comics conventions Archives - Page 3 of 21 - Robot 6 @ Comic Book Resources
Conventions | ReedPOP Senior Vice President Lance Fensterman talks about how New York Comic Con reached 151,000 attendees this year, what went well, what could have gone better, and what he learned for next time. The new badges and check in/check out system, introduced last year, let producers know exactly how long people stayed at the show, and that turned into a nice surprise for two attendees: “There was a couple [last year] who literally spent every minute that was possible at New York Comic Con for three and a half days. We reached out to them and did something special for them—gave them a bunch of free stuff and free tickets because they were at the show longer than anyone who wasn’t paid to be at the show.” [ICv2]
Political cartoons | Egyptian cartoonists Mohamed Anwar and Andeel discuss the difficulty of critiquing Egyptian president Abdel Fatah al-Sisi, who doesn’t tolerate dissent; Anwar is a cartoonist for a mainstream newspaper and pulls some punches as the tradeoff for reaching a wide audience, while Andeel has moved over to the alternative press, where he can speak more freely. [The Guardian]
Conventions | Thousands filed into Moscow’s Crocus Expo over the weekend for what’s billed as Russia’s first-ever comic convention. While Misha Collins of long-running CW series Supernatural was a big celebrity draw, the main attraction appeared to be the idea of the convention itself. “I’ve wanted to come for years,” 31-year-old Elena Formina told The Guardian. “There have always been geeks and fans here, it’s just now they call it Comic-Con. American, Russian – all fans are the same. They love their heroes. It’s about sharing that love.” [The Guardian]
Passings | Italian comics creator Lorenzo Bartoli died Sunday at the age of 48. Bartoli made his comics debut in 1988 in the pages of the comic anthology L’Eternauta but is best known as the co-creator, with Roberto Recchioni, of John Doe, a comic about an employee of a firm that deals with the management of death. His series Dolls was published in the United sTates by Sirius, and his Morrigan appeared in Heavy Metal. He also wrote two cyberpunk novels under the name Akira Mishima. [Comicus]
Conventions | Ahead of New York Comic Con, George Gene Gustines shares producer Michael Uslan’s program from a 1964 comics gathering in New York City; it actually was released after the show, and includes some thoughts on how things could be improved, mainly by shifting the focus from buying and selling comics to bringing in creators so the fans could meet them personally. Nonetheless, Steve Ditko was there, and the list of registered participants included George R.R. Martin. [The New York Times]
Creators | Roberto Aguirre-Sacasa talks about taking Sabrina the Teenage Witch to the dark side in her new series, a Riverdale horror story in the same vein as Afterlife With Archie. In this case, rather than zombies, Aguirre-Sacasa is drawing inspiration from the 1960s film Rosemary’s Baby. [Hero Complex]
Legal | Hirofumi Watanabe has withdrawn the appeal of his conviction last month on charges of sending more than 400 threatening letters to venues in Japana connected with the manga Kuroko’s Basketball. The 37-year-old former temporary worker admitted to all charges during his first day in court, but mpoved to have his conviction overturned after he was sentenced to four and a half years in prison. Watanabe, who said he doesn’t feel guilty for what he did and won’t apologize, acknowledged that he sent the letters out of jealousy of the success of Kuroko’s Basketball creator Tadatoshi Fujimaki. [Anime News Network]
Manga | The most promising new market for manga right now? India, where the comics market in general is exploding. Kevin Hamric of Viz Media says manga is already well known there and fans can’t get enough, while Lance Fensterman of ReedPOP, the company behind New York Comic Con, talks about the planned collaboration with Comic Con India. The one obstacle: the same one that afflicted the American manga market, Japanese publishers’ reluctance to license their properties. [The Japan Times]
Legal | A conference has been scheduled for Oct. 27 in San Diego to discuss a possible settlement in the trademark dispute between Comic-Con International and Salt Lake Comic Con regarding the latter’s use of “Comic Con.” Comic-Con International filed lawsuit last month, claiming Salt Lake organizers are attempting to “confuse and deceive” fans and exhibitors with their use of the term. Salt Lake Comic Con formally responded on Monday, denying those accusations and asking a federal court to find Comic-Con International’s trademarks invalid. [The Salt Lake Tribune]
Banned Books Week | Reporter Sydney Gillette gets the local angle on Banned Books Week, talking with a local comics retailer and a librarian. While Missoula, Montana, has very few book challenges, the most recent one at the public library involved a graphic novel, The Furry Trap, by Josh Simmons. Neither the public libraries nor the schools in the area have ever removed a book in response to a challenge. [Montana Kaimin]
Writer and producer Denise Dorman, wife of artist Dave Dorman, kicked off far-ranging discussion with her recent post about the shifting convention scene, and how it’s affected their income — specifically, her view that cosplayers have become to the “new focus” of the events, to the detriment of creators, publishers and vendors.
It’s certainly true that comics conventions have become more popular and more numerous than ever, and with their success comes an evolving experience both for attendees and exhibitors. However, Dorman’s essay is front-loaded with a lot of perplexed annoyance at kids today and their cosplaying, Instagram and selfies.
Unfortunately, much of the discussion that’s followed so far has focused on defending cosplayers. That was my initial response too — after all, I’ve seen some people wearing elaborate and imaginative costumes walking on the floor with their overflowing bag of comics, or their original art delicately being transported somewhere safe. Plenty of cosplayers love comics, and if they stop at a booth, you can bet people around them are checking out both them and the table they’re perusing. I’ve seen it happen so often at Comic-Con International.
Cosplayers with fake weapons triggered at least two calls to police over the weekend in Derby, England, as about 800 people gathered for the J-Con anime and manga convention.
According to the Derby Telegraph, a police spokeswoman said there were at least two “major incidents” reported by alarmed residents, prompting investigations of the fans in “fancy dress.” “We’ve obviously investigated but, when we’ve found the people involved, the weapons turned out to be fake — just a bit of fun,” she said. “From a distance, though, they didn’t look like fun.”
Creators | Attack on Titan creator Hajime Isayama estimates that the blockbuster manga series will end in three years. “I’d like to end things quickly, with a tight pace of story developments,” he told Japan’s Da Vinci magazine, “and then I always end up feeling like I should qualify that with a ‘but,’ so for now, I can’t say anything more specific.” [RocketNews 24]
Conventions | Nigeria, the largest economy in Africa, has a thriving entertainment industry, and comics are blossoming there as well. At The Beat, Deji Bryce Olukotun interviews Ayodele Elegba, co-founder of this past weekend’s Lagos Comic Con, about the popularity of comics, what makes the Nigerian comics scene different from others, and the ever-present problem of piracy. [The Beat]
Long Beach Comic Con organizers have announced the Dwayne McDuffie Award, named in honor of the influential comics and animation writer who passed away in 2011. Details will be revealed Sept. 27 at the convention.
“Dwayne’s influence on comics is incredible, and we look forward to helping preserve his legacy through this award,” convention co-founder Martha Donato said in a statement.
Donato will be joined for the official announcement by fellow co-founder Phil Lawrence, and Neo Edmund, Joan Hilty, Joseph Illidge, Heidi MacDonald, Glen Murakami, Eugene Son, William J. Watkins, Len Wein, Charlotte Fullerton McDuffie and Matt Wayne.
Co-founder of the pioneering Milestone Media, McDuffie’s comics work ranged from Marvel’s Damage Control and Fantastic Four to Milestone’s Static and Icon to DC’s Justice League of America and Batman: Legends of the Dark Knight.
His animation credits include Static Shock, Justice League, Justice League: Crisis on Two Earths, All-Star Superman and Justice League: Doom.
Creators | In an article translated from an Arabic newspaper, The 99 creator Naif Al-Mutawa discusses what life has been like since a fatwa was issued earlier this year in Saudi Arabia against the animated adaptation of his comic: “You can imagine the call I had with my parents and my children when the front page of Kuwait’s leading daily newspaper quoted various death threats. ‘Look on the bright side,’ I told my parents, ‘This shows the impact of The 99.'” He ends on a chilling note: “Why would anyone invest in media content if the producers can be sent off to the public prosecutor’s office and potentially serve jail time? Isn’t it just easier to keep dubbing Turkish, Mexican and American dramas? And if we keep doing that, aren’t we diluting our culture?” [The Beat]
Censorship | The Hartford Courant published two of the most influential editorials of the great comics scare of the 1950s — one was reprinted by Readers’ Digest — so it’s appropriate that David Hajdu, author of The Ten Cent Plague, will visit the city next week during Banned Books Week. This article includes an interview with Hajdu and an excerpt from a 2008 interview with former managing editor Irving Kravsow, who wrote one of the scare pieces. [The Hartford Courant]
Conventions | With the 20th Small Press Expo kicking off Saturday in Bethesda, Maryland, The Washington Post’s Lori McCue singles out three of the show’s biggest draws: appearances by Jules Feiffer, Lynda Barry and Bob Mankoff. Meanwhile, Michael Cavna spotlights Fear, My Dear, the new release from convention guest Dean Haspiel. [The Washington Post]
Creators | As he prepared to head out to Small Press Expo, Farel Dalrymple paused for an audio interview about his newest book, The Wrenchies, which will debut at the show. [Comics Grinder]
Creators | Writer Tom Taylor teases what we can expect in his new Superior Iron Man series. [Previews World]
Publishing | Admitting that “I don’t think men are as sexualized as women” in Marvel comics, Editor-in-Chief Axel Alonso says the publisher is moving toward including more types of female characters: “We believe there’s an audience of women out there who are hungry for this and we want to make sure they get it. This is affirmative action. This is capitalism.” Later he states, “I challenge you to find in Ms. Marvel anything that resembles the Playboy model standard. But I don’t want to be Mr. Goody-Two-Shoes. We’re creating stories. I don’t want to say there’s no room for stuff that’s not just fun. Then you’re censoring yourself. I want to make sure I have books like Ms. Marvel and Black Widow that I’m proud about and could give to my daughter. But at the same time I don’t want to be the PC police and say you can’t be naughty; you can’t be fun.” [The Telegraph]
Small Press Expo, that magical indie-comics festival that takes place each autumn in Bethesda, Maryland, is upon us once again. The show is traditionally thronged with noteworthy cartoonists and graphic novels, and this year proves no different, with folks like Emily Carroll, Jules Feiffer, Renee French, Lynda Barry, Charles Burns, Raina Telgemeier and Brandon Graham scheduled to attend.
While the Marriott Bethesda North Hotel isn’t a labyrinthine structure that requires mapmaking skills to traverse, if this is your first time at the show, or if it’s been awhile since you last attended, you might be looking for some helpful advice on how to navigate it. Here then are six suggestions on how to get the most out of your SPX experience.
1. Get there early. The first thing you can expect to see when you enter the hotel is a long entrance line that snakes around the hallway. While it tends to move (somewhat) quickly, if you’re not a fan of standing in line I’d recommend getting there early. Or at least preparing yourself to spend some downtime waiting for your turn (which, honestly, you’re going to do if you want to get a book signed by, say, Jules Feiffer).
Legal | A 54-year-old man was sentenced this week in a Quebec court to 60 days in jail for watching pornographic anime featuring characters that appeared to be minors, a violation of Canadian law. A former private security guard, Regis Tremblay admitted he watched the cartoons several times in January 2012 out of “curiosity” while working at Canadian Force Base Valcartier, north of Quebec City. Investigators say they discovered 210 “hentai” files from a hard drive, and 501 “incriminating” web addresses from Tremblay’s browser history. Following his jail sentence, Tremblay will have to register as a sex offender. [Canoe]
Conventions | Richard Bruton notes that the Dublin International Comic Expo (DICE) has taken the unusual step of posting a link to its harassment policy at the top of its home page. “Having a quick look around it’s the only comic event/festival/expo/con site to feature it so prominently,” he writes. “Some make mention of their policies in FAQ or About sections, but as far as I know DICE is the first to do so this way.” He does take issue with one vaguely worded item in the policy, though: “In particular, exhibitors should not use sexualized images, activities, or other material.” [Forbidden Planet]
Conventions | Salt Lake Comic Con may have achieved near-San-Diego proportions in just two years, with an estimated 120,000 attendees, but most of those seem to be locals, according to Scott Veck of Visit Salt Lake: Just 800 hotel rooms were booked through the local tourist organization, as opposed to 3,000 for the big Outdoor Retailers trade show. About 15 percent of Salt Lake Comic Con attendees were from out of state. [Fox News 13]
Creators | Mumbai, India, editorial cartoonist Kanika Mishra was infuriated when controversial religious leader Asaram Bapu said the victim of a highly publicized gang rape shared responsibility for the crime. When the news broke that Asaram was accused of raping the 16-year-old daughter of one of his followers, Mishra drew a series of cartoons about it — and then, when his supporters threatened and harassed her, she drew about that, too: “I decided not to send this message that I am afraid of these goons. I made more and more cartoons on Asaram as his followers abused and threatened me.” Mishra is one of two recipients of this year’s Cartoonists Rights Network International Award for Courage in Editorial Cartooning. [India West]