comics conventions Archives - Page 3 of 17 - Robot 6 @ Comic Book Resources
Publishing | Calvin Reid looks at how publishing is done on Kickstarter, and interviews Maris Kreizman, the general publishing manager, and Jamie Tanner, who oversees the comics category and is himself a comics creator. Comics campaigns have a success rate of nearly 50 percent, making them the fourth-highest category on Kickstarter (and way ahead of general publishing, which has a 32 percent success rate). Tanner sees the popularity of comics as an indication that people still like a print product, and, he pointed out, “setting up a [Kickstarter comics] project, offering rewards and a delivery date, is very much like any conventional comics publishing project.” [Publishers Weekly]
Conventions | Phoenix Comicon, which in 2013 drew a record 55,000 people, has placed a limit on attendance for the June 5-8 show, raising the possibility that the convention could sell out for the first time. However, convention director Matt Solberg said organizers have been working with the fire marshal to increase capacity at the Phoenix Convention Center. This year’s guests include Andy Kubert, Andy Runton, Camilla d’Errico, Chris Claremont, Christopher Golden, Dennis Calero, Don Rosa, Francis Manapul, John Layman, Katie Cook, Kevin Maguire, Marc Andreyko and Mark Bagley. [Facebook, via Modern Times]
Manga | Lillian Diaz Przybyl, who was the senior editor at Tokyopop until shortly before its demise, talks about her early days in fandom, her experiences at the company when it was a market leader, and the issue of piracy and creators’ rights. She also sheds some light on why the manga publishers were so slow to go to digital: The Japanese licensors were reluctant to put content from different publishers together and worried that their books would be re-imported back to Japan. [Organization Anti-Social Geniuses]
Conventions | Lance Fensterman, ReedPOP’s global senior vice president, talks about his company’s strategy of focusing on a few big shows, rather than a lot of smaller ones, and gives the numbers for last month’s Chicago Comic & Entertainment Expo: Attendance was about 62,900, up 18 percent from last year, and the show floor grew by 15,000 square feet. Attendees are mostly in the 18-to-35 age group, and the majority are male, although the proportion of women at C2E2 has increased by 6 percent since 2011. Male or female, many of the folks on the floor seem to be “casual consumers” rather than “hardcore fans”: About 50 percent of attendees at New York Comic Con were there for the first time. “Depending on which exhibiting company you’re talking to, they either love it or they’re not sure what to do with it,” Fensterman said. “You’re delivering new readers and new potential consumers. We think it’s cool that you’re getting that fresh perspective, not quite so jaded (been there, done that).” [ICv2]
Conventions | Preliminary estimates place attendance at Dallas Comic Con at 45,000, easily a record for the event, which not only moved this year to the Kay Bailey Hutchison Convention Center from the smaller Irving Convention Center but is also under new ownership. [The Dallas Morning News]
Conventions | Joe Rodriguez does some shoe-leather reporting at the Big Wow ComicFest in San Jose, talking to creators and attendees about cosplay, digital comics and the perils of self-publishing. [San Jose Mercury News]
Digital comics | Amazon has removed the manga Younger Sister Paradise 2 (Imōto Paradise! 2) from the Japanese Kindle store, two days after the Tokyo Metropolitan Government declared the manga a “harmful publication to minors” because of its “glorification of incestuous acts” and restricted its sale to customers over 18. As a result, beginning Friday, brick-and-mortar bookstores in Tokyo must keep the manga in a separate area for adults only. Whether because of all the attention or because it was unavailable elsewhere, the manga was the top-selling comic in the Japanese Kindle store before Amazon removed it. [Anime News Network]
Although North America comic conventions are typically thought of as male-dominated events, that doesn’t appear to have been the case with this year’s Emerald City Comicon.
According to a survey of attendees, 52 percent identified as female, compared to 46 percent as male; 2 percent of respondents “referred to themselves in non-binary terms,” including agender, genderfluid, genderqueer and “a nebulous glow cloud.”
Of course the survey isn’t completely accurate, because not everyone filled one out, and of those who did, probably not everyone did so honestly (I’m willing to wager the person doesn’t really gender-identify as “Cthulhu”). However, as The Mary Sue notes, “at the very least, you cannot say that women were rare or a minority in the community.”
Publishing | Both Marvel and the manga publisher Yen Press are caught in the middle of the Amazon/Hachette dispute: Hachette is accusing Amazon of suppressing sales of Hachette titles in order to force the publisher to agree to its terms, according to The New York Times. Marvel uses Hachette as its distributor and Yen is a Hachette imprint; ICv2 found evidence that several of Amazon’s cited tactics, which include shipping delays and lower discounts, were being used on their titles. In fact, Amazon is offering no discount at all on Yen Press titles at the moment. [ICv2]
Comics sales | ICv2 runs the numbers on April comics sales, and The Amazing Spider-Man #1 is the spring phenom: After three months of no comic selling more than 100,000 copies, ASM #1 sold more than 500,000, thanks in no small part to its nearly 50 variant and retailer custom covers, generating a record $3.19 million. Two other comics, Superior Spider-Man #31 and Batman #30, also hit the six-figure mark. ICv2 has the numbers for the top 300 comics and graphic novels as well. [ICv2]
Toronto has become Comics Town this week, as the Toronto Comic Arts Festival (aka TCAF) presents an entire week of events capped by a two-day MoCCA-style show this weekend at the Toronto Reference Library.
