Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
Comics | David Harper examines why Marvel and DC remain important — “indispensable,” even — despite the ascendance of creator-owned comics. “Opposite to what it was before where you’d form yourself in your own comics and then graduate to the big companies, now the big companies are going to form you in order to graduate you to your own comics,” Marcos Martin explains. “That’s why I think Marvel and DC are indispensable. They’re great. That means there is an industry. We need that industry in order to bring creators and form them so they can at one point put together their own stories.” [Sktchd]
Image Comics has announced a Chris Giarrusso variant cover for October’s Chew #29, by John Layman and Rob Guillory. For every 10 copies of the issue retailers order, one of those will feature a Giarrusso variant.
Best known for G-Man, Giarrusso previously created Image 20th-anniversary variants for Youngblood, Spawn, The Savage Dragon, The Walking Dead, ShadowHawk and Morning Glories.
Check out Giarrusso’s variant and Guillory’s regular cover below. Chew #29, which originally was scheduled for September release, goes on sale Oct. 17.
Creators | Contrary to some reports this morning, reclusive comics legend Steve Ditko won’t be a special guest at the second annual London Super Comic Convention, to be held Feb. 25-26 at the Excel Centre in London. A press release that circulated has been confirmed as a hoax. [ComicConventions, Bleeding Cool]
Publishing | Trajectory, publisher of the Classics Illustrated comics, announced at the Beijing Book Fair that it has begun publishing Chinese translations that will be available as ebooks. The first two titles: Jules Verne’s 20,000 Leagues Under the Sea and H.G. Wells’ The War of the Worlds. [press release]
Robert Kirkman and Chris Giarrusso‘s The Walking Dead For Kids may have been an April Fool’s joke, but what isn’t a joke is the fact that Giarrusso is creating 12 tribute variant covers for various Image titles this year as a part of their big 20th anniversary. First up is the way-to-Youngblood cover above, which will serve as a variant cover for Youngblood #71.
“Twenty years ago, I was eagerly anticipating the launch of Image Comics,” said Giarrusso in a press release. “Maybe it was partially due to my upcoming high school graduation, but it felt like the whole world was changing. I vividly recall the excitement of seeing the Image books on the shelf for the first time. It was a new era, and these cover images were instantly iconic. The opportunity to pay tribute to these classic Image covers is an honor and a privilege, and I couldn’t be more excited about my role and participation in Image’s 20th anniversary celebration.”
Check out the Walking Dead cover after the jump; no word yet on what other covers he’s doing.
The internet was teeming with momentous announcements on Sunday, but since it was April Fools Day, most are of dubious truth value. Here’s a sampling of my favorites; feel free to leave more suggestions in the comments.
Several things about this announcement are suspicious, including the quote from Scalzi:
“I have to admit at first I was skeptical,” said author John Scalzi of the adaptation decision. “Could the medium of manga truly contain all the deep layers that are the Shadow War series? All the writing craft, all the trenchant allusion, all the subtle yet pointed social commentary that the series’ readers had come to expect — nay, demand? But then Tor backed up the money truck, and I suddenly realized that, yes, in fact, manga was the perfect medium for Shadow War. I could not be more richly proud of this edition.”
Ten points to Scalzi (or whoever) for commissioning three very nice covers from Rosca, though; click over and spend a little time looking at the details to fully appreciate the humor of all this. Plus an awful lot of people would totally buy these books.
And then there’s the mysteriously unsourced announcement that Alan Moore is giving the middle finger to DC with Legal Squad, a vicious parody of Justice League that features stupidly named superheroes and super villains. That’ll teach ‘em!
When the 2012 Free Comic Book Day line-up was announced, some folks mistakenly assumed that gold-level offering, DC Comics: The New 52 Special Edition would simply be a reprint of previously published material. As revealed on The Source today, that’s not the case.
The comic will feature “art by legendary illustrator Jim Lee and other top talents” and will “include a new story by New York Times bestselling writer Geoff Johns.” In addition, the book will also include previews of DC’s second wave of New 52 titles, including Batman Incorporated, Dial H, Earth 2, G.I. Combat, The Ravagers and Worlds’ Finest. They also say to stay tuned for “more surprises to come.”
In addition, the Free Comic Book Day site also has more information and a preview from Image 20, the 20th anniversary anthology of “six, all-new original stories promoting upcoming Image Comics titles.” Two of the titles will be Revival by Tim Seeley and Mike Norton, which you can preview on the site, as well as G-Man by Chris Giarrusso. The other stories will be announced at a later date.
