Brevoort Talks "Captain America's" Shocking, Controversial Twist
This year’s Banned Books Week, slated for Sept. 21-27, will spotlight comics and graphic novels, the Comic Book Legal Defense Fund and the Banned Books Week planning committee announced today. Graphic novels have been the subject of a number of library and school challenges over the past few years, and the American Library Association’s most recent list of frequently challenged books includes, incredibly, Jeff Smith’s Bone.
Comics and graphic novels are somewhat more vulnerable to challenges because of their visual nature: While one would actually have to read To Kill a Mockingbird or The Absolutely True Diary of a Part-Time Indian to find potentially offensive content, all a would-be guardian of morality has to do with comics is flip one open and leaf through the pages looking for Naughty Bits. That’s apparently what happened when the Chicago Public Schools attempted to remove Marjane Satrapi’s Persepolis from classrooms; the move was based on a few panels taken out of context.
The public library system in Hertfordshire, England, has restricted who can check out graphic novels that are classified as “adult” — which includes not only mature-reader titles but also comics aimed at a broader audience, such as Batman and The Avengers, according to the local newspaper.
Often, these sorts of stories start with a parent who is outraged to find a child checking out or browsing adult materials. In this case, however, the issue was simply one of proximity: When Louisa de Beaufort brought her two children to the public library in her small town of Harpenden, she noticed that graphic novels of an adult nature were on the other side of the bookshelves that held children’s books. What’s more, mature-readers graphic novels in the adult section were shelved alongside tamer titles.
De Beaufort used her child’s library card to borrow not one but 10 mature titles, including The Boys, Crossing Midnight and Fatale, at a self-checkout station in the library. She then complained to the staff that any child could check out any book.
The Comic Book Legal Defense Fund has teamed with Heritage Auctions to auction original art to benefit the nonprofit organization. Although Charlie Adlard’s contribution has already been snatched up, the rest of the inaugural lot — original art by Jim Lee and Paul Pope, and a letterpress broadsheet signed by Neil Gaiman — are up for bid through Saturday.
“CBLDF’s important work on behalf of the comics industry makes them an important organization to support,” Lon Allen, Heritage’s managing director for comics and comics art, said in a statement. “We’re proud to join the artists who donated these pieces by contributing our services to help the Fund reach our bidder community. We hope to make a meaningful impact on their work protecting comics!”
Humble Bundle has partnered with Image Comics to offer a collection of DRM-free digital titles for as little as a penny, with a portion of proceeds going to benefit the Comic Book Legal Defense Fund.
The promotion enables you to name your price for the first volumes of East of West, Fatale, Lazarus and Morning Glories. Those who pay more than the average amount offered (right now, that’s $7.57), will also get copies of the first volumes of Chew, Revival and Saga. And those who pay more than $15 unlock the first and 20th volumes of The Walking Dead.
More than 3,580 bundles have been sold since 11 a.m. today, totaling over $29,000.
Funding cuts proposed to punish two South Carolina universities for selecting gay-themed books for their summer reading programs could open the door to First Amendment lawsuits, 10 free-speech advocacy groups caution members of the state Senate.
The state House last week approved a budget that would slice $52,000 from the College of Charleston and $17,142 from the University of South Carolina Upstate for recommending Alison Bechdel’s 2006 graphic memoir Fun Home and Out Loud: The Best of Rainbow Radio, about South Carolina’s first gay and lesbian radio show, respectively. The figures represent the amount each school spent on last year’s program.
With the state budget now in the hands of the Senate, a coalition that includes the Comic Book Legal Defense Fund and the ACLU of South Carolina sent a letter on Tuesday urging the Senate Finance Committee to reject the cuts, warning, “Penalizing state educational institutions financially simply because members of the legislature disapprove of specific elements of the educational program is educationally unsound and constitutionally suspect: it threatens academic freedom and the quality of education in the state, and could well expose the state to potential liability on First Amendment grounds.”
The Comic Book Legal Defense Fund makes its first-ever U.K. appearance this weekend at London Super Comic Convention as part of the organization’s efforts “to develop stronger international exchange for fighting global trends in comics censorship.”
Among the thank-you gifts for supporters will be the debut of Mark Millar and Goran Parlov’s Starlight #1 CBLDF Liberty Variant from Image Comics, a new Martha Washington print that will be signed Saturday at 11 a.m. by Dave Gibbons, and the return of Frank Miller’s classic CBLDF Band-Aid image, signed by the artist.
The Comic Book Legal Defense Fund has unveiled Nick Klein’s Liberty Variant for Deadly Class #1, which will premiere this weekend at Wizard World Portland in Portland, Oregon.
Debuting today, the new Image Comics series by Rick Remender, Wesley Craig and Lee Loughridge centers on students at a high school for future assassins in the late 1980s.
Attendees at Saturday’s Comic Arts Brooklyn will have the opportunity to support a great cause and get their hands on some cool Paul Pope art. The Comic Book Legal Defense Fund will be at table D11 selling, among other things, a limited-edition Paul Pope Battling Boy print. In addition, Larry Marder (Beanworld) and Jeff Smith (Bone, RASL) will be at the booth signing autographs.
