion at the end.
Fantagraphics has created one of those cool, flip-through videos for the book, which you can see below.
No one needs to hear me speak of the virtues of Charles Schulz’ s Peanuts, one of the greatest comic strips and one of the greatest long-form narrative works of art of any medium. Plenty of much smarter people who can communicate much more clearly and cleverly than I have already done that in plenty of different places.
And the fact that so many newspapers continue to re-run old strips of Schulz’s so long after his death instead of filling that valuable (to cartoonists) space with something—anything—else is about as eloquent expression of the regard Schulz is held in as anything I could pound out in a few sentences here.
Do note that, when Schulz passed away, no descendant of his or hand-picked assistant/apprentice took over the strip for him—Peanuts not produced by Schulz was apparently judged so wrong it wouldn’t even be attempted, better to just have folks re-read older strips than attempt new ones by someone else.
That was a big part of the reason I was so shocked when Boom Studios announced a new ongoing Peanuts comic book series on their Kaboom kids imprint. They had previously produced an original graphic novel based on a new animated special which itself was pieced together from Schulz strips—last spring’s Happiness is a Warm Blanket, Charlie Brown—but this seemed like something pretty different. It wasn’t a media tie-in or a one-off lark project, it was going to be something rather sustained.
Did you pick up Peanuts 1 yesterday? If you love all ages books, you should have. The first issue of this ongoing KABOOM! monthly features new stories by Vicki Scott, Paige Braddock, Shane Houghton and Matt Whitlock–and original Charles Schulz stories of course. In fact, Braddock wears many hats on this project. First off, she is the creative director of Charles M. Schulz Creative Associates. Secondly Braddock (also creator of the ensemble comedy comic strip, Jane’s World) inks the stories, as well provides colors on the cover. Anytime an all ages title like this new release from the KABOOM! gang (in partnership with Peanuts Worldwide) comes out, I want to shout it from the rooftops. On a personal level, I am overjoyed to interview Braddock in this brief email interview, as I have been a fan of her work since her days many, many years ago–on staff as an illustrator at my local newspaper, The Atlanta Journal-Constitution. As much as I wanted to interview her some about Jane’s World and The Martian Confederacy (her collaboration with Jason McNamera), I opted to make the focus of today’s interview on Peanuts. My thanks to Braddock for her time.
Tim O’Shea: Were you involved in selecting the other writers of the stories, such as Shane Houghton and Vicki Scott?
Paige Braddock: Shane Houghton was selected by Boom, but I was familiar with his other work on Reed Gunther. Shane also did some test pages for Boom and we reviewed those at the studio. I met Vicki Scott during the Happiness is a Warm Blanket graphic novel project. It’s a funny story actually… I had met her husband, Bob, who was at the time an animator at Pixar. I knew his work and contacted him about working on the graphic novel. He was pretty busy so he suggested that maybe his wife could help out. I was thinking to myself, his wife?! Then of course his wife, Vicki, turned out to be this incredibly talented artist. Since that first project, she and I have collaborated on a couple of children’s books based on the Peanuts characters. Vicki also turned out to be quite gifted at writing and capturing the “voice and tone” of these characters.
Last year around this time, Calamaties of Nature creator Tony Piro posted a pointed parody of A Charlie Brown Christmas. It was well received, but, imitation being the sincerest form of flattery, it was also copied, altered and posted all over the internet without attribution.
Yesterday, Piro noted the problem:
My use of the Peanuts characters, in a comic that I drew and wrote myself, is allowed as a parody. But when people grab my art, change a few words, and label it as their own, it amounts to theft. Of course people are free to make their own parodies, but they should use their own art and writing. I could attempt to police these copies, but ultimately this is impossible to do on the internet, especially once images start spreading on social sites like Facebook.
Of course, if his appropriation of Charles Schulz’s characters is allowable as parody, couldn’t some of his imitators claim the same thing about their appropriation of Tony Piro’s comic? Semantics aside, Piro realizes the futility of trying to stop the appropriators, so his solution is to ask his readers to post his version of the comic, with attribution, in a sort of good-information-crowds-out-bad strategy. To show that he’s no Grinch, Piro will donate $1 to Doctors Without Borders for every 500 extra page views the comic gets.
