comic art

More Frank Miller Dark Knight Returns art goes up for auction

More than nine months after an original splash page from Batman: The Dark Knight Returns sold for a record $448,125, Heritage Auctions is offering two more original pieces of Frank Miller art, expected to bring in more than $50,000 each.

Consigned by Miller himself, the pieces are the cover to 2006′s Absolute Dark Knight and the frontispiece from the 1997 10th-anniversary edition of Batman: The Dark Knight Returns.

“It took me years to define, in my own mind, Batman as less a creature of vengeance than of vigor,” Miller said of the Absolute Dark Knight cover. “This piece is one of my personal favorites. To me, it sums the man up.” And on the Batman and Robin splash: “Like any hero, Batman is complex. Here we see him as a father figure, instructing one of my favorite creations, dear Carrie Kelly.”

The two pieces will be auctioned Feb. 23 by Heritage, which notes that while Miller worked with inker Klaus Janson and colorist Lynn Varley on The Dark Knight Returns, “these images are rare examples of 100 percent Frank Miller pencils and inks on his most popular character.”

Animal Man ‘Evolve or Die’ shirt arrives in stores, then debuts in comic

In a clever bit of product placement and cross-promotion, DC Comics is offering “Evolve or Die” T-shirts featuring Travel Foreman’s cover for Animal Man #1 just ahead of the shirt’s debut in the seventh issue of the series. It certainly makes sense within the context of the relaunched title, which opened with a Believer interview in which Buddy Baker was asked how it felt “to have your face plastered on kids’ dorm rooms and T-shirts all over the country.”

The shirts will be available in direct market stores, and at GraffitiDesigns.com, at the end of the month (prices range from $18.95 to $24.95, depending on size). There’s no word yet as to when we should expect that “World’s Best Grandpa” design.

Animal Man #7, by Jeff Lemire and Steve Pugh, arrives March 7.

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Frosty first look at Adam Hughes’ cover for Fairest #3

Adam Hughes has revealed his cover for the third issue of Fairest, Vertigo’s upcoming Fables spinoff series that will spotlight such female characters as Thumbelina, Rapunzel, Snow White and Rose Red. While the six-issue initial arc, by Fables creator Bill Willingham and artists Phil Jimenez and Andy Lanning, centers on Briar Rose, Hughes puts Lumi, the Snow Queen (previously seen in the background of his cover for Fairest #1) front and center.

Check out the full image below. Fairest debuts from Vertigo in March; the third issue arrives in May.

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A first look at DC’s Before Watchmen covers [Updated]

As DC Comics’ Before Watchmen announcement rolls out from multiple news and entertainment outlets, so too do our first looks at covers for all seven prequels to the groundbreaking 1986 miniseries.

Okay, almost seven, as USA Today has only offered a detail of one of Lee Bermejo’s covers for Rorschach (at right), his four-issue miniseries with Luthor and Joker collaborator Brian Azzarello. To make up for it, though, there’s a cover by original Watchmen colorist John Higgins for a Crimson Corsair story by he and original Watchmen editor Len Wein.

We also have a Dr. Manhattan cover by Adam Hughes (courtesy of CBR), Minutemen by Darwyn Cooke (Hero Complex), Nite Owl by Andy Kubert and Joe Kubert (Heat Vision), Ozymandias by Jae Lee (Underwire), and Silk Spectre by Amanda Conner (Entertainment Weekly). UPDATE: Now, thanks to The New York Times, we also have one of J.G. Jones’ Comedian covers.

Check out the covers below. We’ll update if more, and in some cases larger, images become available.

UPDATE: DC Comics has released hi-res versions of each of the covers, which we’ve added below.

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DC Comics’ new logo numbering mystery

DC Comics’ new logo was officially unveiled this morning, followed by the release of mockups showing how the “peel” design would appear on digital devices, collected editions and single issues. However, a closer look at the latter reveals a comics conundrum: a New 52 cover for Batman, with the current creative team of Scott Snyder and Greg Capullo, is labeled as Issue 708, while George Perez’s Superman #1 cover is numbered somewhere between #700 and #709 (it’s partially obscured, making it difficult to tell). Here’s the thing — despite the New 52 covers, both of those issues were published before the New 52 was announced in July 2011.

Batman #708 was printed in March 2011 during David Hine and Guillem March’s run on the book. Any issue of Superman that begins with “#70_” would had to have been somewhere between June 2010 and March 2011, spanning J. Michael Straczynski and Chris Roberson’s runs. Assuming these are the numberings from March 2011, that would mean the final two issues should be Green Lantern #64 and Wonder Woman #609. Could this be a sign of the New 52 numbering being a last-minute change for DC? Or maybe DC wasn’t letting the outside firm in on its relaunch plans, which could indicate this logo has been in development since well before March.

Then again, it could just be a coincidence, but it is an odd oversight to present a new logo with numberings from issues that hit stores 10 months ago.

Whatever the case, it brings us to the question why the company didn’t roll out its new brand identity in late August, when it relaunched its entire line, or even last month, when it published a mammoth hardcover collecting all 52 first issues – one that now rests on shelves sporting the nearly seven-year-old “swoosh.”

DC’s “peel” logo will make its comics debut in March, when most of the covers presumably will bear the number 7.

‘Troy and Abed’s Dope Adventures’? Cool, cool, cool

If you’re still a little deflated by the absence of Community from NBC’s midseason lineupit will return … sometime — then this may pick you up: Megan Lara’s adorable Calvin & Hobbes-inspired illustration “Troy and Abed’s Dope Adventures” is available as a T-shirt from RedBubble.

(via Vulture)


Jake Parker redesigns Batmobile, should redesign everything ever

Jake Parker (Missile Mouse) posted this drawing on his blog and I can’t stop thinking about how much I want to see him draw more like it. If DC Comics ever does another Bizarro Comics anthology, I hope someone gives Parker a call.

(via The Comics Reporter)

A look at the evolution of the Avatar: The Last Airbender cover

On the Dark Horse blog, editor Dave Marshall shares the cover process for Avatar: The Last Airbender — The Promise Part 1, from writer Gene Luen Yang’s rough ideas to art duo Gurihiru’s cover sketches to Avatar co-creator Bryan Konietzko’s notes to the final product.

The 80-page graphic novel, the first in a series of digests continuing the adventures of Aang and his friends, arrives Jan. 25.

Your Wednesday Sequence 38 | Bernard Krigstein (1 of 2)

It’s taken me a while to get around to taking a look at Bernard Krigstein on this column, though that’s hardly because I haven’t wanted to.  Quite the opposite, in fact: every week when I write one of these things, he’s the first artist I think of spotlighting.  The reason he’s gone unmentioned for so long is that the challenge he presents to the analyst of comics art is just so daunting.  Even when one sets aside his razor-sharp drawing ability, his intuitive, museum-worthy compositional skill, and his unsurpassed way with graphic design to look at the sequencing alone, there’s more going on than could possibly be said.  So I ended up giving up on finding a single, telegraphing Krigstein sequence and elected to pack as many as possible into today’s column, because put simply, Krigstein wrote the book on sequencing — his every page a bold statement about effective, economical, and above all dramatic presentation of content.

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Florida’s Bear & Bird Gallery to host ‘Proof of Heroes’ exhibit

If you work in the industry for as number of years, you’re bound to gather a number of unique artifacts from your time spent. People have been delighted in recent weeks with Tom Brevoort’s “The Marvel Age of Comics” Tumblr showcasing the editor’s collection of original art and assorted oddities, and now The Hero Initiative is partnering with a Florida gallery to show off one-of-a-kind printer’s proofs for covers collected by renowned editor Julius Schwartz during his 42-year tenure at DC Comics.

Titled “Proof of Heroes,” the exhibit at Bear & Bird Boutique + Gallery will feature nearly 300 comic book cover printer’s proofs from 1964 to 1974. These printer’s proofs were sent to Schwartz for final approval before going to press, and features artwork from such comics legends as Nick Cardy, Neal Adams, Mike Kaluta and Carmine Infantino. The exhibit is set to run from Jan. 20 to March 3 at Bear & Bird’s Lauderhill, Florida, location, just above the comic store Tate’s. On Jan. 21, DC icons Paul Levitz, George Perez and Alex Saviuk will be on hand from 2 p.m. to 4 p.m. for a signing, followed by a reception from 5 p.m. to 8 p.m.

The printer’s proofs will be available for just $100 each (certificate of authenticity included). All proceeds benefit The Hero Initiative.

Quote of the day | Dave Dorman takes offense at Saga art

Saga, by Brian K. Vaughan and Fiona Staples

“It seems that in today’s desperate-for-sales comic book market, nothing is sacred. In the midst of world-saving adventures, today’s modern heroine breast feeds her child with zero modesty. Talk about work-life balance! It hearkens back to those Enjoli fragrance TV ads of the ’70s — I can bring home the bacon, fry it up in the pan, and never, never let you forget you’re a man…”  I’m just so impressed with this I-can-have-it-all super heroine. I had to wonder, did La Leche League (or as my wife took to calling them after she delivered our son,  ‘The Breast Milk Mafia’) pay big-time sponsorship money for this cover? What a wholesome, family-friendly image!

