“Comics used to be easy. You pitched something and if one publisher didn’t buy it, another would. Margins are tight now, and few comics are profitable. So it’s more like the Hollywood model of pitches and notes and so and so on while years crawl by. The same reasons I never wanted to write a screenplay are now present in comics. The ebooks let me just write the damned thing, and it’s out for public consumption within weeks.”
Edgar Rice Burroughs Inc., the company founded by the creator of Tarzan and still run by his family, has begun publishing webcomics based on six of the author’s most famous creations. Roy Thomas and Tom Grindberg (who have been producing the Tarzan comic strips since 2012) continue creating new stories featuring the ape man, while Chuck Dixon and Tom Lyle explore the Earth’s Core world of Pellucidar. Writer Martin Powell is joined by four different artists on the remaining series: Carson of Venus (with Thomas Floyd and Diana Leto), The Eternal Savage (with Steven E. Gordon), The Cave Girl (with Diana Leto), and The War Chief (with Nik Poliwko).
The ERB Inc. website has samples of each series for free, and readers can then subscribe to all six for $1.99 a month. Each series updates weekly, so that’s about 24 pages for just $2; a great deal.
I had some questions about the initiative, so I contacted Powell, who was extremely helpful. For one thing, these webcomics don’t affect Dark Horse, which still holds the license for printed Tarzan comics. He also explained why there’s no series for John Carter: “I originally auditioned for John Carter of Mars, but Disney/Marvel still has a hold on it. Still, ERB Inc. was apparently impressed enough that they offered me Carson of Venus and allowed me to assemble my own art team, which I’ve done for my other four ERB comic strips as well. So, you could say in a sense that I am Carson … we both aimed at Mars and ended up on Venus!”
[Bane co-creator] Graham [Nolan] and I both signed participation agreements, which are good in perpetuity. So it’s not up to them whether they take care of us. We’re taken care of. We’ve seen money from Bane all along – the Lego games and the little Bane-shaped piece in the Spaghettios. We always get a piece of what Bane makes. We’ll see money from this movie. They have graphs and charts to figure out how much based on how many lines of dialogue he has and how much he’s in the movie and how much impact he has on the story. We were part of it the last time when Bane was in the last [Joel] Schumacher film really briefly. We participated in that.
– Chuck Dixon, on the benefits of creating Bane for DC Comics
Hello and welcome to What Are You Reading? Our guest this week is writer and letterer Ed Brisson, whose comic Comeback with artist Michael Walsh arrives in November. He’s also the writer of Murder Book and Black River.
To see what Ed and the Robot 6 crew have been reading, click below.
Legal | In a motion for summary judgment filed Monday in the long-running legal battle for the rights to Superman, attorneys for Warner Bros. are revisiting their 2009 argument that the estate of Joe Shuster has no grounds to reclaim the artist’s share of the copyright to the Man of Steel. They point to a 1992 agreement in which the estate relinquished all claims in exchange for “more than $600,000 and other benefits,” which included DC Comics paying Shuster’s remaining debts follow his death earlier that year, and providing his sister Jean Seavy with a $25,000 annual pension. Daniel Best has the documents, while Jeff Trexler provides context, noting that the new filing “filing wasn’t a Perry Mason-esque unveiling of surprising new facts. Rather, it was a routine motion for summary judgment.” A hearing is scheduled for Aug. 20. [20th Century Danny Boy, The Beat]
Happy Father’s Day and welcome to What Are You Reading?, where each week we talk about what comics and other stuff have been on our reading piles. Today’s guests are two of the contributors to Skullkickers #18, which features several “Tavern Tales” short stories by different creative teams. Joining us today are Charles Soule of 27, Strange Attractors and Strongman fame, and Aubrey Sitterson, winner of the Skullkickers Tavern Tales Contest. He’s also the writer of Gear Monkey for Double Feature Comics and community manager for WWE Games.
To see what Charles, Aubrey and the Robot 6 crew have been reading, click below.
Happy Mother’s Day and welcome to another edition of What Are You Reading? Today our special guest is Ryan Ferrier, who I spoke to a couple of weeks ago about his comic Tiger Lawyer and recently kicked off an Indie GoGo project to fund the second issue.
To see what Ryan and the Robot 6 crew have been reading, click below.
Hello and welcome to What Are You Reading?, where each week we detail what comics and other stuff have been on our reading piles. Our special guest today is David Harper, associate editor over at the recently redesigned Multiversity Comics.
To see what David and the Robot 6 crew have been reading, click below.
