Some cool comics just got a lot easier to get your hands on. Chris Pitzer of AdHouse Books — the stalwart and stunningly designed publishing imprint behind the likes of Jim Rugg & Brian Maruca’s Afrodisiac, Josh Cotter’s Skyscrapers of the Midwest and Driven by Lemons, James Jean’s Process Recess art books, and Pulphope: The Art of Paul Pope — today announced the creation of AdDistro, a new distribution effort that will make comics from small publishers and self-publishers available for purchase through AdHouse proper. The first three additions to the roster are London-based Nobrow Press, Canada’s Koyama Press, and creator Malachi Ward. Pitzer’s got quite an eye for quality, so if you’ve enjoyed AdHouse offerings in the past, I’m sure these newcomers are well worth a look. Might I suggest starting with Michael DeForge’s excellent, award-winning Lose series from Koyama?
On Friday, publisher Alvin Buenaventura announced he had shut down his imprint Buenaventura Press as of this past January, due to a single knockout legal/financial blow. Publicly available details are few, in keeping with the private way the move has been handled for the past six months. But comics creators and critics en masse are mourning BP’s demise and reading the tea leaves as to where its publisher, artists, and entire brand of comics will land.
Robot 6 reached out to several of the artists published by Buenaventura, as well as a few of his fellow publishers, for their reaction:
Working with Alvin over the years has been really amazing. He has introduced me to a lot of magical and influential artists and hooked me up with tons of inspiring and perverted books. His place has awesome shit scattered all over- mountains of crazy books, toys, memorabilia, gigantic figures, artwork- it’s like a bomb went off. Now that he’ll be taking a break from the business we’ll finally have more time to play Rock Band and trip out on weird TV shows.
–Matt Furie, writer/artist, Boy’s Club
Regular readers of Robot 6 will not be surprised to read we’re fans of Jim Rugg‘s work. Rugg and I recently did an email interview regarding his latest collaboration with Brian Maruca, Afrodisiac (AdHouse). The book is described here as: “Inspired by the blaxploitation films of the 1970s and classic superhero comics, the Afrodisiac collects art and comics starring the original super badass and featuring cool cars, sexy women, scary monsters, self-righteous superheroes, corrupt cops, aliens, Dracula, Richard Nixon.” Any interview so deeply focused on an unforgettable independent work of this caliber is a blast–partially also thanks to the wacky turns our discussion takes, including into the realm of Wolverine. My thanks to Rugg for his time and to longtime pal of mine (as well as a great publisher), AdHouse’s Chris Pitzer, for his assistance in arranging the interview.
Tim O’Shea: Before getting into the guts of the book, one quick question on the back cover. Who had the idea to do the female silhouette glaze (or what would it be called) on the back cover?
Jim Rugg: It’s called a spot varnish, son. When we figured out the front cover design, Chris Pitzer (Adhouse Books publisher and all-around awesome design guru) suggested a spot varnish for the glasses. That sounded great to me. So I wanted to take advantage of the spot varnish on the back too. But the illustration on the back didn’t really lend itself to the same treatment as the front. I wasn’t sure the back cover effect would work, but figured it was the back cover. Give it a shot. I was pleasantly surprised by how it turned out.
This November, writer Vito Delsante‘s collaboration with artist Rachel Freire, FCHS: Volume 1, will be released by AdHouse (Diamond Order Code: SEP09 0568). As described at the AdHouse site: “Do you remember high school? All the fun and trouble you used to get into? All of the sex, sports and alcohol that was your Senior year? It’s time to go back! Join Hector, Kennedy, Jules and the whole gang at FCHS as they begin their last year of high school. Will they be ready for ‘the real world’ when it’s all over? Will they all make it? Archie meets 90210.” Delsante, who has written for a number of publishers (including DC Comics, Marvel Comics, Dynamite Entertainment, and Simon & Schuster), was kind enough to do an email interview with me. In addition to discussing FCHS, we discuss his experience working at Jim Hanley’s Universe, as well as some of his other upcoming projects.
Tim O’Shea: FCHS got its start at the Chemistry Set, how did the publishing arrangement with AdHouse come about?
Vito Delsante: A mini comic. Seriously! Rachel and I attended MoCCA two years ago and at that point, we had about 21 strips on the site that we turned into seven 3-tier pages. We were handing them out to just about anyone who was interested, with the thought that we’d bring some traffic back to Chem Set. Chris [Pitzer, AdHouse Books publisher] got one and a few weeks later, right before Comic Con Intl., he e-mailed us and asked if we were interested in doing a book. I think, in the back of my head, I was hoping to get a few publishers interested in FCHS, but when Chris offered, we jumped at it. Rachel and I are big fans of AdHouse, and to be a member of that family is a very good feeling.