comic books Archives - Robot 6 @ Comic Book Resources
In April, DC Comics released solicitations for its July titles alongside an extra batch of advance listings for the September Futures End-related one-shots. This week, in a move that’s perhaps unintentionally similar, the publisher’s February solicits arrive amid advance info about the spring’s Convergence tie-ins.
The scheduling gap isn’t quite as great — only a couple of months here, as opposed to five months last time — and I can understand why DC would want to avoid a lot of negative fan speculation about Convergence. Still, it steals some thunder from the current batch of solicitations, which try to compensate with a raft of Harley Quinn variant covers (including, strangely enough, one for Harley Quinn itself). In addition to her own series and Suicide Squad, Harl also gets a Valentine’s Day Special, another hardcover collection, a statue, an action figure, and a guest-shot in Deathstroke. At this rate I’m expecting her to be Wonder Woman’s new Amazon queen.
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(NOTE: I’m happy to acknowledge the hard work and obvious dedication of the blogger Count Drunkula, whose Black Canary fansite Flowers & Fishnets was a great resource in putting together this post.)
Recent developments on The CW’s Arrow have gotten me thinking about the various twists and turns visited over the years upon DC Comics’ Black Canary. The television series has come at the character from a few different directions, even splitting some of her characteristics among three players. It makes sense for an adaptation of Green Arrow to include at least a nod to his longtime love interest, as traditionally they’ve been one of DC’s most prominent super-couples.
However, Black Canary didn’t start out as part of Green Arrow’s supporting cast, and even a cursory glimpse of her past invites some careful examination. Indeed, for a few years in the ‘80s, the history of Black Canary threatened to approach Hawkman levels of continuity complexity. Today we’ll look back at that history, and specifically at how a shared-universe setting can both screw up and enrich a character.
Legal | Three assistants of the Malaysian political cartoonist Zunar were arrested last week for selling his books. They were set up near the Putrajaya courthouse, where opposition leader Datuk Seri Anwar Ibrahim is on trial for sodomy, a charge Ibrahim claims is politically motivated. In a press release, Zunar said the three assistants were “investigated under The Sedition Act, Penal Code and Printing and Press Act” and released on bail. It has only been a month since a Malaysian appeals court overturned a government ban on two of Zunar’s books. [Cartoonists Rights Network International]
Creators | Garry Trudeau discusses his portrayals of different presidents, and politics in general, in Doonesbury and Alpha House. [The New York Times]
Roz Chast’s graphic memoir Can’t We Talk About Something More Pleasant?, a National Book Award finalist and winner of the inaugural Kirkus Prize for nonfiction, we selected best in the category; the list is organized in best-selling order.
- The Terrible and Wonderful Reasons Why I Run Long Distances, by The Oatmeal and Matthew Inman (Andrews McMeel)
- Can’t We Talk about Something More Pleaseant?, by Roz Chast (Bloomsbury)
- Saga Deluxe Edition, Vol. 1, by Brian K. Vaughan and Fiona Staples (Image Comics)
- Seconds: A Graphic Novel, by Bryan Lee O’Malley (Ballantine)
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Note: This post contains potential spoilers for Rocket Raccoon #5
Rocket Raccoon is one of several comics coming out of Marvel right now where they’ve paired the perfect creator — in this case Skottie Young — with the perfect character, and just let them go wild. (See also: Kaare Andrews on Iron Fist). So when you hear that an issue is going to have a fill-in artist, you have to wonder what kind of effect that’s going to have, if it’s really going to work or not. It all just depends on who they choose, right?
