"Batman v Superman: Dawn of Justice" Trailer Officially Released
Legal | Matthew O. Pocci Jr., who in July drove into the crowd of ZombieWalk: San Diego, held annually during Comic-Con International, will be charged with felony reckless driving resulting in serious injuries. Pocci, who is deaf, was in the car with his children, waiting for the Zombie Walk to pass, but he started moving forward before the crowd had cleared the area. According to Pocci, the walkers attacked the car and he feared for his safety. He accelerated and the car struck a 64-year-old woman; two other people were injured as well. Pocci will be arraigned on March 9. [NBC 7 San Diego]
A self-trained makeup artist, Lianne Moseley of Calgary makes her living working with brides and models. However, she recently expanded her repertoire to include transforming people into superheroes who look as if they’ve stepped right off the comic book page.
“When I first did Archer, I posted it on my Facebook page and my friends liked it but I didn’t have a big following but my brother really liked it and he posted it on Reddit,” Moseley, a comics fan herself, tells CTV News. “Just last night Ashton Kutcher shared an article on my work on his Facebook page.”
If you liked the first half of Convergence in the April solicitations, you’ll probably enjoy the other set of shoes dropping in May. In fact, the second issues are all extra-sized (but not more expensive), filled out with previews of June’s coming attractions.
However, it’s not all anticlimaxes or “second verse, same as the first.” There are a couple of twists: Not only will the New 52 characters be participating, but the solicitation for Convergence #8 makes it clear this is for all the cosmic marbles. “There can be only one reality” after these two months of nostalgia — and we may have to read the books themselves (gasp!) to see what that looks like.
* * *
Happy Valentine’s Day and welcome to Shelf Porn! Because we love you, today we’re presenting Jason’s massive collection of original art, graphic novels, toys and much, much more.
If you’d like to see your collection featured here on ROBOT 6, you can find instructions on how to do so at the end of this post.
And now let’s hear from Jason …
Finally, it’s here. After months of speculating about the practical effects of DC Comics’ cross-country move, the publisher revealed its regular lineup, which starts in June. With 20 new ongoings and four new miniseries joining 25 returning titles, it’s widely seen as the end of the New 52. I wrote about that aspect of DC’s news over the weekend, but today it’s time to dig into the emerging details of the new superhero line.
* * *
Actually, let’s begin with one more nail in the New 52’s coffin: Just 12 of those initial 52 ongoings will continue unabated in June’s lineup. Moreover, eight of those 12 are books DC will publish until the last sun flickers out: Action Comics, Superman, Detective Comics, Batman, The Flash, Green Lantern, Wonder Woman and Justice League. The other four charter New 52 members surviving to June are Batgirl, Catwoman, Green Arrow and Aquaman.
The Young Adult Library Services Association has announced its 2015 Great Graphic Novels for Teens, a list of 79 titles that range from biography and humor to science fiction and superheroes.
The finalists were selected by a committee from among 108 official nominations recommended for readers ages 12 to 18. From those 79 titles, 10 were singled out as exemplifying “the quality and range of graphic novels appropriate for teen audiences.” They are:
The third issue of Crisis on Infinite Earths, which appeared in comics shops 30 years ago this week, or thereabouts, is probably the first to feel all “Crisis-y.” After two table-setting issues introducing the Multiverse to the characters and situations that would reshape it, Crisis #3 ramps up the carnage. From the New Teen Titans to the Haunted Tank, from the Legion of Super-Heroes to Jonah Hex, and otherwise across time and space, the issue is one giant disaster-movie trailer.
Now, I didn’t say the issue itself is a disaster, but some seams may be starting to show in the overall story. This 25-page installment was written and edited by Marv Wolfman, penciled by George Pérez, inked by Dick Giordano and Mike DeCarlo, colored by Tony Tollin, and lettered by John Costanza. Bob Greenberger was the associate editor and Len Wein was the consulting editor.
For a while now, it’s been hard to avoid talking about some sort of Multiverse.
Between Forever Evil, Futures End and World’s End, The Multiversity, Convergence, and recent looks back at Crisis on Infinite Earths, the grand structure of DC Comics’ cosmos has come back into the spotlight. Even Marvel is jumping into the deep end of the infinitely varied pool. (All things being equal, there will be another Crisis post next week, so the talk will continue at least in this space.) While I’m inclined to leave Battleworld and its ramifications to the experts, it’s all been reminding me of a “Power Girl Problem” — and no, it’s not costume-related. This week we’ll talk Kara Zor-L and a few other continuity tangles, with an eye towards avoiding future pitfalls.
* * *
Paul O’Brien sums up the basic difficulties nicely:
Hello and welcome to Shelf Porn, our weekly visit into the home of a fan. Today’s shelves comes from Larry, whose move into a new house meant he had extra space to show off his stuff.
If you’d like to see your collection featured here you can find instructions on how to do so at the end of this post.
