Legal | A dancer seriously injured last month during a performance of the Broadway musical Spider-Man: Turn Off the Dark insists the accident was caused by malfunctioning equipment and not, as the show’s producers contend, by human error. Daniel Curry made the claim in documents filed Monday in Manhattan Supreme Court that seek to prevent the production from altering or destroying the computerized stage lift before his experts can inspect the equipment in preparation for a potential civil lawsuit. He’s also requesting maintenance records and any internal reports about the accident. The 23-year-old Curry was injured during the Aug. 15 performance of Spider-Man when his leg was pinned in an automated trap door. According to court papers, he suffered fractured legs and a fractured foot, and has had to undergo surgeries and unspecified amputations. [New York Daily News, The New York Times]
Digital comics | IDW Publishing released its first batch of digital comics on the motion-comics platform Madefire this week. The selection includes partially animated My Little Pony, Star Trek and Transformers comics, which sell for $1.99 each. Jeff Webber, IDW’s vice president of digital publishing, noted that because Madefire has a partnership with DeviantArt, the books are being exposed to “an incredibly broad network of illustration fans.” To commemorate My Little Pony’s Madefire debut, Dave Gibbons drew the image at right “to show that Friendship IS Magic!” `[Publishers Weekly]
Passings | Cartoonist Jack Matsuoka, who chronicled life in the Poston, Arizona, internment camp in his book Camp II, Block 211, has died at the age of 87. , Born in the United States to Japanese parents, Matsuoka was a teenager when his family was sent to internment camps in Salinas, California, and then Poston. After leaving the camp he was drafted and served as an interpreter for the U.S. Army in occupied Japan. He went to college on the G.I. Bill and worked as an illustrator and cartoonist for many years. Camp II, Block 211 was based on sketches he did while living in the camps and set aside for many years; his mother found them and encouraged him to share them with the public. They were put on exhibit in San Francisco and then collected into the book, which was first published in 1974. A revised edition was released in 2003. [The Rafu Shimpo]
Graphic Scotland has announced the shortlist for the inaugural 9th Art Award, which recognizes the year’s best English-language graphic novel:
- Building Stories, by Chris Ware (Jonathan Cape)
- Days of the Bagnold Summer, by Joff Winterhart (Jonathan Cape)
- The Gigantic Beard That Was Evil, by Stephen Collins (Jonathan Cape)
- Naming Monsters, by Hannah Eaton (Myriad Editions)
- The Nao of Brown, by Glyn Dillon (SelfMadeHero)
“The shortlist for the first 9th Art Award shows the strength and diversity of graphic literature,” 9th Art Director Gordon Robertson wrote. “A list made up of five books that will each go on to become classics in their own right; any one would be a worthy winner of the prize.”
The winner will be presented during a ceremony held Sunday at the Edinburgh International Book Festival.
Baby Blues creator Rick Kirkman and Pickles creator Brian Crane shared the Reuben Award this year, which honors the outstanding cartoonist of the year. According to the Daily Cartoonist’s Alan Gardner, this is only the second time in the award’s history that two cartoonists have shared the award, the previous time being in 1968.
The National Cartoonist Society presented the Reuben and its divisional awards in Pittsburgh, Penn. last night. Other winners included Rich Webber, director of the Aardman segments that appear on Cartoon Network’s DC Nation, as well as Joann Sfar for the animated The Rabbi’s Cat, Chris Ware for Building Stories, Bernie Wrightson for Frankenstein Alive, Alive!, and Vince Dorse for the Untold Tales of Bigfoot webcomic.
The complete list of winners can be found below.
THE REUBEN AWARD for Outstanding Cartoonist of the Year:
Rick Kirkman and Brian Crane
Rich Webber, Director, Aardman Animation Studios, DC Nation
Awards | Slate Book Review and the Center for Cartoon Studies have awarded the Cartoonist Studio Prize for Best Graphic Novel of 2012 to Chris Ware for Building Stories, and the prize for Best Web Comic to Noelle Stevenson for Nimona. Each winner receives $1,000. [Salon.com]
Comics | Tom Spurgeon talks at length to Gary Groth, co-founder of Fantagraphics and editor-in-chief of The Comics Journal, about the prospects for young creators today versus years ago, changes at The Comics Journal, and Groth’s own interview with Maurice Sendak, which runs in the latest issue of TCJ. [The Comics Reporter]
- Alison Bechdel’s Are You My Mother?: A Comic Drama
- Leela Corman’s Unterzakhn
- Sammy Harkham’s Everything Together: Collected Stories
- Spain Rodriguez’s Cruisin’ With the Hound: The Life and Times of Fred Toote
- Chris Ware’s Building Stories
The winner will be announced April 19. This is the fourth year that graphic novels have been included, and not surprisingly, given that this is a book award, the selections generally have an artistic/literary bent.
Unlike the Eisners, the LA Times awards do not accept nominations from the field; the three judges in each category are responsible for making the selections. Unlike the Eisners and other comics awards, the LA Times doesn’t make a big deal over who the judges are; I couldn’t find a list anywhere, although past judges get a mention here and there.
Anyway, given that any set of awards nominations is really just a starting point for discussion, feel free to comment on what books should — and shouldn’t — have made the shortlist.
Festivals | The Angoulême International Comics Festival has opened in Angoulême, France, and that’s where all the cool kids are. Bart Beaty surveys the scene for the rest of us; the president of this year’s show is Jean-C Denis (last year it was Art Spiegelman), and there will be an exhibit of his work, but Beaty says the big draw will be the exhibit of work by Albert Uderzo, co-creator of Asterix. [The Comics Reporter]
Editorial cartoons | Rupert Murdoch has apologized, on Twitter, for an editorial cartoon by Gerald Scarfe in the Sunday Times that depicted Israeli prime minister Binyamin Netanyahu bricking Palestinians into a wall with blood-red mortar. Many commentators were concerned that the cartoon, which Scarfe intended as a commentary on the recent elections in Israel, came too close to old anti-Semitic blood libel. Making things worse, the cartoon was published on Holocaust Memorial Day. [The Guardian]
Comics | Regina, the capital of Saskatchewan, appears to be embracing its role in this week’s Avengers#1 as a target of an alien “origin bomb” that struck the city, changing its biosphere and altering billions of years of evolution in mere minutes. Tom Brevoort, Marvel’s senior vice present and executive editor, tells a local newspaper he’s unsure why Regina and Perth, Australia, were selected, but local retailer Chad Boudreau seems glad it happened. “We had no advanced notice of it,” he said. “It just happened that someone reading the comic saw it in there.” He expects strong sales at Comic Readers, with those who don’t typically follow comics buying the issue out of curiosity. [The Star Phoenix]
Publishing | The final print edition of the 75-year-old children’s comic The Dandy arrives Tuesday, featuring a cameo by none other than Paul McCartney. When it was announced the publication would move online, McCartney wrote the editors explaining it was his lifelong dream to appear in the comic; tomorrow he’ll be seen along with Desperate Dan. [Daily Mail, Daily Mail]
Passings | Jeff Millar, the co-creator, with Bill Hinds, of the comic strip Tank McNamara, has died at the age of 70. [Houston Chronicle]
Richard Bruton draws our attention to Your Days Are Numbered, a London-based free quarterly “graphic fiction magazine” chock-full of interviews and illustrations, all presented in a smartly designed package. The current issue (the fourth), which you can browse below, includes interviews with the likes of Brandon Graham, Chris Ware and David Ziggy Greene (who also provided the cover art).
You can subscribe to Your Days Are Numbered on the magazine’s website.
In case you missed it during your holiday travels or dinner preparations, Chris Ware, whom co-host Touré introduced as “the greatest graphic novelist of all time,” appeared Wednesday on MSNBC’s The Cycle for a seven-minute-plus discussion of the genesis of Building Stories, the themes of his work, comics as “an art of memory,” his preference for the term “comic book” over “graphic novel,” and more.
“There’s a lack of pretentiousness to the word ‘comic book’ that I think suits the medium itself very, very nicely,” Ware said. “It’s a medium that allows for a direct connection between the reader and the artist in a way I think a lot of fine art does not. One is very apt to blame one’s ignorance of art in a museum. If you don’t understand a painting, you just think you don’t know much about the history of art, but if you don’t understand a comic book, you just think the comic artist is an idiot.
Watch the full segment below.
Events | Richard Pachter surveys the graphic novel scene at Miami Book Fair International, which this year will include appearances by Chris Ware, Derf Backderf, Marjorie Liu, Dan Parent and Chip Kidd, among others. [The Miami Herald]
Events | A group of Canadian creators and publishers are in Tokyo right now for the International Comics Festa, where they are selling an anthology that includes work by Darwyn Cooke, Bryan Lee O’Malley, and Seth. Manga blogger Deb Aoki is there too, and she has all the details. [About.com]
Comics | DC Comics’ Senior Vice President of Sales Bob Wayne and Vice President of Marketing John Cunningham discuss October sales, the date change for Girl with the Dragon Tattoo, and variant covers. Although the company is releasing 52 variants for Justice League of America #1, DC plans to cut back on variants in its other lines. “We’re going to pull back and drop variants from a handful of titles in the next solicitation cycle to pull back that number ourselves, where it didn’t seem the variant was making a substantial difference in the buy-in for the book or the perception of books,” Wayne said. “We’ll be looking at the remaining titles that have variants the following month.” [ICv2]
Comics | Speaking of variant covers, Tim Beyers of The Motley Fool discusses the dos and don’ts of buying variant covers as an investment. [Daily Finance]
One of the more interesting, art-focused and idiosyncratic comic conventions around, the Brooklyn Comics and Graphics Festival, will take place this weekend.
The bulk of festival will be held from noon to 7 p.m. Saturday at Our Lady of Mount Carmel Church, located in the Williamsburg section of Brooklyn, N.Y. The show has expanded considerably, however, to include a number of other events, including gallery shows and a film festival.
Legal | EC Comics writer and editor Al Feldstein and the estate of Mad editor and artist Harvey Kurtzman have taken steps to reclaim the copyright to their early work under the U.S. Copyright Act of 1976 (the same provision invoked by the heirs of Superman creators Jerry Siegel and Joe Shuster). Feldstein has already reached an agreement with the William M. Gaines Agency, which holds the rights to Tales from the Crypt and other classic EC comics of the 1950s; the deal will bring him a small amount of money and the freedom to use the art any way he wants in his autobiography. Kurtzman’s people are in the early stages of negotiations with Warner Bros./DC Comics, which holds the rights to Mad magazine. [The Comics Journal]
Graphic novels | BookScan’s Top 20 graphic novels list for October makes for strange bedfellows, with The Walking Dead Compendium Two at No. 1, Chris Ware’s Building Stories at No. 2, and the third volume of Gene Yang’s Avatar: The Last Airbender at No. 3. It’s an interestingly mixed list, with the usual sprinkling of manga (Sailor Moon, Naruto, Bleach), a volume of Stephan Pastis’ Pearls Before Swine compilations, and four more volumes of The Walking Dead. And bringing up the rear, at #20, the perennial Watchmen. [ICv2]