comic strips Archives - Page 2 of 35 - Robot 6 @ Comic Book Resources
Publishing | DreamWorks Animation’s announcement on Monday that it is launching its own book-publishing unit doesn’t mean the end of the road for its comics licensees, at least not yet: ICv2 talked to representatives from IDW Publishing, which publishes the Rocky & Bullwinkle comics, and Ape Entertainment, which has had a number of DreamWorks licenses, and both say that this won’t affect their comics. [ICv2]
Auctions | A collection of comics that included the first issues of The Amazing Spider-Man and the British satirical comic Viz, as well as long runs of several Marvel series, brought in almost £25,000 (about $41,300 U.S.) at an auction in Newcastle, England. The majority of the comics were from a single collector whose wife decided to put them up for sale after he died. For those who are curious about the details, Duncan Leatherdale of The Northern Echo liveblogged the auction. [BBC News]
The renewal of Garry Trudeau’s Amazon Studios comedy Alpha House means there won’t be any new weekday Doonesbury strips until at least fall. New Sunday installments will continue to run for the time being.
The Pulitzer Prize-winning cartoonist announced in May he would take a summer sabbatical to work on Alpha House, a political satire about four senators who share a home in Washington, D.C. New Sunday strips reappeared in September, but daily versions were delayed until November; according to the Chicago Tribune, vacation repeats began running this week.
“As I discovered last year, the demands of producing the show are considerable, and my efforts to return to the daily strip while we were still in production had to be abandoned,” Trudeau said in a statement released this morning.
He declined to offer a return date, saying, “There’s no way of knowing how many seasons of Alpha House lie ahead. I could be back drawing Doonesbury full-time in the fall.”
However, Trudeau acknowledged to The Washington Post that the break from Doonesbury may have a price: “A hiatus comes with uncertainty, of course: I can’t assume I’ll be welcomed back a year or two from now.”
The family of the late Dick Tracy creator Chester Gould has donated a collection of his original comics strips and other materials to Ohio State University’s Billy Ireland Cartoon Library & Museum.
The collection includes more than 850 original Dick Tracy daily strips, 64 Sunday strips and the drawing board on which Gould wrote and drew the comic for 46 years. Continue Reading »
Passings | Bomb Queen and Five Weapons creator Jimmie Robinson writes a touching remembrance of pioneering cartoonist Morrie Turner, who passed away Saturday at age 90. Widely recognized as the first nationally syndicated African-American cartoonist, the Wee Pals creator frequently spoke at schools, and it was during one of those visits that he inspired a young Jimmie Robinson: “When he came to our class he spoke about his craft and showed us how he worked and what his job demanded. He spoke about his newspaper comic strip and how he had to write it every day. He spoke about the diverse cast of characters in his strip, but he never once spoke about the issue of his race. But for me he didn’t have to. The fact that he, a black artist, even existed, spoke volumes.” The New York Times also has an obituary for Turner. [Jimmie Robinson]
Raised in Oakland, Turner was a self-taught artist who drew cartoons for Army newspapers while serving during World War II with the 477th Bomber group. Following his discharge, he worked as a police clerk while also creating strips for a number of publications.
In 1959, the black daily newspaper the Chicago Defender began publishing his all-black strip Dinky Fellas, created with the encouragement of his friend Charles Schulz after Turner expressed a desire for a comic that reflected his childhood experiences. But it wasn’t until Turner diversified the cast, introducing kids from different ethnic backgrounds, that Wee Pals was born.
“All the kids were different,” the cartoonist recalled in a 2009 interview with the San Francisco Chronicle. “White, Filipino, Japanese, Chinese, black. It was a rainbow. I didn’t know that wasn’t the way it was other places. Oakland was that way before the war. We were all equal. Nobody had any money.”
Creators | Author Marc Tyler Nobleman tells Michael Cavna about his crusade to gain recognition for Bill Finger as one of the co-creators of Batman — including a push to have Google honor him with a Google Doodle on his birthday: “As it currently stands, even the mighty Christopher Nolan could not legally credit Bill as co-creator. However, prior to The Dark Knight, I asked DC if they could use non-subjective language to acknowledge Bill. I proposed: ‘Batman was first called “the Dark Knight” in Batman #1, in 1940, in a story written by Bill Finger.’ DC publications already regularly credit Bill for that story, and the movie’s title doesn’t even include the word ‘Batman’ — it is wholly a phrase coined by Bill Finger. Alas, they said no.” [Comic Riffs]
Passings | Tulsa, Oklahoma, cartoonist Larry Pendleton, who created the syndicated single-panel cartoon Graphic Nature, has died at the age of 59. [Tulsa World]
Although The New York Times doesn’t feature a comics section, it has a long been receptive to comics, history of being receptive to comics. In Sunday’s edition, the newspaper launched a new comic strip by Get Your War On‘s David Rees and Tales Designed to Thrizzle‘s Michael Kupperman. The creators, whose work has been covered previously by The Times, have done their first strip, “Identity Crisis,” satirizing the changing face of political cartoons. For years the Sunday edition has featured a weekly comic by Brian McFadden, but there’s been no word if Rees and Kupperman’s new strip is a replacement or if they’ll both be published in a new schedule.
Here’s Rees and Kupperman’s debut:
Auctions | The Leicestershire (England) Police are auctioning about 1,200 comics — most of them are post-2000 DC Comics titles, described as in mint condition — seized as criminal assets in Dorset (the police force doesn’t have its own eBay account). “Some are signed by the artists and they are mainly Superman and Spider Man, that sort of thing,” said Dave Hargrave, proceeds of crime asset realization manager. “[...] The person who had the comics was obviously a collector.” About 400 comics have been sold, bringing in £600 (about $985 U.S.). [Leicester Mercury]
Publishing | Avatar Press has returned to Diamond Book Distributors as its distributor to bookstores, the mass market, library services, and other markets. Avatar left DBD in 2011 to sign on with BOOM! Studios to distribute its books through Simon & Schuster in the United States and HarperCollins in Canada. [ICv2]
Webcomics | Shaenon Garrity looks at the problem of webcomics going viral without any attribution to the artist or link back to the original site, often because that attribution has been stripped from the image itself. She cites the case of Rachel Dukes, whose “Life With/Out a Cat” comic racked up half a million views for the uncredited version, while the one with her signature received just 81,000. [The Comics Journal]
Retailing | Brian Hibbs, owner of Comix Experience in San Francisco, has announced he’ll assumed ownership of Comic Outpost from Gary Buechler as of Monday. “It only took me 24 years to do it, but finally Comix Experience will have a second store!” Hibbs writes on Savage Critic. He goes into more detail on the Comic Outpost website, telling customer, “Comix Experience runs pretty differently from Comic Outpost, but I want to assure you that we have no intention of changing the essential nature of the Outpost. Customers dictate the kind of store that exists, and we’ll be dedicated to bringing you the same passionate and engaged love-of-comics service you’ve received from Gary over the years!” [Savage Critic]
Bitstrips, the Toronto-based startup behind those inescapable do-it-yourself avatars and comic strips on Facebook, has secured $3 million in funding from Hong Kong venture capital firm Horizons Ventures. The news was announced this morning, appropriately enough, with a comic strip.
“I think it’s amazing that all of those things have become part of our culture. He did not set out to write the great American novel, or to do a comic strip that will last 100 years … I think when people asked him, ‘did you ever think your characters would become part of the culture’ it puzzled him a bit and he didn’t have a very good answer for it … I think his answer was something like, ‘I just tried to put everything I had into the comic strip and do the best I could every day.’”
– Jean Schulz, widow of Peanuts creator Charles M. Schulz, on the “classic” status of the comic strips. In an online chat, she also confirmed that her husband could be as “bitter” as you’ve heard. “Yes, he could be cranky particularly if he had person after person after person interrupting him from things … But he was overall a pleasant person.”
Manga | Roland Kelts looks at the international popularity of One Piece, whose sales number 300 million volumes in Japan and 45 million in the rest of the world. The piece includes an interview with creator Eiichiro Oda — he says he writes what he imagines his 15-year-old self would like to read — as well as editors from Viz Media, the American publisher of One Piece, who discuss the reasons for its popularity overseas as well as the global impact of manga piracy on these manga pirates. [The Japan Times]
Conventions | Which shows are money-makers for creators, and how much do they make? The answers, broken out into a handy infographic, may surprise you. [The Devastator]
Legal | Asterix co-creator Albert Uderzo has filed a legal complaint against his daughter Sylvie and her husband Bernard Choisy, claiming “psychological violence.” The dispute began in 2007, when Sylvie and Bernard were dismissed from their positions at Les Éditions Albert René, which published Asterix; a year later, Uderzo sold his stake in the company to Hachette Livre. The two filed their own legal challenge in 2011, claiming Uderzo, who is now 86, was being exploited by others. In this week’s filing, Uderzo says he is perfectly capable of managing his own affairs, and adds, “The sole purpose of these acts is to undermine our psychological integrity and to hasten our debility, in order to get their hands on our legacy, which they covet.” [The Guardian]
Prolific artist Al Plastino, who in recent weeks lobbied for the return of his original art for the 1964 story “Superman’s Mission for President Kennedy,” has passed away after a battle with prostate cancer, Mark Evanier reports. He was 91.
Born Dec. 15, 1921 in New York City, Plastino began illustrating for Youth Today magazine after he graduated from the High School of Industrial Arts. His first comics credit was on Dynamic Publications’ Dynamic Comics #2, cover-dated December 1941.
After serving in the Army during World War II, Plastino returned to freelance work and learned in 1948 that DC Comics was searching for a new Superman artist; according to his website, the publisher paid $55 a page at the time. For the next two decades, Plastino drew Action Comics, Adventure Comics, Superboy, Superman, Superman’s Girl Friend, Lois Lane and Superman’s Pal, Jimmy Olsen, and with writer Otto Binder created the Legion of Super-Heroes and Supergirl.
Digital comics | Apple rejected 59 comics this year for in-app buying, although many of them were allowed into the iBookstore. I looked at the phenomenon, and talked to Image Comics Publisher Eric Stephenson about the effect that had on Matt Fraction and Chip Zdarsky’s Sex Criminals, which is available via the comiXology website and Android app, iBooks, and Image’s own website, but can’t be bought in-app from comiXology’s iPad app. “”It absolutely hurt digital sales on Sex Criminals #2,” Stepheneson said. “This is a series that is getting fantastic word of mouth, it’s amazing work by Matt and Chip that is receiving rave reviews and selling out instantly. Not being able to offer the book to curious readers through our app or the comiXology app is a significant deterrent to reaching the widest possible audience.” [Publishers Weekly]