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Dark Horse will publish omnibus editions of The New York Four and The New York Five, by Brian Wood and Ryan Kelly, and Demo, by Wood and Becky Cloonan. Editor Sierra Hahn told Publishers Weekly the acquisitions are part of the company’s ongoing commitment to the young-adult market.
Published in 2008 by DC Comics’ short-lived Minx imprint aimed at teen girls, The New York Four centers on four young women who move to New York City to attend New York University. A sequel miniseries, The New York Five, debuted in 2010 from DC’s Vertigo imprint.
Demo, released from November to 2003 to November 2004 by AiT/Planet Lar, was the breakout book for Wood and and Cloonan, who had previously collaborated on Channel Zero: Jennie One. The 12-issue series, which tells self-contained stories about young people with supernatural powers (well, mostly), was most recently collected in 2008 by Vertigo, which later published Wood and Cloonan’s sequel.
Creators | Stan Lee arrived at Sydney Airport for the Supanova Pop Culture Expo and was immediately presented with a “Captain Australia” shield, colored gold and green rather than red and blue. The Supanova Pop Culture Expo kicked off today, and continues through Sunday. [The Daily Telegraph]
Comics | Hussain Al-Shiblawi says he doesn’t usually mind the pamphlets he regularly receives from the local Bible Baptist Church in Roanoke, Virginia; even though he’s Muslim, he finds them inspirational. But he takes strong exception to the latest one, a Jack Chick tract titled Unforgiven, which claims that all Muslims are going to hell. The pastor, who declined to go on camera, says his church doesn’t create the pamphlets, it just distributes them, but he’s willing to meet with Al-Shiblawi to discuss the comic. [WDBJ News]
As with many Jack Kirby creations, we could spend a long time on the Forever People. I’m not a Kirby scholar, although naturally I’ve tried to learn more about what the King wanted his characters to be. In that respect, the end of the original Forever People series was somewhat ironic: Kirby closed out Forever People Vol. 1 #11 (October-November 1972) with the group stranded on the distant planet Adon, far away both from Earth and from the ongoing conflict between New Genesis and Apokolips. Indeed, “stranded on Adon” was still their status when the big Who’s Who encyclopedia came out in 1985-86.
Not surprisingly, since then DC has revived the Peeps (if I may call them that) a handful of times. The latest is this week’s Infinity Man and the Forever People, which switches things up a little by giving top billing to the mysterious being who can trade places with his young allies. When DC announced that Dan DiDio and Keith Giffen were writing and drawing, I was skeptical, but willing to give it a chance.
In fact, it’s not a bad first issue. It introduces most of the cast (except for one headliner), it lays out a good bit of the New 52′s New Genesis setup, and while it occasionally seems a bit “edgy for its own sake,” generally it keeps to the spirit of the original. One character even says “without [Kirby], none of this would be possible.” That’s pretty on the nose, but appreciated.
Regardless, the new Forever People has a lot to live up to.
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Awards | The awards ceremony for the recently renamed Stan Lee Eagle Awards has disappeared from the program of the London Film and Comic Con, and has been replaced by the True Believers Comic Awards. It’s not clear whether this is just a name change or something more, as Mike Conroy, the organizer of both awards, had no comment, but the Stan Lee nominations page is gone. There is an online voting page for the True Believers Comic Awards, however. Lee is still scheduled to attend the event in person. [Down the Tubes]
Creators | Writer Caitlin Kittredge talks about her first comic, Coffin Hill. [The Kindle Post]
Creators | I interviewed the “three-headed monster” behind the Adventures in Cartooning books — James Sturm, Andrew Arnold and Alexis Frederick-Frost — about their new kids’ graphic novel Sleepless Knight. [Good Comics for Kids]
Creators | Jim Toomey sets his comic strip Sherman’s Lagoon under the sea, and now he’s going to get a close-up look at underwater life: As the artist in residence on Alvin, a Navy deep-sea submersible vehicle, he will get an up-close look at undersea life in the Gulf of Mexico. “Only three people are able to go down on the sub at a time, so it’s a very coveted opportunity,” said Toomey, who will talk to his children’s class from aboard the submersible and has set the current Sherman’s Lagoon story in the Gulf so he can introduce the sea creatures he is seeing firsthand. [The Washington Post]
Set two million years ago, as a great ice ages grips Earth, the adventure is the story of the first human to leave Africa.
Hello and welcome to Shelf Porn. Today’s collection comes from true-crime author and journalist Sean, who shares his and his wife’s love of comics, art and professional wrestling.
If you’d like to see your collection on Robot 6, you can find all the necessary details at the end of this post.
And now here is Sean!
As discussed here last week, the final page of Forever Evil promised a particular kind of big event as its follow-up. However, the just-concluded miniseries also inflicted more immediate consequences on the Justice League; it’s those I’ll be talking about today.
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I previously mentioned that the New-52 relaunch/reboot didn’t really add a new “structural” feature to the superhero line, in the way that “Flash of Two Worlds” established the Multiverse or Crisis on Infinite Earths facilitated all those legacy heroes. At the time I didn’t really mention the addition (or re-integration) of the WildStorm and Vertigo characters, but I still don’t think that’s as big a deal as the Multiverse or the generational timeline. The difference is that Flashpoint brought in characters mostly to the present-day DC Universe, whereas COIE and (to a lesser extent) the original Multiverse both dealt regularly with larger spans of time. In the latter cases, the superheroes first emerged in the runup to World War II, and those adventures ended up informing their modern-day counterparts. While the New 52 had books like Demon Knights and All Star Western that were set even further in the past, they could only influence the main superhero line obliquely.
