Ahead of the release of the Vertigo solicitations, MTV Geek has official confirmation that the long-teased Tom Strong and the Planet of Peril will at last debut in July.
Initially discussed in early 2011, following the closing of DC Comics’ Wildstorm imprint, the miniseries teams the character’s co-creator Chris Sprouse with his Tom Strong and the Robots of Doom collaborator Peter Hogan for an adventure that sends the science hero on a quest for the one thing that can save the lives of his daughter Tesla and her unborn child.
DC Comics has released a new lineup for its digital-first Legends of the Dark Knight that includes Paul Tobin, Tradd Moore, Christos Gage, David Tischman, Chris Sprouse and Karl Story.
Launched in June as part of an expansion of the publisher’s digital-first slate, the out-of-continuity series features standalone stories by different creative teams chronicling some of Batman’s cases. New chapters can be downloaded each Thursday. Here’s the schedule for November and December:
In the tectonic shifts of talent, stories and continuity known as DC Comics’ New 52, a number of creators had seemingly been lost amid the dust. However, we’ve received word that one is about to come up for air: Artist Chris Sprouse (Tom Strong, Supreme, The Midnighter) just posted news — and copious samples — from the forthcoming miniseries Tom Strong and the Planet of Peril.
Written by longtime Alan Moore associate Peter Hogan, this new series is an interesting anomaly surviving the implosion of the America’s Best Comics line and its parent imprint Wildstorm. Publishing news aside, it looks like a lot of fun.
In a blog post from earlier this month, Sprouse revealed he’s made it known to his DC editors that he’d like to do more “mainstream DC characters,” but to date the only things recently published by him in that arena have been some stray covers for The Legion of Super-Heroes, the Star Trek/Legion of Super-Heroes crossover and T.H.U.N.D.E.R. Agents. Sprouse did sneak in a rare non-DC gig recently, contributing a story to IDW Publishing’s Rocketeer Adventures 2 #3, which is overseen by Sprouse’s former DC/Wildstorm editor Scott Dunbier.
Hello and welcome to What Are You Reading? This week our special guest is artist Ivan Anaya, one of the winners of the winner of the Skullkickers Tavern Tales Contest. He’ll join the other winner, writer Aubrey Sitterson, on a story for Skullkickers #18.
To see what Ivan and the Robot 6 crew have been reading, click below.
Broadway | As of last night’s preview performance, Spider-Man: Turn Off the Dark is officially “frozen,” meaning there will be no more script rewrites, new lyrics or altered choreography before the $70-million musical opens on Tuesday. In fact, the producers are confident enough to invite critics to attend previews over the next three nights, with their reviews to be published after the opening. “The show, in my opinion, is bulletproof at this point,” Reeve Carney, who stars as Peter Parker, told The New York Times. “I mean, as bulletproof as anything can be. And we want to do right by the people who stood by us, to help this show be seen for what it is.”
However, it’s not all good news for opening night. The New York Post reports that producers hoped the Empire State Building would be lit in red and blue on Tuesday, but the landmark’s owners would do it only if a change were made to the show: specifically, that the climactic battle between Spider-Man and Green Goblin be moved from the Chrysler Building to … the Empire State Building. [The New York Times]
Retailing | Najafi Cos., a Los Angeles-based private equity firm, is reportedly interested in buying at least half of the 405 bookstores operated by the bankrupt Borders Group. [Bloomberg]
From Timely to Hepburn to Zatanna, Robot 6 now turns its gaze for its week-long themed sketchbook spotlight into the visage of star of screen, TV and sometimes even comics: Mr. T.
These sketches were accumulated by longtime comics fan Rico Renzi.
“I’ve been a comic convention-going-sketch-addict since I got my first Brian Stelfreeze Batgirl at Heroes Con in 1997,” Renzi says. “I started my Mr. T sketchbook at a local comic show, the Small Press Expo, in 2000, I think. While it’s cool to see independent comic artists’ take on your favorite superhero, at the time I was losing interest in those kinds of comics. Mr. T see seemed like someone who although he was a real person, was a cartoonish enough that he could be drawn quickly by pretty much anyone without reference.”
“It’s been a blast to see what people think of when they hear his name,” says Rico. “My first book is completely full, I’ve been thinking of starting a second volume. I miss getting Mr. T sketches!”
To see Renzi’s collection so far, he’s set up a blog at mrtsketchbook.tumblr.com.
This is a pretty big week for DC.
I know I said that four weeks ago, when Brightest Day #0 and The Flash vol. 3 #1 appeared in comics shops, and I don’t want to take too much away from that.
Still, today saw the debuts of The Return Of Bruce Wayne #1, the relaunched Birds Of Prey #1, and Keith Giffen returning to his old charges from Justice League International. Not unsurprisingly, each of these comics builds on many years’ worth of stories, and each nevertheless aims to be accessible to the uninitiated. Therefore, this week let’s see how effective these four introductory issues are.
SPOILERS FOLLOW for Return Of Bruce Wayne #1, Birds Of Prey #1, Booster Gold #32, and Justice League: Generation Lost #1.