comic strips Archives - Robot 6 @ Comic Book Resources
As anyone who’s ever worked at a newspaper can attest, readers don’t react well to changes to the comics section, which is a major reason why so many strips trudge on, zombie-like, long after the spark of life left them. So when financial or space constraints force editors to eliminate some old favorites, they expect complaints — although not necessarily a profanity-laced tirade from an 8-year-old.
Passings | Andy Hutton, who drew the popular strip “The Q-Bikes” (which morphed briefly into “The Q-Karts”) for the British comic The Beano, died last month at age 91. Born in Calcutta, Hutton moved as a teenager to Dundee, Scotland, where he began working for Beano publisher DC Thomson at age 14. He quit that job to train to be a pilot in the Royal Air Force, but poor eyesight kept him grounded much of the time. After World War II, he got an art degree and lived in Canada for a while, working in nuclear reactor construction, before returning in 1950 to Scotland. He was a Beano artist for 25 years, and his work included Red Rory of the Eagles, Jack Flash and The Kangaroo Kid; he also taught art in a local high school. [Down the Tubes]
Intended to be shared on Facebook and Twitter, the seven comic strips depict Americans living vastly different lives — from the fitness nut to the adrenalin junkie to the hipster — who have one thing in common: They have health insurance. Each four-panel strip has at its center a badge encouraging readers to joint that person at HeathCare.gov.
Crime | Two cosplayers on their way to G-Anime were arrested Friday in Gatineau, Quebec, and their fake weapons were confiscated. The two men, who were wearing camouflage and carrying what appeared to be guns, were spotted in a parking lot near a number of government buildings (the Canadian Parliament was attacked by a lone gunman in October). Someone called the police, and they dispatched about a dozen officers who cordoned off the area and searched for the men. The cosplayers, who were both 18, were taken into custody and fined $270 for violating a municipal bylaw that prohibits carrying certain weapons in public or in a vehicle, although the law seems to be aimed at knives, bows and arrows, and swords, not guns. Their car was impounded, and their weapons are being held as evidence. G-Anime organizers posted a notice Friday asking attendees wearing camouflage or carrying replica weapons to wait until they arrive a the convention to change into costumes. [Ottawa Sun]
Jason Little launched his ambitious webcomic Borb earlier this year, telling the story of a homeless man through a series of four-panel comic strips — an homage to Great Depression-era newspaper strips like Little Orphan Annie and Gasoline Alley. In April, Uncivilized Books will release a 96-page collection of the strips.
Courtesy of Uncivilized Books, ROBOT 6 is pleased to present a preview of Borb. Check out the preview and some additional information from the publisher below.
Creators | Garry Trudeau has some straight talk for those who criticized him for basing Sunday’s Doonesbury on the controversial Rolling Stone expose of the University of Virginia’s handling of rape cases — or thought maybe the strip was submitted before a number of commentators cast doubt on the lead anecdote in that article. The cartoonist insists that’s not the point: “We had some internal discussion about whether the flaws in the [Rolling Stone] reporting mattered here, and we concluded they didn’t. UVA is only used as setup to get the reader to consider the larger problem of institutions prioritizing their reputations over the welfare of those they’re charged with safeguarding.” [Comic Riffs]
Creators | Osamu Tezuka, the “godfather of manga,” has been dead for 25 years, but his influence lives on, not just in manga and anime but in his old neighborhood, where a restaurant features his favorite dish and merchants have their own local currency, Astro Money. There’s even a group of inventors who were inspired by Astro Boy to design a “power-assisted hand.” [The Yomiuri Shimbun]
Creators | Ivan Brunetti tried to draw Nancy and failed, but he learned how to be a cartoonist in the process: “Nancy is a harsh taskmaster; resuscitating it was a grueling task, but the challenge was invigorating and edifying. By drawing Nancy, I realized that every character (even the environment) in a strip is the cartoonist and is invested and imbued with the cartoonist’s life force. This is perhaps why continuing a strip after a creator’s death is so misguided, and it also explains the precious few exceptions that prove the rule: those cartoonists made the preexisting characters truly their own, commandeering their ink-on-paper souls.” [BoingBoing]
Conventions | It looks as if Wizard World’s convention won’t be returning to San Antonio, Texas, in 2015. A Wizard World spokesman said the company couldn’t come up with a date that fit the schedule of the city’s Henry B. Gomez Convention Center, adding, “We hope to revisit the possibility for 2016.” However, reporter Rene Guzman notes that San Antonio’s Alamo City Comic Con was a much bigger deal this year, in terms of the exhibit floor (it took up three exhibit halls of the convention center, compared to Wizards’ one) and probably attendance as well: Wizard World said its inaugural event in August drew “thousands,” and Alamo City had 73,000 attendees, almost twice as many as last year. There will be a Wizard World Austin conventionn in 2015, so anyone wanting a taste of that Wizard magic can find it a short road trip away. [San Antonio Express News]
Crowdfunding | Digital Manga Publishing’s recent Kickstarter campaign raised some questions as to the proper role of crowdfunding in publishing. When DMP acquired the rights to all of Osamu Tezuka’s manga that haven’t already been translated into English, CEO Hikaru Sasahara launched an ambitious Kickstarter effort to publish about 400 volumes in just a few years. The campaign raised eyebrows not only because of the large amount of money involved (with stretch goals, it would have been more than half a million dollars) but also because it went beyond the direct costs associated with single volumes to include travel and staffing. That campaign failed, but DMP immediately launched another one that’s closer to the usual model. I interviewed Sasahara and one of his most prominent critics to get both sides of the discussion. [Publishers Weekly]
Although we’ve become accustomed over the past three decades to seeing the Peanuts characters advertising MetLife, I was unaware that Garfield also moonlights as a mascot for an insurance company. Now that gig is leading to a higher profile for the comic-strip cat — atop the former Indiana State Fairgrounds Coliseum (aka Pepsi Coliseum).
The Indiana State Fair Commission announced today that the newly renovated arena will be named the Indiana Farmers Coliseum through a 10-year, $6 million deal with Indiana Farmers Mutual Insurance Company. A new sign will eventually be added to the top of the building, along with some version of Garfield, who was present today for the press conference.
Awards | Jillian Tamaki has won the prestigious Governor General’s Literary Prize for children’s literature illustration for her work on This One Summer, a graphic novel collaboration with cousin Mariko Tamaki (who was nominated in the text category). Their first book, 2008’s Skim, was previously nominated in the text division, further demonstrating a separation of illustration and story that Jillian Tamaki finds “strange.” ““I think we are both creators of the book,” she tells the Edmonton Journal. “You can’t read a comic without either component, it won’t make sense. It’s something I will always be addressing when talking about the award. But I am completely flattered by the honor and will be sharing the prize with my cousin.” [Edmonton Journal, via The Comics Reporter]
Creators | In an interview to be published in Japan next Friday, Naruto creator Masashi Kishimoto says he plans to spend some time with his wife and child, and take a long-delayed honeymoon, before starting his next series. And as he is about to turn 40, he hints that he may not be up for another weekly series. [Anime News Network]
Comic strips | The first color Sunday funnies appeared on Nov. 18, 1894, in Joseph Pulitzer’s New York World. David Shedden observes the 120th anniversary of this innovation with a look back at some popular comic strips and footage of New York Mayor Fiorello LaGuardia reading the funnies over the radio during the newspaper strike of 1945. [Poynter]
In an interview with the French site 20 Minutes, Calvin and Hobbes creator Bill Watterson debuts the poster he designed for the 2015 Angoulême International Comics Festival, but he says he won’t be attending the event.
Watterson was awarded the Grand Prix d’Angoulême last year, an honor that usually includes serving as president of the following year’s festival. But in the interview, the reclusive cartoonist says he won’t participate beyond designing the poster and sending some of his original art for an exhibit.
With its glacial pacing, signature earnestness and freakishly out-of-scale wildlife, Mark Trail is a fairly easy target for mockery, but the 68-year-old comic strip does have its fans.
Cartoonist James Allen, who worked as Jack Elrod’s assistant for nearly a decade, thought he had a pretty good idea of what those fans wanted: the occasional window into Mark’s family life (with a giant dog or goldfish, perhaps?). So after he taking over the daily strip in April, he set the khaki-clad adventurer on a course to spend a little time with long-neglected wife Cherry and son Rusty. Boy, was that so not what fans wanted.
After receiving several letters from “annoyed” readers, the Sun Journal of Lewiston, Maine, contacted Allen, who explained:
Publishing | DC Entertainment Co-Publishers Dan DiDio and Jim Lee talk about the state of the comics market, DC’s upcoming move from New York City to Burbank, the growing female audience and more. “There’s also a diversification within the audience itself the past couple of years,” Lee observed. “You’ve seen more women, more female readers, in general. When we launched Batgirl and Gotham Academy, those books struck a different note, different tonality, and that was in large part due to editor Mark Doyle bringing these projects together with different kinds of creators. It was our way of broadening the base of the Batman family of books but doing it in a different way to attract a different audience. I think it speaks well to the future that we’re not just going to strike the same note looking for the same customer. […] You can’t necessarily rely on the same continuity, the same core hardcore comics-driven material; you have to diversify, broaden your net and bring in different voices to the company.” [ICv2]