Chuck Forsman Archives - Robot 6 @ Comic Book Resources

Interview | Charles Forsman on the Oily Comics Spring Bundle

Preliminary cover for Noah Van Sciver's The Lizard Laughed

Preliminary cover for Noah Van Sciver’s The Lizard Laughed

Earlier this year, the small publisher Oily Comics suspended its subscription service. But it’s back, with Publisher Charles Forsman (creator of TEOTFW) tweeting Sunday that Oily is offering a new spring bundle that will be out in March. It’s available for pre-order now, and the full bundle is limited to 200 copies.

I checked in with Forsman to see what the story is with Oily and get some details on the new bundle.

Brigid Alverson: What’s going on with Oily Comics? Are you changing your business plan? How is this different from the way you were doing things before?

Charles Forsman: I stopped the subscriptions at the end of last year. I was feeling a bit burnt out at the time. It was a combination of my mental state and I was beginning to feel like I was just going through the motions with the monthly comics. So I put it on hold so I could crawl into my hole and get through my winter depression and decide what Oily would look like in the future. So, I am trying this bundle idea. I think I was inspired a bit by the humble bundle service. They do a pay-what-you-want bundle of video games. I thought it could work for Oily so I’m giving it a shot. Plus it satisfies a goal that the subscriptions had which is the simple idea of getting someone for Oily because they like a certain artist. But they will also be exposed to cartoonists they have not read before. I would love to do a pay-what-you-want but that just doesn’t work for physical comics so well.

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Comics A.M. | Amazing Spider-Man #700 racks up $1.6 million

The Amazing Spider-Man #700

Publishing | The Amazing Spider-Man #700 led the pack in the December comics numbers with 200,000 copies selling to comics shops, and with a cover price if $7.99, it racked up a cool $1.6 million in sales. Avengers #1 sold 186,000 copies but at a more reasonable price, so the dollars didn’t pile up as high for that one. ICv2 also has the December charts for the Top 300 comics and graphic novels in the direct market. John Jackson Miller takes it to the next level with sales estimates for the top 1,000 comics and trades of 2012. [ICv2]

Publishing | At the other end of the scale, Rob Clough talks to Chuck Forsman, the guy behind micropublisher Oily Comics. [The Comics Journal]

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Save the alternative comic book!

Eightball. Love and Rockets. Hate. Yummy Fur. Grit Bath. Meatcake. Palookaville. Dirty Plotte. In a distant time, serialized staple-bound solo anthology series dominated the alternative comics scene, and these (more or less) regularly published floppy-formatted comics roamed the earth in huge hordes. They also gave people interested in genres other than superheroes a reason to come back to comic shops week after week. Today they’re on the verge of extinction, supplanted by graphic novels and webcomics as the venues of choice for alternative work, with only a quixotic few — Alvin Buenaventura’s Pigeon Press, Igort and Fantagraphics’ Ignatz Line, Anders Nilsen’s recently completed Big Questions, the occasional issue of Uptight or Optic Nerve — keeping the torch lit.

But cartoonist Box Brown is looking to pull this fabled format back from the brink in a big way with Retrofit Comics, a new Kickstarter-funded publishing imprint seeking to publish fully 16 32-page pamphlet-format alternative comic books in a single year. Brown’s assembled an impressive line-up of creators for Retrofit Year One, including James Kochalka, Liz Bailie, Noah Van Sciver, L. Nichols, and Chuck Forsman — as well as a murderer’s row of retailers committed to carrying the comics, including The Beguiling, Jim Hanley’s Universe, Quimby’s, Desert Island, Floating World, Bergen Street, Chicago Comics, and Forbidden Planet UK. I think this last part is key. Brown explains that he’s doing this in part to provide alternative comics creators with the regular feedback of an audience as opposed to having them disappear from view for years at a time to draw a graphic novel, but that’s the sort of thing publishing to the web can take care of. What it can’t do is create an incentive for altcomix fans to visit their local comic shop, which would presumably drive more demand for similar books down the line. That’s worth pushing for.

Click here (or watch the video above) to learn more about the venture and contribute to its Kickstarter campaign.


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