Passings | Dr. George Slusser, co-founder of the University of California, Riversides’ renowned Eaton Collection of Science Fiction & Fantasy, passed away Tuesday at age 75. Curator emeritus and professor emeritus of comparative literature, Slusser expanded the Eaton holdings from 7,500 items to more than 300,000, making it the largest publicly accessible collection of science fiction and fantasy literature in the world. It encompasses novels, journals, manuscripts, comics and manga, fanzines and anime, and includes first editions of Bram Stoker’s Dracula, Mary Shelley’s Frankenstein, Action Comics #1 and The Fantastic Four #1. “Over three decades, George Slusser built the Eaton Collection up from a small core of titles into the world-class archive that it is today,” Rob Latham, co-director of UC Riverside’s Science Fiction and Technoculture Studies program, said in a statement. “The field of science fiction scholarship owes him an incalculable debt.” [UC Riverside]
For months speculation had raged about what DC Comics would do to mitigate the logistics of its West Coast move. This week the publisher made it official: Convergence is a two-month, 89-issue event starting April 1. It involves a central weekly miniseries and an array of two-issue micro-series combining various versions of venerable DC folk. Basically, if you’ve ever wondered whether Blackhawk could beat Kamandi, or wanted to see the Superman of 2010 square off against the Green Lantern of 1944, next April and May are going to be pretty fun for you.
I’ve been writing about this for so long that I’m not sure what else to say. (And yet, here we are.) Last week I wrote about DC’s various narrative delays and deferrals. Now I’m even more certain we’ll have to wait until June for the next significant DCU development. Still, the fact that Convergence is happening is … I don’t want to say “encouraging,” but it does seem like progress toward an ultimate — no pun intended — resolution. (Note: This presumes that DC does in fact have specific plans for the superhero line.)
Therefore, today let’s survey the Multiversal landscape, with an eye toward determining Convergence’s role in the grand scheme of things.
Happy November and welcome to Shelf Porn! Today’s shelves come from Renee, who shares her collection of comics, artwork, statues, toys and more.
If you’d like to see your collection featured here on ROBOT 6, you can find instructions on how to do so at the end of this post.
And now take a look at Renee’s collection …
Several years ago, in a post for the old Great Curve blog that’s surely lost to history, I called DC Comics’ steady stream of crossovers the “constant campaign.” Just as winning candidates must shift from electoral strategies to actual governing, so I argued that DC had to stop churning and changing and settle into telling stories. These days DC isn’t so much into line-wide crossovers — not like 2004-09, when Identity Crisis led into Infinite Crisis and from there to Final Crisis — but it has a similar lack of focus.
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Although the New 52 makeover is only a little more than three years old, it’s gone through quite a bit of change. Many series, and many creative teams, have come and gone. The original 52-series lineup boasted a number of distinctive, idiosyncratic writer/penciler combinations. Now, however, with this week’s final issue of Brian Azzarello and Cliff Chiang’s (and friends’) Wonder Woman, only Justice League, Batman and Batman & Robin have kept the same writer since the relaunch. Moreover, only the two Bat-books have kept the same writer and penciler.
After Robert Sage won a $13 million jackpot in the Florida lottery in 2001, he said he planned to build a two-story house with a tennis court and enough room to store his 300 superhero statues and 14,000 comic books. But on Tuesday, he found himself in a Jacksonville hotel, looking for bidders to buy his now 24,000-comic collection and settle his $123,432.06 tax debt.
He didn’t find any.
Oh, the IRS auction attracted collectors, The Florida Times-Union reports, but none thought the 22 bins of comics were worth anywhere close to the $200,000 Sage said two independent appraisers found they were worth.
“It looks like they have a lot of ’80s and ’90s,” one collector told the newspaper, noting newer comics don’t hold much value. And as their storage in bins may indicate, Sage was more of a reader than a collector, so the books aren’t in pristine condition. (You can see photos of part of the collection at the link.)
In the end, the 22 bins generated just $5,100 in bids, which were rejected by Sage. The IRS closed the auction and will now search for another way to collect the debt.
Sage, who didn’t pay his income taxes for two years, agreed in 2001 to receive $345,000 annually after taxes for 30 years rather than take a $7 million lump-sum payment. He told the Times-Union he used the money as collateral, and now doesn’t get as much money as he used to.
