Cliff Chiang Archives - Page 2 of 4 - Robot 6 @ Comic Book Resources
Welcome to What Are You Reading?, our weekly rundown of what comics and other stuff we’ve been checking out recently. Today our special guest is cartoonist Austin English, creator of the graphic novel Christina and Charles and publisher of Domino Books.
To see what Austin and the Robot 6 crew have been reading, click below.
I’ve always been fascinated with projects that could have been but got nixed before they finished (and sometimes before they even got started). The latest in that pantheon of would-be projects is a series of Captain America posters by Cliff Chiang. Although he’s been working under a DC exclusive for years that prevents him from working on Marvel Comics, he recently blogged about a project where he’d draw Captain America in a series of propaganda posters on behalf of an un-named marketing firm lobbying to do work for the movie.
Although it never got past the pitch stage, my art-lovin’ mind salivates at that idea. Here’s the roughs Cliff did for the project:
And get this — Chiang planned on bringing in Jock and Dave Johnson to do some covers too. Shame it never got greenlit. Maybe Captain America 2?
Good grief, it’s the eleventh month of the New-52! The forty-six books left from the original class are just about ready to wrap up their first year, and in some cases their second collection. Where does the time go? (And when can we stop calling it the “New” 52?)
In fact, both Batman #11 and Animal Man #11 promise “stunning conclusions” to their inaugural arcs. Of course, the Owls storyline looks more like a traditional multi-title crossover (even if most of it takes place in the main Batman book), whereas Animal Man’s storyline only involves an Annual and a little bit of Swamp Thing. Usually I am frustrated with the very idea of looking ahead three-plus months, because it’s the serialized-comics equivalent of being forced to check your watch halfway through a movie. Here, though, knowing that these two series are headed for big finishes in July helps adjust my expectations about where they are now.
Similarly, we’ve seen three months’ worth of solicitations (and more than that in hype) on the two Earth-2 titles, but for me that’s built up anticipation. Despite the concept’s radical reworking, I’m eager to see how it all comes together.
Now to more specific comments….
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NOTE: The images have been removed at the request of GQ.
Wonder Woman artist Cliff Chiang and GQ designer Benjamin Bours have revealed Chiang’s illustration of director, screenwriter and comics scribe Joss Whedon for a feature in the May issue of the magazine titled “The Geek Shall Inherit the Earth.”
“It’s always a treat to do some editorial illustration,” Chiang writes, “and when it’s a portrait of somebody as beloved in the comics scene as Joss Whedon, I couldn’t ask for a better subject.”
See a much larger version of his illustration below, and visit Bours’ website to see more pages from the Whedon profile.
It would be easy, and probably utterly predictable, for me to launch into an all-out rant about the origins of the New-52 Wonder Woman. In fact, because I found Kelly Thompson’s arguments fairly persuasive, that may still happen. However, I am more inclined to agree with Ragnell that the latest round of Amazonian revelations doesn’t quite square with what we’ve already been told, not just in Wonder Woman but in Justice League too. Therefore, there’s a chance that Brian Azzarello and Cliff Chiang are trying (with the best of intentions, naturally) to be provocative, ginning up interest in the book before the real story comes out.
Make no mistake, I understand completely Kelly’s argument that this version of Wonder Woman undercuts DC’s most venerable feminist institution. Even if the account in WW #7 is squarely contradicted, the insinuation is still pretty harmful. Either way, this is not the “old” Wonder Woman. Accordingly, this may simply be a new Wonder Woman, as different in origin as Hal Jordan was from Alan Scott; and her history may be the brutally-simple solution to the decades-old issue of “what to do with Wonder Woman.”
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2011 was a great year for writer Sam Humphries; he and artist Steven Saunders self-published and self-distributed a successful one-shot called Our Love Is Real, which sold out several times and eventually was picked up by Image Comics. From there, he teamed up with artist Dalton Rose for a six-issue, self-published and self-distributed series called Sacrifice. The first issue came out last month and told the story of Hector, a time traveler/Joy Division fan who finds himself in the middle of the Aztec empire. The comic includes not only references to Aztec culture, but also pop music and the culinary delights of Rancho Peñasquitos.
