comics conventions Archives - Robot 6 @ Comic Book Resources
Conventions | The organizers of the Supanova pop culture festival in Melbourne, Australia, triggered a social-media firestorm after removing a comic by artist Scarlette Baccini from her table because of explicit sexual content. The festival has a strict ban on pornography, and other adult material must be kept sealed and away from children. One of the organizers stopped by Baccini’s table, flipped through her Jesus Reloadeth’d, and saw a drawing of two men having sex, so he removed the comic. Baccini posted about the incident on Facebook, triggering accusations of homophobia against the event organizers. However, they responded that the issue was the explicitness of the image, not that it depicted two men. [SameSame]
Auctions | A rare copy of The Beano #1 from July 1938 — only about 25 copies are believed to exist — is being auctioned on eBay by Seaford, England, dealer Phil Shrimpton. With just four days remaining, the opening bid of £3,499 (about $5,875 U.S.) has yet to be met. As you can see on the website, the copy certainly isn’t in the best shape. The issue, which sold a reported 442,963 copies when it was released, introduced such characters as original cover star Big Eggo the ostrich, Lord Snooty, Wee Peem and Ping the Elastic Man (the racist caricature in the magazine’s logo is Little Peanut, who stuck around on the cover until 1947, when he was replaced by Big Eggo). “Every year or so another one seems to emerge – often found in someone’s attic,” Shrimpton says. “People didn’t really look at comics as collector’s items until the sixties and seventies, so lots of them got destroyed. Also a lot of the comics were destroyed during the war as people were more conscious about recycling the old issues.” [The Argus]
Digital comics | Jeff Gomez examines the implications of Amazon’s planned acquisition of comiXology, opining that it will give comics a wider reach but also force publishers of superhero fare to broaden their appeal beyond the core demographic: “The books will now be exposed to millions of newcomers, so it will behoove major publishers to make their stories more female-friendly, streamlined, and accessible. With comiXology’s new aim to make ‘every person on the planet a comics fan,’ publishers will need to consider new genres, greater variety, and more varied age groups.” [Business Insider]
Digital comics | ComiXology will continue to offer its Digital Storefronts for retailers, and it will not allow Amazon to target users of its Pull List service with its own offers, according to spokesman Chip Mosher. Also, no changes are planned to comiXology’s other retailer tools. [ICv2]
Passings | Eisner Hall of Fame nominee Fred Kida has died at the age of 93. Kida was an active comics artist for almost 50 years; he got his start drawing Airboy for Hillman Comics in about 1940 and went on to work for Lev Gleason and then Marvel. He assisted Will Eisner occasionally on The Spirit and also drew a number of newspaper strips, including Flash Gordon and The Amazing Spider-Man. “He was a good, dependable artist who drew beautiful women, handsome heroes and some of the ugliest villains in comics,” said Mark Evanier. [News from ME]
Publishing | ICv2 has a two-part interview with Dynamite Entertainment CEO Nick Barrucci, who has plenty to say about variant covers, the launch of Twilight Zone and Legenderry, their Gold Key properties, and what’s coming in the year ahead. [ICv2]
Comics | Tammy Oler considers the roles of Captain Marvel and Ms. Marvel within a growing movement to make superhero comics more diverse: “The devoted fans in the Carol Corps and Kamala Korps view themselves as part of a movement for a bigger and more diverse comic book universe, and it seems like publishers might finally be starting to pay attention. Both Ms. Marvel and the rebooted Captain Marvel are part of Marvel NOW!, an effort by the publisher to attract new readers by providing a lot of accessible places for new readers to jump on board with ongoing series. (DC Comics has done something similar with its New 52 initiative.) Marvel and DC have also taken some steps to address their lack of superhero diversity, in part by launching some new female solo titles, including Black Widow, She-Hulk, and Elektra. Of course, there’s a whole world of mainstream and indie publishers beyond Marvel and DC, but the big two still matter the most because they create the pantheon of superheroes that make it into movie theatres and onto the racks of Halloween costumes at Target.” [Slate.com]
Manga | Attack on Titan is as much of a manga juggernaut in its native Japan as it is the United States, and the 13th volume had a print run of 2.75 million copies, a new record not only for the series but for publisher Kodansha. [Crunchyroll]
Comics | Tom Risen has a thoughtful piece, which includes an interview with Axel Alonso, on how superhero comics have changed since the War on Terror began: “Superheroes since the 2000s have increasingly held up a mirror to controversies like mass surveillance, remote killings using drones and the ‘with us or against us’ mentality espoused by former President George W. Bush. Misuse of military technology also played a key role in recent movie adaptations featuring Batman, Spider-Man, Captain America and Iron Man, showing how fighting dirty to defeat evil can make America its own worst enemy.” [U.S. News & World Report]
Legal | Signe Wilkinson, Pulitzer Prize-winning cartoonist for The Philadelphia Inquirer and Philadelphia Daily News, has been named in a defamation lawsuit filed against the newspapers by Pennsylvania Supreme Court Justice Seamus McCaffery and his wife Lise Rapaport. The judge and his wife accuse the two papers of running a smear campaign against them, and the suit specifically mentions a Wilkinson cartoon satirizing their marital and work relationship (it’s complicated). Blogger Alan Gardner adds that he hasn’t been able to find a case in which a cartoonist was successfully sued for defamation, although in this case the newspapers’ reporting is part of the issue as well. [Philadelphia, The Daily Cartoonist]
Graphic novels | An estimated 200 students, faculty and community members gathered Saturday at the College of Charleston in South Carolina to protest proposed budget cuts to that school and the University of South Carolina Upstate in retaliation for selecting gay-themed books — including Alison Bechdel’s Fun Home — for their summer reading programs. The South Carolina House of Representatives approved a proposal early this month that would slash $52,000 cut from the College of Charleston and $17,142 for USC Upstate, which represent what each school spent on the programs. The budget is now before the state Senate. [The Post and Courier]
The Society of Illustrators has announced the programming schedule for the MoCCA Arts Festival, coming up April 5-6 at The 69th Regiment Armory in Manhattan. Sessions will occur in the lower level of the building and will be uploaded to the society’s YouTube channel sometime after the festival.
Programming was developed by Bill Kartalopoulos and includes sessions with R. Sikoryak, Ann Nocenti, Alison Bechdel, Howard Cruse, Fiona Staples, Joost Swarte, Art Spiegelman and many others.
Check out the complete schedule below. Admission to the festival is $5 and is part of a bigger week of programming in New York celebrating comics.
Saturday, April 5
11:00 a.m. – 6:00 p.m.
R. Sikoryak Presents: CAROUSEL for KIDS!
Acclaimed cartoonist R. Sikoryak brings a special KIDS’ edition of CAROUSEL, his long-running series of live comics readings and other projected pictures, to the MoCCA stage. Featuring James Kochalka (Johnny Boo, The Glorkian Warrior Delivers a Pizza), Trade Loeffler (Zig and Wikki, Zip and Li’l Bit Funnies), Neil Numberman (Do NOT Build a Frankenstein! Joey Fly: Private Eye), Melissa Mendes (Freddy Stories, Lou), and Colleen AF Venable (Guinea Pig, Pet Shop Private Eye) and more! Stories, gags, audience participation, and more, for kids of all ages.