Creators | Ahead of the premiere of the documentary With Great Power: The Stan Lee Story, the 89-year-old Lee discusses the big-screen success of his co-creations, the fairy-tale appeal of superheroes, his favorite character (he doesn’t have one), and a time when he was embarrassed to admit he wrote comic books: “Oh well, in the beginning, comics were the lowest rung on the cultural totem pole. I’d go to a party and people would say ‘What do you do?’ ‘Um, uh, I’m a writer’ and I’d try to walk away. And the guy would follow. ‘What do you write?’ ‘Oh, er, stories for kids.’ Well finally he’d pin me down and I’d say, ‘Okay, I write comic books’ — and boy, he couldn’t get away fast enough. Now, though, I walk into a party and someone sees me and they say, ‘Sorry, excuse me a minute, President Obama, I have to go over and say hello to Stan Lee.’ Well, okay. Slight exaggeration on my part.” [The Star-Ledger]
Conventions | The Calgary Sun previews this weekend’s Calgary Comic & Entertainment Expo. [Calgary Sun]
Conventions | Jimmy Jay wonders whether Comic-Con International in San Diego could expand to two weekends, like the Coachella Music Fest. [ComicConMen]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d go all-in on AvX: Vs #1 (Marvel, $3.99). As a story format-junkie, this seems like an ideal supplemental series to the event comic series as we know it – I may have read it wrong, but this seems low on continuity and high on action – kind of a throwback to the condensed comics of the ’60s, I hope. And seeing Kathryn and Stuart Immonen on this together is a big deal – wish they’d get more chances like this! Next up would be the finale of The Twelve, #12 (Marvel, $2.99). I argued with myself about waiting for the trade at this point, but at the end of the day I’m more interested in this than a lot of everything else going on out there. Plus, I bought the eleven previous issues so I should finish it out, right? Next up would be Spaceman #6 (DC/Vertigo, $2.99). I’m finding this series benefits from a deeper re-reading prior to each new issues, but it’s paying off in spades in terms of my enjoyment. This is definitely a palate cleanser after Azzarello and Risso’s run on 100 Bullets, but in a good way. Finally, I’d get Daredevil #11 (Marvel, $2.99). The Eisner Awards judges got this one right when they piled nominations on this book, because Waid, Martin, and Rivera have really made the quintessential superhero book here. The fill-ins from Khoi Pham and Marco Checchetto seem off-putting, but they’ve earned some lee-way after the murderer’s row of creators who started the book. Can’t wait to see Samnee on this, however.
If I had $30, I’d start off with an interesting looking project that’s gotten no press – Airboy: Deadeye #1 (Antarctic Press, $3.50). Chuck Dixon and Ben Dunn — what a pairing. After that I’d go back to get Supercrooks #2 (Marvel/Icon, $2.99); Mark Millar knows how to sell a high-concept, but it’s Leinil Yu that’s making me come back past the first issue. After that would be an Avengers two-fer: New Avengers #25 (Marvel, $3.99) and Secret Avengers #26 (Marvel, $3.99). I dropped off New a few issues back, but with this new issue covering some never-before-seen connections between Iron Fist and the Phoenix Force, I’m back in for this one. And Secret Avengers, well, Remender’s on a roll with his Marvel work and this is continuing on that without being an Uncanny X-Force retread. And guest artist Renato Guedes seems a better fit for this than his work on Wolverine.
If I could splurge, I’d lunge for a copy of The Art of Amanda Conner (IDW/Desperado, $29.99). I was fortunate enough to get a digital review copy of this earlier, and seeing it like that only made me want this more. Rather than just being a template art book plugging in her work, the design and packaging really go along with what you’d expect from Amanda’s tongue-in-cheek comic style. Reading this makes me want to go back and track down her earlier work that I missed.
Legal | The attorney for Marc Toberoff, the lawyer representing the Siegel and Shuster families in the bitter battle over the rights to Superman, argued last week before a three-judge panel of the Ninth Circuit Court of Appeals that Warner Bros. shouldn’t be granted access to sensitive documents stolen from Toberoff’s office and delivered anonymously to the studio in 2008. A federal magistrate judge ruled in May 2011 that Toberoff waived privilege to the documents when he turned over the files in response to a grand jury subpoena issued in the investigation of the theft. An attached cover letter, dubbed the “Superman-Marc Toberoff Timeline,” was determined in 2009 not to be covered by privilege, and become the basis for the studio’s lawsuit against the attorney, in which it claims he acted improperly to convince the heirs of Jerry Siegel and Joe Shuster to seek to reclaim the original copyright to the Man of Steel. Warner Bros. also alleges that Toberoff schemed to secure for himself “a majority and controlling financial stake” in the Superman rights. [Courthouse News Service]
Legal | Former Judge Dredd artist Brett Ewins was arraigned Thursday on charges of grievous bodily harm with intent following an incident last month in which he allegedly attacked police officers with a knife when they responded to a public-disturbance call. The 56-year-old Ewins, who reportedly has a history of mental-health issues, was remanded into custody pending a Feb. 17 preliminary hearing. [Ealing Gazette]
Don’t ask me how I remember this, but it was just about twenty years ago that the first previews of Dan Jurgens’ Justice League began appearing. After five years, the “bwah-ha-ha” era was winding down, and Keith Giffen and J.M. DeMatteis were leaving Justice League America. Giffen was also stepping away from plots and breakdowns for Justice League Europe, with JLE’s scripter Gerard Jones taking over as the book’s only writer; and Brian Augustyn replaced Andy Helfer as both books’ editor.
