comic books Archives - Robot 6 @ Comic Book Resources
The finalists were announced today for the 2014 Hugo Awards, which recognize the best in science fiction and fantasy.
Presented annually since 1955 by the World Science Fiction Society, the Hugo is among science fiction’s most prestigious awards. The winners will be presented Aug. 17 in London during Loncon 3. The nominees for best graphic story are:
• Girl Genius, Vol. 13: Agatha Heterodyne & The Sleeping City, by Phil Foglio, Kaja Foglio and Cheyenne Wright (Airship Entertainment)
• “The Girl Who Loved Doctor Who,” by Paul Cornell and Jimmy Broxton (Doctor Who Special 2013, IDW Publishing)
• The Meathouse Man, adapted from the story by George R.R. Martin and illustrated by Raya Golden (Jet City Comics)
• Saga, Vol. 2, by Brian K. Vaughan and Fiona Staples (Image Comics )
• “Time,” Randall Munroe (xkcd)
In addition, Staples and Daniel Dos Santos, whose work includes covers for Fables, Serenity: Leaves in the Wind and Tomb Raider, were nominated for best professional artist.
The first volume of Saga won the best graphic story category last year.
This has turned out to be an eventful week for fans of the first Robin (and of the role in general), thanks to a Robin Rises one-shot, leading into the unveiling of … well, whoever’s going to wear the red vest for the foreseeable future, and Dick Grayson’s latest relaunch, a July-debuting ongoing series called simply Grayson, wherein the former Boy Wonder will start a new life as a super-spy.
With each of ‘em about three months away, obviously I’m not equipped to pass judgment on the merits of either. However, I can tell you what I think about Dick and Robin, how those impressions affect my snap judgments, and why you should — and shouldn’t — listen to someone like me.
With a name that gives a nod to a 19th-century physicist and a sign that features an olive within an atom, it’s a safe bet that Houston’s new Neil’s Bahr isn’t your run-of-the-mill drinking establishment.
Instead, Eater reports, it’s a bar where patrons can browse the comic book library, read sci-fi novels in the comfy lounge or play Super Nintendo and vintage arcade games.
“I’ve always wanted a geeky bar where people can watch The Simpsons or Star Wars on TV, a very hole-in-the-wall place,” owner Neil Fernandez told the website. He also has Industry Night Tuesday, which caters to bar and restaurant employees, and soon plans to launch trivia and cabaret/karaoke nights. Fernandez is even considering going “full-blown nerd” with Magic: The Gathering.
One of my favorite times of the year is here: the announcement of the nominees for the Will Eisner Comic Industry Awards. I love poring over each category to look for surprises, seeing books I never heard of or never got a chance to read. I guess when you get right down to it, I love getting to celebrate awesome comics.
It seems that with each year, the Eisners get better at reflecting the comics art form and industry at that moment. The judges not only hit the fan favorites and critical darlings, but also unexpected choices and hidden gems that truly benefit from this kind of recognition. It’s where quality instead of sales rule, as it should be for an award recognizing the very best of the industry.
Hello and welcome to Shelf Porn, our weekly look at one fan’s collection. Today’s shelves come from Joseph in Parts Unknown, who shares his collection of comics and more.
If you’d like to see your collection here, you can find instructions on how to submit it at the end of this post.
And now here’s Joseph …
First off, yes, I have read the first issue of Batman Eternal, but since its “pilot episode” includes issues #1-3, I’ll be talking about those more specifically in a couple of weeks. Eternal is one of two weekly series DC will offer this year, the other being Futures End, a look into the shared superhero universe five years from now.
However, we might well ask what difference will there be, one year from now, between an issue of either series and your average issue of a monthly title? When Eternal and Futures End are collected in their entirety two years from now, how different will they be from collections of Court of Owls or Throne of Atlantis?
The obvious differences are time and volume. The year-long weekly comics that DC put out from 2006 through 2009 — 52, Countdown and Trinity — all used their speedier schedule to tell a big story in a (relatively) short time. Instead of letting their epic tales play out over four-plus years, these series each got ‘em done in one.
Now think about sitting down with one of these thousand-page sagas. It won’t take a year to read, but it’s not something to approach lightly. That puts a special emphasis on how they’re to be read. Today we’ll look at DC’s history with weekly series (and some related experiments), with an eye toward what the two new ones might offer.
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It’s the kind of thing you might expect from a Matt Fraction comic — although I would have guessed it would have been connected to Sex Criminals. Still, this one makes more sense, story-wise; retailers who order 10 or more copies of Satellite Sam #8, by Fraction and artist Howard Chaykin, will receive their very own Satellite Sam Tijuana Bible.
If you aren’t familiar with the term, Tijuana bibles were small pornographic comic books that were popular during the Great Depression era. Typically they parodied comic strips, such as Blondie, Popeye or Dick Tracy (that last one pretty much writes itself), or they played off a popular dirty joke. You can find many of them here (very much NSFW). The story in Satellite Sam #8 features a Tijuana starring the cast of the Satellite Sam TV serial.
What did you do last weekend? Nothing much, probably; no real reason to get excited. After all, it was just another awesome Marvel movie opening. Granted, “awesome” isn’t an objective description, and surely some people had a pretty miserable time. But judging from reviews, user ratings and my own anecdotal observations, odds are a significant majority of the approximately 11 million people who watched Captain America: The Winter Soldier enjoyed it.
The film has been thoroughly reviewed — you can read CBR’s take here — so I won’t get into a big assessment. (Suffice it to say, I liked it.) Instead ,what I want to talk about is the larger Marvel Cinematic Universe, and how it hasn’t just successfully adapted stories and characters, but the very experience of the Marvel Comics Universe.
It is now well-documented that Marvel Studios President Kevin Feige is a big comics fan. The difference, however, is that he didn’t grow up with them, but schooled himself on Marvel’s stories while working under producer Lauren Shuler Donner on the first X-Men movie. That distinction might have given him the ability to view the characters and concepts without being hindered by nostalgia, and helped him to dissect how Marvel’s framework could be used for future movies. Hollywood is an even more collaborative business than comics, so it’s unlikely that credit rests solely with Feige. But he certainly was an advocate for leaning more faithfully into the source material.
Manga | Attack on Titan is as much of a manga juggernaut in its native Japan as it is the United States, and the 13th volume had a print run of 2.75 million copies, a new record not only for the series but for publisher Kodansha. [Crunchyroll]
Comics | Tom Risen has a thoughtful piece, which includes an interview with Axel Alonso, on how superhero comics have changed since the War on Terror began: “Superheroes since the 2000s have increasingly held up a mirror to controversies like mass surveillance, remote killings using drones and the ‘with us or against us’ mentality espoused by former President George W. Bush. Misuse of military technology also played a key role in recent movie adaptations featuring Batman, Spider-Man, Captain America and Iron Man, showing how fighting dirty to defeat evil can make America its own worst enemy.” [U.S. News & World Report]
DC Comics’ current publishing pattern seems to center around growing various franchises, like Batman, Superman, Green Lantern and the Justice League. Aquaman is one of the publisher’s more familiar faces, he’s rooted pretty deeply in the superhero line, and he’s even had a good bit of multimedia exposure. However, when the April solicitations came out at the end of January, I wasn’t sure the world had been clamoring for another Aquaman title.
After reading the first issue of Aquaman and the Others — written by Dan Jurgens, penciled by Lan Medina, inked by Allen Martinez and colored by Matt Milla — I’m still not entirely convinced. AATO #1 is a solid first issue, dealing largely in traditional superhero matters, but its last-minute attempt to tie into the larger DC Universe comes from out of left field, and threatens to hijack the main narrative. Otherwise, it’s a fine reintroduction which gives newcomers a good glimpse at characters who are still pretty obscure. Still, those good fundamentals will have to overcome the why-should-I-care factor.
Bloomberg Businessweek‘s profile of Marvel Studios President Kevin Feige, timed to coincide with the release this week of Captain America: The Winter Soldier, naturally focuses on the film division, but it also drops some fascinating nuggets about the company’s corporate culture and the 2009 purchase by Disney.
• “In March, Feige gave me a tour of Marvel Studios at Disney headquarters in Burbank, Calif.,” writes Devin Leonard. “The offices are furnished like a college dormitory, with threadbare couches. The hallways are decorated with cardboard superheroes hawking Pizza Hut and Burger King. There’s barely enough room in Feige’s office for a replica of Thor’s hammer.” While that description may come as a surprise to some, Marvel CEO Isaac Perlmutter has a well-established reputation as a penny-pincher, reusing paper, limiting the number of coffee pots and even fishing paperclips out of trashcans.
The National Cartoonists Society has announced the divisional nominees for the 68th annual Reuben Awards. They join the finalists for the Outstanding Cartoonist of the Year Award — Wiley Miller (Non Sequitur), Stephan Pastis (Pearls Before Swine), Hilary Price (Rhymes With Orange) and Mark Tatulli (Heart of the City, Lio) — revealed in late February.
The winners will be announced May 24 at the annual NCS Reuben Awards dinner in San Diego.
Hello and welcome to Shelf Porn! Today Corey shares his “nerd cave” with us, where he houses his comics, artwork, an ungodly number of action figures and more — including a shelf that would make Squirrel Girl proud.
If you’d like to share your collection with us, you can find details at the end of this post.
Now let’s hear from Corey …
The final issue of Forever Evil was originally scheduled to come out this week, but now seems to have been delayed until May 21. That’s too bad, at least for those of us who’ve been following the thing since September (because those delays evaporate in collections). However, it gives me some time to digest what’s been presented so far. It also offers a chance to look back at a 2002 graphic novel that features a couple of the same peripheral elements.
Aw yeah! In my household, the best news from DC’s June solicitations is the six-issue Tiny Titans: Return to the Treehouse miniseries. I showed the cover to my 5-year-old and she was crestfallen to learn it didn’t come out for another three months. At least she can fill the time reading the other paperbacks (and Superman Family Adventures) and watching Frozen on an endless loop.
I may also have to get the Li’l Gotham figures, although at $13 a pop they are pretty pricey. Perhaps just Batman and Robin.
Oh, there’s more? What could it be …?
LET’S GO PLACES
The solicitation for Futures End #6 — advertising Ray Palmer, Frankenstein and Amethyst’s trip into the Phantom Zone — makes me irrationally optimistic about the series generally. I think the New 52 needs this series (or something like it) to present a coherent shared universe, because for the past two and a half years it’s been a clash of disparate styles and an array of changes without much to pull it all together. If Futures End can manage a good-sized, eclectic cast, and convince readers they’re all able to function in the same basic environment, that’ll go a long way towards giving the superhero books common ground.