Comics mash-ups are a dime a dozen nowadays — only this morning we updated the legal wranglings concerning This Charming Charlie — but few are stranger than this one dreamed up by the blog of Elite Fixtures, which appears to be an otherwise-normal company that sells lighting, bathroom faucets, doorknobs and the like.
“Popular Comic Books Get Mashed Up With Lamps” is just what it sounds like … if what it sounds like involves replacing key characters and elements from well-known comic-book covers with lamps. I’d call it a bizarre, but ingenious, bit of viral marketing, if there were something in the images that might send people flocking to Elite Fixtures. So I’ll just leave it at “bizarre.”
By way of explanation, the blog states, “At EliteFixtures.com, we think lamps are pretty super. Charged with the power of electricity, they can brighten a room with a single bulb and dispel shadows from the darkest corners. There is nowhere to hide from the Power of the Light! Which got us thinking … what would happen to our favorite comic heroes in a face-to-lamp showdown?”
See some of the covers below, and the rest at the company’s blog.
Hello and welcome to Shelf Porn, where we take you inside one fan’s house to check out their stuff. Today’s collection comes from Christian in Victorville, Calif., who shows us his comics, art, statues, original art and one gigantic gun.
If you’d like to see your collection featured here on Shelf Porn, check out the submission instructions.
Take it away, Christian …
What do we want out of a comic-based television series?
At this point in pop-culture history the corporate synergies are so closely aligned, and the fans so plugged in, that we can all come up with various ways to adapt our favorite comics into TV shows or movies. I mean, when I heard about the proposed Gotham drama — lots of Gordon, no Batman, some supervillains — it got me thinking about a half-dozen other DC features that would make passable TV series.
For example …
• Martian Manhunter: that detective’s really an alien shapeshifter with all of Superman’s powers, but he doesn’t know his version of General Zod is also on Earth and looking for him!
• Challengers of the Unknown: living on borrowed time after inexplicably surviving a plane crash, four adventurers solve the world’s weirdest mysteries!
• Adam Strange: it’s Indiana Jones with a jetpack, as an Earth archaeologist finds himself on another planet!
Summer is officially over, so this is a little late, but I’ve been meaning to talk about a certain arc from the summer of 1993. It was the height of the speculator bubble, when everything came with cover enhancements, trading cards, unfortunate hairstyles and/or superfluous pouches.
For many DC Comics readers, 20 years ago was also the summer of “Reign of the Supermen!” That’s not necessarily enthusiasm — the exclamation point was part of the title, which in turn was inspired by Jerry Siegel and Joe Shuster’s early proto-supervillain story, “The Reign of the Superman.” The third (and by far the longest) chapter of the “Death of Superman” saga began with teasers at the back of Adventures of Superman #500, published around April 15,* and ended with Superman Vol. 2 #82, published around Aug. 26.** Those four and a half months may not seem like much, but they saw 20 issues of the four regular Superman books (including Action Comics and Superman: The Man of Steel) spread over 20 weeks. In fact, “Reign” was front-loaded, with all four titles marking the official start of the arc on April 29 or so, two weeks after Adventures #500. That meant there were some weeks without a new installment, and those were sometimes hard to take.
“Reign of the Supermen!” is not the greatest Superman story ever memorialized in print. On one level it is very much a product of its era. However, for the Superman books, that era was energized not just by the efforts of their creative teams, but by the overarching framework the books had developed. While “Reign” wasn’t the only big DC event of the summer — for one thing, the debut of DC’s imprint Milestone Media has much more historical significance — it’s a reminder of the ebbs and flows of serial superhero storytelling, and it remains instructive today.
Warning: This is a very long post, because I think there’s a lot of background to be explored.
Hello and welcome to Shelf Porn! Today’s shelves come from Roberto Alves from Madeira Island, an artist who sent us pictures of his comics, original art and more.
If you’d like to see your collection featured here on Shelf Porn, check out the submission instructions for complete details.
And now let’s hear from Roberto …
I talked about it last week, but there’s a lot to unpack in the recent Williams-and-Blackman-leave-Batwoman imbroglio. Part of it is DC Comics’ apparent need to keep characters relatively unchanged, which these days includes being young and unmarried. Co-Publisher Dan DiDio has already explained this in terms of heroic sacrifice, so I suppose that’s as close as we may get to official company policy on the matter.
However, before DiDio made his comments, I was wondering whether DC didn’t want the non-costumed half of Batwoman’s main couple to remain single and uncomplicated. After all, Maggie Sawyer goes back further than Kate Kane, and has appeared in both the animated Superman series and in Smallville. Thus, a certain part of the TV-watching public probably associates Maggie Sawyer more with Superman than with Batwoman; and DC might not want to have her tied permanently to the Bat-office.
This, in turn, brings up the issue of DC as a “content farm,” providing material for future adaptations. Obviously the publisher has almost 80 years’ worth of characters and stories ready to provide inspiration. Indeed, over the decades, that inspiration has gone both ways. However, more recently it seems like the adaptations have been influencing the comics to a greater degree than the comics have been influencing the adaptations, and in the long run that’s not good for either side.
Writer of the Year
• Brian K. Vaughan
• Dan Slott
• Mark Waid
• Robert Kirkman
• Scott Snyder
Penciler of the Year
• David Aja
• Fiona Staples
• Greg Capullo
• Jim Lee
• Ryan Stegman
Here’s a photo of a small stack of bagged and boarded comics that the Royal Canadian Mounted Police found near an abandoned squatter’s camp in the Green Timbers forest near Surrey, British Columbia. The RCMP is circulating the photo in hopes of finding the owner of the comics.
