ComiXology has removed 56 titles from its iOS app this week — they range from Angry Youth Comix to Sex to The Boys: Herogasm — to adhere to Apple App Store policies. They’re still available for purchase from comiXology.com.
“In order to comply with the Apple App Store guidelines regarding adult or inappropriate content, some new releases were rejected for our iOS app this week,” a statement on the comiXology blog reads. “In addition, certain previously released titles that fall outside of these guidelines were also rejected and will be removed from sale.”
The announcement comes a little more than a month after the digital-comics distribution platform rejected Saga #12 in an effort to adhere to Apple policies, an action originally attributed to the computer giant. In the aftermath, Image asked that Black Kiss II, XXXombies and Sex #1 be revisited, resulting in all three being approved for the comiXology and Image Comics iOS apps. Now, however, all three have been removed.
The list of removed titles also includes Jess Fink’s Chester 5000, Reed Waller and Kate Worley’s classic Omaha the Cat Dancer, Johnny Ryan’s Prison Pit and the gay-comics anthology No Straight Lines, which features the work of Alison Bechdel, Howard Cruse and Eric Shanower, among others.
Update (11:50 a.m.): ComiXology contacted ROBOT 6 to clarify that it was notified by Apple that those titles didn’t meet the App Store content guidelines, and therefore were pulled from the iOS app.
At least one constructive thing came out of Jess Fink‘s latest battle with copyright thieves, I became aware that her new “erotic, robotic” book, Chester 5000, was set to be released this May from Top Shelf. Be advised (if the erotic adjective was not clear enough) that as beautiful as I find Fink’s work, a good majority of it is NSFW, so be aware of that before clicking any links (though in Top Shelf’s defense, its five-page preview carries nothing too erotically risque [though proceed with caution if you're at the office reading this]). Mindful of the fast approaching release date, I emailed some questions to Fink this past week. Here’s the official Top Shelf description of the book: “1885: an age of industrial revolution and sexual frustration. Pricilla is a woman with needs, and her inventor husband Robert is a little too busy with his experiments to keep her fully satisfied. Science to the rescue! With a few gears and springs, the proper appendages, a little lubrication, and a lot of love, Chester 5000 is born! He’s the perfect tool for the job… but what if Chester is more than just a machine? What are the consequences of trying to engineer love?” We also discuss her other Top Shelf book, We Can Fix It!, as well the stress of battling the copyright crooks.
Tim O’Shea: Chester 5000 is definitely erotically charged, but I think you’re also enamored of working diagrams into your stories (Extendo Limbus, for example). Where does your love of things mechanical and diagrams begin?
Jess Fink: I really love mechanical drawings from the 1800′s. Or even just product drawings from adds and catalogs. After photography was invented it was still much cheaper to hire artists to draw your products so we get these lovely, detailed little drawings of just about anything you can imagine. The diagrams in Chester were partly inspired by these. You can find a great deal of reference for Victorian items in the Sears and Roebuck catalog.