Awards | Alexis Deacon has won the 2014 Observer/Cape/Comica graphic short story prize for “The River,” “a luscious, tangled, whispering kind of story” that earned him £1,000 (about $1,611 U.S.). The runners-up were Fionnuala Doran’s “Countess Markievicz” and Beth Dawson’s “After Life.” The short-story competition has been held annually since 2007 by London’s Comica Festival, publisher Jonathan Cape and The Observer newspaper. [The Observer]
Publishing | Mark Peters spotlights Archie Comics’ recent transformation from staid to startling, with titles like Afterlife With Archie and the new Chilling Adventures of Sabrina. [Salon]
Hello and welcome to Shelf Porn, where we take you into the home of one unsuspecting fan. Actually they send us these pics; the other way would likely result in an arrest.
Anywho, today’s shelves come from Steve M., who shows us his comics, statues and more. “I bought a house and the girlfriend allowed me to take one of the rooms,” Steve told ROBOT 6. “I tried to make the standout Superman in the room, but I collect a lot of other DC and spawn stuff. It’s still an ongoing process, but I think it’s coming along all right.”
Check it out below.
“There’s a loosening up, and this is kind of current, at both companies in terms of what each company considers a comic, which is a ridiculous thing to say, because a comic is basically what sells. That’s a good comic. Dick Giordano hated, hated, hated Lobo — hated the character, hated the book — hated him. But he understood that Lobo was a popular character, not his cup of tea, so he wasn’t constantly after me to change and conform to his way.
That was, for a while, the way comics were being run. If the editor didn’t like the direction a book was going, it didn’t matter how well it sold — they’d get in there and start pinching and tweaking and fucking it up. But lately — and I know this for a fact, I’ve talked to people who actually make these decisions — it’s loosening up. It’s really loosening up. They’re actually saying, ‘You know what? You’re always saying, “If I was left alone, I would do this and this and this. I’d make this book popular.” Fine. The shackles are off. Go.’
I love that. I absolutely love that. I think if you’re willing to go after it, I think comics are loosening up a little bit; the way they approach the market, the kind of stories they’re doing, the kind of characters they’re willing to put in their books. This is just, I’d say, within the last year that I’m feeling this. A couple of years before that — as soon as last year — they were pretty horrible.”
– Justice League 3000 writer Keith Giffen, identifying a relatively recent loosening of the creative reins by DC Comics, and by Marvel
Awards | The winners of the first Kirkus Prize were announced last night, and Roz Chast took top honors in the nonfiction category for her graphic memoir Can’t We Talk About Something More Pleasant? Chast is also a finalist for the National Book Award, marking the first time a graphic novel has been nominated in one of the adult categories. [The Washington Post]
Legal | A Turkish court acquitted cartoonist Musa Kart on charges of insulting President Recep Tayyip Erdoğan, stemming from a cartoon Kart drew last year portraying the then-prime minister as complicit in covering up government corruption. “Yes, I drew it [the cartoon] but I did not mean to insult,” Kart said. “I just wanted to show the facts. Indeed, I think that we are inside a cartoon right now. Because I am in the suspect’s seat while charges were dropped against all the suspects [involved in two major graft scandals]. I need to say that this is funny.” If convicted, Kart could have faced nearly a decade in prison. [Today's Zaman]
Although the first issues of Who’s Who and Crisis \on Infinite Earths got a headstart in the closing months of 1984, January 1985 kicked off DC Comics’ 50th anniversary in earnest. No doubt real life — i.e., the DC offices’ upcoming westward move — is preventing the publisher from starting the 80th anniversary celebrations this January, and the solicitations certainly don’t have much in the way of commemoration.
(To be sure, the month’s variant-cover scheme involves the 75th anniversary of The Flash, which Robot 6 contributor J. Caleb Mozzocco has already covered extensively on his own blog.)
Therefore, while the real fireworks will probably have to wait another couple of months, the January solicitation tease the return of Robin, changes in the Super-status quo, and other various and sundry plot churning.
One thing that jumps out at me from these solicits has to do with numbering. Now, we all love numbering — big versus small, gimmicks versus straightforward integer progression — but the January books are soliciting the 38th issues of the remaining original New 52 titles. That puts the 50th issues of those series on track for January 2016; or, more likely, February 2016, if next September is another “take a break for a set of specials” month. If I were DC and wanted to relaunch my various titles, and I were a year away from a set of 50th issues, I’d probably wait a year.