As Marvel prepares for the August premiere of its biggest movie gamble to date, Guardians of the Galaxy, we’ve seen its publishing division reposition what once was an oddball, third-tier concept as a first-rate, if still oddball, franchise, first with the flagship title written by Brian Michael Bendis and next with Rocket Raccoon by Skottie Young.
As interesting as that transformation may be, I’m utterly fascinated by how Marvel’s parent company Disney has gone all in on merchandising an adaptation of a comic that, this time last year, no one outside fan circles had ever heard of. Granted, with the production budget for Guardians of the Galaxy in the neighborhood of $150 million (and probably nearly that much for marketing), the studio can’t afford to be timid.
Still, Disney Consumer Products has lined up more than 50 licensees, from Hasbro and LEGO to Mad Engine and Freeze, for what it views as Marvel’s Next Big Thing, at least as far as merchandise is concerned.
“It is always exciting to launch something new in consumer products, as we did with Iron Man in 2008,” Paul Gitter, senior vice president of licensing for Marvel at Disney Consumer Products, said in a statement. “By showcasing what is unique about this amazing new film we are able to develop a third Marvel franchise that can be at retail alongside our powerhouse franchises of The Avengers and Spider-Man. Continuing to diversify the Marvel offerings for consumers is a key strategy of ours.”
The nominees have been announced for the 10th annual Joe Shuster Awards, which recognize the best of the Canadian comics world. They’re named in honor of Toronto-born artist Joe Shuster, co-creator of Superman.
The winners will be presented later this year, at a time and location to be announced. The nominees are:
A Golden Age comics collection that included a pristine copy of 1940′s Flash Comics #1 sold this week in an online auction for a combined $1.5 million, The Associated Press reports, exceeding early expectations.
Kentucky insurance executive John C. Wise put up for sale about 175 comic books, including the first issues of Action Comics, All Star Comics, Marvel Comics, Archie Comics and Wonder Woman, as well as Detective Comics #27, the first appearance of Batman.
The CGC-graded 9.2 copy of Flash Comics #1, featuring the debuts of Jay Garrick, Hawkman and Johnny Thunder, fetched the top price with a winning bid of $182,000. Online auction house ComicConnect.com described it as “the second-best copy known to exist.”
It was followed Tuesday by a CGC-graded 7.0 copy of Action Comics #1 and an 8.0 copy of Detective Comics #27, which fetched $172,000 and $137,000, respectively. A near-mint copy of Marvel Comics #1, which introduced the Sub-Mariner and the Human Torch, sold for $95,000, while the first appearance of Captain Marvel in Whiz Comics #2 went for $86,000.
Although most of the landmark comics have already sold, bidding remains open on hundreds of issues (some of which push into the Silver Age).
Wise, 63, plans to use the proceeds from the auction to buy a new home in San Diego and to pay the college tuitions of his seven grandchildren.
This year’s Banned Books Week, slated for Sept. 21-27, will spotlight comics and graphic novels, the Comic Book Legal Defense Fund and the Banned Books Week planning committee announced today. Graphic novels have been the subject of a number of library and school challenges over the past few years, and the American Library Association’s most recent list of frequently challenged books includes, incredibly, Jeff Smith’s Bone.
Comics and graphic novels are somewhat more vulnerable to challenges because of their visual nature: While one would actually have to read To Kill a Mockingbird or The Absolutely True Diary of a Part-Time Indian to find potentially offensive content, all a would-be guardian of morality has to do with comics is flip one open and leaf through the pages looking for Naughty Bits. That’s apparently what happened when the Chicago Public Schools attempted to remove Marjane Satrapi’s Persepolis from classrooms; the move was based on a few panels taken out of context.
Among the about 175 comics being sold by John C. Wise through ComicConnect are Action Comics #1, All Star Comics #1, Detective Comics #27, Marvel Comics #1, Archie Comics #1 and Wonder Woman #1. However, the jewel of the collection may be a pristine copy of 1940′s Flash Comics #1, featuring the first appearances of Jay Garrick, Hawkman and Johnny Thunder.
“This copy is in incredible high-grade condition and is the second-best copy known to exist,” ComicConnect co-owner Vincent Zurzolo told The Associated Press. The current bid for the CGC-graded 9.2 copy of Flash Comics #1 is $91,000; the 7.0 copy of Action Comics #1 is at $75,000.
The record price paid at auction for a comic book is held by a near-mint copy of Action Comics #1, which fetched $2.16 million in 2011.
Manga | Hajime Isayama’s Attack on Titan has knocked longtime bestseller One Piece from the top of Japan’s manga charts. Market research firm Oricon reports that Attack on Titan, which has 13 volumes in print, sold 8,342,268 copies in the first half of the year, making it the bestselling series in Japan. One Piece, which has long held that title, sold 4,936,855 copies of 73 volumes, but it did top the charts for single-volume sales, with 2,825,339 copies sold of the latest volume. The numbers cover the period from mid-November to mid-May. [Anime News Network]
Publishing | DC Entertainment Co-Publisher Jim Lee talks about his history with Batman in advance of DC’s 75th-anniversary celebration for the character. [Asbury Park Press]
Fans of The CW’s Supernatural television series will recognize Osric Chau as Kevin Tran, the honor student turned prophet of God who helped Sam and Dean translate various tablets of significant importance and had to deal with an overprotective mom.
Now the actor, who also appeared in The Man with the Iron Fists and Fun Size, is making the jump from the screen to the printed page, as his likeness will be used for a character in Red Sonja #10.
Red Sonja writer Gail Simone shared some artwork from the comic on her Tumblr, showing Chau in action as “the greatest swordsman in the entire world”: