This week saw the release of The Bounce by Joe Casey, David Messina, Giovanna Niro and Rus Wooton into comic shops. The Image Comics series stars Jasper Jenkins, a pot-smoking slacker who’s also a superhero.
“The Bounce is a full-blown, 21st-century superhero in all the ways that just … feel … so … right,” Casey told Comic Book Resources. “Underneath the mask, Jasper Jenkins is a typical twenty-something who likes to hang out with his pals, get his smoke on big time, put on a costume and jump out to do the hero thing. And the world needs him — it’s a dark place out there. But a more pressing personal problem is that his brother just happens to be the assistant DA, recently charged with rounding up the community of costumed freaks that Jasper is now a part of. A classic comic book dilemma! So, along with trying to keep his secret from his brother, the Bounce has to deal with a colorful and twisted rogues gallery which includes creeps like the Crunch, the Fog, the Vamp and the Horror. Clearly, we’re trying to put the ‘fun’ back in funny books, with full-on, four-color superheroics exploding off the pages …!”
So how fun and explode-y is it? Here are a few thoughts on the first issue from around the web:
Who’s your Green Lantern writer?
If you started reading the series in the ‘60s, odds are it was John Broome. He didn’t write every Green Lantern story of Hal Jordan’s first decade, but he was there for the character’s introduction (in September-October 1959′s Showcase #22), and he lasted until March 1970′s Green Lantern #75.
If you joined the Corps in the the ‘70s, your Green Lantern writer was Denny O’Neil, who had already written a few GL stories before getting the regular gig with the landmark Issue 76. He guided the feature through some rocky patches — including the book’s cancellation, its time as a backup feature in The Flash and its 1976 relaunch — before finally taking a bow with June 1980′s Issue 129.
The ‘80s saw a parade of writers, including Marv Wolfman, Mike Barr, Len Wein and Steve Englehart (and in GL’s time as an Action Comics Weekly feature, Jim Owsley/Christopher Priest and Peter David). Each made his own contribution, be it Hal’s exile from Earth, John Stewart’s star turn, the Guardians’ sabbatical, or the enigmatic Lord Malvolio. The early ‘90s belonged to the neo-Silver Age stylings of Gerard Jones, and the balance of the decade was all Ron Marz and Kyle Rayner. Starting in 2000, Judd Winick took on Kyle for three years, then Ben Raab wrote a few issues, and Marz came back for one last crack at his creation.
And since then, it’s been all Geoff Johns.
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Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today our guest is Shaun Manning, a former staffer at CBR, occasional convention reporter and comics writer. His current project is a comic called Hell, Nebraska (with artist Anna Wieszczyk), and he’s currently running a Kickstarter to raise funds to publish it. So go check it out.
To see what Shaun and the Robot 6 crew have been reading, click below.
Hello and welcome to Shelf Porn! Today’s shelves come from Chris Makro, a comic artist in Greece, who shows us his collection of both Greek and American comics, statues, artwork and more.
If you’d like to submit your own collection for all the world to see, check out the details and send it our way.
And now here’s Chris …
Two comics with “dream” in the title hit stands Wednesday, and although they’re two very different comics and don’t really have anything to do with each other, I naturally thought I’d combine them into one “Chain Reactions.”
On one side of the dreamscape is Dream Merchant, by Nathan Edmonson and Konstantin Novosadov, published by Image Comics. From the solicitation text: “Haunted by recurring dreams, a boy named Winslow is hunted by mysterious beings and protected by an old traveler. Soon Winslow will realize that what is in his dreams is what the rest of the world has been made to forget–and what strange entities will stop at nothing to erase from his mind.” It’s a double-sized issue priced to move at $3.50.
On the other side of slumberland is Dream Thief, by Jai Nitz and Greg Smallwood, and published by Dark Horse. “After stealing an Aboriginal mask from a museum, John Lincoln realizes that the spirits of the vengeful dead are possessing his body and mind while he sleeps! His old problems have been replaced by bloody hands and the disposal of bodies-and now remembering where he spent last night has never been more important!”
