The Biggest Superhero Films That Didn't Happen, Part 2
Comic Books, Film
Writer and producer Denise Dorman, wife of artist Dave Dorman, kicked off far-ranging discussion with her recent post about the shifting convention scene, and how it’s affected their income — specifically, her view that cosplayers have become to the “new focus” of the events, to the detriment of creators, publishers and vendors.
It’s certainly true that comics conventions have become more popular and more numerous than ever, and with their success comes an evolving experience both for attendees and exhibitors. However, Dorman’s essay is front-loaded with a lot of perplexed annoyance at kids today and their cosplaying, Instagram and selfies.
Unfortunately, much of the discussion that’s followed so far has focused on defending cosplayers. That was my initial response too — after all, I’ve seen some people wearing elaborate and imaginative costumes walking on the floor with their overflowing bag of comics, or their original art delicately being transported somewhere safe. Plenty of cosplayers love comics, and if they stop at a booth, you can bet people around them are checking out both them and the table they’re perusing. I’ve seen it happen so often at Comic-Con International.
Awards | Although the website for the 40th Angoulême International Comics Festival is down, several outlets managed to pick up on the official selections for the 2013 festival, to be held Jan. 31-Feb. 3. Contenders for book of the year include Big Questions by Anders Nilsen, Daytripper by Gabriel Ba and Fabio Moon, Fables by Bill Willingham, Matthew Sturges and others, The Hive by Charles Burns, The Nao of Brown by Glyn Dillon, Paying For It by Chester Brown, and The Walking Dead Vol. 16 by Robert Kirkman and Charlie Adlard. Fatale Vol. 1 by Ed Brubaker and Sean Phillips, and The Green River Killer by Jeff Jensen and Jonathan Case were among those named in the crime comic category. [BoDoi]
Publishing | Bluewater Productions Publisher Darren G. Davis isn’t afraid to talk about real numbers: Bluewater’s income is about $2 million a year, and the most popular titles sell 5,000 to 10,000 copies apiece, although others never make it out of the triple digits. And while he admits he doesn’t have a thick skin, Davis says he has gotten used to criticism: “I’ve learned that I’m not my company. When they attack my company, they are not attacking me personally.” [The Columbian]