DC Entertainment may not have planned it this way — “planning” being something with which DC may be only tangentially familiar — but I doubt its high-ups wanted to release these December solicitations the Monday after what had to be a pretty rough weekend. When you’ve just had to deal with a celebrated creative team walking off a fairly successful book — citing “editorial interference,” and reminding people that the character’s original writer also left after increasing frustration with DC — you might not want to follow that up by calling attention to all the other changes coming before the end of the year.
And don’t worry, there’ll be plenty of Batwoman and “sucky personal life” talk before we’re done. Solicits first, though …
If the first week of Villains Month is any indication, a good bit of the decimal-point issues will feature stories set in the early stages of the Crime Syndicate’s takeover. This wasn’t that apparent from the September solicits, and subsequent months also appeared light on explicit crossovers. December is about the same, with Teen Titans dropping out of the crossover lineup, and Pandora and Phantom Stranger joining the three Justice League books, the three Forever Evil [Colon] miniseries, and Suicide Squad.
Hello and welcome to Shelf Porn! Today’s shelves come from Gord in Calgary, who sent us pictures of his comics, statues and more during last June’s floods.
If you’d like to see your collection featured here on Shelf Porn, check out the submission instructions for complete details.
And now let’s hear from Gord …
Forever Evil #1 is an uneven debut for the seven-issue miniseries, revealing that the Crime Syndicate — for those who came in late, basically an evil Justice League from the parallel Earth-3 — has killed all the Leaguers and is recruiting allies among DC-Earth’s supervillains. Although a handful of scenes are genuinely chilling, much of it is exposition and survey, with some of that geared apparently toward ancillary miniseries. Geoff Johns’ script works well when his characters can give speeches, but turns awkward and simplistic in crowd scenes. David Finch’s pencils are appropriately murky and grim, although there’s not a lot of subtlety; and inker Richard Friend seems to have gotten quite a workout. (This is the superhero-comic equivalent of a downpour at dusk.) Fortunately, colorist Sonia Oback manages to bring some variety to the gloomy proceedings, whether it’s brightening up a neon-lit cityscape or energizing a crackling solar corona.
Still, for the start of the first “universe-wide” Big Event of DC’s New 52, Forever Evil #1 feels like an apocalyptic tease. The issue’s main shocks aren’t as shocking as one might imagine, and the demands of a shared superhero universe will require them to be reversed. There’s undoubtedly more carnage to come, but for now it’s an exercise in attitude.
Naturally, there’s more after the jump. SPOILERS FOLLOW …
After 13 years, iFanboy announced this afternoon that it’s “ceasing normal day-to-day operations,” with only its podcasts continuing on the website. There will be no new written content.
“The simple fact is that our lives are much different now than they were even five years ago, and with families and day jobs and other opportunities all vying for our time and attention, iFanboy.com has been suffering for it and we couldn’t watch it suffer any longer,” co-founder Conor Kilpatrick wrote on the site. “It hurts us to not be able to put our all into this place that we’ve spent so many years building into a vibrant and wonderful community.
iFanboy, which was purchased in February 2010 by digital distributor Graphicly, split with the company in January 2013, even as website co-founder Ron Richards announced he had joined Image Comics as director of business development.
“After five years spent running iFanboy.com as our primary jobs, we had to transition back to running iFanboy part time after Graphicly handed it back to us in February of this year,” Kilpatrick continued, “and there just aren’t enough hours in the day to focus on everything we need to focus on in the manner that it deserves to be.”
There’s much more at iFanboy, including messages from many of the key contributors.
Honestly, the post title is a little misleading. Overall, I liked “Trinity War.” It was paced well, the creative teams did a good job wrangling all the characters and (for the most part) keeping them in character, and both story and art were top-notch. Basically, it felt like an old-school Justice League/Justice Society team-up, and for this grizzled veteran of the crossover wars, that’s high praise.
Nevertheless, its conclusion frustrates me, and I can’t talk about it without a massive spoiler warning. About the only thing I can say without reservation is that this week’s Justice League #23 featured the conclusion of “Trinity War.” To reveal much more about it would spoil the last page of the issue.
This is a terribly ironic situation, because DC Comics has made no secret about the setup for the sequel miniseries, the seven-issue Forever Evil. However, in the interests of preserving at least a nominal sense of fair play, I can’t really talk about that either. It all makes me feel very cynical, just when I was feeling good.
Anyway, if you’ve read the issue — or if you don’t mind knowing absolutely everything that happens, including the usual history lessons and ill-informed speculation — let’s talk.
The winners of the ninth annual Joe Shuster Awards were announced Saturday in Toronto during a ceremony held in conjunction with Fan Expo Canada. The awards are named in honor of Toronto-born artist Joe Shuster, co-creator Superman. The full list of nominees can be found here. The winners are:
Isabelle Arsenault: Jane, le renard & moi (La Pastèque)/Jane, The Fox and Me (Groundwood Books)
Jeff Lemire: Sweet Tooth #29-40 (DC Comics), The Underwater Welder (Top Shelf)
Mike Del Mundo: A+X #2B, Amazing Spider-Man #678-679, 683B, Incredible Hulk #4B, Ka by Cirque de Soleil #1, Marvel Zombies Destroy! #1-5, Max Payne 3 #3, New Avengers #24B, Scarlet Spider #1B, 4B, Uncanny X-Men #17, Untold Tales of Punisher Max #5, Venom #16-17, 20, 22B, Wolverine #314-317, X-Men Legacy #1-2 (Marvel)
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So find out what we thought about Thunderbolts, Wonder Woman, Herobear and the Kid, Vibe and more.