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Comic strips | The soap opera comic strip Apartment 3-G ended its 54-year run Sunday with little fanfare, leaving it up to a handful of bloggers, including Tom Spurgeon of The Comics Reporter and Josh Fruhlinger of The Comics Curmudgeon, to give the longtime funny-page staple a proper sendoff. “It definitely has an unaffected, what-we-call-Lynchian quality where what you’re seeing and what you’re ‘hearing’ as dialogue don’t match,” Spurgeon writes. “The limited sets and slightly faded color choices make it a bit nightmarish, almost like the world is collapsing comic book ‘crisis’ style around these increasingly feckless characters. It’s hard to believe there are more than a dozen “places” in the world these characters exist. [The A.V. Club]
As part of ROBOT 6’s sixth anniversary celebration, we’re pleased to present an exclusive look at Ghetto Klown, the graphic novel adaptation of John Leguizamo’s award-winning one-man Broadway show, from Abrams ComicArts.
Airing in 2014 as an HBO comedy special, Ghetto Klown takes audiences from the actor/comedian’s memories of his adolescence in Queens, New York, to his involvement in ’80s avant-garde theater to his motion-picture career, introducing some of the colorful characters he encountered along the way.
Abrams has announced it will publish a graphic novel adaptation of Ghetto Klown, John Leguizamo’s award-winning one-man Broadway show, under its Abrams ComicArts imprint next year. Leguizamo is working with artist Christa Cassano on the project.
Recently airing as an HBO comedy special, Ghetto Klown takes audiences from the actor/comedian’s memories of his adolescence in Queens, New York, to his involvement in ’80s avant-garde theater to his motion-picture career, introducing some of the colorful characters he encountered along the way.
Earlier this month, Dean Haspiel spent three weeks as a “master artist” mentoring a group of young comics creators at the Atlantic Center for the Arts in New Smyrna Beach, Florida. One of their exercises was to draw a short comic based on a script from Haspiel that contained no visual cues, and Haspiel has now posted the results, “A Letter Lasts Longer,” at Trip City.
It’s fascinating to click through eight comics and see the differences — and the similarities — in the ways the creators interpret the script. It’s just a scrap of reminiscence about receiving a letter from a man as a small child, and the reflection that letters last longer than computer media. Most of the cartoonists took this to be the story of a father writing to a child, but George Jurard imagined it as a love letter in a remarkably rich and detail-filled comic. And while most of the artists used fairly conventional paneling, Jp Pollard and Christa Cassano spread it out across the page in interesting ways. Haspiel himself also drew a version of the comic, and the whole group makes an interesting exercise in compare-and-contrast.