Luke Cage History: From Hero for Hire to Hollywood
TV, Comic Books
Here’s a chance to get your hands on some rare Neil Gaiman work and support the Comic Book Legal Defense Fund. OK, maybe not “hands,” because it’s all digital …
The bestselling author has teamed with Humble Bundle for the appropriately titled “Neil Gaiman Rarities” bundle, featuring a range of books from early in his career, including his debut book, Duran Duran: The First Four Years of the Fab Five, from his days as a journalist.
Censorship | During a panel at Comic-Con International, members of the Comic Book Legal Defense Fund criticized a student’s attempt to have four graphic novels banned from her college campus. Crafton Hills College student Tara Shultz and her father, Craig Shultz, have called for Fun Home, Persepolis, the first volume of Y: The Last Man, and the second volume of The Sandman, all of which were included in a course on the graphic novel as literature, to be removed not only from the course but also from the college bookstore. The school has refused. CBLDF director Charles Brownstein noted that this is part of a troubling new trend: Graphic novel challenges at the college level. The CBLDF has been involved in 18 college cases so far this year, up from 10 in all of 2014. [Redlands Daily Facts]
Creators | “Opus’s [voice] came screaming back at me — true— when I faced those four empty panels that I hadn’t done since 1989,” cartoonist Berkeley Breathed told Michael Cavna, explaining why he is returning to his comic strip Bloom County after a lengthy absence. He also discusses the possibility of self-publishing rather than going with a newspaper syndicate: “Dead-tree media requires constancy and deadlines and guarantees. This flattens the joy. It also presents a huge income. It’s an interesting trade-off, isn’t it?” [Comic Riffs]
Commentary | David Brothers critiques Marvel’s plans to publish hip-hop themed variant covers, given that none of the newly announced creators for Marvel titles are black. [i am davidbrothers dotcom]
Creators | Kate Beaton talks about her family, webcomics, princesses, and her pony character’s guest appearance on Adventure Time. [Time]
Gilbert Hernandez’s graphic novel Palomar will be available in the Rio Rancho (New Mexico) High School library when classes resume in the fall, but there’s a catch: Students under the age of 18 will have to get a parent’s signature before they can check out the book.
Parent Katrina Lopez turned to the local news media in February after her 14-year-old son checked out the mature-readers book, reportedly thinking it might be manga. When Lopez leafed through the pages, she saw images she characterized as “pornographic.”
While a school district spokesman initially called the book “clearly inappropriate for students,” a committee chosen by the superintendent later voted to keep the book in the library, saying it met the standard of the Rio Rancho School Board’s Library Bill of Rights.
Lopez said at the time she would appeal the decision.
Libraries | Michael Cavna talks to Drama creator Raina Telgemeier and Charles Brownstein of the Comic Book Legal Defense Fund about graphic novel challenges in libraries and why Drama made the American Library Association’s 2014 list of 10 most challenged books. [The Washington Post]
Political cartoons | The East African cartoonist Gado has been let go from the Kenyan newspaper The Nation, apparently due to pressure from the government. The move came after the newspaper’s owner met with President Uhuru Kenyatta, who’s been pushing the publication to drop some its contributors critical of his government. Gado’s cartoons about various scandals, and his depictions of the president as a prisoner with a ball and chain and as a turbaned Sikh (following an attempted land grab that involved four entrepreneurs named Singh) have clearly hit a nerve. [Spy Ghana] Continue Reading »
Libraries | The Comic Book Legal Defense Fund has responded to the recent removal of a copy of Gilbert Herandez’s Palomar from a high school library in New Mexico following complaints from a parent, who called the acclaimed graphic novel “pornographic.” Taking a local television station to task for its “biased reporting,” the organization notes the removal of the book by Rio Rancho Public Schools officials appears to violate the district’s own challenge policy. [Comic Book Legal Defense Fund]
Manga | Here’s an interesting insight into the Japanese publishing industry: Deb Aoki, in Tokyo as a judge for the Manga Translation Battle, collects a series of her tweets and the responses of others (including a number of pros) to the symposium that followed the awards reception. The juxtaposition of two charts is startling: Manga sales are sharply down in Japan but rising in the United States, although of course the orders of magnitude are different. In keeping with the theme, she also discusses what makes a “good” translation, with actual manga translators weighing in with their opinions. [Storify]
Whether you’re looking to benefit a good cause or simply trying to squeeze in another tax deduction before 2014 comes to an end, you need look no further than the Comic Book Legal Defense Fund.
The nonprofit, dedicated to protecting the First Amendment rights of comics creators, publishers and retailers, is rewarding contributions — of any amount — made by midnight Wednesday with an exclusive download of Neil Gaiman: Live at the Aladdin, the 2001 CBLDF benefit reading that includes performances of “Chivalry” and “Being an Experiment Upon Strictly Scientific Lines …”
If, for some reason, you’re uncertain of precisely what the CBLDF does, this post on the organization’s website touches upon the highlights of its “busy year”; there’s also a handy chart, which you can see below.
Regular readers of ROBOT 6 will undoubtedly recall the nonprofit’s involvement in Banned Books Week (which this year focused on comics) and the debate over Alison Bechdel’s Fun Home in the South Carolina legislature.
This year’s pairing of Banned Books Week and comics, with considerable input from the Comic Book Legal Defense Fund, was pure genius. While it is sponsored by a number of organizations, Banned Books Week is heavily supported by libraries, and librarians have been among the most ardent boosters of graphic novels in the last ten years.
In fact, Banned Books Week is really all about libraries, and to a lesser extent, schools. The days of government censorship in the form of prohibiting publication, import, or sale of a book for offensive content are long gone. Nowadays, “banned books” really refers to books that someone wants to remove from a public library or a school. Often, those attempts are unsuccessful because the library in question has a solid acquisition policy and a process for handling challenges, which is how it should be. Libraries buy books for a reason, and they shouldn’t take them off the shelves without a better reason.
Many public library challenges have a similar narrative: Kid checks a book out of the library, mom finds the book and freaks out, mom goes to the library, or the press, and demands the book and all others like it be removed from circulation. When the proper process is followed, a committee of professionals reviews the book and makes a decision, and you and I seldom hear about it; it’s when someone goes to a public meeting and starts yelling and waving a book that things go haywire. That’s what happened in South Carolina, where the a mother let her daughter check out Alan Moore’s Neonomicon, which the library had correctly shelved as an adult book, then was shocked to discover it had sex in it. In this case, the library review committee recommended that the book remain on the shelves but the library director overruled them.
Banned Books Week | Michael Cavna talks with Jeff Smith, Scott McCloud and Neil Gaiman about the importance of Banned Books Week. Says Gaiman, “I get tired of when people say that no books are banned just because [you can get it elsewhere]. Say you’re a kid in a school district [that banned a book] and there’s not a local Barnes & Noble and you don’t have 20 or 50 bucks in disposable income … That book is gone. It was there and now it’s not. The fact you can buy it on Amazon doesn’t make that any less bad.” [Comic Riffs]
Banned Books Week | Charles Brownstein, executive director of the Comic Book Legal Defense Fund, discusses comics and censorship in a video interview. [Reason Magazine]
This is Banned Books Week, the annual celebration of all the books that someone, somewhere, thought was objectionable — which usually means they make good reading. This year, the focus is on comics and graphic novels, and the Comic Book Legal Defense Fund is working with the other sponsors, including the American Library Association, to produce a number of resources for librarians and others, including a Banned Books Week Handbook; the organization has also posted a handy list of Banned Book Week events across the country (including this panel discussion, which I’ll be part of).
Fans of Gilbert Hernandez who are attending Comic-Con International next week will probably want to stop by the Comic Book Legal Defense Fund booth (#1920). There they’ll find, among other goodies, Valiant’s limited-edition Harbinger #25 SDCC Liberty Variant, featuring a cover by Hernandez.
As if the cover weren’t enough, it’s a 48-page special issue containing work by Joshua Dysart, Khari Evans, Vivek J. Tiwary, Lewis LaRosa, Dan Goldman, Clayton Henry, Justin Jordan, Rafer Roberts, Lucy Knisley and Barry Kitson. Hernandez will be signing copies alongside Dysart, Tiwary and Knisley at noon Saturday, July 26, at the CBLDF booth.
Retailer Things From Another World has again partnered with the Comic Book Legal Defense Fund for its annual auction at Comic-Con International, featuring original artwork donated by creators.
The auction page has already unveiled pieces by Gabriel Ba, Nick Dragotta, Larry Marder, Fabion Moon, Frank Quitely and Emma Rios — and now ROBOT 6 is exclusively debuting three more: Revival art from Jenny Frison, a Battlepug sketch by Mike Norton, and a Manhattan Projects spoof by Nick Pitarra.
Ahead of Banned Books Week, which this year will focus on comics and graphic novels, the Comic Book Legal Defense Fund has unveiled its first Banned Books Week Handbook, featuring a cover by Jeff Smith, whose critically acclaimed fantasy adventure Bone was listed among the most frequently challenged titles of 2013.
Debuting today at the American Library Association Annual Conference in Las Vegas, the free guide provides an overview frequently challenged comics, and offers tips for readers on how to report and fight censorship and suggestions for librarians, retailers and educators for planning Banned Books Week celebrations.
A PDF of the handbook can be downloaded here; bundles of the printed edition can be ordered on the CBLDF website or through Diamond Comic Distributors.
The organization has also released the first of its discussion guides, designed to begin conversations, and address concerns and misconceptions, about specific comics, including Fun Home, Persepolis and Watchmen.
Banned Books Week is scheduled for Sept. 21-27.
South Carolina Gov. Nikki Haley last week signed a state budget that requires two colleges to spend nearly $70,000 to teach the U.S. Constitution and other historical documents as punishment for selecting gay-themed books for their freshman reading programs.
According to The State, Haley said she appreciated the compromise, approved last month by the state Senate to prevent a standoff over the House’s punitive cuts of $52,000 to the College of Charleston and $17,142 to the University of South Carolina Upstate for selecting Alison Bechdel’s 2006 graphic memoir Fun Home, and Out Loud: The Best of Rainbow Radio, respectively. The figures represent the amount each school spent on last year’s programs.
During heated debates in both legislative bodies, some lawmakers accused the College of Charleston of promoting a gay agenda and forcing pornography on its students. On the floor of the Senate, where a vote was delayed by a Democrat-led filibuster, some legislators reportedly “compared Fun Home and its author to everything from slavery to serial murderer Charles Manson and Adolf Hitler.”
Pop culture | Eighty years ago today, Donald Duck was introduced as a supporting character in the animated short “The Wise Little Hen,” part of Walt Disney Productions’ Silly Symphonies series. His comic strip debut came a few months later, in an adaptation of the short by Ted Osborne and Al Taliaferro that ran in Sunday newspapers between Sept. 16 and Dec. 16. To mark the milestone, the National Turk publishes “a love letter to the duck,” while The Telegraph offers 10 surprising facts about the character. [National Turk, The Telegraph]
Political cartoons | The South African cartoonist Zapiro, himself no stranger to controversy, said the Eyewitness News cartoon depicting the South African legislature and the people who voted for them as clowns (and calling the voters “poephols,” or idiots) was a mistake. “I think the EWN cartoonists made a big error in the way they depicted the voters, what they called them and the shadow in the bottom corner, which could be misconstrued as meaning black voters,” he said. “They should have – and the editors of EWN should have – picked it up. But, they have apologised and anything that goes beyond that now is just bandwagoning by politicians.” Meanwhile, a fake Zapiro cartoon made the rounds on social media over the weekend. It’s based on a real 2002 cartoon that showed doctors finding the brain of then-president George W. Bush while giving him a colonoscopy; the fake cartoon substitutes South African President Jacob Zuma, who went into the hospital over the weekend. [Times Live]
This year’s Banned Books Week, slated for Sept. 21-27, will spotlight comics and graphic novels, the Comic Book Legal Defense Fund and the Banned Books Week planning committee announced today. Graphic novels have been the subject of a number of library and school challenges over the past few years, and the American Library Association’s most recent list of frequently challenged books includes, incredibly, Jeff Smith’s Bone.
Comics and graphic novels are somewhat more vulnerable to challenges because of their visual nature: While one would actually have to read To Kill a Mockingbird or The Absolutely True Diary of a Part-Time Indian to find potentially offensive content, all a would-be guardian of morality has to do with comics is flip one open and leaf through the pages looking for Naughty Bits. That’s apparently what happened when the Chicago Public Schools attempted to remove Marjane Satrapi’s Persepolis from classrooms; the move was based on a few panels taken out of context.