Humphries has guest-blogged with us several times in the past, so when it was time to send out invitations to the big Robot 6 birthday bash, I put him at the top of the list. He brought gifts, too, in the form of a rundown of the various references included in the first issue of Sacrifice, a look at the Jade Edition cover variant of issue #2 by Wonder Woman artist Cliff Chiang and critical information on the healing powers of tacos. You can pre-order a physical copy of the second issue through TFAW.com, or you can find it at several comic shops. The first issue can be downloaded now via Graphicly or comiXology.
Now let’s hear from Sam …
DC Comics completed their list of 52 collections for the new 52 relaunch titles by announcing that a Wonder Woman hardcover, collecting issues #1-6 of the series by writer Brian Azzarello and artists Cliff Chiang and Tony Akins, will come out next May. The 144-page book will retail for $22.99.
DC announced via their January solicitations that Akins, who has previously drawn Jack of Fables, Elementals and, with Azzarello, a comic called Red Dragon from the now defunct Comico, would fill in for artist Cliff Chiang on issue #5 and #6. According to Chiang on Twitter, he’ll be back on the book with issue #7.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
What’s that, you say? Paul Grist’s new Mudman series starts this week (#1, Image Comics, $3.50)? Well, that’s how I’m starting my $15 haul this week. While I’m at it, let’s add Avengers Origins: Luke Cage #1 (Marvel, $3.99) and Kirby Genesis: Captain Victory #1 (Dynamite, $3.99), before finishing up with the third issue of Wonder Woman (DC, $2.99) for a superheroic week that goes from the earth to the gods, with some blaxploitation and aliens thrown in the middle for flavor.
DC would dominate the other half of my budget if I had $30. I’d be grabbing the third issues of Green Lantern Corps, Justice League and Supergirl ($2.99 each, except Justice League for $3.99), but I’m surprising myself as much as anyone else by grabbing The Bionic Man #4 (Dynamite, $3.99) for my final pick – I read the first three issues in a bunch this weekend and really enjoyed the book to date much more than I’d been expecting.
Comics | John Jackson Miller slices and dices the October numbers for the direct market, noting that overall dollar orders for comic books, trade paperbacks, and magazines topped $40 million for the first time since September 2009. Orders rose 6.9 percent over September, the first month of DC’s relaunch. “While that may sound counter-intuitive, it isn’t when you consider that all those first issues continued to have reorders selling through October,” Miller writes. “Retailers with an eye on the aftermarket may also have some sense that second issues are historically under-ordered — something which goes at least back to the experience of G.I. Joe: A Real American Hero #2 in the 1980s, which wound up being much more valuable than its first issue.” [The Comichron]
Passings | Tom Spurgeon reports that author Les Daniels has passed away. Daniels wrote horror fiction and nonfiction books on the comic industry, which include Comix: A History of the Comic Book in America, Marvel: Five Fabulous Decades of the World’s Greatest Comics and DC Comics: Sixty Years of the World’s Favorite Comic Book Heroes. [The Comics Reporter]
I was going to open with some snotty Wow, the holidays went by super-quickly! comment, but then I read the first issue of Justice League in seven weeks. Sometimes DC gets ahead of itself; sometimes it’s a little behind. Happens to the best of us — sometimes you do two solicitation roundups in three weeks….
Anyway, with the January solicitations, the New-52 books each turn five issues old. Series wrapping up their first arcs this month include Blackhawks, Batwoman, Animal Man, and the Deadman feature in DC Universe Presents. (Not to worry about the latter, because there is a lot of Deadman in these solicits.) I’m not sure why five issues is such a wonky number for story arcs — there are five-issue miniseries all the time and they collect just fine. Still, I expected most of the New-52 books to take six issues for their introductory stories, and most of them may yet do that. Only a few books look to finish their first arcs after December’s issue #4s (Hawkman and Frankenstein, probably OMAC, maybe Batgirl), and those plus this month’s are barely an eighth of the relaunched line. It makes next month’s solicits more intriguing, I suppose.
Regardless, we live in the now (as it were…) so — onward to January!
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It’s perhaps a little fitting that Wonder Woman’s first post-relaunch visit to Themyscira, a magical, hidden island that can teleport to any location or time, should have echoes of Lost. In the preview of this week’s Wonder Woman #2, from the Maxim magazine website of all places, we get our first exposure to the (re-) rebranded Paradise Island, complete with unnerving, and downright threatening, whispers, and Others Amazons emerging from the shadows of the jungle.
