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Comics A.M. | Police accused of pre-SDCC homeless crackdown

Comic-Con International

Comic-Con International

Conventions | An advocate for the homeless claims San Diego police are harassing homeless people to keep them away from downtown during Comic-Con International. The mayor and police chief deny the accusation and say officers are simply doing outreach, but at least one homeless man has been given a “stay away” order. Comic-Con begins Wednesday with Preview Night. [ABC 10 News]

Digital comics | Following the news that the comics market was estimated at $850 million in 2013, of which $90 million was digital, George Gene Gustines looks at a couple of different digital models, including Thrillbent’s new subscription service and Panel Syndicate, Brian K. Vaughan and Marcos Martin’s name-your-own-price approach. [The New York Times]

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Comics A.M. | ‘Attack on Titan’ conquers bookstores in June

Attack on Titan, Vol. 1

Attack on Titan, Vol. 1

Publishing | The latest BookScan numbers reveal June was a good month for manga in bookstores, with eight volumes of Attack on Titan making the top 20 — a new record. The first volume topped the list, which means new readers are still discovering Hajime Isayama’s dark fantasy. Overall, manga had a slight edge, with 11 titles, and all three volumes of Saga were on the list, but only one volume of The Walking Dead. And despite the Amazon-Hachette battle, the Yen Press title Sword Art Online: Aincrad made the chart. [ICv2]

Publishing | ICv2 and Comichron’s John Jackson Miller joined forces to calculate the size of the entire comics market, including the direct market, bookstore and digital channels, and both single issues and graphic novels. Inevitably some things get left out, such as subscription services, sales to libraries and the juggernaut that is the Scholastic Book Fair, but it’s a good snapshot. The bottom line: $850 million in 2013. [Comichron]

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Comics A.M. | Russian media watchdog eyes Marvel’s ‘Avengers’

Marvel's Vanguard

Marvel’s Vanguard

Legal | At the request of a state-owned distributor, the Russian media watchdog Roskomnadzor is investigating charges that Marvel comics are “propaganda of a cult of violence,” specifically, violence against Russian targets. The agency will review Avengers #1, due out in Russia in August, “regarding the use of Soviet symbols, the presentation of the characters as Russian service personnel, and the incitement of violence and cruelty,” according to the the Russian Legal Information Agency. This seems to be about the Winter Guard and specifically about Vanguard, who wears a hammer-and-sickle logo; the European publisher, Egmont, plans to remove the logo for the Russian release. Roskomnadzor has the option of issuing an official warning; a publisher who gets two of these in a year may have its license revoked. [CNET]

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Comics A.M. | Ed Kramer may have violated terms of plea deal

Ed Kramer

Ed Kramer

Legal | DragonCon co-founder Ed Kramer, who entered a plea deal in December to avoid more jail time on child molestation charges that date back to 2000, could find himself back behind bars for his use of social media. Kramer, who’s no longer associated with DragonCon, ended years of legal wrangling with an Alford plea that, among other stipulations, barred him from having any direct or indirect contact with anyone under the age of 16. A registered sex offender, Kramer set up a Twitter account under his real name in 2011, but didn’t do much with it until a couple of weeks ago, when he suddenly became active and began following people — including a 14-year-old girl. His Google+ page also shows a connection with the then-14-year-old boy he was charged with molesting. Kramer lists his address as Brooklyn on his social media accounts, but he apparently is still in Georgia. The Gwinnett County district attorney is investigating; a violation of the plea agreement could result in a 60-year prison sentence, 20 years for each of the three counts of child molestation. Heidi MacDonald has more at The Beat. [Gwinnett Daily Post]

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Comics A.M. | Oz Comic-Con scrutinized for scarcity of female guests

Oz Comic-Con

Oz Comic-Con

Conventions | Clem Bastow notes a disconnect at Oz Comic-Con in Melbourne, Australia, where women were a slight majority in the audience but were severely underrepresented as guests; DC artist Nicola Scott was the only woman in the comics contingent. Organizer Rand Ratinac said it was purely a matter of availability: “We offered for literally dozens if not hundreds of different guests, we always do, because you’re dealing with people whose schedules they sometimes can’t lock in until a month before the event. This time, of the people that we wanted, there were just a lot of guys that were available. Next year, it could be a whole bunch of girls; it all just depends who can come.” But Scott points out that there are simply fewer women in superhero comics than in the other sectors of the industry and superhero creators are what brings the audience in the door. [The Guardian]

