NYCC: "Naruto" Creator Masashi Kishimoto Thanks Fans, Talks Series End
TV, Comic Books, Film
Manga | The Naruto spinoff Naruto: The Seventh Hokage and the Scarlet Spring, which is running simultaneously in the Japanese and American versions of Shonen Jump, will end in the July 6 issue. [Anime News Network]
Fandom | Rob Salkowitz presents results of a recent survey of convention-goers conducted by the online ticket platform Eventbrite. Interestingly, they found almost complete gender parity (48.9 percent female, 48.7 percent male, and 3.1 percent non-binary/other) among convention-goers in general but much bigger skews in individual categories: “Comics, toys and gaming are predominantly male, while media, anime/manga and sci-fi/fantasy fandom are predominantly female.” A typical con-goer spends between $100 an $500, with comics fans being the biggest spenders and prints and original art the most popular thing to buy. There’s a lot more detail in the article about what people like and don’t like (biggest beef: lack of wi-fi an connectivity in convention centers). The survey updates and expands on a similar survey conducted last year. [ICv2]
Manga | A special treat awaits moviegoers who see Boruto: Naruto the Movie in Japanese theaters in August: A special Naruto book that includes both the final chapter of the original Naruto manga and a new one-shot story by Naruto creator Masashi Kishimoto. [Anime News Network]
Creators | Sophie Campbell discusses working on Jem and the Holograms and the reactions she received earlier this year after coming out as trans: “I didn’t know how people would react, my family in particular of course, and I was worried about being fired from Jem because I was scared that IDW or Hasbro would feel like this wasn’t what they signed up for… It’s only been a couple months, but so far it’s been the opposite of what I was expecting. My family has been super great even though it’s tough for them, and as far as work goes, I’ve actually gotten more offers than I’ve ever had, and my publishers have been more than amazing.” [The Advocate]
Awards | Cartoonist Roz Chast is one of six recipients of this year’s Heinz Awards, which recognize “exceptional Americans, for their creativity and determination in finding solutions to critical issues.” The honor comes with an $250,000 cash prize. “‘Floored’ does not begin to describe it,” says the author of the acclaimed graphic memoir Can’t We Talk About Something More Pleasant? “I don’t think I’ve fully absorbed it yet.” [The Washington Post]
Political cartoons | In a radio interview, Afghan political cartoonist Habib Rahman Habib talks about his work. [NPR]
The Angoulême International Comics Festival ended today, and while the winner of the Grand Prix d’Angoulême, Katsuhiro Otomo, was announced on Thursday, the closing ceremony brought the announcements of the official prizes of the festival.
The prize for the best comic of the year (Fauve d’or/Prix du meilleur album) went to Riad Sattouf’s L’Arabe du Futur, the first volume of an autobiographical trilogy about his childhood, which was spent in France and Syria. Chris Ware’s Building Stories was recognized with a special jury prize, which is not given every year, only when the jury wants to draw attention to a work of special merit. The best series prize went to Last Man, which First Second will be releasing beginning in March. And there was a special Freedom of Expression prize, Prix De La Liberté D’Expression, which honored the five Charlie Hebdo cartoonists who were slain on January 7; this prize will be awarded in future years to creators who have advocated for freedom of speech.
Here’s the complete list:
Publishing | Alex Abad-Santos examines how Marvel has created a mystique around its writers’ retreats, using the necessary secrecy to transform the planning meetings “into something fans are genuinely interested in.” The piece goes beyond that, however, touching upon recent accusations of sexism, and the inclusion of newly Marvel-exclusive writer G. Willow Wilson in this month’s retreat. [Vox]
Comics | Matt Cavna interviews Matt Bors, editor of The Nib, the comics section of the website The Medium, which has become the go-to site for journalism and commentary in comics form. [Comic Riffs]
Best of the year | The Publishers Weekly critics vote for the best graphic novels of the year; Jillian and Mariko Tamaki’s This One Summer tops the list, and there are plenty of interesting suggestions as books that got even one or two votes are included. [Publishers Weekly]
Conventions | Attendance at the second annual Salt Lake Comic Con was estimated at between 120,000 and 130,000, putting it on a par with the big shows like Comic-Con International in San Diego and New York Comic Con. Even better, Stan Lee proclaimed it “the greatest comic con in the world” (but he probably says that to all the shows). [The Salt Lake Tribune]
Conventions | The scale of the first Las Cruces [New Mexico] Comic Con was considerably smaller, with expected attendance of 3,000 to 5,000, but organizers were pleased with the event, which featured a Yu-Gi-Oh! tournament, a Comic Strip Burlesque show, and appearances by Jim Steranko, Power Rangers stuntman Jason Ybarra, and the 1966 Batmobile. [Las Cruces Sun-News]
Digital comics | Bruce Lidl looks at the digital-comics landscape following Amazon’s purchase of comiXology a few months ago. ComiXology’s announcement that it would allow DRM-free purchases of some comics may lead to a fissure in the market, he says: “In fact, we may be beginning to see a kind of bifurcation in the digital comics market, between companies tied to large global media conglomerates, that maintain a fervent faith in the need for some kind of DRM control for their multi-billion dollar intellectual properties, and the smaller publishers more concerned with creator autonomy and exposure.” He also talks to some digital-first creators about how they approach the market. [Publishers Weekly]
