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Comics | Once the paperwork is complete, the John F. Kennedy Presidential Library will officially own the original artwork for the 1964 DC Comics story “Superman’s Mission For President Kennedy,” fulfilling one of artist Al Plastino’s final wishes. Plastino, who passed away Nov. 25 at age 91, was surprised to discover at New York Comic Con a month earlier that the pages hadn’t been donated to the library five decades earlier, as he’d been led to believe, but were instead set to be sold at auction on the 50th anniversary of the Kennedy assassination. The auction was put on hold until questions of ownership could be resolved, and Plastino spent the final weeks of his life campaigning for the return of the artwork, even petitioning a judge to force the auction house to reveal the name of the seller. DC Entertainment intervened in December to acquire the pages and give them to the library. “We are thrilled to receive this historic artwork and look forward to sharing it with the public when the legal transfer is completed,” library director Tom Putnam said in a statement. [Newsday]
Well-regarded Brooklyn retailer Bergen Street Comics has announced it will stop shelving most monthly titles from DC and Marvel. However, customers will still be able to subscribe to or preorder those books through the Park Slope store.
Writing on Twitter, co-owner Tom Adams explained the decision “Will enable us to better serve our customers. Strength of self contained, creator controlled comics will let us move away from double shipping, editorially driven, artist-swapping, inconsistent, tied into events/gimmicks comics. Trying to keep this a going concern/think long term.”
Since its opening in March 2009, Bergen Street has developed a reputation as a supporter of independent and self-published comics, and has played host to numerous creator signings and art shows.
Elaborating on the announcement, Adams said the continued shelving of DC and Marvel’s output “just doesn’t make financial sense” to the store. “Specific to our shop and my personal interests/passions,” he tweeted. “Nothing to do with other shops/state of comics in general. [We] represent such an insignificant amount of Big 2 sales this should mean nothing to anyone other than our regulars.”
What started as a collection of Harry Potter merchandise has grown well beyond that into comics, video games and much more — but that doesn’t mean you won’t find a Sorting Hat in the pictures below.
“I started collecting seriously when I was about 11,” says Jordan from Southern California, who is now 24. “I bought my first piece of Harry Potter merchandise, and I was committed. Up until about six months ago, my main collection could be considered a small museum of HP collectibles. Though since the books and movies have ended, I made the hard decision to move on from that and packed up 90 percent of it to be put into storage. I am now finally able to fully display my other interests and hobbies, and I hope you enjoy my new collection display as much as I do.”
Check out pictures and video of her comics, books, toys and collectibles below.
“If you’d asked me several years ago, I likely would have spoken about some tipping point where you have too much and everything crashed. Part of that is that I grew up in a world where there was one X-MEN book, one AVENGERS book and, well, three SPIDER-MAN books (counting MARVEL TEAM-UP.) But today, I think that, while there is a tipping point potentially somewhere out there on the horizon, it’s nowhere near as close as we sometimes like to think (or fear.) What matters is the quality of the work. How many BATMAN books are there at this point, every month? How many WOLVERINE books? And still, those characters are more likely to sell better than, I don’t know, THE FLASH or STORM. The audience likes what it likes, and so long as what you produce is good, they will always be content to have more. It’s when the quality goes down that you have a problem — but you have that problem with there being only one book as well.”
– Tom Brevoort, Marvel’s senior vice president of publishing, responding to a question on his Formspring about how to address character “oversaturation,” if it’s even an issue that exists
The Young Adult Library Association has announced its 2014 Great Graphic Novels for Teens, a list of 78 titles that range from history and autobiography to superheroes and mystery.
The finalists were selected by a committee from among 122 nominees recommended for readers ages 12 to 18. From those 55 titles, 10 were singled out for exemplifying “the quality and range of graphic novels appropriate for teen audiences.”
In the long run, DC Comics canceling Teen Titans may not mean much: The Legion of Super-Heroes is on hiatus, but it’ll be back. Likewise, I think there will be a new Teen Titans title — maybe called Young Justice? — sooner rather than later.
What’s curious about the end of this particular series, which coincides with writer Scott Lobdell’s departure, is it suggests more than just a name change. The Titans began as an all-star team, like their mentors in the Justice League, but over time the title focused increasingly on interpersonal relationships. The New 52 version of the team now features a Wonder Girl and Kid Flash who have virtually no connection to their older namesakes. Only Superboy has a solo title, and besides him only Red Robin appears regularly outside of Teen Titans. That makes the Titans rather insular, so I wonder if the inevitable relaunch will try to address that.
Whatever happens, odds are that the all-star structure that characterized DC super-teams since the 1940s has faded into the background for good. This week we’ll examine the Titans’ place in the superhero line, and see what the book has to offer going forward.
A love for the X-Men and Teenage Mutant Ninja Turtles turned into a lifelong hobby for Jason Klein, a New York doctor who shares his home office with us today. Check out his collection, which includes several crochet pieces made by his wife, below.
DC Entertainment led with six awards, including Top Dollar Comic of the Year for Superman Unchained #1, with Dark Horse closed behind with five wins, including Original Graphic Novel of the Year for Hellboy: The Midnight Circus hardcover. Marvel earned honors for Top Dollar Comic Book Publisher of the Year and Comic Book of the Year (Under $3), for The Superior Spider-Man #1 NOW!
