Chris Schweizer
Crogan’s Maquette: Chris Schweizer on comics preproduction
Cartoonist Chris Schweizer (the Crogan Adventures series) is also a professor at the Atlanta branch of the Savannah College of Art and Design and that combination can result in some cool things. Like this Crogan maquette he sculpted as an example for a character-design class.
Schweizer talks about the benefits of this kind of exercise when creating characters for a comic, but is also mindful of the dangers:
I spend a LOT of time on preproduction, but it’s a means to an end. Never, ever, ever let it be the end. It’s self-indulgent, and benefits you nothing. ALWAYS make sure your concept work is leading to stories. Otherwise you’re just playing with yourself.
- April 28, 2011 @ 01:00 PM by Michael May
FLUKE 2011: A Collective Perspective
This marks the third year I have covered FLUKE for Robot 6. In past years, I was pressed for time and was unable to stay long. This year, my 11-year-old son was able to join me. As a Georgia native, I am embarrassed to say FLUKE 2011 was the first time I ever set foot in the legendary 40 Watt Club. I promised myself that unlike last year, I would not leave FLUKE without seeing Joey Weiser. It helped that the main reason my son wanted to attend FLUKE was to get an autograph from Weiser, the creator of one of his favorite comics, Mermin.
Here’s the challenge for someone like me–I stink at being a networking journalist and a parent at the same time–my ability to focus as a journalist falls by the wayside. Case in point: In my search for Weiser, I asked friend of the blog/SCAD professor/Crogan Adventures creator Chris Schweizer–as he stood in front of Dustin Harbin’s table, if he knew where Weiser had a table. Imagine my mortification when Schewizer pointed out I was literally standing next to Weiser. Really. So, at that point I realized, if my son and I were going to have fun at this year’s FLUKE I was going to have to focus on that and be a journalist later. (Did I mention we could only stay two hours? I swear one of these year’s I will have my entire Saturday free for FLUKE promise, just not yet…)
So this year, rather than giving a play-by-play of my walk-around of the FLUKE floor, I am letting folks that had tables at FLUKE 2011 share their perspective.
There was no way I could include everyone, so if you attended or participated in some fashion (or have any kind of opinion), by all means chime in, in the comments section.
- April 28, 2011 @ 11:00 AM by Tim O'Shea
What Are You Reading?
Happy Easter and welcome to What Are You Reading?, our weekly look back at the comics and other stuff we’ve checked out recently.
Today our special guest is Chris Schweizer, creator of the Crogan Adventures series published by Oni Press and a professor of sequential art at the Savannah College of Art and Design.
To see what Chris and the Robot 6 crew have been reading lately, click the link below.
- April 24, 2011 @ 01:00 PM by JK Parkin
Comics in the classroom: A visit from BOOM! Studios
Chris Schweizer is a professor of Sequential Art at the Atlanta branch of the Savannah College of Art and Design as well as the creator of Crogan’s Vengeance and Crogan’s March, so when Matt Gagnon and Ian Brill of BOOM! Studios came for a visit, he took the opportunity to sketch them along with his class. This is just a small piece of it; click to see the full drawing.
Also, congratulations are in order: Chris recently received a SCAD Presidential Fellowship, which includes a grant for a personal project; his will be an annotated sketchbook collecting his character designs, research drawings, thumbnails, and other preliminary work.
- February 7, 2011 @ 10:30 AM by Brigid Alverson
Chris Schweizer’s Community/Avengers mash-up
Artist Chris Schweizer shares an early Christmas present for comic fans who also dig NBC’s Community — a mash-up of the casts of both. It looks like he went with a more classic Avengers line-up, or else I’m sure Troy would be Spider-Man. Head over to his site to download wallpapers of the image.
- December 22, 2010 @ 02:09 PM by JK Parkin
What Are You Reading?
Welcome once again to What Are You Reading? This week our special guest is Paul Maybury, creator of the webcomic Party Bear. His work can be found in Comic Book Tattoo, various volumes of Popgun and 24seven, and, of course, the full-length graphic novel Aqua Leung. Be sure to check out the sketches he shares.
To see what Paul and the rest of the Robot 6 crew have been reading lately, click on the link …
- August 8, 2010 @ 09:47 AM by JK Parkin
Alternative casting
Columbia Pictures announced yesterday that Andrew Garfield is going to play the title role in Columbia Pictures’ 3D Spider-Man movie, which means that the internet campaign to get Donald Glover the role has failed. Amazingly, Hollywood executives do not take their marching orders from Twitter. I’m sure Mr. Garfield will do a fine job, although the first thing that jumps into my head when I see his picture is “Edward Cullen,” not “Peter Parker.”
But to hell with reality. I’m posting this to show off Chris Schweizer’s drawing of Glover as Spider-Man, to give the world a taste of what they missed.
- July 2, 2010 @ 10:15 AM by Brigid Alverson
What Are You Reading?