The FCBD site also has previews from several other FCBD titles, including Oni’s Yo Gabba Gabba and Bad Medicine titles, and Viz’s Voltron Force, among others, so head over there if you want to check them out early.
Update: Apparently I misread the initial post and thought Jim Lee was drawing the new Geoff Johns story, but based on Brian Hibbs’ response in the comments section below, that may or may not be the case. I’ve updated the post above.
Comics have covered a variety of subjects, but in a unique new webcomic strip by Brad Guigar and Chris Giarrusso, comics themselves are the subject. Launched earlier this week, Tales From The Con aims to give a humorous look at the ins and outs of comic conventions and the unique vagaries of these fan-driven events. Another interesting facet of the webcomic is that it’s originating from the website of a convention itself — Emerald City Comicon.
“Anyone who has exhibited at a comic convention has a great story about the experience — some funny, some frustrating, some bizarre — and that makes for great comics,” said Brad Guigar in a press release. “Combined, Chris and I probably have 20 years of conventions under our belts. Not only is this a terrific chance to share some of that, but it’s a unique way to connect it to one of the premiere comic conventions in America, the Emerald City Comicon.”
According to Guigar, convention director Jim Demonakos approached him about this project without knowing Guigar had briefly mentioned this sort of thing in an earlier interview with GammaSquad as an ideal compliment to a publisher’s website.
ECCC and the creators plan to post a new installment of Tales From The Con every Thursday on the convention’s website. I expect con crud jokes early and often.
When I attend comic book conventions these days, I tend to avoid the Marvel and DC panels, in favor of creator-focused and/or independent comics panels. And it’s not just because it’s always easier to find a decent seat. But attending the Family Friendly Comics panel at HeroesCon this past summer was mostly a chance to catch up with the work of Chris Schweizer, Andy Runton and Chris Giarrusso. I was not looking to be introduced to new work, but the panel made me aware of Jamie Cosley, the creator of the webcomic, Cody The Cavalier. And once I became aware of Cosley, I decided to interview him.
Tim O’Shea: You just celebrated your one-year anniversary on Cody the Cavalier. How satisfying was it to reach that milestone?
Jamie Cosley: It’s very encouraging to find a character that you truly love. I believe I’m just beginning to scratch the surface with this little guy and hope to produce many more strips for many years to come!
Rather than try to write a summary of my HeroesCon 2011 experience, I have opted this year to share as many photos as possible. My camera was out-of-commission yesterday so all photos were taken during the second day of the show (Saturday).
Chris Giarrusso, creator of the whimsical all-ages comic G-Man, is doing something nice for liver research: He has pledged to do a free sketch for anyone who donates $25 to the American Liver Association’s current fund-raiser. You have to donate through a particular page, which Chris links to on his site, and you can make your request during the donation process or separately; Chris will do a full-figure, black and white sketch of the character of your choice.
(If you’re not familiar with Chris’s work, check out the first chapter of G-Man: Cape Crisis. Good times!)
Although I’ve never been to the Emerald City Comicon itself, I dig the artwork they get for the Monsters & Dames art book. Case in point: the above illustration by Guy Davis.
This year’s book once again benefits Seattle Children’s Hospital, and includes contributions from Geof Darrow, Cully Hamner, Humberto Ramos, Frank Cho, Yanick Paquette, Skottie Young, Aaron Lopresti, Cliff Chiang, Mike McKone and many more. After the jump you’ll find their official PR, along with a few more images.
For my final installment in my spotlight of themed sketchbooks, I turn to comics’ most popular sidekick: Robin. Many men (and a couple of women) have stood at Batman’s side as the boy wonder, and since the character’s inception in 1940 he’s carved a mark in fans … especially comics retailer and comics pro Vito Delsante.
“I’m a fan of Robin the Boy Wonder. Any incarnation. So I have folks a million times more talented than I am draw him for me!” says Delsante. He admits to dressing up as the Boy Wonder himself on two occasions for Halloween, for as he puts it “It’s a great character for kids since it’s ultimate wish fulfillment; you can be a kid and still hang out with Batman? Sign me up!”
My head is still a jumbled mess from the massive amount of information, entertainment, panels and Evan Dorkin’s wit that I experienced at this year’s HeroesCon. You’ll see my con report in a few days, but in the meantime, here are some pieces I commissioned . Don’t ask me to pick a favorite, as I equally enjoy each of them for different reasons. My thanks to Dean Trippe, Chris Giarrusso, Roger Langridge and Tom Fowler for their great pieces.