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Comics A.M. | Taiwan ‘One Piece’ exhibit draws 100,000 in first week

Taipei Metro cars were wrapped in "One Piece" ads for the exhibition

Taipei Metro cars were wrapped in “One Piece” ads for the exhibition

Events | An extensive exhibit in Taipei, Taiwan, devoted to Eiichiro Oda’s One Piece manga and anime has drawn more than 100,000 visitors since its opening on July 1. Overseen by Oda, the exhibition is the first of its kind outside of Japan, where it was held from 2012 to 2013 to celebrate the 15th anniversary of the insanely popular manga. ”One Piece Exhibition: Original Art x Movies x Experience Pirate King Taiwan” runs through Sept. 22. [Kotaku]

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Comics A.M. | Bill Watterson’s return to the public eye

From the final "Calvin and Hobbes" strip

From the final “Calvin and Hobbes” strip

Creators | Shaenon Garrity chronicles Calvin and Hobbes creator Bill Watterson’s recent return to the public eye. While Watterson stopped drawing the strip in 1995, he recently provided a painting for the Team Cul De Sac charity, did an interview and created a poster for the documentary Stripped, and contributed as a guest artist to Stephan Pastis’ Pearls Before Swine comic strip. [Paste Magazine]

Comics | Some bonus Calvin and Hobbes content: Adam Weinstein looks at the history of those “peeing Calvin” decals, with a short road trip into the “praying Calvin” variant. [Gawker]

Creators | Marc Sobel interviews Ganges creator Kevin Huizenga. [The Comics Journal]

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Comics A.M. | U.K. charity store receives comic book windfall

Books For Amnesty

Books For Amnesty

Retailing | An American collector donated about 800 comics to the Books For Amnesty charity store in Bristol, England, just ahead of a planned sale of comics and graphic novels. Volunteer Richard Wallet said the collection, which goes back to the 1960s, is probably worth tens of thousands of pounds. The store, which benefits Amnesty International, recently had another windfall when someone donated a copy of the Beatles album Revolver signed by the designer, Klaus Voormann, and valued at £1,000 (about $1,716 U.S.). [Bristol Post]

Comics | Jim Rugg interviews retailer Andrew Neal about the Ghost Variant cover program, which was created by a group of store owners. The idea was to commission a prominent artist to do a special variant cover for a particular comic and release it, through the stores in the group only, with very little promotion. It turns out that some comics buyers like a little mystery! [BoingBoing]

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Comics A.M. | A nonprofit alternative for some publishers?

SLG Publishing

SLG Publishing

Publishing | Spurred by the GoFundMe campaign launched last week by Dan Vado to get SLG Publishing “back on its feet,” Comic-Con and the Business of Pop Culture author Rob Salkowitz wonders whether a nonprofit model might make sense for some indie/niche publishers: “Contrary to popular perception, however, being a non-profit doesn’t mean you can’t make money. Lots of successful non-profits generate revenues in the millions and pay their staff, executives and contributors salaries comparable with those in the private sector. They can also pay contractors and contributors like performers or creators full market rates. They just don’t pay shareholders, and they plow any excess revenues back into their operations.” [ICv2.com]

Passings | Michael Cavna rounds up tributes and remembrances from the colleagues of the editorial cartoonist Etta Hulme, who died last week at age 90. [Comic Riffs]

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SDCC | Hall map and exhibitor lists released

sdcc-map

In case today’s date isn’t indication enough that Comic-Con International is rapidly drawing closer — it’s July 1 already! — here’s an unmistakable sign: Organizers have released this year’s exhibit hall map and exhibitor list.

The exhibition floor map can be viewed as an Issuu document or PDF, while the exhibitor, artists alley, small press and fan tables lists can be found on the convention website.

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Comics A.M. | Bill Watterson’s ‘Pearls’ art to be sold for charity

"Pearls Before Swine" art by Watterson

“Pearls Before Swine” art by Watterson

Comic strips | The art from cartoonist Bill Watterson’s surprise return to the comics page earlier this month for a three-day stint on Pearls Before Swine will be auctioned Aug. 8 on behalf of Team Cul de Sac, the charity founded by Chris Sparks to honor Cul de Sac creator Richard Thompson, who has Parkinson’s disease. The proceeds benefiting The Michael J. Fox Foundation for Parkinson’s Research. A painting by Watterson of one of Thompson’s characters sold in 2012 for $13,000 as part of a benefit auction for Team Cul de Sac. [Team Cul de Sac]

