comic strips Archives - Page 3 of 37 - Robot 6 @ Comic Book Resources
Passings | Isabelle “Barbara” Fiske Calhoun, who as Barbara Hall was an artist for Harvey Comics during World War II, died Monday at age 94. Calhoun and her first husband, Irving Fiske, left New York in 1946 and founded a commune in Vermont on land they bought with their wedding money. The commune became the Quarry Hill Creative Center and is “Vermont’s oldest alternative and artist’s retreat.” While the obituary mentions Calhoun’s comics career only in passing, Trina Robbins has more detail in Pretty in Ink: She says Calhoun drew the Black Cat, one of the first comic-book superheroines, and then was the artist for the Speed Comics feature, Girl Commandos, an all-woman team of Nazi fighters led by Pat Parker, War Nurse. “She left comics when her husband-to-be persuaded her to give up cartooning and become an oil painter, a gain for the world of fine art but a loss for comics,” Robbins writes. [Burlington Free Press]
I wonder… is there an equivalent to Glen Weldon’s Superman: The Unauthorized Biography that tracks the 80-year career of Flash Gordon? Only, instead of tracing society’s shifting tastes in authority figures, it instead contextualizes the spirit of athleticism over its eight-decade lifespan.
When Alex Raymond launched the comic strip in 1934, Flash was a polo player. Flash forward (heh heh) to the 1980 movie, and he’s a quarterback for the New York Jets. During the ’90s, the Flash Gordon animated series introduced the character as a skateboarding enthusiast; he’s a track-and-field star in the Syfy series … which isn’t exactly the coolest sport, but an appropriate one in a world that’s become conscious of concussions and other injuries
Dynamite Entertainment’s new Flash Gordon, written by Jeff Parker and illustrated by Evan Shaner and Jordie Bellaire, casts the title character as an extreme sports aficionado. It’s a little out of date: Flash is introduced doing a dangerous bungee jump off a bridge, reminiscent of a similar scene in the Vin Diesel movie xXx (the most extreme spy, dude, way cooler than that lame-o James Bond). Still, it does establish something crucial about Flash: The world is far too tame for his wild, adventurous spirit. Flash gets a slap in the face and a stern, parental warning to stop with his childish garbage (one imagines the frequently bare-chested Alex Raymond Flash would have instead been applauded). Is there a place for him somewhere that isn’t totally lame?
Another rare original Calvin and Hobbes comic strip by Bill Watterson has been put on the block by Heritage Auctions. Just how rare is it? Only four have been sold through Heritage during its 13 years auctioning comic art — and two of those were in the past couple of years: An original Sunday installment fetched $203,150 in November 2012, and a daily strip went for $65,725 in February 2013.
The current offering, a daily strip dated May 9, 1987, in which Calvin refuses a vegetarian meal and declares himself a “dessertarian,” has faded lettering and panel frames, but is described as otherwise in “Excellent condition.” The current online bid is $16,000, but will likely climb considerably higher before the May 15-17 auction.
