comic conventions

Kickstart My Convention | Coast City Comicon

While more and more creators are turning to Kickstarter to fund their comics project, Tristan Gallagher and Chad Pennell, co-owners of Coast City Comics in Portland, Maine, are using the website to bolster the second annual Coast City Comicon. With a goal of $10,000, the duo hopes to improve on the inaugural convention by bringing more guests to the Nov. 9-11 event. “Although the response from our 700 attendees was resoundingly positive, we knew we could do even better,” they write on their Kickstarter page. “The theme for this year’s convention? More. We want more vendors, more guests, more panels, more special events, and we know you do, too. [...] Every cent you donate to our project will go directly toward convention expenses. Even if we manage to break past our goal, we’ll put all of it toward getting more guests for the convention and won’t even keep a penny of it for ourselves — that’s how dedicated we are to making this an awesome convention!”

The pledge rewards are pretty imaginative, ranging from a haiku penned by Pennell ($2) and comics script reviews by Fred Van Lente and Alex Irvine ($75) to a tag-along with paranormal investigators ($100) and Shia LaBeouf’s expired driver’s license ($1,500). Yes, you read that correctly. The drive ends June 4; so far, they’ve raised $3,411 toward their $10,000 goal.

Guests already include Van Lente, Irvine, Becky Cloonan, Chris DiBari, Ale Garza, Sean Murphy, Ben Templesmith and Daniel Way.

Comics A.M. | A call for Disney to remember its roots

Oswald the Rabbit, by Walt Disney

Creators’ rights | Gerry Giovinco points out that the mega-studio that is Walt Disney got its start because Walt signed a bad contract and lost the rights to his creation Oswald the Rabbit. Giovinco calls on Disney, as the parent company of Marvel, to acknowledge and perhaps actually compensate the creators of the products it is marketing: “I can’t believe that a company as wealthy Disney cannot find a way to see the value of the good will that would be generated by establishing some sort of compensation or, at the very least, acknowledgement to the efforts put forth by these creators.” [CO2 Comics Blog]

Digital comics | John Rogers discusses working with Mark Waid on his Thrillbent digital comics initiative. “There are people who are selling enough books to make a living on Amazon, whom you’ve never heard of. Because Amazon made digital delivery cheap and easy. That is what you must do with comics. It’s not hard. The music business already solved this problem. Amazon already solved this problem. It’s not like we’re trying to build a rocketship to the moon out of cardboard boxes. Webcomics guys — and this is kind of the great heresy — solved this problem like ten years ago, using digital distribution then doing print collections and also doing advertising and stuff.” [ComicBook.com]

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Comics A.M. | Thousands turned away from Calgary comic expo

Calgary Comic and Entertainment Expo

Conventions | Thousands of fans were locked out of the Calgary Comic & Entertainment Expo after the local fire marshal declared that the building had reached capacity. The big draw was not actually comics but a reunion of the cast of Star Trek: The Next Generation. [Calgary Herald]

Awards | The Thrill Electric, an online comic created by Leah Moore and John Reppion, Emma Vieceli, Windflower Studio and LittleLoud for the U.K.’s Channel 4, has been nominated for best website in the 2012 Broadcast Digital Awards. [Broadcast]

Creators | Jay Faerber talks about his early ambitions, his current comic Near Death, and what is so special about being published by Image: “The thing about Image is you have absolute creative freedom. Once Near Death was approved, I just wrote it. There were no notes from Eric or anyone else at Image telling me what they think I should do, which is awesome. But it can also be a burden, because if a book sucks, I can’t say, ‘Well, if I had been able to do it my way…’ – because I did do it my way. So working at Image has made me become my own editor. The buck stops here, you know?” [Broken Frontier]

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Make Mine MoCCA: A guide to the festival this weekend

MoCCA 2012

Dust off your shoes and pull your tote bag out of the closet kids, it’s MoCCA time once again. The annual indie/small press comics show hosted by the Museum will take place at the Armory on Lexington Avenue in New York City this weekend. It promises to be a grand affair, with tons of publishers, minicomics, books and panels to choose from. Underneath the link we’ve put together a quick rundown of some of the more notable and interesting (well interesting to us any way) goings-on at the show this weekend.

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Comics A.M. | Stan Lee talks comics and The Stan Lee Story

Stan Lee

Creators | Ahead of the premiere of the documentary With Great Power: The Stan Lee Story, the 89-year-old Lee discusses the big-screen success of his co-creations, the fairy-tale appeal of superheroes, his favorite character (he doesn’t have one), and a time when he was embarrassed to admit he wrote comic books: “Oh well, in the beginning, comics were the lowest rung on the cultural totem pole. I’d go to a party and people would say ‘What do you do?’ ‘Um, uh, I’m a writer’ and I’d try to walk away. And the guy would follow. ‘What do you write?’ ‘Oh, er, stories for kids.’ Well finally he’d pin me down and I’d say, ‘Okay, I write comic books’ — and boy, he couldn’t get away fast enough. Now, though, I walk into a party and someone sees me and they say, ‘Sorry, excuse me a minute, President Obama, I have to go over and say hello to Stan Lee.’ Well, okay. Slight exaggeration on my part.” [The Star-Ledger]

Conventions | The Calgary Sun previews this weekend’s Calgary Comic & Entertainment Expo. [Calgary Sun]

Conventions | Jimmy Jay wonders whether Comic-Con International in San Diego could expand to two weekends, like the Coachella Music Fest. [ComicConMen]

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Comics A.M. | Funky Winkerbean storyline to tackle gay rights

Funky Winkerbean

Comic strips | Cartoonist Tom Batiuk, whose Funky Winkerbean has addressed such topics as teen pregnancy, land mines and capital punishment, will next turn his attention to gay rights in a storyline about a gay couple that wants to attend the prom at the comic strip’s fictional fictional Westview High School. “It struck me that whenever I sit in classes at Midview High, which I still do, my overall impression is that the younger generation’s attitudes toward gays is more open and accepting than their predecessors,” Batiuk said. “It’s not perfect, but it shows promise for an emerging generation that will bring this issue (intolerance) to an end. I wanted to take those two opposing viewpoints to reach across that divide of intolerance.” The month-long storyline begins April 30. Funky Winkerbean appears in more than 400 newspapers nationwide. [The Chronicle-Telegram]

Conventions | The seventh annual Cape Comic Con kicks off today in Cape Girardeau, Missouri. [Southeast Missourian]

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Comics A.M. | Ali Ferzat named one of Time’s Most Influential People

Matt Wuerker's cartoon in support of Ali Ferzat

Creators | Ali Ferzat, the Syrian cartoonist who was abducted and beaten last year because of his criticisms of the government, was named one of Time magazine’s “100 Most Influential People in the World.” “Tyrants often don’t get the jokes, but their people do,” Pulitzer Prize-winning Politico cartoonist Matt Wuerker writes in his tribute to Ferzat. “So when the iron fist comes down, it often comes down on cartoonists.” [Time]

Publishing | In one of its wide-ranging interviews with comics publishers, the retail news and analysis site ICv2 talks with Dark Horse CEO Mike Richardson about the state of the market, the loss of Borders, his company’s 2011 layoffs, webcomics, and some early missteps with its digital program: “Quite honestly we’ve run into a few issues because the programs that we’ve done haven’t worked as well as we wished. We created some exclusive material and got less participation than we had hoped for. [...] We gave codes out to retail stores to drive customers into their stores. They could pick up the exclusive content by going to their participating comic shop. Evidently we didn’t do a good enough job getting the word out, so we’re retooling that.” [ICv2.com]

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Comics A.M. | Archie feud goes into mediation; C2E2 attendance ‘way up’

Archie Comics

Legal | The New York Times ventures deep into the legal battle between Archie Comics Co-CEOs Nancy Silberkleit and Jonathan Goldwater, noting the two sides have gone into court-approved mediation. “Competing lawsuits filed in State Supreme Court in Manhattan and State Supreme Court in Westchester County lay out a litany of bitter allegations. He punctured her car tires, destroyed her Web site and claimed that she sexually harassed employees. She ordered him to fire several longtime employees because they were too old, too fat or too buxom, and let her dog, Willow, roam the offices and defecate in the art department.” [The New York Times]

Conventions | Although no figures have been released for last weekend’s Chicago Comic & Entertainment Expo, organizer Lance Fensterman said attendance was “way up,” noting that, “the size of the show floor doubled and the aisles were much more full than last year. That tells you how much attendance jumped to keep pace with the floor growth.” [Publishers Weekly]

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C2E2 | A round-up of news from Saturday

Hawkeye

If the first day of the Chicago Comic & Entertainment Expo was dominated by announcements from Dark Horse and DC Comics, then the second day belonged to Marvel, which followed through on its teaser for a new series, revealed an Icon relaunch, and shuffled some creators. Here are some of the highlights from Saturday (along with a couple of holdovers from Friday):

• As usual, the “Cup O’ Joe” panel was where Marvel rolled out its biggest publishing announcements, beginning with confirmation that the teaser released last week is indeed for a Hawkeye ongoing series reuniting The Immortal Iron Fist collaborators Matt Fraction and David Aja. In the title, which debuts in August, Clinton Barton will be accompanied by fan-favorite Young Avenger Kate Bishop as he fights organized crime in New York City. “It’s very Avengers, by which I mean John Steed and Emma Peel. There’s a whole healthy person between the two of them,” Fraction told Comic Book Resources. “There’s a line in Rocky where he says, ‘I got bumps. You got bumps. Together we fit,’ or something like that — the two of them fit together. Each one has what the other doesn’t, which means they work very well together. She’s young, incredibly gifted, incredibly cultured, and incredibly headstrong. She doesn’t suffer his crap and also wants to be someone worthwhile, but she’s trying to figure out how to make that possible. She follows him not because of his abilities, but his accomplishments. So they work together quite well. It’s an apprentice and master style relationship.”

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Comics A.M. | Jules Feiffer to publish first graphic novel

Jules Feiffer

Creators | Veteran artist Jules Feiffer is publishing his first graphic novel (not counting a graphic novel-ish work in the 1970s), and he says his fans won’t recognize it, as it’s in a much more realistic style than his other work. Feiffer got his start in Will Eisner’s studio but felt he couldn’t draw like the other artists there, but he seems to have developed the ability recently: “Now I seem to be able to work in the adventure story drawing style. All of this comes out of my early love of Dashiell Hammet and Raymond Chandler.” [Publishers Weekly Comics World]

Creators | Pitting teenagers against one another for a television reality/talent show, America’s Got Powers may sound a bit like The Hunger Games, but artist Bryan Hitch says there’s more to it than that: “The talent show/gladiatorial stuff isn’t the story, though — it’s the setting against which the story takes place and at heart this is the story of two brothers and how they changed the world, or at least the world from their point of view. It’s personal, emotional and, given my own visual tendencies, massive, explosive and destructive!” [USA Today]

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Comics A.M. | Arizona legislature pulls back electronic censorship bill

Arizona state flag

Legal | A proposed Arizona law that would make it a crime to annoy or offend anyone through electronic means has been held back for revision after a number of concerned parties, including the Comic Book Legal Defense Fund, protested that it was too broad. The bill, which was passed by both houses of the Arizona legislature, basically took the language from the statute criminalizing harassing phone calls and applied it to all electronic devices, without limiting it to one-to-one communications. As a result, the language appears to make it a crime to post anything annoying or potentially offensive on the internet. [CBLDF]

Retailing | Brian Hibbs questions Mark Waid’s math, both with regard to comic shops and the cost of self-publishing, and brings up a number of arguments in favor of the Direct Market. He argues that having gatekeepers in the market is a good thing and that rather than refusing to take a risk on a new or different comic, retailers will go out of their way to stock comics they think their readers will like. [Savage Critics]

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Comics A.M. | Comic-Con ‘getting a handle on’ badge process

Comic-Con International

Conventions | Comic-Con International spokesman David Glanzer addresses problems with the badge-buying process: “After the two aborted events last year, we learned that each person had a multitude of browsers open. That’s going to create a bottleneck no matter what you do. Were there issues? Are we trying to work on them? Yes, we are. I think people’s anger is understandable, when all they’re trying to do is pay someone for a badge to attend an event and they can’t do that. We do test after test, and lo and behold something will happen. But (selling out in) an hour 20 minutes shows us we’re getting a handle on it.” [U-T San Diego]

Comic strips | Darren Bell talks about having Trayvon Martin, the Florida teenager who was killed by a neighborhood watch member, appear  in his comic strip Candorville: ” I decided to incorporate him into Candorville as soon as I saw one of my Facebook ‘friends’ post a photo of Trayvon [that turned out to not be this Trayvon], flipping off his webcam. Even if that had been the real Trayvon Martin, it wouldn’t have mattered. … What this told me was people were starting to dehumanize Trayvon, so they could rationalize what happened and insulate their own belief about ‘Stand Your Ground’ laws, about race, about concealed carry laws, etc., from any fallout.” [Comic Riffs]

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ECCC | A round-up of announcements from the convention

Revival

The Emerald City Comicon wrapped up yesterday in Seattle, with plenty of announcements from attending publishers. Here’s a round-up of news from the show:

• Image Comics officially announced Revival by Tim Seeley ad Mike Norton, the title we teased all last week. Seeley described the book as “rural noir,” and it is set in his home state of Wisconsin: “Both Mike and I grew up in small towns, he in Tennessee, me in Wisconsin. We both hated the towns we were from as teenagers and young adults and got the hell out,” Seeley told CBR. “But, now that we’re both older, we can look on those towns with more understanding and affection. Central Wisconsin is a really interesting place. It’s like concentrated America. It has all of the strengths and all of the weaknesses. All of the good stuff, and all of the conflicts on a more intimate scale. We thought it’d be the perfect setting for our story of a cop charged with policing the dead.”

• James Stokoe will write and draw Godzilla: Half Century War, which arrives from IDW in August. The miniseries is set in a different continuity than the Godzilla ongoing series by Duane Swierczyski and Simon Gane.

• Writer Christos Gage will team with artist Jorge Lucas for Sunset, an original graphic novel from Top Cow’s Minotaur Press. The story revolves around a retired Vegas mob enforcer.

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This weekend, it’s Emerald City Comicon

Emerald City Comicon kicks off today and continues through Sunday at the Washington State Convention Center in Seattle.

Scheduled guests include Bryan Lee O’Malley, Robert Kirkman, Brandon Graham, Don Rosa, Bill Sienkiewicz, Greg Rucka, Jhonen Vasquez, Matt Fraction, Gail Simone, Ed Brubaker, Jim Valentino, Bill Willingham, Erik Larsen, Marc Silvestri, Jim Woodring, Brian Wood, Tim Sale, Mike Allred, Kurt Busiek, Darick Robertson, Greg Capullo, Dan Slott, Steve Lieber, Rick Remender, Steve Niles, Phil Hester, Joëlle Jones, Nate Powell, Chris Roberson, Tony Moore, Ben Templesmith, Kelly Sue DeConnick, Scott Wegener, Shannon Wheeler, Brian Churilla, David Petersen, Colleen Coover, Nathan Edmondson, Joe Casey, Paul Tobin, Francis Manapul, Ryan North, Jeff Parker, Ryan Ottley, Jamie S. Rich, Tim Seeley, Nick Spencer, Matt Wagner, Thom Zahler, Scott Kurtz, Joe Keatinge, Daryl Gregory and many more.

You can find the complete programming schedule on the ECCC site, and here’s a round-up of various things you can do, buy and expect to find out about at the show …

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ECCC | The Walking Dead Compendium hardcover debuts

The Skybound blog provides a first look at the brick-thick Walking Dead Compendium hardcover, which collects the first 48 issues of the acclaimed horror series by Robert Kirkman, Tony Moore and Charlie Adlard. Although the 1,000-plus page volume, complete with gold-embossed logo and new cover illustration by Adlard, won’t be widely available until Comic-Con International, about 100 copies will be offered this weekend for $100 each at Emerald City Comicon in Seattle (Booth #310).





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