So how do the two comics stack up? Here are a few reviews from around the web:
DC Comics’ August solicitations include both the end of “Trinity War” and of four series, including the latest Legion of Super-Heroes title. Otherwise, not much jumps out at me. Even the collected-edition section isn’t that diverse, as it’s heavy on “Death of the Family” books and pretty light on the vintage reprints.
NOT QUITE DEAD
If Talon weren’t a Bat-title, I’d say it was getting ready to be canceled. Issue 11′s solicitation refers to an “epic finale,” with Batman pitching in to help “eliminate the Court of Owls once and for all.” However, because so much work went into making the Court of Owls a credible threat to the Bat-clan, I doubt they’ll be eradicated completely. Likewise, I don’t think Talon is going anywhere, at least not yet.
Similarly, the continued existence of Batman Incorporated is one of the questions posed by the sure-to-be-epic conclusion of Grant Morrison’s Bat-work. In other words, is a revamped Club of Heroes so wrapped up with Morrison that it can’t survive without him? More to the point, is a Morrison-less Batman Inc. still marketable? Presumably the answer rests in the sales numbers for August’s Batman Incorporated Special — which, incidentally, appears to indicate just who among the various Inc.’ers survives the end of the regular series. I guess DC isn’t worried about spoiling such things, because it’s done something similar with the last couple months of Lantern Corps solicits.
Happy Mother’s Day and welcome to What Are You Reading?, our weekly look at the comics, books and what have you we’ve been checking out lately. Joining us today is Allison Baker, co-publisher of Bandette, Edison Rex and all the other Monkeybrain Comics you can find on comiXology.
To see what Allison and the Robot 6 crew have been reading, click below.
This week saw the debut of Chin Music, a monthly series written by Steve Niles and drawn by Tony Harris. Announced at last year’s Image Expo, Chin Music is about a man named Shaw who flees through time from his ancient enemies, landing in Prohibition-era Chicago to find himself surrounded by gangsters, law enforcement and the local supernatural underground.
So does Chin Music hit the right notes or does it fall flat? Here are a few thoughts on the first issue from around the web:
Last month DC Comics announced it had put together a new list of “essential” graphic novels and collections, designed to help casual readers and completists alike. This week I picked up a copy of the 121-page catalog (Issue 1, of course) along with my regular Wednesday haul.
Now, we all love lists, and this looks to be more comprehensive than the 30-item Jeph Loeb-heavy suggestions DC had previously offered. Could the new DC Entertainment Essential Graphic Novels and Chronology 2013 actually represent the depth and breadth of DC’s vast publishing history, and at least try to give each major character the attention he or she deserved?
I haven’t read the whole thing yet, but judging from the two pages devoted to “Women of DC Comics,” the answer doesn’t look promising for said women. As Sue (of DC Women Kicking Ass) and Bleeding Cool have already pointed out, Green Arrow and the Flash both get two-page spreads (each, to be fair, split between a one-page portrait and a one-page checklist), while Wonder Woman has to share two pages with Batgirl, Batwoman, Catwoman and the Huntress. Although the DC Entertainment Essential Graphic Novels and Chronology 2013 could use more female-centric titles (no Power Girl, Manhunter, Stephanie Brown or Cass Cain Batgirl, or Stars and STRIPE, and not a lot of Supergirl), today it may be enough just to focus on Wonder Woman.
When the canned-spinach cartel wanted to make its product more attractive, it put Popeye on the label.
Now a fruit producer is doing something similar with bananas — but in this case, the comic goes right on the peel. The multinational fruit and fresh produce company Fyffes, which is based in Ireland, teamed up with the German branding company Serviceplan to make bananas attractive to children by printing comics directly on the peels, using special laser printing technology. (One could argue that it also made comics attractive to children by printing them on bananas, but the fruit folks were paying the bills.) The bananas were then handed out to schoolchildren in Spain, Russia, Belgium and the United States — Why were we not told of this? — for an entire week.
Two to three years ago, it seemed inevitable: Single issue comic books, derisively called “floppies,” were on the way out. Graphic novels were the future for most publishers, and floppies weren’t even working as loss-leaders. But over the past year, the single issue is on the rebound and flourishing.
While I love graphic novels, the episodic consumption of comics is one of its unique strengths. Comics can excel in either form, but they aren’t interchangeable. Just as TV shows and movies present stories differently, so too do comic book series and original graphic novels. For a time, it seemed like The Walking Dead was the last great monthly comic book because it knew how to grab with the first issue, it knew how to use the monthly cliffhanger, it knew how to utilize those 30-some odd pages, it knew how to keep the status quo shifting. It still does, and now it’s being joined by more and more comics that are embracing the episodic nature of the format. It wasn’t always that way, though, in part due to creative patterns and economic changes in the industry.
In 2010, only an estimated 69 million comic books were ordered by North American specialty stores, the lowest quantity in nearly a decade. For publishers not backed by large entertainment corporations (i.e., not Marvel and DC), single issues were starting to look like the next horse and buggy, something from a soon-to-be bygone era.
After teasing fans for a few months, Amy Reeder and Brand Montclare’s Rocket Girl is go for launch.
According to the Kickstarter page, which went live this morning, Rocket Girl is a “teenage cop from a high-tech future” who’s sent back to 1986: “She’s investigating the Quintum Mechanics megacorporation for crimes against time. As she pieces together the clues, she discovers that the ‘future’ — an alternate reality version of 2013 and the place she calls home — shouldn’t exist at all.”
Montclare and Reeder have been on similar flight paths since breaking into comics. They both did their time at Tokyopop before Montclare recruited Reeder to work on Madame Xanadu after he took an editorial position at Vertigo. Last year they re-teamed for a creator-owned one-shot, Halloween Eve, which they used Kickstarter to fund. And now they’ve returned to crowdfunding to finance the production of Rocket Girl, an ongoing series they plan to launch this fall.
I spoke with Montclare and Reeder about Rocket Girl, using Kickstarter to finance their creator-owned works and much more.
Hello and welcome to What Are You Reading?, our look at what comics and other things we’ve been perusing lately. Today our special guests are Caleb Goellner, Buster Moody and Ryan Hill, the creative team of Task Force Rad Squad, the hot new comic find of 2013. Especially if you were ever a Power Rangers fan. Or even if you weren’t, as Moody and Hill’s art is just kind of wonderful on its own. Our old friend and former colleague Graeme says it “pretty much does for Power Rangers what Jeffrey Brown’s Incredible Change-Bots does for Transformers,” and that’s a very apt description. You can download it yourself here, and pay whatever you think is fair.
And to see what Task Force Rad Squad + the Robot 6 Irregulars are reading, click below …
Comics have a long history of reflecting the political and social issues of the times, whether that’s Green Arrow and Green Lantern dealing with teen drug abuse or Superman fighting slumlords. So it’s no surprise DC has two comics this month that draw influence from the Occupy movement that was all over the news media in 2011 and 2012. The first, titled The Movement, is by Gail Simone and Freddie Williams II, and came out on Wednesday. Later this month will bring us the Green Team, the 1 percent to The Movement‘s 99 percent, even if they aren’t directly linked in terms of story.
“I have this feeling that a lot of the best adventure fiction is based on the idea of standing up for the little guy against oppressive forces. If you go back and look at Zorro, or the Shadow, or the Lone Ranger, you can pretty quickly see that that idea of a masked protector pre-dates comics entirely,” Simone told Comic Book Resources. “There’s something very powerful about that, and it’s completely non-partisan. The idea of someone laying their life on the line for others is a big part of why I read superhero comics, and yet, even in some really popular books, I feel like that theme has been lost a little — there’s a bloodthirstiness to a lot of books and you can’t always see why these characters are heroes, or even admirable anymore.”
ROBOT 6′s Tom Bondurant shared his thoughts on the first issue Thursday, and here are a few more thoughts from around the web:
In the very first panel of The Movement #1 there’s a blonde in black leather and fishnets. Her strong resemblance to old-school Black Canary seems designed deliberately to remind readers of writer Gail Simone’s previous DC Comics work. However, there’s nothing straightforward — at least not yet — about this new series. Simone’s script is a maze of upended expectations, and Freddie Williams’ art likewise seems made up of unsettled lines. The overall effect is disorienting, which might not be the best way to begin a from-scratch series like this one. But The Movement #1 works well as the first chapter of what will hopefully be a long run.