Welcome once again to What Are You Reading? Our guest this week is Van Jensen, writer of Pinocchio, Vampire Slayer and Pinocchio, Vampire Slayer and the Great Puppet Theater. To see what Van and the rest of the Robot 6 crew are reading, click below.
- June 20, 2010 @ 11:00 AM by JK Parkin
HeroesCon starts today!
HeroesCon is just getting under way at the Charlotte Convention Center in Charlotte, NC. Here’s a sample of what you have to look forward to if you are going—and what you will miss if you’re not.
Chris Schweizer, creator of Crogan’s Vengeance and Crogan’s March, will be there, and he’ll have some sweet art to sell.
Jeff Parker has created a handy map to make it easier for fans to find him.
Raina Telgemeier will be in Indie Island, and you can also spot her on the panels on Comics as Career and Autobio Comics.
- June 4, 2010 @ 11:00 AM by Brigid Alverson
Straight for the art | Chris Schweizer’s Lobster Johnson
Chris Schweizer, creator of Crogan’s Vengeance, Crogan’s March, and hopefully a slew of other Crogan books, takes a jaunt into Hellboy territory with this sketch of Lobster Johnson. Chris doesn’t post sketches too often on his LiveJournal, but when he does, it’s always worth a look.
- April 21, 2010 @ 12:30 PM by Brigid Alverson
Chris Schweizer on Crogan’s March
Since starting Talking Comics with Tim in 2009, I have made a frequent effort to not interview creators more than once. But as I am well into my second year, I’ve decided to ease that self-imposed restriction. Thus why I tapped Chris Schweizer again (after last year’s discussion) to do an email interview regarding his second installment in the Crogan Adventures chronicle, Crogan’s March (Oni Press). In addition to discussing the adventures of French Legionnaire Peter Crogan (circa 1912), the SCAD Atlanta professor pulls back the curtain on his creative process as well as his plans to participate in Free Comic Book Day in Atlanta (he has a 10-page Crogan Adventures story in the Oni Press Free-for-All). For my money, Schweizer is one of the good guys in the Atlanta comics scene and I appreciated the chance to interview him about his latest book. Once you read the interview, be sure to check out the 26-page preview that Oni has posted.
- April 12, 2010 @ 01:42 PM by Tim O'Shea
Talking Comics with Tim: Shawn Crystal
Shawn Crystal is a SCAD Atlanta professor I met back in October (as documented in this story). In addition to his role educating storytellers, Crystal is a professional artist equally busy building a name for himself in the comics industry. Tomorrow (February 3) will feature the release of his latest effort, Deadpool Team-Up 896 (written by Stuart Moore). As previewed last week by CBR and detailed here: “Get ready to hit the road with U.S. ACE, Marvel’s truckin’ hero! He’s back behind the wheels of a big rig with an unlikely partner — DEADPOOL — and together they’re puttin’ the hammer down, ridin’ the open road, and decapitatin’ giant killer raccoons. Good times…if they don’t kill each other first! Featuring the working-class villainy of THE HIGHWAYMAN, and the world premiere of the chart-toppin’ “Ballad of U.S. Ace,” composed and performed by Wade Wilson. What part of ‘Collector’s Item’ don’t you understand?” I was pleased to get an opportunity to talk to Crystal about this issue and creators he respects (as well as find out his David Lapham news). After enjoying this email exchange, be sure to check out Crystal’s blog as well as his deviantART page.
Tim O’Shea: The first question I have to ask–what reference does an artist use when drawing giant killer raccoons?
Shawn Crystal: There is a very popular book many artists have in their studio, and cherish like the arc of the covenant. It’s called “Homicidal Animals: A reference manual for the aspiring cartoonist.” Unfortunately, I do not own this book, so I had to resort to some more traditional methods. I started with the obvious, books on raccoons that were peppered with glamour shots of these little buggers. I also spent some time seeing how other artists had handled raccoons, mainly animators. There was some decent stuff in “Disney’s: The art of Pocahontas.” I also talked to a buddy of mine, Brad Walker who draws Guardians of the Galaxy, which has Rocket Raccoon as a team member. Researching raccoons was fairly easy; creating the chopper gang was a ton of fun. I needed to design a gang of Uzi wielding raccoons on motorcycles. The first thing I needed to find was a thread, something to make this gang seem like a team. Working for Marvel affords me the luxury of using their library, so I chose the X-Men. Well, the kid in me did. I started designing raccoons based on the themes and shapes of some of the X-Men and their costumes. I also wanted to give this biker gang a Hells Angel’s feel, ol skool choppers and leather. I didn’t want to go with the more current crotch rocket trend. I have an affinity of the art of Von Dutch, Ed “Big Daddy” Roth and Robert Williams. I pulled out the books I have on these guys and started drawing. X Men + Hells Angels + Racoons = Crazy fun designing.