Digital comics | Amazon has removed the manga Younger Sister Paradise 2 (Imōto Paradise! 2) from the Japanese Kindle store, two days after the Tokyo Metropolitan Government declared the manga a “harmful publication to minors” because of its “glorification of incestuous acts” and restricted its sale to customers over 18. As a result, beginning Friday, brick-and-mortar bookstores in Tokyo must keep the manga in a separate area for adults only. Whether because of all the attention or because it was unavailable elsewhere, the manga was the top-selling comic in the Japanese Kindle store before Amazon removed it. [Anime News Network]
Manga | In Japan, as elsewhere, people would rather read about farming than actually do it; agriculture has become a popular topic for manga, and the Agriculture Ministry recently announced an award for manga that raise interest in farming. The article mainly focuses on Hiromu Arakawa’s Silver Spoon, which has recently been made into a movie; Arakawa is also the creator of Fullmetal Alchemist, a fact the article omits. [The Wall Street Journal]
Awards | Silver Spoon was on of the 10 nominees for this year’s Osamu Tezuka Cultural Prize; two manga that are published in English, Attack on Titan and Animal Land, also made the list. [Anime News Network]
Legal | It looks as if Tunisian cartoonist Jabeur Mejri will not be released from prison any time soon, despite being pardoned by President Moncef Marzouki for charges stemming from his cartoons depicting the Prophet Mohammed. It turns out that the mysterious other criminal case that’s been holding things up is a charge of embezzlement that dates back a few years to when Mejri was working for the Tunisian railways. Neither Mejri’s lawyer nor his family had been aware of the charge, but the judge in the case issued a warrant for Mejri’s continued detention on Jan. 9. His lawyer will submit a bail request, which he hopes will be granted next week. [Independent Online]
Creators | Chris Ware talks about his Building Stories in an interview that was recorded before a live audience in Portland, Oregon. [Oregon Public Broadcasting]
Legal | A dancer seriously injured last month during a performance of the Broadway musical Spider-Man: Turn Off the Dark insists the accident was caused by malfunctioning equipment and not, as the show’s producers contend, by human error. Daniel Curry made the claim in documents filed Monday in Manhattan Supreme Court that seek to prevent the production from altering or destroying the computerized stage lift before his experts can inspect the equipment in preparation for a potential civil lawsuit. He’s also requesting maintenance records and any internal reports about the accident. The 23-year-old Curry was injured during the Aug. 15 performance of Spider-Man when his leg was pinned in an automated trap door. According to court papers, he suffered fractured legs and a fractured foot, and has had to undergo surgeries and unspecified amputations. [New York Daily News, The New York Times]
Digital comics | IDW Publishing released its first batch of digital comics on the motion-comics platform Madefire this week. The selection includes partially animated My Little Pony, Star Trek and Transformers comics, which sell for $1.99 each. Jeff Webber, IDW’s vice president of digital publishing, noted that because Madefire has a partnership with DeviantArt, the books are being exposed to “an incredibly broad network of illustration fans.” To commemorate My Little Pony’s Madefire debut, Dave Gibbons drew the image at right “to show that Friendship IS Magic!” `[Publishers Weekly]
Passings | Cartoonist Jack Matsuoka, who chronicled life in the Poston, Arizona, internment camp in his book Camp II, Block 211, has died at the age of 87. , Born in the United States to Japanese parents, Matsuoka was a teenager when his family was sent to internment camps in Salinas, California, and then Poston. After leaving the camp he was drafted and served as an interpreter for the U.S. Army in occupied Japan. He went to college on the G.I. Bill and worked as an illustrator and cartoonist for many years. Camp II, Block 211 was based on sketches he did while living in the camps and set aside for many years; his mother found them and encouraged him to share them with the public. They were put on exhibit in San Francisco and then collected into the book, which was first published in 1974. A revised edition was released in 2003. [The Rafu Shimpo]
Graphic Scotland has announced the shortlist for the inaugural 9th Art Award, which recognizes the year’s best English-language graphic novel:
“The shortlist for the first 9th Art Award shows the strength and diversity of graphic literature,” 9th Art Director Gordon Robertson wrote. “A list made up of five books that will each go on to become classics in their own right; any one would be a worthy winner of the prize.”
The winner will be presented during a ceremony held Sunday at the Edinburgh International Book Festival.
Baby Blues creator Rick Kirkman and Pickles creator Brian Crane shared the Reuben Award this year, which honors the outstanding cartoonist of the year. According to the Daily Cartoonist’s Alan Gardner, this is only the second time in the award’s history that two cartoonists have shared the award, the previous time being in 1968.
The National Cartoonist Society presented the Reuben and its divisional awards in Pittsburgh, Penn. last night. Other winners included Rich Webber, director of the Aardman segments that appear on Cartoon Network’s DC Nation, as well as Joann Sfar for the animated The Rabbi’s Cat, Chris Ware for Building Stories, Bernie Wrightson for Frankenstein Alive, Alive!, and Vince Dorse for the Untold Tales of Bigfoot webcomic.
The complete list of winners can be found below.
THE REUBEN AWARD for Outstanding Cartoonist of the Year:
Rick Kirkman and Brian Crane
Rich Webber, Director, Aardman Animation Studios, DC Nation
Awards | Slate Book Review and the Center for Cartoon Studies have awarded the Cartoonist Studio Prize for Best Graphic Novel of 2012 to Chris Ware for Building Stories, and the prize for Best Web Comic to Noelle Stevenson for Nimona. Each winner receives $1,000. [Salon.com]
Comics | Tom Spurgeon talks at length to Gary Groth, co-founder of Fantagraphics and editor-in-chief of The Comics Journal, about the prospects for young creators today versus years ago, changes at The Comics Journal, and Groth’s own interview with Maurice Sendak, which runs in the latest issue of TCJ. [The Comics Reporter]