Waid Assembles Big Stories for "All-New All-Different Avengers"
Publishing | Keiko Yoshioka explains how Japanese publisher Kodansha is getting into the Chinese market, not by selling Japanese products but by publishing a magazine in China that’s geared toward Chinese audiences — and using Chinese creators as well. The article puts a special focus on the two-woman team known as Navar, whose suspense series Carrier: Xiedaizhe now runs in Japan as well. [The Asahi Shimbun]
Academia | Northwestern University Prof. Irving Rein discusses why superheroes have secret identities, ticking off several superhero comics tropes and then going a bit deeper: “The usual script of a superhero episode revolves around a threat occurring in which the superhero is the victim of the decision making of the criminals. The hidden identity is a standard form of the superhero narrative and it allows the creators to use the formula and still deviate from the script. Throughout the comic book or movie there are a series of fundamental questions. Will the superhero be identified? When and under what circumstances will the superhero become a superhero? How will the superhero get back into his civilian identity without being identified?” [Daily Herald]
Legal | The lawyer for Jack Kirby’s heirs asked the 2nd Circuit Court of Appeals on Wednesday to overturn a 2011 ruling that Marvel owns the copyrights to the characters the late artist co-created for the publisher, arguing that a federal judge misinterpreted the law. Attorney Marc Toberoff, who also represents the heirs of Superman creators Jerry Siegel and Joe Shuster in their fight against DC Comics, told a three-judge panel that a freelancer who gets paid only when a publisher likes his work is not, under copyright law, performing work for hire. Marvel countered that Stan Lee’s testimony established Kirby drew the contested works at the publisher’s behest; the Kirby family insists the lower court gave too much credence to Lee’s testimony. Kirby’s children filed 45 notices in 2009 in a bid to terminate their father’s assignment of copyright to characters ranging from the Fantastic Four and the Avengers to Thor and Iron Man under a provision of the 1976 U.S. Copyright Act. However, in July 2011, a judge determined those comics created between 1958 and 1963 were work made for hire and therefore ineligible for copyright termination. [Law360.com]