Also worth noting: Queen Hippolyta is blonde again, for the firs time since, when, the 1987 relaunch? Wonder Woman #2, by Brian Azzarello and Cliff Chiang, goes on sale Wednesday.
DC Comics has begun parceling out its January solicitations ahead of the full release this afternoon, revealing Tony Akins as the first fill-in artist for Wonder Woman. As noted last week, Cliff Chiang will still provide the cover for Issue 5, which finds Diana back home in London dealing with “two of the most powerful deities of the pantheon.”
Chiang and Wonder Woman writer Brian Azzarello had one of the most acclaimed debuts in DC’s New 52.
Beyond that, the creative teams in the Justice League, Superman and Batman groups, the only solicitations released so far, appear stable in the fifth month of DC’s relaunch. The covers range from dazzling — Wonder Woman by Chiang, Batwoman by J.H. Williams III and Batgirl by Adam Hughes are particularly noteworthy — to confounding. Starfire appears to be bleeding from her hair on Red Hood and the Outlaws (damned cheap Tamaranian dye jobs), while the covers of Detective Comics and Superman employ some oddly executed split images.
And then there’s the enormous demonic creature gnawing on Nightwing …
Check out some of the highlights, and lowlights, below, and visit Comic Book Resources at 2 p.m. PT to see DC’s full solicitations for January.
Shirts For A Cure, a project started by the Syrentha J. Savio Endowment to raise money in their efforts to provide financial assistance to underprivileged women who cannot afford breast cancer medicine and therapy, sells exclusive shirts for various bands and musical artists on their site. And they’ll be at the New York Comic Con this weekend selling shirts created by artists like Mike Cavallaro (his design is shown above), Molly Crabapple and Brian Ewing.
And even if you can’t attend the con, go check out their site … they’ve got some cool shirts for a great cause.
New York Comic Con may not kick off for another couple of days, but DC Comics is already parceling out some of its big announcements. On Sunday, there was news that Andy Kubert will join Grant Morrison for two issues of Action Comics, and now comes word that another major change is in store for Wonder Woman.
The New York Post reports that after nearly 70 years, the Amazing Amazon will receive … a father. Warning: Spoilers!
I like Wonder Woman. She’s one of the relatively few superheroes I genuinely root for. Not in a “I hope she defeats this villain” or “I hope she doesn’t get killed during the course of this dangerous adventure” sort of way, of course, because she is a superhero, and therefore always concludes her adventures safely and successfully.
Rather, I root for the character in the real world, in a “I hope this comic book of hers turns out good” or “I hope this is the take on Wonder Woman that catches on, and proves to folks that she’s just as good a character as Superman and Batman, her caretakers have just lost their way over the years.”
That’s why I get really excited when I see something like Ben Caldwell‘s too-crowded and laid-out but otherwise pitch-perfect Wednesday Comics strip, or proposals for YA and manga-influenced Wonder Woman comics from the likes of Caldwell and Tintin Pantojo or, hell, even just a really nice Wonder Woman drawing or character design in an unofficial venue (that is, one that’s not paid for and published by DC).
Personally, the release of Wonder Woman #1 was the comic of “The New 52″ I was therefore most excited about.
As an observer of DC, I don’t think it’s the most important offering, which would probably have been Justice League, as DC’s flagship title and declaration of intent written and drawn by two-thirds of the folks responsible for the relaunch/reboot. And/or perhaps Action Comics and Detective Comics, as DC’s two foundational books given historical renumberings as a sign of how serious the company is about starting over. And/or, from a fan perspective, even Batgirl, as a barometer of how the company would deal with continuity, which, in Barbara Gordon’s case, was an anyway-you-look-at-it positive, rather than baggage (And baggage is how continuity is usually perceived, although I’d argue that perception really reflects an accumulation of bad stories, not the longevity of a narrative in general).
But Wonder Woman is a comic and concept badly in need a ground-up reinvention of the sort several characters seem to be getting (like Green Arrow, for example), as evidenced by the fits and starts of the title over the last few years, and DC’s noticeable confusion of what to do with her.