Creators | The tech news site Pando has fired cartoonist Ted Rall, just a month after hiring him, along with journalist David Sirota. While Rall wouldn’t comment on the reason for his dismissal, he did say the news came “really truly out of a clear blue sky. I literally never got anything but A++ reviews,” and he added that editor Paul Carr gave him complete editorial freedom. While Valleywag writer Nitasha Tiku speculates that the two had rubbed investors the wrong way, Carr disputes that, as well as other assertions in the article. Nonetheless, both Rall and Sirota confirmed they were let go. [Valleywag]

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Comics A.M. | A closer look at Barnes & Noble split, Nook’s future

Barnes & Noble

Barnes & Noble

Retailing | Shares of Barnes & Noble rose 5.5 percent Wednesday, to $21.69, following the announcement that the bookseller plans to split into two companies, one for its retail stores and the other for Nook Media. Barron’s suggests those plans could buoy stock prices for a while, as long as the company doesn’t change its mind (again) about the split. The magazine also notes the possibility that an outsider buyer could make a bid for the retail stores before the split takes place, leaving Barnes & Noble with the Nook, which will be combined with the company’s successful college-bookstore operations. [Barron's]

Manga | Inspired by a line of T-shirts featuring the work of the manga artist Jiraiya, Guy Trebay talks to Anne Ishii and Chip Kidd about the popularity of hard-core gay manga, such as the work of Gengoroh Tagame, in the United States. [The New York Times]

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Wizard World adds nine cities to 2015 tour

wizard worldWizard World Inc. announced this morning that it will add add nine cities to its 2015 schedule, which will include new conventions in Las Vegas, Cleveland, Fort Lauderdale and Raleigh, North Carolina, bringing the total to at least 22.

Four stops that debuted with this year’s lineup — Atlanta, Louisville, Kentucky, Reno, Nevada, and San Antonio, Texas — don’t appear on the initial 2015 calendar, raising the possibility that Wizard World has decided to focus resources elsewhere. However, the press release states “additional cities (new and returning) may also be added in the coming weeks” (Atlanta is listed as “TBD” on the Wizard World website).

Twenty-two conventions marks a high for Wizard World, which just last year boasted 16, and is nearly twice the number it boasted in 2011, when it emerged as a publicly traded company following the closings of Wizard and ToyFare magazines (that figure was quickly whittled from 12 to eight).

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Comics A.M. | Asbury Park Comicon changes cities, name

East Coast Comicon

East Coast Comicon

Conventions | Organizers of the growing Asbury Park Comicon have announced that, after three years, they’re relocating the New Jersey convention to the Meadowlands Exhibition Center in Secaucus and renaming it East Coast Comicon. Founders Cliff Galbraith and Robert Bruce say the nearly 40-mile move was triggered by a sharp increase in rates at the Berkeley Oceanfront Hotel in Asbury Park, but the hotel’s manager thinks it’s because the venue couldn’t accommodate the dates requested by organizers. The inaugural East Coast Comicon will be held April 11-12, 2015. [Asbury Park Press]

Passings | Amadee Wohlschlaeger, who drew the comic strip Weatherbird for the St. Louis Post-Dispatch for 70 years, has died at age 102. Weatherbird, which debuted in 1901, is the oldest continuously published comic in the United States, and Wohlschlaeger (who went by just his first name) is one of just four cartoonists to draw it. He was named one of the top 10 sports cartoonists in the country, and his drawing of Stan Musial inspired the statue at Busch Stadium. [KSDK]

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Comics A.M. | Wizard World Philadelphia’s $5.9M economic impact

Wizard World Philadelphia Comic Con

Wizard World Philadelphia Comic Con

Conventions | While the South Jersey Times and Philadelphia Inquirer focus on the fans who turned out over the weekend for the 14th annual Wizard World Philadelphia Comic Con, Philadelphia Business Journal zeroes in on its economic impact: an estimated $5.9 million, which seems like a lot, until you compare it to the expected $16.2 million impact of the 6,000-person American Industrial Hygiene Association conference. [Philadelphia Business Journal]

Conventions | First-timer Michael Smith reports on the Amazing Las Vegas Comic Con. [Liberty Voice]

Creators | John Romita Jr. talks about moving from Marvel to DC Comics to draw Superman and about comics being his family business; and his father, John Romita Sr., chimes in as well. [The New York Times]

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