Comic-Con International Archives - Page 2 of 35 - Robot 6 @ Comic Book Resources
San Diego City Council recessed for summer break Thursday without deciding how to respond to a state appeals court ruling that the plan to finance the $520 million expansion of the San Diego Convention Center is unconstitutional.
A three-judge panel ruled last week that the room surcharge, approved two years ago by hoteliers and City Council, has to be put to a citywide vote. The financing scheme, which would have added another 1 cent to 3 cents per dollar to room taxes, was expected to generate about $35 million annually.
Delivering a crippling blow to the planned $520 million expansion of the San Diego Convention Center, a California appeals court ruled Friday that the hotel tax devised to fund most of the project is unconstitutional.
Although hoteliers and city council approved the room surcharge two years ago, U-T San Diego reports the three-judge panel unanimously found that the tax had to be put to a citywide vote. Several groups, including San Diegans for Open Government, opposed the funding scheme, arguing that the arrangement amounted to privatizing the city’s taxing authority. A Superior Court judge sided with the city in March 2013, but opponents appealed the ruling.
Publishing | Leyla Aker, Viz Media’s vice present of publishing, and Kevin Hamric, its director of publishing sales and marketing, discuss the state of the manga market and how the company’s books are selling through the print and digital channels (including comiXology, where Viz just signed on last month). One interesting tidbit: Viz products are carried by 64 percent of Diamond Comic Distributors’ accounts (i.e., comic shops). “Some of the store owners just don’t understand manga yet,” Hamric said. “They’re like librarians were years ago. They’re afraid of it, but if it’s children’s and Pokemon, or has a tie-in, especially to anime or television, then they’re not afraid to take it.” [ICv2]
Publishing | Tom Spurgeon talks to Drawn and Quarterly’s Tracy Hurren about the company’s new website, which launched this week, as well as life in the D+Q offices. [The Comics Reporter]
Best known for his role as Mickey Smith on Doctor who, actor Noel Clarke is making the leap to comics with a series from Titan called The Troop.
“As a teenager, when I was young, I always liked the teen teams [...] but for me, they never really pushed the boundaries,” he said in a video played at Comic-Con International in San Diego, “they never really pushed the envelope, and with The Troop, that’s exactly what we’re going to do.”
Written by Clarke and illustrated by Joshua Cassara, The Troop is billed by Titan Comics as “an edgy soap opera of violence and superpowers.” Watch Clarke’s video, and check out a preview of the comic, below.
Passings | Jay Maeder, who was the last writer for the comic strip Annie (formerly Little Orphan Annie), passed away Tuesday at age 67. A former New York Daily News columnist and editor who authored Dick Tracy: The Official Biography and contributed to The Encyclopedia of American Comics, Maeder worked on Annie, together with artist Andrew Pepoy, from 2000 its cancellation 2010. He created Amelia Santiago, a pilot and CIA agent, and once said of the strip, “I tell people it’s Indiana Jones with chicks.” [The New York Times]
Manga | Deb Aoki rounds up the manga news from Comic-Con International, including UDON’s license of Kill la Kill and Drawn and Quarterly’s plans to publish Shigeru Mizuki’s biography of Hitler. [Publishers Weekly]
“Why has it endured? Because you, sir, can be Batman — you hang out with me, and you’ll see. All you have to do is be crazy enough to fight crime 24/7, right?”
After announcing over the weekend that Mile High Comics may not return to Comic-Con International because of the “detrimental effects” of publisher exclusives, CEO Chuck Rozanski has had a change of heart.
“… I want you to know that I ultimately did heed the outpouring of requests that I received from fans and professionals at the show, and renewed our booth for next year,” he writes in his latest newsletter. “In all honesty, however, I have to admit that my decision to renew at SDCC for one more year was driven more by an emotional response to all the kind words of support that we received, rather than any kind of good business sense. Simply put, I do not have any faith or belief that the circumstances that devastated our sales at this year’s convention will be in any way mitigated at next year’s show. Our comics publishers will all express sympathy with the plight of participating retailers at conventions, but will then continue engaging in behaviors that solely benefit them. Such is life.”
Legal | Attorney Tom Goldstein, co-founder of the respected SCOTUSblog, has joined with Marc Toberoff to represent the heirs of Jack Kirby in their appeal to the U.S. Supreme Court of the Second Circuit’s affirmation that the artist’s contributions to Marvel between 1958 and 1963 were work for hire and therefore not subject to copyright termination. In a response filed this week to Marvel’s brief urging the high court to decline review, Goldstein and Toberoff again challenge the Second Circuit’s “instance and expense” test and its definition of “employer,” and argue, “Many of our most celebrated literary and musical works were created before 1978 and signed away to publishers in un-remunerative transactions. Termination rights were ‘needed because of the unequal bargaining position of authors.’ It would be hard to find a better example of this than the prolific Jack Kirby, who worked in his basement with no contract, no financial security and no employment benefits, but without whom Marvel might not even be in business today.” [Hollyqood, Esq.]
Retailing | Memo to politicians: You don’t win friends and influence people by taking up five spots in a comic store’s parking lot with your campaign bus on a Wednesday — especially when it’s Batman Day. [The Clarion-Ledger]
Comic-Con International has come and gone, and like every year, we’re left with a metric ton of announcements, hints, speculations, sneak previews, leaked footage and open questions.
There also seemed to be more pre-convention announcements than I can remember seeing in previous years. If the past week or so of frenzied news wasn’t enough, panel coverage and from is still rolling out. Based on the past several years, we should see those continue to be doled out for the next week or two.Comic-Con is truly a month-long event, maybe almost two months when all is said and done. So it’s understandable if it’s sometimes difficult to keep track of what was announced when or to even remember that awesome thing I was so excited about a week ago but can’t name now.
There are plenty that stuck with me, however; I’ve already written about comiXology’s DRM-free titles, and some of Image’s upcoming titles, and there were plenty of others. Of course, I can’t mention all of the cool things to emerge from Comic-Con — that would just be a near duplication of everything we’ve heard about for about a month now. So instead, here are six (more) things from Comic-Con I can remember thinking were extra-awesome:
With Comic-Con International 2014 a few day behind us, everyone has a chance to unpack, rest up and get ready for the next big convention (New York Comic Con is Oct. 9-12, by the way). But before we’re completely finished with San Diego, let’s take a look at some interesting numbers from the big event:
• Comic-Con International is by far the largest event on the San Diego Convention Center’s 2014 calendar, with its 130,000 attendees, in the words of The New York Times, “far outstripping the combined total of its next four largest conventions, expected to be about 62,500 people.” According to a convention center report (PDF), this year’s installment was estimated to have a $177.8 million economic impact.
Scholastic’s Graphix graphic novel imprint turns 10 next year, and editorial director David Saylor announced at Comic-Con International that the imprint will kick off its anniversary with a new edition of its launch title, Jeff Smith’s Bone #1: Out from Boneville.
The new edition will include a new poem by Smith, illustrated in full color, as well as Bone tribute art from 16 creators, including Craig Thompson (Blankets, Habibi), Raina Telgemeier (Smile, Sisters), Kate Beaton (Hark! A Vagrant), Dav Pilkey (Captain Underpants) Jeffrey Brown (Vader’s Little Princess) and Kazu Kibuishi (Amulet).
The new edition will be published simultaneously in the United States and Canada.
In addition to Bone, Graphix is the publisher of Telgemeier’s Smile, Drama and the upcoming Sisters, Kibuishi’s Amulet and Doug TenNapel’s Bad Island and Cardboard. Seven Graphix books have made The New York Times graphic books bestseller list, and Sisters is likely to join them, as it is debuting with an initial print run of 200,000.
Saylor made the announcement Thursday night at Scholastic’s Comic-Con party, where Smith and most of the contributing artists were present. The poem was projected on a wall above the venue.
Conventions | Image Comics content manager David Brothers explains why this year’s Comic-Con International was a great convention, pointing out that there’s a lot more to the event than movies and television, and there’s a lot more to comics than the Big Two: “Marvel and DC are comics, just like the other publishers, and they make some great ones when they let the creators do their own thing. But at this point? You can’t treat them like the entirety of the comics industry, or even two companies that can dictate the future of comics. They run the movies, and that’s cool, but running comics? It’s just not true any more. Image in particular outsells Marvel in the book market as far as trade paperbacks go, and that holds true in the comics market lately, too. That’s no coincidence. People enjoy Marvel and DC, but they want more than Marvel and DC.” [io9.com]
Merchandise — toys, apparel, posters, etc. — was the strongest category, climbing 10.4 percent over the same period in 2013, while graphic novels inch upward 2.9 percent. Sales of comics slipped 1.4 percent. In a statement, Chris Powell, Diamond’s vice president of retailer services, framed the performances of the comics and graphic novel categories as “level compared to last year, but [they] are still 12 percent above 2012 sales figures.”
Piracy | The Japanese government is joining with 15 anime production companies and manga publishers to launch a major initiative that will target foreign pirate sites. The push will start Aug. 1 and will have two components: The government will send takedown requests to 580 pirate sites and also launch a website that directs people to legitimate sources of online manga. The Japanese Cultural Affairs Agency estimates that Chinese pirate sites cost the industry 560 billion yen (about $5.5 million) last year. [Crunchyroll]
Comics | Lidia Jean Kott talks with writer Jason Aaron about his female Thor and pays a visit to Fantom Comics in Washington, D.C., where a quarter of the customers are women and the bestselling title is Saga (the bestselling superhero comic is Ms. Marvel). [NPR]
The future of SDCC ZombieWalk: San Diego, held annually during Comic-Con International, is uncertain after a car drove into a crowd of participants and spectators Saturday, injuring three. A scheduled Oct. 26 event has been called off.
“Yes, the October walk is canceled,” organizers posted on their Facebook page. “We are evaluating continuing at all, at this point.”
Accounts of Saturday’s incident vary, but the San Diego Police Department says Honda Accord driven by a deaf man was stopped at Second and Island avenues at 5:30 p.m. as the procession of hundreds of participants in zombie makeup lumbered by. After waiting several minutes, the 48-year-old driver started rolling slowly into the crowd because his children, who are also deaf, were frightened. According to police, several people the surrounded the car and began hitting it, shattering the windshield. That’s when the father reportedly drove forward again, striking the 64-year-old woman. The crowd chased after the car as the family drove toward a police officer.