Check out the full print below. Comic Arts Brooklyn takes place Saturday from 11 a.m. to 7 p.m. at the Mt. Carmel Church on 275 N. Eighth Street in Brooklyn.
Awards | Sean Phillips was named as best artist and Saga, by Brian K. Vaughan and Fiona Staples, as best comic/graphic novel at the 2013 British Fantasy Awards, presented Sunday at the World Fantasy Convention in Brighton, alongside the World Fantasy Awards. [British Fantasy Society]
Publishing | Tim Pilcher of Humanoids talks about his company’s new plans to distribute its graphic novels in the United Kingdom through Turnaround Publisher Services. [ICv2]
Conventions | Italy’s Lucca Fest had a record-breaking show, with 200,000 tickets sold and 300,000 attendees in all. [The Hollywood Reporter]
Once in a while, when I go into the comics shop to snag my weekly pile, there will be something on the shelf that catches totally unaware. On Oct. 2, I was delighted to discover the Comic Book Legal Defense Fund’s Liberty Annual 2013 (published by Image Comics). Given that all the proceeds from the book (previewed here at CBR) benefit the CBLDF, I wanted to interview Dark Horse Editor-in-Chief Scott Allie, who directed the project. While I had his attention, I couldn’t pass up the chance to discuss some of the Dark Horse line as well.
Tim O’Shea: While seemingly an obvious question, I still think it worth asking: Why is it so important to you to volunteer your time for a project like the CBLDF Liberty Annual?
Scott Allie: Free speech is a near and dear cause, for me and for Dark Horse, and it’s still an uphill battle for comics. There are preconceptions about this art form that invite attacks, and we need to work to defend against that. I want creators and publishers to be free to put out what they want to put out, and for retailers to sell it without fear of prosecution, for readers to travel with their books without fear of incarceration. The CBLDF isn’t just about raising money in court cases. They’re about educating the population about the art form we love, and I want to be a part of that.
Not many comics can say they made their debut during a brunch, but then again, not many comics are created by Jeff Smith.
The creator of Bone and RASL will attend a benefit brunch for the Comic Book Legal Defense Fund’s Kids’ Right to Read program at the Society of Illustrators in New York City on Nov. 10, where he will unveil his newest project, an all-ages webcomic called Tuki Save the Humans!. Smith joined the CBLDF board earlier this month, and revealed he was working on the project at WonderCon last spring.
“… this is a story of the first human being to leave Africa, and all the forces of Africa are conspiring to keep him from doing it,” Smith told CBR’s Kiel Phegley at WonderCon. “I think it’ll be fun. There’ll be sabertooth tigers and other humanoids and Gods and things. It’s going to be a lot of fun.”
The charity brunch begins at 11:30 a.m., and the performance will begin at 12:30 p.m., to be followed by Q&A, an auction and viewing time in the Society’s galleries. More information and ticket pricing can be found on the CBLDF website.
A New Mexico school district has at least temporarily removed Neil Gaiman’s Neverwhere from its lone high school following an objection to the fantasy novel’s “inappropriate” content.” The book has been part of the 10th-grade English curriculum in 2004.
The Alamogordo Daily News reports that Nancy Wilmott, whose daughter was reading the novel as part of an assignment, was offended by a four-paragraph passage on Page 86 that “graphically describes an adulterous sexual encounter between a married man and a single woman in which the F-word is used three times, along with a brief description of groping of one’s anatomy.”
“I trusted the school system. I trusted the school district to pick proper material, and this is not,” Wimott, who contacted school officials last week about the material, told KASA Channel 2. “I did state to the principal that this is rated-R material, and she can’t get into a rated-R movie.”
On Thursday, the school district ordered Neverwhere “temporarily removed from usage” until it can be reviewed.
Creators | Jeff Smith, who was named last week to the board of the Comic Book Legal Defense Fund, talks briefly about the importance of the organization, and the 2010 challenge to his all-ages graphic novel Bone in a Minnesota school. [Comic Riffs]
Comics | Archie Co-CEO Jon Goldwater, writer Roberto Aguirre-Sacasa and artist Francesco Francavilla have a few things to say about the new zombie series Afterlife With Archie. “We are taking a series of characters known to be lighthearted and young adult-oriented and doing a horror comic with them, so the mood, atmosphere, and setting are very important to make this a believable horror and not a comedy horror,” says Francavilla, who’s also the creator of The Black Beetle. “Fortunately, I am really good at making things dark and ominous.” [The Associated Press]
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So read on to find out what we thought about Lazarus and Earth 2, as well as to review the news of the week!
New York Times bestselling author and Identity Crisis writer Brad Meltzer will host a Google Hangout on Tuesday sponsored by the Comic Book Legal Defense Fund for a Banned Books Week discussion, including the censorship of literary material throughout history and how individuals and groups have found ways to combat banned books.
Meltzer is best known in comics for Identity Crisis and the 2006 relaunch of Justice League of America, for which he and artist Gene Ha received an Eisner Award for Best Single Issue. An accomplished novelist, he most recently released the political thriller The Fifth Assassin.
The CBLDF’s Banned Books Heroes Google Hangout takes place September 24 at 8:00 PM Eastern/5:00 PM Pacific. Those interested in joining can RSVP on the Google+ event page.