- February 2, 2010 @ 02:00 PM by Tim O'Shea
What are you excited about for 2010? Part 2
As I mentioned yesterday, over the last couple of weeks Tim O’Shea and I have been reaching out to various folks around the comics industry, asking them what they are excited about for 2010. We asked them to mention something they were anticipating as a fan and also something they were working on, if they could talk about it. Here’s round two; we’ll have round three up later today.
Jimmy Palmiotti
I am personally excited about what changes are coming at both DC COMICS and MARVEL COMICS. Most people look at change as a negative thing, but looking at the projects coming from both companies and the amount of multi-media projects coming our way, I cant help become excited to what the future holds. I think all these changes will help bring brand new readers to our industry and deliver some exciting projects to the loyal fans as well. see? a lot of positive vibes…there really is no reason to fear change. I believe in embracing it.
As far as what I have coming up… well , that would take a while, but the first thing that is coming to mind is the Image Comics one shot Justin Gray and I have in the works for this spring called Splatterman. Originally we were going to make this a few issues , but decided to go the graphic novel way and put it out as one book. It features beautiful artwork by Giancarlo Caracuzzo and Paul Mounts with a stunning cover by award winning artist, Tim Bradstreet. It’s the story of two comic creators [not us, lol] that create the ultimate horror comic character that comes back to haunt them. It’s crazy adult comics the way they were meant to be told. Anyone that enjoyed our Friday the 13th series and The Last Resort will understand what i mean.
- January 3, 2010 @ 07:00 AM by JK Parkin
SCAD Atlanta Comics Arts Forum Report
Back on October 23-25, the Sequential Art Department at the Atlanta campus of Savannah College of Art and Design (SCAD Atlanta) hosted a comics art forum with Sean Murphy (2003 SCAD Savannah graduate and artist on the upcoming Grant Morrison-written Joe the Barbarian for Vertigo) and Matthew Bernier (School of Visual Arts in Manhattan graduate and currently at work on a book for First Second). Since I’m a Georgia-based member of the Robot 6 crew, Chris Schweizer, a SCAD Atlanta professor and creator of Crogan’s Vengeance, invited me to the forum.
According to Shawn Crystal, SCAD Professor (as well as one of the artists on last month’s Deadpool 900 [Marvel]), SCAD’s Comics Art Forum tradition started in Savannah years ago. Crystal selects the guests that are invited to the forum. “Every year, when I pick guests, I look to pick progressive/passionate artists. Artists who are doing new and exciting things, helping to move the medium forward,” he said. “Our Atlanta Faculty throw names around until we settle on the best choice for that year.”
Schweizer echoed Crystal’s thinking. “When we arrange these events, we try hard to pick guests whose work (and approaches to their work) varies from ours, because it opens our eyes to new ideas, and it does the same for our students,” he said.
- November 17, 2009 @ 10:00 AM by Tim O'Shea
Talking Comics with Tim: Chris Schweizer
Chris Schweizer is a creator that lives in my neck of the woods: Atlanta. I always enjoy the opportunity to support (albeit imported) local talent. I recently email interviewed him about Crogan’s Vengeance (Oni Press), described by the publisher as “the first in an ongoing series of adventure graphic novels spanning continents and centuries as cartoonist Chris Schweizer climbs through the various branches of the Crogan clan’s family tree! Volume one of THE CROGAN ADVENTURES series introduces us to ‘Catfoot’ Crogan, an honest sailor who finds himself thrust into a life of piracy! Crogan never wanted to be a pirate and he never dreamed he’d wind up at odds with the most dangerous buccaneer ever to sail the Spanish Main! But there’s more to this fight for ‘Catfoot’ than just staying alive, there’s also CROGAN’S VENGEANCE!”
As noted at Schweizer’s own site: “He received his BFA in Graphic Design from Murray State University in 2004, and did his post-graduate work in Sequential Art at the Atlanta branch of the Savannah College of Art and Design . . . he now teaches as a professor of Sequential Art and Animation at SCAD-Atlanta.”
Thanks to Schweizer for an interview and thanks also to Oni’s Cory Casoni for facilitating the interview.
Tim O’Shea: Your pirate tale really relies on strategy being conveyed in battle partially with dialogue and visually, how did you strike a balance that did not make it too detailed or not detailed enough, while still being entertaining?
Chris Schweizer: A lot of it was gut instinct and hope. In some of the scenes where strategy came into play, I was very mindful of the potential to get bogged down in factual minutia. I tried to combat this a couple of different ways – firstly, by giving the bare minimum amount of information needed to understand what was going on, making sure that once an idea had been put forth in dialogue that it wasn’t repeated in subsequent dialogue. The other was panel composition and subject focus. Showing the different members of the crew in varying states of readiness rather than simply following the protagonist, Catfoot, around, bought me a little bit of extra reader attention during these expository battle preparations… at least, I hope it did.
- March 2, 2009 @ 11:50 AM by Tim O'Shea