Legal | Algerian cartoonist Djamel Ghanem is seeking asylum in France as the prosecution and plaintiff appeal his acquittal on charges that he insulted Algeria’s president in an unpublished cartoon drawn for the newspaper Voix d’Oranie. The newspaper brought the criminal charges against Ghanem; in possibly related news, Ghanem is suing his employer for seven years’ unpaid wages. Ghanem now claims Algeria wants to make an example of him. [Radio France International, Ennahar Online]
Conventions | Mark Rahner, who has been going to Emerald City Comicon since the first one in 2003, initially as a reporter and then as a creator, talks about why the event has grown so big (75,000 attendees are expected this weekend) and why it’s still awesome anyway. [Seattle Weekly]
Legal | The creator of the Islamic superhero comic The 99 says he hasn’t been officially notified of a reported ban of the animated adaptation of his comic in Saudi Arabia. “Nobody ever contacted me, nobody ever asked me any questions,” Naif Al Mutawa says. There have been numerous Twitter campaigns against me for a while now and so for me it’s not new. Maybe it is true this time, but I find it very difficult to believe that a group as influential and high profile as them [Saudi Arabia’s Permanent Committee for Scholarly Research and Ifta] wouldn’t recognize the good that The 99 has done for Muslims around the world.” He adds that the comic has been available in Saudi Arabia for seven years, while the cartoon has been airing for two and a half years, making the timing of a ban “a bit weird.” [Gulf Business]
Conventions | Rob Salkowitz, who wrote a book about Comic-Con International, looks forward to this weekend’s sold-out Emerald City Comicon, and explains why it represents the convention of the future: “One reason ECCC is such an ideal place to talk about the future of comics is because the show itself looks like the future of comics–at least the one that I call ‘The Expanding Multiverse.’ Supportive of creators and celebrities alike, embracing the broadest conception of styles and subjects from indie work to mainstream superheroes, self-consciously diverse and inclusive in its conception of fandom, ECCC and shows like it represent a sustainable path forward for geek culture in an age of super-saturation and sensory overload.” Salkowitz will be a participant, not just a fan: He has developed a programming track on comics and digital culture that will feature a number of people (IDW’s Ted Adams, Monkeybrain’s Alison Baker) giving short presentations, similar to the format and spirit of TED Talks. [ICv2]
“People are constantly in communication and sharing with each other. But they physically want to meet each other in the flesh. There’s obviously a tactile element, but also a craft element in the production of the object, that’s lacking when you see it on the Internet. It’s the difference between seeing a Coca-Cola commercial on TV, and going to buy one.”
– Bill Boichel, owner of Pittsburgh’s Copacetic Comics, talking about this weekend’s PIX: The Pittsburgh Indie Comix Expo, which is sponsored by his store and the Toonseum. Boichel’s point is particularly apt for small-press comics shows, where many of the works are handmade or have an artisanal quality that doesn’t necessarily come across on the Internet.
While PIX is drawing in a number of out-of-town guests, including Trina Robbins, Boichel notes that Pittsburgh has quite a comics scene of its own, with seven out of the 10 bestselling graphic novels in his store being local products.
Conventions | Organizers anticipate as many as 70,000 people will attend MegaCon, held Friday through Sunday at the Orange County Convention Center in Orlando, Florida, up from about 60,000 last year; that could translate to $23 million impact on the local economy, according to the Orlando Business Journal. Guests include Amanda Conner, Darwyn Cooke, Chuck Dixon, Adam Kubert, Greg Land, Stan Lee, Jimmy Palmiotti, George Perez, Herb Trimpe, Mark Waid and Skottie Young. However, the names drawing the most attention may be The Walking Dead stars David Morrissey, Danai Gurira and Steve Yeun. “We are the first convention in the U.S. to have both David Morrissey and Danai Gurira at the same time,” Jason Smith, MegaCon’s director of operations, told Florida Today. “The show is definitely a fan favorite of our attendees.” [MegaCon]
Mary Turner of Getty Images and Carl Court of Agence France Presse captured some terrific images of cosplayers at London Super Comic Convention, which drew thousands of fans Saturday and Sunday to the Excel Centre. My favorite may be the troupe of dancing Predators, above, but there are plenty of other good ones below, from Iron Man posing with a pint-sized Captain America to Harley Quinn and Poison Ivy cosplayers Kia Sunda and Maria Grozova making sure their costumes and makeup are just right.