Neil Gaiman has debuted Skottie Young’s cover for the U.S. edition of their upcoming children’s book Fortunately, the Milk. Officially announced in July as part of the author’s five-book deal with HarperCollins Children’s Books, it’s described as “an ode to the pleasure and wonders of storytelling itself.”
Dave McKean was at one point set to illustrate Fortunately, the Milk, which Gaiman referred to in 2011 as “a very silly children’s book” that “was meant to be about the length of The Day I Swapped My Dad For Two Goldfish, but it’s actually about four or five times as long.”
Gaiman has published 13 novels and picture books through HarperCollins Children’s Books, including the Newbery-winning The Graveyard Book. Fortunately, the Milk is scheduled for release Sept. 17.
There are two things I love about Sam Hiti’s work. One is his unique artistic style; his stuff looks like nothing else on the planet. But as much as I love that, what I especially look forward to in his books is layered storytelling. Even when I can’t read the language he’s writing in, like the Spanish comic El Largo Tren Oscuro, Hiti’s visuals communicate that there are multiple things going on for anyone paying attention. That’s especially true in longer graphic novels like Tiempos Finales and Death-Day.
I wasn’t sure then what to expect from Hiti’s first children’s book, Waga’s Big Scare. I knew I’d love the art, but what would the story be like? Fortunately, Hiti’s one of those authors who knows that children can handle more than people usually give them credit for, both in terms of story and frights. Waga is a demonic little monster that’s lost his “scare.” Hiti doesn’t explicitly describe what that means, nor why Waga will disappear if he doesn’t get his scare back by morning, but there’s food for thought there if you want to figure out what the scare represents and how it relates to nighttime. The story works on different levels.
Children and adults both will relate to looking for something that’s gone missing, just as everyone will delight in the spooky, creature-filled landscapes and scenes Hiti creates for Waga to go searching through: monster parades, creepy woods, graveyards, and dark, dank caves. There’s also a growing sense of urgency and tension reminiscent of The Monster at the End of this Book. The closer Waga gets to the end of the story, the more worried I got that he wouldn’t find his scare.
But then, why was I rooting for him in the first place? Hiti describes him early on as “the meanest, trickiest, most terrible monster that ever lived.” Do I really want him to get his big scare back? Don’t I want him to fail and disappear? It’s to the book’s great credit that the answer to that last question is “no” and I imagine it’ll be the same for kids.
Go, Waga, go! Find that scare and terrify the poop out of me.
Have you ever tried explaining particles to a 5-year old? Me neither. I have a hard enough time explaining them to myself. But comic creators Jason Rodriguez (Postcards: True Stories That Never Happened) and Noel Tuazon (Elk’s Run) are doing just that in their new illustrated children’s book The Little Particle That Could.
This 22-page book follows a girl graviton who is out to meet the little photon boy of her dreams. In addition to the illustrated story, Rodriguez wrote a four-page primer on particles, gravitons and protons that is ideal for kids or adults to explain the science behind the story.
Currently, The Little Particle That Could is only available as a digital download for the Kindle, but it’s available there FREE for a limited time. Here are two pages from the book:
But only in the nicest way. The cartoonist behind intelligently creepy comics like Tiempos Finales, The Long Dark Train and Death-Day has created his first children’s book, Waga’s Big Scare. It won’t be available until closer to Halloween, but Amazon is taking pre-orders and Hiti says that the book will be available directly from him (with a personalized sketch) as soon as he has his copies. Stay tuned to his blog for details.
Amazon’s description of the book goes, “Meet Waga. Waga isn’t the biggest monster. Waga isn’t the hairiest or slimiest monster either. But Waga is the trickiest . . . and shouldn’t be trusted. Find out just how tricky Waga can be — unless you’re too scared to keep reading.” On his Facebook page, Hiti explains that he wrote it as an attempt to “deal with fear” and that it’s appropriate for ages for 4 to 6, depending on the child and the parents. “It might be a little scary,” he writes, “but it is goofy fun nonetheless.”
Nice Day For a War, a graphic novel described as “one part war comic and two parts history,” has been selected as the 2012 New Zealand Post Children’s Book of the Year. It also won in the non-fiction category.
Written by Matt Elliot and illustrated Chris Slane, the book is based on the World War I diaries of Elliot’s grandfather, Cpl. Cyril Elliot, who enlisted in the military as a teenager, lured by the promise of travel and adventure.
“Couldn’t really have gone any better, it’s completely overwhelming, as I’ve been saying it’s just two great surprises,” the author told NZCity.