I find this image offensive, not only for promotion of a comic book, but specifically for a comic that Brian clearly states that he would like to see today’s younger generation pick up and read as he did when he was kid. Rather than a family-friendly heroic saga, this promo art is telegraphing to the world that it’s a series I cannot share with my 7-year-old son. Is the comics industry really so dead that they have to stretch to these desperate, shock value measures to incur readers? Really?”

– artist David Dorman, attempting to explain “Why Dave Dorman Finds New Image Comic Saga Offensive,” but not exactly succeeding. While he has insisted on Twitter (three times now) that he isn’t offended by breastfeeding, nor it turns out by “boobs” — “I paint boobs on canvas for a living” — Dorman has yet to elaborate on what makes the above promotional image for Brian K. Vaughan and Fiona Staples’ mature readers sci-fi/fantasy epic offensive, unwholesome, or emblematic of “desperate, shock value measures” used to rope in readers.

There’s nothing titillating about Staples’ image; for all its fantasy trappings, it’s incredibly understated … casual, even. To be honest, it didn’t even register with me that it depicted breastfeeding until I read Dorman’s rant. Heck, ram’s horns and gossamer wings aside, I’ve encountered virtually identical scenes in cafes, movie theaters and public parks — all with minimal offense.

DC Fifty-Too blog relaunches as ‘Relaunched’

Menace

Last summer, right before DC relaunched their New 52 titles, a group of creators launched DC Fifty-TOO! and gave various creators the chance to go wild and create covers and concepts for comics they thought should be part of the New 52. And then in October, the blog shifted from DC to Marvel, as creators asked themselves “What if?” and dreamed up relaunched Marvel titles.

And now the site has shifted a second time:

The response and reaction to the DC FIFTY-TOO and MARVEL UNIVERSE TOO:WHAT IF projects has been immense – thousands of folks have found the site, blogged about it, discussed it in their message boards. More than anything else, the blog has attracted dozens and dozens of artists who have expressed interest in submitting their own new covers and story concepts.

Well, they need not wait any longer – beginning in 2012, the DC FIFTY-TOO blog will change its name to RELAUNCHED and will become OPEN TO SUBMISSIONS. You do not need to wrangle an invite or wait for the next themed event, nor do you have to limit yourself to Marvel or DC – you can simply create your own cover and series concept whenever you’d like for whatever property you’d like, and send it directly to us.

Yep, now anyone can submit something to the blog, which is now called Relaunched, just like Charles Guthrie did with Dennis the Menace above. So go check it out and if you have an idea and the artistic chops to bring it to life, submit something for consideration.

First look at Tony Daniel’s cover for Detective Comics #8

Detective Comics #8

To celebrate the 2 millionth “like” of its Batman Facebook page, DC Comics has debuted the cover for April’s Detective Comics #8, by Tony S. Daniel and Sandu Florea.

“More than 2 million people have signaled that they are fans of the Caped Crusader, a sentiment we whole-heartedly agree with,” Brandy Phillips, DC Entertainment’s director of publicity, wrote this morning on The Source. “It’s no surprise that so many people feel this way. Batman continues to be one of the most popular comic characters ever created, with top-selling and popular books Batman, Detective Comics, Batman: The Dark Knight and Batman and Robin leading the way. And with Catwoman, Batwing, Batgirl and Batwoman rounding out the Batman family – the whole line is really on a tear, backed by some of the best creative talent in the industry including Scott Snyder, Greg Capullo, Tony Daniel, and David Finch, among many others.”

Check out the full cover below.

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The 50 best covers of 2011

The fourth annual rundown of the best covers of the year features 50 images representing the work of 42 different artists (plus colorists, inkers, letterers and designers) from eight publishers.

Returning creators like Jo Chen, Dave Johnson, Paolo Rivera and J.H. Williams III are joined on the list by such “newcomers” as Francesco Francavilla, Viktor Kalvachev, Tradd Moore and Steve Morris.

As with previous installments, I’ve attempted to explain the appeal of each entry; some covers get just a sentence, while others receive entire paragraphs. That doesn’t reflect the quality of the image, but merely what I have to say about it.

For those interested in the lists from previous years, they can be found here: the best covers of 2010; the best covers of 2009; and the best covers of 2008.

With that out of the way, I present, in alphabetical order, the 50 best covers of 2011:

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Tom Brevoort revisits the Marvel Age of Comics

Jim Steranko's "Nick Fury, Agent of S.H.I.E.L.D." Christmas card

Tom Brevoort, Marvel’s senior vice president of publishing, has begun digging into his archives for The Marvel Age of Comics, his new Tumblr blog devoted to “rarities and original art from the formative days of Marvel.” It launched just yesterday, and there’s already some terrific images, including a page of original art from 1941′s Captain America Comics #6, John Byrne’s character sheet for Kitty Pryde and, above, Jim Steranko’s Christmas card from when he was working on Nick Fury, Agent of S.H.I.E.L.D.







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