Other winners include Archie Comics’ Afterlife with Archie #1 for Comic Book of the Year (Under $3), Top Shelf Productions’ March: Book One for Indie GN of the Year, and Image Comics’ East of West for Best New Comic Book Series. The complete list can be found below.
Nominees were selected by a panel of Diamond Comic Distributors product specialist based on their impact on the industry (for the vendors), and sales performance and quality (for the products). The winners were then chosen by direct market retailers.
This look at DC’s latest round of solicitations may be quicker and dirtier than usual, mostly because this week I thought I was going to be talking about Teen Titans’ cancellation. We’ll do a little of that this week, along with the other titles on the chopping block.
However, for a while now we’ve known that April — being the first post-Forever Evil month — will feature some big changes, and those start right here.
BY THE NUMBERS
I count 47 ongoing New 52 series, but that includes the six books canceled as of April, and it only counts Batman Eternal — which, contrary to my expectation, is not solicited as a limited series — once. Thus, if DC still wants to hit the magic number, it needs to come up with 11 new series for May.
My Friend Dahmer cartoonist Derf Backderf is a longtime fan who, while downsizing his collection, wandered upon the uniquely placed Certified Guaranty Company (CGC). The avowed comic fan who followed his hobby into a career was shocked at the degree to which comics collecting had subsumed the readability of comics, especially given that “true collectors” would hermetically seal their comics in CGC “slabs,” leaving them unable to be read — you know, the original intent for the comic.
“For someone who has devoted his life to making comics, and who takes several years to painstakingly craft each one … to be FUCKING READ! … this is an abomination,” Derf wrote in a long post on his blog. “For baseball cards, fine. because you can still read everything on the card. With a comic book, 90 percent of the contents are lost forever! Most of these “collectors” wouldn’t know the difference between Wally Wood and Wally Walrus. They’re just collecting a number. It’s an affront to everything I hold dear.”
Derf, who has been reading comics since the mid-1970s, covers the growth of the secondhand comics market and the rise of collectability through the Overstreet Price Guide and now through CGC. Because of this severe leaning toward collectability limiting the readability of comics, the cartoonist has started what he calls a “one-man crusade against slabbing” by buying CGC books and “then free[ing] them from their plastic coffins.”
Passings | Animator and blogger Michael Sporn died Sunday in New York City from pancreatic cancer. He was 67. Sporn’s short film Doctor DeSoto, based on William Steig’s book, was nominated for an Oscar, and his The Man Who Walked Between the Towers won several awards. He created animated adaptations of a number of children’s books, including Lyle Lyle Crocodile and Goodnight Moon, for HBO. In comics circles, he was also known as a blogger who turned up cool bits and pieces of animation and art. [Variety]
Publishing | Torsten Adair crunches some numbers from The New York Times 2013 bestseller lists, looking at each category and, in some cases, each publisher separately and breaking down the charting books into easy-to-follow pie charts. [The Beat]
It’s a bird, it’s a plane … it’s Shelf Porn!
Today we head to the hometown of Superman’s creators to check out the collection of Brad Ricca, the author of Super Boys: The Amazing Adventures of Jerry Siegel & Joe Shuster — The Creators of Superman (St. Martin’s Press, 2013). Despite being the author of a book about the creators of Superman, Brad tells us he is “a Marvel guy, through and through,” as he shows off his collection of Marvel Universe figures.
Check out his collection below, and you can find details on how to submit your own collection at the end of the post.
Considering the Comics Code Authority is now a thing of the past, and that cufflinks are increasingly rare, it seems only fitting that English illustrator and craftsman John Turner has brought the two together: For $31.19 plus shipping, you can get custom CCA cufflinks made from glass cabochons and comic book covers.
Turner writes in his Etsy store, “Show the world that you have been officially deemed fit for popular consumption with these awesome cufflinks, made from real vintage comic book covers featuring the iconic Comics Code Authority seal, which first appeared appeared in 1954 before finally disappearing in 2011.”
If those don’t strike your fancy, he offers plenty of others, including Doctor Who-themed cufflinks.
Naturally, now I’m having reservations. My wellspring of fannish entitlement tells me that Wally comes with certain Implications. It may not be enough simply to reintroduce some guy who happens to have the same name, because Wally has his own 50-plus years of history.
And that’s a perfect segue into another recent announcement: An ongoing Secret Origins series sounds like it could serve much the same purpose as the last SO ongoing (1986-90). That series ran for 50 issues, plus various annuals and specials, and it helped organize various bits of continuity in the wake of Crisis on Infinite Earths. For example, 1986′s Secret Origins debut spotlighted the Golden Age Superman, in a story by Roy Thomas, veteran Super-artist Wayne Boring and inker Jerry Ordway; and the first New 52 issue will feature Superman, Supergirl and Dick Grayson’s Robin origin.
I am cautiously optimistic about both of these announcements, but on balance I am a bit more excited for Secret Origins.
Action Lab Entertainment has announced a 2014 publishing slate that includes something darker from Princeless artist Mia Goodwin, rural horror from Jeremy Holt and Alex Diotto, and sci-fi action from James Patrick and Carlos Trigo.
The descriptions and cover art can be found below.