And now take a look at Larry’s collection:
In our current age of instant accessibility to an unimaginable library of entertainment, it’s difficult to imagine the hold that broadcast television once had on the culture. In the 1970s, people stayed home on Saturday nights to watch the CBS comedy lineup of Mary Tyler Moore, Bob Newhart, and Carol Burnett. On Tuesdays, ABC had Happy Days and Laverne & Shirley. Of course, NBC owned Thursday nights for decades, from The Cosby Show, Cheers and L.A. Law in the ‘80s to Seinfeld, Mad About You, Friends, ER and The Office in the ‘90s and ‘00s.
Now imagine that NBC — which has since conceded Thursday to ABC’s now-dominant block of “Shondaland” dramas — will be replacing two months’ worth of regular Thursday programming with new episodes of the shows that typified “Must See TV.” Would you want to check in on Sam Malone, George Costanza, Ross & Rachel, or the doctors of Chicago General after all this time? Maybe, maybe not.
Well, for good or ill, that’s the bet DC Comics is making with the comics marketplace in April and May, by bringing back characters (and versions of characters) that haven’t been seen in anywhere from three to 30 years. Will readers want to check in with those characters, even if they’re the only DC game in town? Maybe, maybe not. It depends, I suspect, on some unquantifiable combination of character, creative team, and reader attachment to either or both. At long last, the first batch of Convergence solicitations is here, and today we’ll run through them.
Continue Reading »
Hello and welcome to Shelf Porn, our weekly visit into the home of a fan. Today’s collection comes from Piotr, a comic fan from Krakow, Poland.
If you’d like to see your collection here, you can find details at the bottom of this post.
And now here’s Piotr …
Last month marked the 30th anniversary of the first issue of Crisis on Infinite Earths, the ur-Big Event whose ripples continue to influence today’s (and tomorrow’s) superhero books. Accordingly, I thought it was a good time to revisit each issue on its approximate anniversary. That’s not because each issue of COIE was always a landmark unto itself, but because we tend to remember Crisis’ effects more than the ways in which the story was told.
Thus, it’s time for Issue 2, which was published in the direct market during the first week of January 1985. The issue was written by Marv Wolfman, penciled by George Pérez, inked by Dick Giordano, colored by Tony Tollin and lettered by John Costanza. Wolfman is listed as the issue’s editor, with Bob Greenberger as his associate editor (and co-plotter, according to COIE: The Compendium) and Len Wein as consulting editor.
* * *
Tragedy is easy, comedy is hard, which is why there are so many sad superheoes. It’s much easier to kill a character to make us cry than it is to make that same superhero draw a laugh. Humor is subjective, but shooting a loved one in the face is always going to be a terrible act. So I can see why not a lot of writers go for the joke; it could easily fall flat and ruin their story. It’s the fearless type of writer who throws angst to the wind and heads in feet first into comedy!
Ryan North and Erica Henderson are just that fearless. The Unbeatable Squirrel Girl isn’t just a regular story with comedy bits sprinkled in, but a full-out funny book with all the trimmings. From the difficult-to-read stingers at the bottom of every page, to the wild squirrel network that alerts our heroine to danger, to the decorations of her college roommate (which I personally adore!), nothing is taken all that seriously.
Tentative categories — they may be altered at the discretion of the judges — are: best short story, best single issue, best continuing series, best limited series, best new series, best publications for kids and teens, best humor publication, best anthology, best digital comic, best graphic album–new material, best graphic album–reprint, best reality-based work, best adaptation from another medium, best archival collection, best U.S. edition of foreign material, best writer, best writer/artist, best penciler/inker (individual or team), best painter (interior art), best lettering, best coloring, best comics-related book, best scholarly/academic work, best comics journalism periodical or website, and best publication design.
Publishers who wish to submit entries must send one copy each of the comics or graphic novels, along with a cover letter that includes what’s being nominated, and in what categories, and the names of the creators. Creators may submit works for consideration if their publisher is no longer in business or is unlikely to submit nominations itself.
Entries should be mailed to: Jackie Estrada, Eisner Awards Administrator, Comic-Con International, P.O. Box 128458, San Diego, CA 92112. Submissions for the best digital comic category can be emailed to Estrada. The full list of nominees will be announced in April.
Additional details can be found on the Eisner Awards website.
It’s deja vu all over again for the Diamond Gem Awards: Voted on by comics retailers, the winners this year look a lot like the 2013 lineup, with Image Comics and BOOM! Studios once again taking honors as top publishers in their divisions. Marvel was named top dollar publisher, DC Comics as top backlist publisher and Viz Media as top manga publisher — just like in 2012 and 2013.
The first issue of the widely acclaimed Ms. Marvel was honored as comic book of the year in the under $3 division, and Thor #1 was the choice among pricier comics. The Amazing Spider-Man #1 brought in the most dollars, however. My Little Pony: Friendship Is Magic was named the best all-ages comic of the year, Batman: Earth One took the honors as best original graphic novel, and Box Brown’s Andre the Giant was the best indie comic.
In terms of who got what, DC Comics won seven awards, Marvel won six and Dark Horse won three, including best anthology for Dark Horse Presents, another three-peat.
Here’s the full list of winners: