comic creators Archives - Robot 6 @ Comic Book Resources
As online voting opens for the 2013 Will Eisner Comic Awards Hall of Fame, the judges have selected late Golden Age artist Mort Meskin (Vigilante, Wildcat) and late underground cartoonist Spain Rodriguez (Trashman) for automatic induction.
In addition, they’ve named 13 nominees, from which voters will select four to be inducted in July during Comic-Con International. The nominees are:
- Marjorie Henderson Buell (aka Marge), late creator of Little Lulu
- Howard Cruse, creator of the acclaimed Stuck Rubber Baby
- Lee Falk, late creator of The Phantom and Mandrake the Magician
- Bud Fisher, late creator of the pioneering daily strip Mutt and Jeff
- Bill Griffth, creator of Zippy
- Al Jaffee, longtime Mad Magazine contributor famed for the “Mad Fold-in”
- Jesse Marsh,late Golden Age artist known for his work on the Tarzan and Gene Autry comic books
- Tarpé Mills (aka June Mills), late Golden Age artist best known for Miss Fury, the first female action hero created by a woman
- Thomas Nast, 19th-century caricaturist and editorial cartoonist known as “the Father of the American Cartoon”
- Gary Panter, acclaimed illustrator, painter and creator of Jimbo
- Trina Robbins, influential underground comics writer/artist and co-creator of Vampirella
- Joe Sinnott, veteran inker who worked on virtually every Marvel title during his 60 years working for the publisher
- Jacques Tardi, acclaimed writer and artist, and creator of Adèle Blanc-Sec
To vote, you must be a professional working gin the comics or related industries as a creator, a publisher, an editor, a comics store owner or manager, a graphic novels librarian, or a comics historian/educator. Eligible voters can visit EisnerVote.com to select up to four names for the Hall of Fame. The voting deadline is March 4.
Creators | For Slate’s “Doers” feature — “People who accomplish great things, and how they do it” — David Wiegel spotlights Rob Liefeld’s decision to revive his Extreme Studios line by handing over the properties to creators like Brandon Graham, Joe Keatinge and Tim Seeley. Acknowledging his critics prefer these new versions of Glory, Prophet and Bloodstrike to his originals, Liefeld tells the website, ““The internet snark has zero effect on me. I was there 20 years ago, I’m out there on the convention circuit, I experience the real and tangible enthusiasm for me and my work. You can’t rewrite the history books, you can’t eliminate the impact of my work and my characters. [...] Rob Liefeld is to today as Michael Jackson and Michael Jordan are to my kids.” [Slate.com]
Passings | Paul Gravett pays tribute to the late British writer and critic Les Coleman. [Paul Gravett]
DC Entertainment Co-Publishers Dan DiDio and Jim Lee will appear with a half-dozen DC creators on the Jan. 22 episode of Face Off, the Syfy competition series that pits special-effects makeup artists against each other.
The episode, shot in July at Comic-Con International, challenges the competitors to create their own superheroes with assistance and advice from Lee, Mark Buckingham, Cliff Chiang, Tony S. Daniel, David Finch, Nicola Scott and J.H. Williams III. The winning design will be featured in Justice League Dark #16, which goes on sale Jan. 30.
“Seeing lots of ‘that’s how it is in this business,’ stuff in regards to the day’s news. It really isn’t, and it certainly shouldn’t be. To be a little more direct: the way DC treats a lot of their freelancers is absolutely abhorrent. When it happened to me on SUPERGIRL, I didn’t say much, because I didn’t want to dwell on the negative. But when you see it happen to so many good people, and the damage it does to their careers, their incomes, etc… it’s just not okay. I don’t understand the need for it, & I wish it were otherwise. I love DC, love the characters, & I know I did some of my best work there. And I’m VERY happy for my friends who have been successful there. But I would tell any creator — especially newer, younger ones — to be extremely careful in doing business there.”
– Nick Spencer, who was abruptly removed from Supergirl in 2010, reacting to Monday’s news that DC Comics had replaced newly announced writers Robert Venditti and Jim Zubkavich on Constantine and Birds of Prey, respectively, before their first issues had debuted
Demon Knights artist Bernard Chang is so excited about the release of Issue 16 on Wednesday that he’s going to give away all 20 pages of original art to fans who buy the DC Comics series.
Breaking down the process this morning on Twitter, Chang explained his plan: He wants readers to buy six copies of Demon Knights #16, keeping one for themselves and the rest to their friends who aren’t following the series (or ask your retailer to distribute them in pull boxes). But first, take one photo of yourself holding all six copies (like so) and another with a close-up of the receipt and the name of the store. Then tweet or email those photos to Chang, who will call the store to verify the purchase.
The first 20 people to do so will receive a page of original art signed by Chang. Those six comics will run you in the neighborhood of $18 (not accounting for sales tax or discounts); a page of original art by Bernard Chang sells for anywhere from $45 to $175, so you’ll be coming out well ahead of the game. The giveaway begins Wednesday at 9 a.m. PT.
With the launch of Comic Book Resources’ new monthly feature with DC Comics Editor-in-Chief Bob Harras and Editorial Director Bobbie Chase arrives announcements of a slew of creative changes, including confirmation that Jim Starlin is the new writer of Stormwatch.
Best known for his work on Marvel’s cosmic titles, Starlin has been teasing since early December that he would take the reins on an existing DC series beginning in April. Yvel Guichet joins him as artist. Other creative shifts in April include:
• Jeff Lemire and Ray Fawkes will write the newly launching Constantine, taking over Robert Venditti with Issue 2. “Robert came to us with a fantastic pitch for Constantine,” Harras told CBR. “We really loved what Robert’s doing — he’s working on Demon Knights now, and he’s also working on another project for us that I really can’t go into which is a big deal for us. But at the end of the day, Robert and Dan [DiDio] and I spoke, and Constantine was, for him, one book too many. It was the one thing that we had to go, “If we want you to focus on this one project, maybe we should make a change on Constantine.”
On Dec. 31, James Kochalka ended his 14-year run on his diary comic American Elf, but others have taken up the baton, at least temporarily: A number of webcomics artists have created homages to the strip, and Kochalka is re-posting them on his Tumblr.
They include comics more or less in the style of American Elf by Lewis Trondheim, Superf*ckers director Fran Krause and a host of others, expressing a range of emotions from grief to gratitude. Also included in the tributes is a giant picture of every American Elf strip and another that averages the 14 years’ worth of the strips to produce an “eigencomic.”
It’s really interesting to look through them and see how a single (albeit long) comic inspired such a range of responses — and how much people seem to enjoy drawing themselves in Kochalka’s unmistakable style. And, as Kochalka remarks on one of the posts, “Quitting American Elf has kind of been like being able to die and go to my own wake!”
Less than two weeks after suffering a stroke, writer Peter David is able to walk forward and backward, with assistance, at the rehabilitation center in
New York Florida.
“He is working on balance and trying to get the right leg to cooperate with what he wants it to do,” his wife Kathleen wrote today. “There was a minor set back with the arm that is being worked on. He does have a better range of motion than he has had since all this started so we are cautiously happy about it but he has a long way to go.”
Kathleen David, who last week asked those interested in helping to cover insurance co-pays to purchase some of Peter’s books from Crazy 8 Press, today said she will add a donate button to his website on Monday, and plans to organize online auctions. She also encouraged fans to send him cards and assorted well wishes:
c/o Second Age, Inc.,
P.O. Box 239,
Bayport, NY 11705
On a related note, EW.com has published an essay Peter wrote in early December to mark the 50th anniversary of the Incredible Hulk. In the piece, the writer recounts being offered the reins of the title in 1986, his approach to Bruce Banner and, 12 years later, the circumstances that led to his departure.
“Out of fifty years of his existence, I took up twelve straight years (plus annuals and such) covering the concerns and chaos that the Hulk had to face daily,” he wrote. “If I’d known that I’d be leaving the book the issue afterward, I’d never have killed off Betty (although since then she was brought back to life and is now the red She-Hulk, so that made a lot of difference.) I had up periods and down periods. Times where I had the book fully under control and times where I was roughing it and had no clue what I was doing. In retrospect, if I had to draw one conclusion from my time on the series, it was this: Hunh. Nope. I still got nothin’.”
“I’ve seen more than a few well known comics professionals pitch projects on Kickstarter or Indiegogo have their campaigns fail. They either didn’t do any promotion and just expected their “celebrity” to carry them. Others just threw a random concept up and didn’t talk about why they thought it should be made, why they felt it was important. Kickstarter, to me, is almost like a barn raising where the community gets together to help one another. I pledge to a lot of projects because of that as well.”
– Jamal Igle, discussing his Kickstarter-funded comic Molly Danger
Totally agree! I review a lot of Kickstarter pitches for my biweekly Kickstand column on Comic Book Resources, and I have seen plenty of half-baked pitches. Often the idea seems very good, but there is no indication of what the comic looks like or how the creator plans to publish and promote it. When you’re asking people to part with their money, you have to give them a good reason. I also like Igle’s comment about pledging to a lot of projects; I suspect that beyond just being a good citizen, this offers creators the opportunity to see a Kickstarter drive from the consumer side, which would offer valuable perspective.
Censorship | At least one comic, alas unnamed, was among the thousands of books removed this week from a Turkish government restricted list. Most of the bans were widely ignored anyway, but Metin Celal Zeynioglu, the head of Turkey’s publishers’ union, pointed out one important effect of lifting them: “Many of the students arrested in demonstrations are kept in prison because they’re carrying banned books. From now on, we won’t be able to use that as an excuse.” [The Australian]
Publishing | Tom Spurgeon’s latest holiday interview is with Shannon Watters, the editor of BOOM! Studios’ children’s comics line, which includes Adventure Time, Bravest Warriors and Peanuts. [The Comics Reporter]
Writer Peter David will undergo in-patient rehabilitation once he’s released from the hospital following a stroke he suffered Sunday while on vacation in Florida. However, it’s unclear when that will be.
“We are working on the where, how, and who and still awaiting the when,” his wife Kathleen wrote Thursday. “And they can’t give us an exact when because a number things have to be in place and Peter’s vitals have to be consistently at a certain level before they will even think of releasing him. Until that happens, we are in a holding pattern.
A comics veteran best known for his work on Aquaman, The Incredible Hulk, Young Justice and X-Factor, Peter David posted on his blog Sunday that he “lost control of the right side of my body,” couldn’t see properly and was unable to move his right arm and leg. Kathleen later reported doctors determined her husband suffered a small stroke in the pons section of his brain. “We know that a total recovery is slim because damage to the brain doesn’t go away but the brain can be trained to work around the damage and give Peter back what he has lost,” she wrote Monday.
“Peter is doing better every day,” she offered Thursday. “Yesterday he was able to lift up his right arm by himself and the fingers are coming back a little more every day. He can stand up but still can’t walk and the standing only lasts for so long. His face is even more normal than the day before. And he sat up in a chair for the first time since Saturday which he was very happy about and I was thrilled. The more he can get up, the sooner he gets out and onto the next step of the journey. … Keep those good thoughts coming. Peter says it is both gratifying and humbling about the number of people who are praying for them and keeping him in their thoughts and he appreciates and is thankful to each and every one of you.”
Awards | The National Cartoonists Society initiated a webcomics award last year, and this year the organization is splitting it in two, one for short-form works and one for long-form. The challenge with including webcomics, says NCS President Tom Richardson, is that to be eligible, creators must make the majority of their money from cartooning. “That isn’t an easy thing to quantify anymore. With online comics, we need to take into account site traffic, professionalism in consistent and regular publication, online community activity and other factors that are the hallmark of professional online work,” he says. “In some cases, it’s pretty obvious the creator is making a career out of cartooning. In some, it’s not so obvious.” [Comic Riffs]
Over the holidays, writer Peter David announced on his blog that he had suffered a stroke. On New Year’s Eve, his wife Kathleen explained more, and another update followed Tuesday. She’s planning to let people know of David’s recovery on a daily basis.
Our thoughts are definitely with him and his family and friends. As the husband of someone with multiple sclerosis and lupus, I can somewhat relate to what they’re going through. A health scare like what they’re going through is just that, scary. Really, it’s downright terrifying. In addition to the emotional response and challenging medical decisions to be made, there’s also the question of how to pay for the ambulance ride, CAT scan, MRI, multiple other tests, medication, physical therapy, and whatever else. I don’t know David’s healthcare situation, but it reminded me how many freelancers and self-employed workers, which is the vast majority of comic book creators, have little to no healthcare benefits of any kind.
Rantz Hoseley recently sent out to creators and other industry figures a rough outline for a proposed American Sequential Arts Guild, which would include access to healthcare coverage for members. Note that he is not proposing a union, but instead an advocacy group. Some discussion ensued, like on this thread at The Beat. But I haven’t seen much movement since. Perhaps it’s happening privately, but based on past incidents, I fear it’s not.
Awards | Dotter of Her Father’s Eyes, by Mary and Bryan Talbot, has won the Costa Book Awards (formerly the Whitbread Awards) in the biography category, marking the first time a graphic novel has received the literary prize. “Just being shortlisted was amazing and hearing we’d won the category was stunning,” Mary Talbot said. “We’re delighted of course, both personally – it’s the first story I’ve had published – but also for the medium, I can’t believe a graphic novel has won.” [The Guardian]
Awards | Jacques Tardi, the acclaimed creator of West Coast Blues, It Was the War of the Trenches and the Adèle Blanc-Sec series, has refused France’s highest honor, the Legion d’Honneur medal: “Being fiercely attached to my freedom of thought and creativity, I do not want to receive anything, neither from this government or from any other political power whatsoever. I am therefore refusing this medal with the greatest determination.” [AFP]
Comic-Con International has announced the Will Eisner Hall of Fame is now online, with a browsable catalog of the more than 120 creators — from Neal Adams to Wally Wood — who have been inducted since 1987. Each entry, arranged in alphabetical order, includes a brief biography of the creator, the date of induction and, in many case, a photograph or illustration.