Politics | Framing the controversy as part of a larger political battle between South Carolina’s lawmakers and its public universities, The Washington Post wades into the ongoing saga surrounding the House of Representatives’ vote to reduce funding to two schools after they selected gay-themed books for their summer reading programs. The newspaper uses as its entry point the Monday performances in Charleston of Fun Home, the musical adaptation of the Alison Bechdel graphic novel that was chosen last summer by the College of Charleston, drawing the ire of a South Carolina Christian group and conservative lawmakers. The Post reports that several state legislators suggested they viewed the staging of the musical as “a deliberate provocation,” and will seek to cut even more funding in response. The South Carolina Senate has yet to vote on the state budget, which includes the cuts to the schools. [The Washington Post]
Fandom | Rachel Edidin attends a gathering of the Carol Corps, the group of mostly female Carol Danvers/Captain Marvel fans that has built a community around a shared interest. “It is not a formal organization,” says Captain Marvel writer Kelly Sue DeConnick. “There are no rules. People write and ask me all the time, ‘How do I join the Carol Corps?’ You join Carol Corps by saying you are Carol Corps. There is no test. You don’t have to buy anything. You don’t need to sign up anywhere. If you decide you are a part of this community, bam, you are. The other part of that is that if you decide you are a part of this community, you will be embraced and welcome.” [Wired]
Piracy | The Japanese government will consider several measures to fight online piracy of anime and manga in the next few months, while publishers are taking a if-you-can’t-beat-’em-join-’em approach by launching two free digital manga services, ComicWalker and Manga Box, to lure readers away from bootleg scanlation sites. [The Japan News]
The comic strip/webcomic documentary Stripped opens with an idyllic scene straight out of the Hallmark Channel. A little girl runs into the kitchen and sits on her father’s lap; he opens a newspaper, and together, they flip to the Sunday funnies, a well-remembered moment of childhood made possible by the magic of comic strips. It’s a scene that rings true, because many viewers have had similar experiences. Maybe you weren’t sitting on your father’s lap; maybe you just ripped through the paper, trying to separate the cartoons from the classifieds. Anything to get at those comic strips.
It’s a scene that may accidentally have put a chink into the “webcomics are the future of the newspaper comic strip” argument.
For two months this winter many of us were swept up in HBO’s True Detective and the serpentine search by detectives Rust Cohle and Marty Hart not only for a serial killer but also for the meaning of life and the nature of good and evil. And while not everyone was satisfied with the ending, most of us remain enthralled with the writing of Nic Pizzolatto and the existential nihilism of Matthew McConaughey’s character.
And now we can experience both again, in a decidedly different form, with Time Is A Flat Circus, which combines dialogue from the crime drama with panels from the long-running comic The Family Circus. It’s as terrific as you imagine.
The mission statement for Stripped!, a documentary by Dave Kellett (Sheldon) and Frederick Schroeder, is about forging a common history between webcomics and newspaper funnies. Not comic books, interestingly. I suppose that makes sense, as the most popular webcomics (xkcd, The Oatmeal and Penny Arcade) most closely resemble the four-panel forebears. It’s starting to become standard practice, by the way, to refer these sort of webcomics as “gag-a-day” or “short-form.”
Still, it’s a delight to explore this oft-neglected corner in the world of sequential art. The days of the celebrity cartoonists like Milton Caniff and Al Capp are long past, as depicted in archival footage where they were treated as major celebrities on early TV shows. However, the list of interviewees for Stripped! are still recognizable industry titans: Lynn Johnston. Jeff Smith. Greg Evans. Jim Davis. Mort Walker. Cathy Guisewite, who hilariously has the letters “AACK” hanging in her home. And one name that brings the directors to the point of fanboy glee, Bill Watterson … the first time he’s allowed his voice to be recorded. (Charles Schulz may no longer be with us, but his influential presence looms over the entire documentary.) It’s wonderful seeing the faces of the creators behind so many iconic characters. They gather here to reminisce, sharing crude doodles drawn as a child, their cherished influences, and the highs and lows of working under the syndicate system.
The National Cartoonists Society has announced the divisional nominees for the 68th annual Reuben Awards. They join the finalists for the Outstanding Cartoonist of the Year Award — Wiley Miller (Non Sequitur), Stephan Pastis (Pearls Before Swine), Hilary Price (Rhymes With Orange) and Mark Tatulli (Heart of the City, Lio) — revealed in late February.
The winners will be announced May 24 at the annual NCS Reuben Awards dinner in San Diego.
Crime | Police in St. Charles, Missouri, are looking for a man who accosted an employee of the Fantasy Shop outside the comic store Monday morning and demanded she hand over a bank bag. The suspect, who indicated he had a gun, then fled with an undisclosed amount of money, leading to five local schools being put on lockdown for about 90 minutes. [St. Louis Post-Dispatch]
Creators | Francis Manapul and Brian Buccellato discuss taking over as the creative team of Detective Comics with Issue 30. “We just want to carve out a small space in the Bat-world and craft stories that resonate with the legions of fans out there,” Buccalleto says. “It’s a tremendous honor to be a part of this legacy.” [USA Today]
Dean Mullaney has a bit of good news for fans of former Popeye writer and artist Bobby London: The next volume of the Library of American Comics’ collection Popeye: The Classic Newspaper Comics by Bobby London will include the first three weeks of the abortion-themed sequence that got London fired — and six weeks’ worth of unpublished strips that were never sent out to newspapers.
Here’s what happened back in 1992, as related at the time by London in an interview with the Comic Art and Graffix Gallery: After writing a strip in which the Sea Hag said “Drat! There goes Roe v. Wade” without getting any pushback from his editors, London figured the topic was fair game and created a storyline in which Olive Oyl, who has a serious Home Shopping Network addiction, gets a baby robot she doesn’t remember ordering and decides to send it back. Despite the fact that the robot is a spitting image of Bluto, Popeye’s arch enemy, Popeye wants her to keep it. Two clergymen overhear them arguing and jump to the wrong conclusion, that Olive Oyl is “in a family way” by Bluto and wants to get an abortion (although the actual word is not used in the strip — the clergymen just call it “the A-word”). One clergyman muses that she must keep the child, and when the other one points out that Bluto is the son of Satan, he retorts, “You fool!! Without Satan, we’re out of a job!! No Satan, no US … You dig?!!”
Legal | The creator of the Islamic superhero comic The 99 says he hasn’t been officially notified of a reported ban of the animated adaptation of his comic in Saudi Arabia. “Nobody ever contacted me, nobody ever asked me any questions,” Naif Al Mutawa says. There have been numerous Twitter campaigns against me for a while now and so for me it’s not new. Maybe it is true this time, but I find it very difficult to believe that a group as influential and high profile as them [Saudi Arabia’s Permanent Committee for Scholarly Research and Ifta] wouldn’t recognize the good that The 99 has done for Muslims around the world.” He adds that the comic has been available in Saudi Arabia for seven years, while the cartoon has been airing for two and a half years, making the timing of a ban “a bit weird.” [Gulf Business]
Jim Davis’ lasagna-loving, Monday-hating feline will be moving in different circles next month with the arrival of Lazy Loaf + Garfield, the summer collection from the London label known for its bold prints and recent Looney Tunes line.
“For the collection, I wanted to introduce a nostalgic fashion silhouette that referenced some of the things I would have worn when I first discovered Garfield,” Lazy Oaf founder Gemma Shiel tells Cool Hunting. “Like, I would have loved to have worn the Garfield bodysuit with green spandex stirrup leggings for dance class when I was a child.”
The collection includes the Cats Can Swim Swimming Costume (above), Cat Nip Crop Top, Cool Cat Slob T-shirts and the unisex Sweaty Garfield Sweatshirt. Launching April 24, the line will be available on the Lazy Oaf website, at its flagship store and at select outlets.
Bill Watterson has granted so few interviews in the 18 years since Calvin and Hobbes ended that when the rare one does surface, it certainly deserves attention. Such is the case with this new, if brief, Q&A released this morning by The Ohio State University’s Billy Ireland Cartoon Library & Museum.
The chat centers on Exploring Calvin and Hobbes, an exhibit of original strips and specialty pieces opening Saturday, but broadens to include topics like Watterson’s process, the digital arena, and the decreasing likelihood another comic strip will resonate with so many people the way his did.
Comics sales | ICv2 unpacks February’s miserable direct market sales numbers a bit, noting that for the second month in a row just one comic — in this case, Batman #28 — sold more than 100,000 copies, indicating weakness at the top of the list. Since September 2011, when the most recent “growth spurt” began, at least two comics have sold more than 100,000 copies each month; however, that streak ended with the first two months of 2014. One cause of the poor sales may be the unusually cold winter, which meant higher heating bills and thus less disposable income for some folks. ICv2 also has a separate analysis of dollar sales and the charts of the top 300 comics and graphic novels of the month. [ICv2]