And to round out this Christmas story, someone popped up in comments to apologize for unknowingly using an altered version of the comic. Of course, the trolls were there too…
Following the announcement of the creators for their new Peanuts ongoing series, BOOM! Studios has announced variant covers for the first four issues available to comics retailers as order incentives. The covers feature Charlie Brown, Lucy, Linus and Snoopy as they first appeared in the comic strip reproduced directly from Charles Schulz’ original panel art.
The first Peanuts miniseries, which BOOM! confirmed will be published as a series of miniseries a la Hellboy, will hit stores in January. Check out the other covers after the jump.
BOOM! Studios has announced the creators for their upcoming Peanuts comic book, which will feature both new stories and reprints of strips by creator Charles Schulz.
The ongoing series, which was announced last summer as a part of their KABOOM! kids line, will feature new stories by Vicki Scott (Happiness is a Warm Blanket, Charlie Brown), Paige Braddock (Creative Director at Charles M. Schulz Creative Associates, Jane’s World, Martian Confederacy), Shane Houghton (Reed Gunther) and Matt Whitlock. Scott and Braddock worked together on a story that appeared in #0 preview issue that was released earlier this month.
This isn’t the first time Charlie Brown and the gang have appeared in comic book form, and it isn’t even the first time they’ve appeared in comics done by someone besides creator Charles Schulz. As detailed on Comicartville.com, the Peanuts characters appeared in numerous comics in the 1950s and 1960s, some of which were reprints of newspaper strips, some new stories by Schulz and some by artists who worked for him.
“I’ve always been under the impression that Charles M. Schulz always drew and directly supervised all aspects of his strip and characters, so this was something of a surprise,” wrote Dr. Michael J. Vassallo on Comicartville.com. “From a variety of sources, I learned that these DELL issues were produced by a crew of artists working for Schulz and who did advertising artwork for him. The main artist was Dale Hale. This information has been confirmed for me by the late comic strip art collector/historian/agent Mark J. Cohen, who was gracious enough to ask Charles M. Schulz over dinner about his contribution to those Dell issues. Mr. Schulz enumerated that he did the very first one himself with Jim Sasseville doing the next few and Dale Hale doing all the rest.”
This first issue of Peanuts ships in January.
Fantagraphics sent over their list of books debuting at the San Diego Comic-Con later this month, and boy is it packed tighter than my suitcase on vacation day. The publisher will have almost two dozen new books at the show, including the last Mome; new stuff from Michael Kupperman, the Hernandez Bros. and Johnny Ryan; tons of Eurocomics; a Lou Reed/Edgar Allan Poe joint; and more. Check them out:
Love & Rockets New Stories 4 by Los Bros Hernandez: Featuring new stories by Jaime and Gilbert, including new material featuring Maggie set in the present and during her teen years.
Mark Twain’s Autobiography by Michael Kupperman: Probably the one I’ve been looking forward to the most, Kupperman publishes Mark Twain’s “biography” since the day the author/humorist died through last year — including his affair with Marilyn Monroe and his time-traveling adventures with Einstein.
Prison Pit Vol. 3 by Johnny Ryan: More deranged, twisted ultraviolent fun from Ryan.
We sometimes get so immersed in our little world of words and pictures that it can be difficult at times to remember that comics are part and parcel of the larger pop culture and, as such, could often be referenced in other medium, like films and pop songs.
With that in mind, and since I’m always fascinated by this sort of cross-pollination, I thought I’d make a quick (and by no means definitive) list of some songs based on or about some beloved comic book characters. As a self-imposed caveat, I tried to stay away from theme songs or film contributions, so as much as I love The Ramones’ version of “Spider-Man,” I’m keeping it off the list for that reason.
Oh, and don’t forget to offer you’re own picks in the comments section …
1. Evangeline by Matthew Sweet
Sure, anyone can make up a song about Superman or Wonder Woman, but if you really want to establish your nerd cred, you need to write a song about a comic book character so long-forgotten even serious fans would need ten minutes or so to scratch their heads before saying, “Oh yeah, her.” So it was with Gen X songsmith Matthew Sweet, who penned a rather plaintive paen (“as sung by Johnny Six” the liner notes helpfully tell us) to the “sexy, killer vigilante nun” created by Chuck Dixon and Judith Hunt back in the heady days of the 1980s for Comico Comics. It’s a rather irresistible song — arguably one of Sweet’s best — as the singer looks at the figure he has placed on a pedestal and begs her to forget about all that “marriage to God” nonsense and give him the time of day, at least for a little bit. The fact that it features a really killer hook doesn’t hurt matters much.