With a number of the New 52 titles changing creative teams before they’re even a year old, it’s too early to start talking about any long-lived, let alone definitive, runs on a particular book. Still, DC clearly hopes these books will be around for a while, even without the folks who launched ‘em. It got me thinking about past changes of the guard, and how they have followed some well-established interpretations.
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We sometimes get so immersed in our little world of words and pictures that it can be difficult at times to remember that comics are part and parcel of the larger pop culture and, as such, could often be referenced in other medium, like films and pop songs.
With that in mind, and since I’m always fascinated by this sort of cross-pollination, I thought I’d make a quick (and by no means definitive) list of some songs based on or about some beloved comic book characters. As a self-imposed caveat, I tried to stay away from theme songs or film contributions, so as much as I love The Ramones’ version of “Spider-Man,” I’m keeping it off the list for that reason.
Oh, and don’t forget to offer you’re own picks in the comments section …
1. Evangeline by Matthew Sweet
Sure, anyone can make up a song about Superman or Wonder Woman, but if you really want to establish your nerd cred, you need to write a song about a comic book character so long-forgotten even serious fans would need ten minutes or so to scratch their heads before saying, “Oh yeah, her.” So it was with Gen X songsmith Matthew Sweet, who penned a rather plaintive paen (“as sung by Johnny Six” the liner notes helpfully tell us) to the “sexy, killer vigilante nun” created by Chuck Dixon and Judith Hunt back in the heady days of the 1980s for Comico Comics. It’s a rather irresistible song — arguably one of Sweet’s best — as the singer looks at the figure he has placed on a pedestal and begs her to forget about all that “marriage to God” nonsense and give him the time of day, at least for a little bit. The fact that it features a really killer hook doesn’t hurt matters much.
Broadway | The $70-million musical Spider-Man: Turn Off the Dark will emerge Thursday from its three-week hiatus a vastly changed production, featuring five additional flying sequences, expanded roles for Aunt May, Uncle Ben and Mary Jane, a scaled back (and transformed) Arachne, new songs and a lighter tone. “There is still a ton of emotional complexity in the musical, and some of that original darkness,” says playwright and comics writer Roberto Aguirre-Sacasa, who was hired to help rework the script. “But we all also wanted a show that would honor the rich legacy and history of the Spider-Man story: the high school love story, the pretty girl next door, the science geek who is coping with new powers.” The new opening night is set for June 14. [The New York Times]
Publishing | Gregory Noveck, former senior vice president-creative affairs at DC Entertainment, has been hired as senior vice president of production for Syfy Films, a joint venture of Syfy and Universal. Noveck, who oversaw DC’s film and television ventures, left the company in August amid a massive restructuring. [Heat Vision]
Today’s Marvel announcement, regarding its intention to utilize CrossGen’s concepts at least partially in an attempt to do “a little more genre publishing” in 2011, was rather lean in terms of details. But don’t think that stopped Michael May and myself from compiling a Six by 6 list of CrossGen series we’d like to see return (in some form) and the folks we’d like to see creating them. As always with these lists, we’d love to read your input for what CrossGen properties and/or creators you’d like to see return in 2011.
1. Sojourn. Remember when everyone loved Greg Land? I do, because Sojourn was my favorite CrossGen series and apparently a lot of other people liked it too since it was one of the last to be canceled by the spiraling company. Arwen was a gorgeous, badass hero with a cool dog and a quest to collect five shards of a magic arrow that could kill the evil sorceror Mordath. It sounds like standard fantasy stuff, but Land’s detailed, realistic artwork (no one accused him of tracing back then) brought it to life. He wasn’t solely responsible for its success though. Ron Marz’s writing elevated the characters and situations from genre cliches to honest tragedy and human stories. I’d love it if Marvel could get him back on the book. Land too, if he can still produce the kind of work he did back in the day. (Michael May)