comic strips Archives | Robot 6 | The Comics Culture Blog

Comics A.M. | Oregon paper pulls ‘Non Sequitur’ cartoon; Daniel Clowes honored by fellow artists

Non Sequitur

Non Sequitur

Comic Strips | The Portland Oregonian pulled three Non Sequitur strips that made fun of the occupiers of the Malheur National Wildlife Refuge after one of the occupiers was killed. “The strip, which had been making fun of such groups, seemed jarring and in poor taste given that someone now was dead,” said Oregonian editor Mark Katches. “That decision has yielded a grand total of two reader complaints.” Cartoonist Whitey Miller said he did not know the strips were being pulled and replaced with older ones. “This is the first I’ve heard about it,” he said. “Not controversial to my knowledge.” [Willamette Week]

Creators | Set aside some time this weekend to read Robert Ito’s in-depth profile of Daniel Clowes, which covers his life and career from his childhood through his most recent work, Patience. The piece is illustrated with drawings by prominent cartoonists such as Seth, Rutu Modan, and Richard Sala, as well as photos by Ian Allen. [California Sunday]

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Comics A.M. | Longtime ‘Mark Trail’ artist Jack Elrod passes away

"Mark Trail," by Jack Elrod

“Mark Trail,” by Jack Elrod

Passings | Longtime Mark Trail artist Jack Elrod Jr. died Wednesday at age 91. Mark Trail was created in 1946 by Ed Dodd, who brought on Elrod four years later as a background artist. When Dodd retired in 1978, Elrod took over the comic strip, and earned many awards from environmental organizations. He also made a significant change due to reader feedback, removing the title character’s pipe after a 6-year-old fan wrote to him saying, “It is bad for his health, pollutes the air, and it is dangerous to the birds.” Elrod retired in 2014, handing over Mark Trail to current artist and writer James Allen. [Gainesville Times]

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Comics A.M. | Ben Hatke’s ‘Little Robot’ wins children’s literature award

little robot

Awards | The Center for Children’s Books at the University of Illinois has chosen Ben Hatke’s Little Robot as the winner of this year’s Gryphon Award for Children’s Literature. The award honors children’s books that bridge the gap between being read to and reading on one’s own. “Hatke’s graphic novel is both cleverly crafted and utterly irresistible,” said Assistant Professor Deborah Stevenson, the head of CCB and chair of the committee. “Our young heroine is an admirable adventurer and capable wielder of a tool belt, and the little robot she finds, repairs, and befriends is an endearing pet/sidekick. The balance between wordless sequences and simple speech-balloon dialogue (plus the robot’s sound effects) will reassure tentative readers and encourage them to decode narrative from both visual and textual clues.” [University of Illinois]

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Comics A.M. | The state of the newspaper comics page

Evil Inc.

Evil Inc.

Comic strips | The end of Edge City has generated a conversation about newspaper comics in general. As co-creator Ray LaBan says, creating a comic strip was his childhood fantasy, and he got to do it, “But I got to do it when everybody stopped paying attention.” This article takes a broad view, looking at the fact that newspapers’ budgets for comics, like everything else, are shrinking, online portals are providing alternatives, and readers’ strong preferences for legacy strips like Beetle Bailey and Blondie, as well as safe topics, are limiting the opportunities for new strips. Universal UClick launches one new strip a year, according to president John Glynn. On the other hand, creator Brad Guigar is taking his comic Evil Inc. out of the Inquirer because he can do better with a more mature version, published online and supported through Patreon. With interviews with the syndicates, a newspaper features editor, and creators, this piece is a well rounded look at the current state of syndicated comics. [The Philadelphia Inquirer]

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Comics A.M. | ‘Edge City’ comic strip to end after 15 years

edge-city-r6

Comics strips | Terry LaBan and Patty LaBan are bringing their syndicated comic strip Edge City to an end after 15 years. In his farewell message, Terry LaBan cites not only exhaustion but also a sense that the funny pages aren’t what they used to be: “It’s rare to meet anyone who reads a newspaper anymore, at least anyone under the age of 50. Comic strips, which once occupied a place at the center of pop culture, have fallen completely off most people’s radar. As much as we love it, it’s depressing to work in a form that seems to have lost its relevance and is, for the most part, ignored.” [The Daily Cartoonist]

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Comics A.M. | Bidding farewell to the long-running ‘Apartment 3-G’

apartment3g

Comic strips | The soap opera comic strip Apartment 3-G ended its 54-year run Sunday with little fanfare, leaving it up to a handful of bloggers, including Tom Spurgeon of The Comics Reporter and Josh Fruhlinger of The Comics Curmudgeon, to give the longtime funny-page staple a proper sendoff. “It definitely has an unaffected, what-we-call-Lynchian quality where what you’re seeing and what you’re ‘hearing’ as dialogue don’t match,” Spurgeon writes. “The limited sets and slightly faded color choices make it a bit nightmarish, almost like the world is collapsing comic book ‘crisis’ style around these increasingly feckless characters. It’s hard to believe there are more than a dozen “places” in the world these characters exist. [The A.V. Club]

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Comics A.M. | Malaysian cartoonist challenges nation’s sedition act

Zunar

Zunar

Legal | On the day his trial on sedition charges was due to begin, Malaysian political cartoonist Zunar threw a curve ball, asking the high court to declare the sedition law unconstitutional. The Malaysian government has repeatedly attempted to ban or censor Zunar’s cartoons, but this case actually stems from a series of nine tweets he wrote following the conviction of opposition leader Datuk Seri Anwar Ibrahim on sodomy charges; Zunar accused the court of following the wishes of the prime minister. On Friday, Zunar’s lawyers (one of whom has also been charged with sedition) filed a petition with the high court saying that the lower court that was to hear the case had no authority to do so. The Malaysian Federal Court recently dismissed a challenge that made a similar argument; Zunar’s case is now scheduled to be heard on Dec. 8, with a decision expected a week later. [Index on Censorship]

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Comics A.M. | Emily Carroll’s ‘Through the Woods’ wins British Fantasy Award

Through the Woods

Through the Woods

Awards | Emily Carroll’s acclaimed horror anthology Through the Woods has won the 2015 British Fantasy Award for best comic/graphic novel, presented Sunday at FantasyCon 2015 in Nottingham, England. [British Fantasy Awards]

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Comics A.M. | BOOM! Studios explains production cutbacks

Filip Sablik

Filip Sablik

Publishing | Filip Sablik, BOOM! Studios’ president of publishing and marketing, describes the company’s announced cutback in the number of titles as a contrarian move: “All of the major mainstream comic publishers are pushing out more titles. Since February’s ComicsPro meeting, it’s something we’ve consistently heard from the front lines of the industry. So we decided to swim upstream a bit by trimming back our line and really focus, doubling down on our marketing and our positioning for each title, believing that a sniper-like approach would yield better profitability.” [ICv2]

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Comics A.M. | ‘Tintin’ original art fetches $1.2 million at auction

From "The Blue Lotus," by Herge

From “The Blue Lotus,” by Herge

Auctions | A rare drawing of Tintin by Hergé from the 1936 book The Blue Lotus was sold at auction Monday in Hong Kong for $1.2 million. The black-and-white illustration, which depicts Tintin and Snowy being pulled in a rickshaw through the streets of Shanghai, is the only original piece from the book that remains in private hands. [BBC News]

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Comics A.M. | ‘Stone Soup’ daily strip ends after 20 years

Stone Soup

Stone Soup

Comic strips | Cartoonist Jan Eliot has announced that, after 20 years, she will no longer create daily strips for Stone Soup. She will, however, continue to produce a Sunday version. She’s cutting back so she can focus on other projects without all the deadline pressure: “It may seem like a small task, creating one cartoon a day, but it is herculean in many ways. The pressure to be good enough, funny enough, to create interesting-enough drawings, live up to the standards of great cartoonists I admire and share the comics page with is not a small thing.” [The Daily Cartoonist]

Conventions | As the third Salt Lake Comic Con approaches, co-founders Dan Farr and Bryan Brandenburg talk about the event’s beginnings — how they chose the venue, how they managed to book William Shatner and Stan Lee for the first convention, and how they used social media to build a following before the event itself. [Salt Lake Tribune]

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Comics A.M. | Chicago’s oldest comic store is closing

Variety Comics

Variety Comics

Retailing | Variety Comics, which opened in Chicago in summer 1974, will close its doors for good Halloween. “Business is down,” says co-owner Vin Nguyen. “It’s sad but you know, it is what it is.” Nguyen and his partner Victor Olivarez bought the store in 2009 following the death of original owner Rick Vitone. [DNAInfo]

Conventions | The Houston Press looks at allegations of organizational problems and financial mismanagement at the Houston-based convention Anime Matsuri, which has been growing steadily (attendance at this year’s event was 24,000), despite leaving a trail of lawsuits, unpaid bills and angry guests. [Houston Press]

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Comics A.M. | Four challenges facing the comics industry

Secret Wars #1

Secret Wars #1

Publishing | Todd Allen pulls the camera way back for a broad look at four challenges facing the comics market: the shift from serial comics to graphic novels, editorial changes at DC Comics and Marvel, and the virtual monopolies that comiXology has in the digital sector and Diamond Comic Distributors has in print. How could that play out? “In the best-case scenario, Marvel’s relaunch sticks with the audience, DC restaffs and regains its footing, the Direct Market retailers embrace risk diversification and increase their stock of independent comics, bookstores continue to expand their graphic novel selections. Comics enter a legitimate golden age. In the worst case, Disney and/or Warner Bros. both tinker with their formula of making monthly print comics and Direct Market retailers face a new and uncertain business model.” [Publishers Weekly]

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Comics A.M. | ‘The Killing Joke’ reigns in bookstores once again

The Killing Joke

The Killing Joke

Graphic novels | BookScan’s list of the Top 20 graphic novels sold in bookstores in August is an eclectic mix of old and new, superheroes and other genres. The top seller, for the second month in a row, is the deluxe edition of Batman: The Killing Joke, with hardy perennials Fun Home, American Born Chinese and Watchmen all making the charts, probably because of school assignments. Manga does well, with the two most recent volumes of Naruto, two volumes of Attack on Titan, the first two volumes of Tokyo Ghoul and the seventh volume of Monster Musume all making the cut. Phoebe Gloeckner’s The Diary of a Teenage Girl also charted, as did the first volume of Saga and the 22nd volume of Fables. [ICv2]

Passings| Underground artist Stephen “The Pizz” Pizzuro has died at age 57. Pizzuro, who described his work as “Lowbrow,” started his professional career as an artist for Rat Fink Comics before moving on to do album covers and, later, gallery art. [Hi Fructose]

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Comics A.M. | Neighbors throw young fan his own comic con

cameron comic con

Fandom | Twelve-year-old Cameron Bippen was  looking forward to attending Tampa Bay Comic Con, but had to miss the event due to unexplained seizures. Following his release from the hospital, Cameron’s neighbors in Riverview, Florida, threw him his own comic convention, complete with costumed guests and a visit from members of the Tampa Bay 501st Star Wars Legion. [Fox 4 News]

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