Nice Day For a War blends comics with postcards, letters, photos, official histories, and art created in the trenches by the soldiers themselves. Gillian Candler, the convenor of judges, said the book provides young readers with an honest glimpse into the lives of soldiers during World War I. “The beautiful fluid line drawings and muted watercolor washes bring the diary to life,” she said. “The interplay between the illustrations and text creates a powerful, emotionally engaging story for young readers.”
Check out pages from Nice Day For a War, published by HarperCollins, below.
I had been thinking of Maurice Sendak a lot lately even before his death was announced. That’s partly because he’d been in the news a lot in the past year with the release of his book Bumble-Ardy. But it’s also because I tend to think a lot about children’s books in general and the way they often tend to crossover with comics.
Let me put it this way: Sendak was, of course, many things: an artist, writer, designer and all-around genius. But above all, Sendak was a cartoonist and the comics informed a good deal, if not most, of his work.
Maurice Sendak, the trailblazing author and illustrator whose books enchanted, inspired and terrified generations of children, died this morning in a Danbury, Connecticut, hospital following a stroke, The New York Times reports. He was 83.
Best known for his 1963 dark fantasy Where the Wild Things Are, Sendak defied convention, rejecting the innocent subject matter that marked saccharine picture books of the era and instead embracing sharp-toothed monsters, unruly protagonists and childhood fears.
“I don’t write for children,” the outspoken author said in his memorable January appearance on The Colbert Report (watch the two-part interview below). “I write, and somebody says, ‘That’s for children.’ I didn’t set out to make children happy, or make life better for them, or easier for them.”
Leo Geo and His Miraculous Journey Through the Center of the Earth
By Jon Chad
Roaring Brook Press $15.99.
This is a clever, literally slim book, designed as skinny as possible in order to highlight its central conceit. You see, the running gag here is that you have to turn the book sideways to follow Leo on his downward trek to the Earth’s core, and then turn it another 180 degrees as he heads back up.
The book combines science with fantasy, with Leo discovering lost worlds filled with crazy monsters while spouting out science facts like “Some countries like New Zealand and Iceland harness the awesome power of lava for their own uses in heating and generating electricity. Though the juxtaposition of fantasy and hard facts seems a bit jarring, it actually adds to the book’s charm. There’s something about a guy standing on a giant underground ogre while discussing thermal generators that’s too silly to dislike.
Though Leo himself is one step up from a stick figure, Chad fills the pages with as much detail as possible and his ornate underworld scenes take on a “Where’s Waldo”-like mania at times, especially as he eschews panel borders to instead depict various versions of Leo crawling across a wide (but narrow) vista. Basically, it’s a fun introduction to geology that the elementary-school set will really dig (sorry, couldn’t help the pun).
Daniel Handler and Gregory Gallant are teaming up for a new children’s book series that kicks off this fall. That sentence may not mean a lot to you, unless you know that Handler is the real name of Lemony Snicket, the author of the mega-popular, best-selling A Series of Unfortunate Events children’s book series, and Gallant is better known as Seth, the Canadian cartoonist who created Wimbledon Green, George Sprott and Palookaville.
Who Could That Be at This Hour?, the first book in the “All the Wrong Questions” series, arrives in stores Oct. 23. Here’s a description of the book from its Barnes & Noble listing: “In a fading town, far from anyone he knew or trusted, a young Lemony Snicket began his apprenticeship in an organization nobody knows about. He began asking questions that shouldn’t have been on his mind. Now he has written an account that should not have been published, in four volumes that shouldn’t be read. This is the first volume.”
Publisher Little Brown plans a first printing of a million copies and has set up a teaser site to promote the book.
You might be accustomed to seeing the comics of Matt Furie and Lisa Hanawalt in avant-garde anthologies like Kramers Ergot and Thickness, or in their solo humor series from Pigeon Press Boy’s Club and I Want You, or in the stylishly sleazy pages of Vice magazine. But now you can share your love of these modern masters of anthropomorphic mayhem with your little ones!
Sandy Bilus of I Love Rob Liefeld notes that McSweeney’s, the literary magazine-slash-publisher with a very comics-friendly track record historically, has officially launched a subscription plan for its new children’s imprint McMullens with books by Furie and Hanawalt. Furie’s The Night Riders chronicles the bike-based adventures of a frog and mouse on a nocturnal journey, while Hanwalt’s Benny’s Brigade follows “the world’s smallest, chattiest, and most gentlemanly walrus” as he attempts to find his way home with the help of two little girls and three brave slugs. Presumably these books will be as beautifully drawn as any of Furie and Hanawalt’s comics, but with far fewer dirty jokes.
