X-POSITION: "Extraordinary X-Men's" Lemire Plans the Fall of Kingdoms
Archaia announced this morning it will publish Cow Boy, an all-ages title created by Nate Cosby (Pigs, Jim Henson’s The Storyteller) and Chris Eliopoulos (Franklin Richards, Pet Avengers).
Boasting the tagline “Justice ain’t got no age,” Cow Boy is the tale of Boyd, a 10-year-old bounty hunter determined to round up his entire outlaw family. The comic will include short stories by the likes of Roger Langridge, David Gallaher and Steve Ellis, Brian Clevinger and Scott Wegener, Colleen Coover, Paul Tobin and others.
This week’s interview with Rus Wooton in one sense is long overdue, given that the last time I interviewed a comics letterer at Robot 6 (Todd Klein) was more than two years ago. But in another sense, the timing is perfect, considering that Wooton recently (and amicably) left Chris Eliopoulos’ Virtual Calligraphy (VC) lettering company in order to be free for his own creative projects–writing and drawing. One example of his new projects is his new webcomic project, Siblings, set to launch in July. My thanks to Nate Cosby for helping make this interview happen–and thanks to Wooton some insightful perspective on his craft. In addition to learning how he came to be a letterer in the first place, Wooton also was happy to discuss his ongoing lettering assignments for Robert Kirkman (among many other creators) as well as upcoming Cosby projects.
Tim O’Shea: You became a quadriplegic at the age of 20, were you already training to become a letterer prior to then, or did your pursuit of that career occur after then?
Rus Wooton: That’s a great question that might need a long-winded answer, but I’ll do my best to keep it brief. I’d never planned on being a letterer, but I’d always planned on working in comics in some way, at least since I was a kid in the late ’70s. I had been drawing for as long as I could remember, and I was also into graphic design from a young age, influenced by my Dad who was an Art Director and Creative Director at an advertising agency. He actually designed the CNN logo while working at Sheehey-Dudgeon in Louisville in 1980, and he’d occasionally take me or my brothers to the office evenings and weekends when he was working overtime on a project.
Hello and welcome to Wha Are You Reading? Today our special guest is illustrator, photographer, writer, filmmaker and jazz musician Dave McKean, whose works include Cages, Mr. Punch, Signal to Noise, The Day I Swapped My Dad for Two Goldfish, Arkham Asylum: A Serious House on Serious Earth, Violent Cases, Coraline and many, many more. He has a new book with writer Richard Dawkins, The Magic of Reality: How We Know What’s Really True, coming out in October, as well as a graphic novel called Celluloid coming out from Fantagraphics in June. Special thanks to Chris Mautner for asking him to participate this week.
To see what Dave and the Robot 6 crew have been reading, click below …
Creators | Ruling that cartoonist Albert Uderzo can’t benefit from tax breaks extended to authors, French authorities have ordered the Asterix co-creator to pay $273,000 in taxes on the 24 books he and late collaborator late René Goscinny produced between 1959 and 1979. The country’s tax office asserts the extra tax exemption applies only to “people who have participated in writing the texts of the comic strip.” “This is an injustice and a scandal,” the 84-year-old Uderzo said. [The Telegraph]
Creators | Cartoonist Dick Locher is retiring from the Dick Tracy comic strip after 32 years, handing the reins to artist Joe Staton and writer Mike Curtis. Their first strip will appear in newspapers on March 14. “It’s time to move on to other things,” the 81-year-old Lochner tells Michael Cavna. “It’s time to do normal things with my family, to travel, to paint in the American Southwest.” [Comic Riffs]
Mark your calendar and start saving your pennies: Top Shelf has announced its entire 2011 lineup, in chronological order, and it’s going to be quite a year. In addition to a varied line of adult graphic novels, the indy publisher is greatly expanding its children’s line and inaugurating a “Kids Club” website just for those books. Some highlights:
League of Extraordinary Gentlemen (Vol III): Century #2 – 1969, by Alan Moore and Kevin O’Neill: The latest chapter of Moore’s epic moves to 1960s London, the epicenter of psychedelic cool. Due out in July.
Any Empire, by Nate Powell: Powell won an Eisner Award two years ago for Swallow Me Whole, and now he’s back with another book about the secrets of childhood, this one focusing on violence in suburbia. Also due out in July.
Incredible Change-Bots Two, by Jeffrey Brown: The catalog text describes this as “a nostalgic tribute not only to Saturday morning cartoons but also to Jeffrey Brown’s Incredible Change-Bots One,” which is as good a reason as any for fans of the first book to pick up the second. Watch for it in March.
Gingerbread Girl, by Colleen Coover and Paul Tobin (who we interviewed last summer about it): This sounds like a pileup of wackiness, with multiple narrators following a young woman, trying to see if her mad-scientist father used part of her brain to make her a sister. Due out in May.
Okie Dokie Donuts (Story 1): Open for Business, by Chris “Elio” Eliopoulos: Trouble in the donut shop! Chris Eliopoulos is an animator for the children’s television show Yo Gabba Gabba, and you can see his webcomic The Bravest Nino at the Top Shelf site. Due out in June.
And, for those who can’t get enough alternative manga, another volume of AX! There’s a lot more in their catalog, so go, read, and plan!
Behold the might and the meowjesty of Katie Cook and Chris Eliopoulos‘s Marvel cats. So far the pair has done Catlactus (Devourer of Yarn), Cat-man America, Spider-Kitty, Doop Kitty, and M.O.D.O.C. (Mental Organism Designed Only for Cuteness). Nerd Internet, I think you’re done for the day. See them all on Agent M’s tumblr.