The books retail for $17.95 each, but are the launch titles for a McMullens subscription package that will get you eight books for $80 total, including shipping. Not a bad deal at all.
Publishing | DC Comics will allocate the second printing of Justice League #1, with retailers receiving 32 percent of their orders, which now won’t ship until Sept. 21, the same day the third printing will be released. ICv2 reports some stores are concerned that potential new readers drawn in by the publisher’s promotional campaign for the New 52 won’t understand the two-week wait to pick up a copy of the comic. The website also runs down the list of cable television shows during which DC’s New 52 commercial is airing. [ICv2.com]
Passings | Comic Art Community reports that artist Dave Hoover passed away earlier this week. Hoover, who drew runs of Captain America and Starman in the 1990s, more recently worked on Zenescope’s Charmed comic. Before working in comics, Hoover was an animator, working on Flash Gordon, He-Man and the Masters of the Universe, She-Ra: Princess of Power, The Super Friends, The Smurfs and many more in the 1970s and 1980s. [Comic Art Community]
If you’ve seen Jordan Crane’s elegant webcomics hub What Things Do — or better still, if you’re one of the lucky few who have a copy of his hand-silkscreened, die-cut, three-books-in-one anthology NON #5 — you know that the cartoonist behind Uptight and The Clouds Above is one of comics’ best designers. But I think that with Keep Our Secrets, his new comics-style children’s book for McSweeney’s kids’ imprint McMullens, the man has truly outdone himself. This sucker is partially printed in heat-sensitive, color-changing black ink that disappears when touched to reveal a picture hidden underneath. Check it out in the video above, as two adorable tykes help demonstrate. If I were a little kid, I think being able to touch a book and suddenly see hidden stuff appear — like an accordion stuffed with cats, say, or a guy with banana hands under his gloves — would be something close to magic.
Disney Publishing Worldwide will be in San Diego next weekend to unveil Marvel Press, a new line of children’s books based in the Marvel Universe. It looks like these will not be comics but “picture books, chapter books, novels, and storybooks”—there’s a bit of redundancy in that statement. The line will be featured in the Disney/Marvel Team Up panel at 3 p.m. on Sunday, with Marvel and Disney editors showing off their Marvel Origin Storybooks line. (The Disney press release makes this sound like breaking news, but the first three books are already available in stores.)
Disney will also be showing off their Disney Comics iOS app and they will have heaps of plain ol’ books at their booth (#1016), including limited quantities of upcoming releases. There will be giveaways: Phineas and Ferb masks and magazines, Rick Riordan Heroes of Olympus pens, and more. Filmmaker and author Don Hahn will be giving a panel on “Why We Create” and also signing copies of Brain Storm and The Alchemy Animation, and illustrator Joey Chou will also be there to sign his picture book It’s a Small World.
Ralph Cosentino is in a fairly unique position when it comes to getting superheroes.
An extremely gifted artist and children’s picture book author, Cosentino has been tasked with telling the stories of several DC superheroes via picture books, which means Cosentino is a) Reclaiming the characters for the audience they were originally created for, b) simplifying their stories down to their most essential aspects in order to fit them into about 32 pages (or the equivalent of thirty-some panels) and c) streamlining them to make them as appealing as possible to an audience unfamiliar with their comics.
Of course, while the children’s story book and comic book have a lot in common, they’re not exactly equivalent, and Cosentino’s work faces some demands that the original, Golden Age comic books did not, including making these characters and their first stories beautiful enough and satisfying enough that they earn their permanent, expensive ($16) format.
Cosentino started this series with 2008’s Batman: The Story of The Dark Knight (which I discussed at some length on my home blog, here), and continued it last year with 2010’s Superman: The Story of The Man of Steel. I was particularly excited to check out his new book, Wonder Woman: The Story of the Amazon Princess, since the character seems like such a difficult one to get…at least judging by the property’s permanent residence in Hollywood development hell, the recently passed-over David E. Kelly TV pilot and DC’s now seemingly annual reboots of the comics character.
Welcome to a long holiday weekend (at least here in the United States) edition of What Are You Reading? Today our special guest is Doug Zawisza, who writes reviews and the occasional article for Comic Book Resources.
To see what Doug and the Robot 6 gang are reading, click below.