As it has in previous years, the event has drawn a stellar list of comics creators, including Lynn Johnston and Kate Beaton (who will be doing a kick-off panel tonight, moderated by Raina Telgemeier), Jeff Smith, Trina Robbins, Ed Brubaker, Kazu Kibuishi, Michael DeForge, Darwyn Cooke, Luke Pearson and Moyoco Anno. The list of debut books includes Jillian and Mariko Tamaki’s This One Summer, Michael DeForge’s A Body Beneath, Anno’s Insufficient Direction, Gabrielle Bell’s Truth Is Fragmentary and Box Brown’s Andre the Giant. You can just save this list now and use it as a cheat sheet for next year’s Eisner nominations.
And, recognizing the most important demographic in comics, there will be a full slate of children’s programming on Saturday.
TCAF has an indie vibe, more in the vein of MoCCA and SPX than Wizard World, but with a strong manga component. There are no cast members from The Walking Dead, no Marvel and DC panels, and no booths selling T-shirts or plushies. Cosplay is politely, but firmly, discouraged:
If you had pinned your hopes of attending Comic-Con International on the annual resale of refunded or unallocated badges in June, we have some bad news: There won’t be one.
Convention organizers announced this morning that, “due to an extremely low rate of refunds and cancellations this year,” they’re simply unable to hold a resale.
Conventions | Marking San Francisco’s third year without WonderCon, pop-culture critic Peter Hartlaub relates the feelings of “confusion, withdrawal and anger” experienced by local fans, and explains why city leaders should care whether the convention ever returns from Anaheim. [SFGate]
Creators | Gary ODD Edmund combined two things he loved, comics and “marijuana culture,” to come up with the comic The Bud. While weed may be the news hook in this story, the numbers are interesting as well, as Edmund claims to have made $10,000 last year selling The Bud at comics conventions, where he typically moves 200 to 300 copies per event. He is now at the point where it’s worth his while to drop other projects to make more time for The Bud, and he figures his Bud-related income will at least triple this year. Can’t make it to a comic con? There’s a digital version as well, available via indie publisher CCP Comics. The digital release of The Bud (on 4/20, of course) drew so much traffic it crashed CCP’s website. [AOL Jobs]
Publishing | I talked with TOON Books founder Francoise Mouly about her new imprint, TOON Graphics, which will feature “visual books” (picture books and comics) for readers ages 8 and up. The line launches with three titles: Theseus and the Minotaur, by Yves Pommaux, Cast Away on the Letter A, by Fred, and Hansel and Gretel, retold by Neil Gaiman and illustrated by Lorenzo Mattotti. [Publishers Weekly]
Commentary | Former DC Comics senior editor Joan Hilty tackles the issue of sexism in comics and calls for publishers to include more women in their senior editorial rank:. “Women are getting the bestselling books into stores and greenlighting the million-dollar movie franchises, but they’re barely represented among the creative executives who map out the universes and storytelling strategies. That’s where you cement broad-based, long-term loyalty to authors and characters, tap new audiences and trends, and grow readership, without which none of those books or movies would exist.” [The Guardian]
Conventions | Ross Lincoln gathers up the threads of a story that’s been unfolding over social media for the past few days: A cosplayer expressed concern that the Facebook cosplay gallery for the inaugural Cherry City Comic Con in Salem, Oregon, featured significantly more women in costume than men. Displeased by the dismissive reply from the administrator of the Facebook page, she sent a private message asking for a refund of her convention registration fee, explaining, “I don’t think this will be a safe place for female cosplayers.” Organizer Mark Martin posted that request on his personal Facebook page with the response, “despite the no touch policy, the family friendly policy, the 3 security guards at all times, and the fact that you’re bat-shit crazy? Refunded!”
Several prominent cosplayers picked up on that, and it became a cause celebre on Twitter and Facebook for a couple of days; meanwhile, things got more complicated with sock puppets and a possibly fictitious con representative getting involved. In the end, Martin apologized; to give organizers their due, the convention includes a harassment policy in its official rules and policies. The con will take place on May 10-11. The Daily Dot has more. [The Escapist]
One of the best things about comic conventions is the opportunity to meet the many talented artists on hand, see their original work and even commission pieces from them. Skottie Young is a familiar face in artist’s alleys across the United States, and over the weekend he set up at the Chicago Comic & Entertainment Expo, where he turned out amazing original art for some lucky fans.
Young offered custom sketches on colored paper of a character of fans’ choosing. Many took him up on that, and Young has posted some of his favorite on his website. If after seeing these you’re interested in commissioning one of your own (I am!), Young will be attending four more conventions this summer: Motor City in Detroit in May, HeroesCon in Charlotte in June, Boston Comicon in August and Cincy Comicon in September. Keep an eye on his website, as he normally posts details before each convention.
Passings | Isabelle “Barbara” Fiske Calhoun, who as Barbara Hall was an artist for Harvey Comics during World War II, died Monday at age 94. Calhoun and her first husband, Irving Fiske, left New York in 1946 and founded a commune in Vermont on land they bought with their wedding money. The commune became the Quarry Hill Creative Center and is “Vermont’s oldest alternative and artist’s retreat.” While the obituary mentions Calhoun’s comics career only in passing, Trina Robbins has more detail in Pretty in Ink: She says Calhoun drew the Black Cat, one of the first comic-book superheroines, and then was the artist for the Speed Comics feature, Girl Commandos, an all-woman team of Nazi fighters led by Pat Parker, War Nurse. “She left comics when her husband-to-be persuaded her to give up cartooning and become an oil painter, a gain for the world of fine art but a loss for comics,” Robbins writes. [Burlington Free Press]
As the ever-growing Wizard World tour pulls into Minneapolis, Minnesota, this weekend, KARE TV shines a spotlight on the friction between the inaugural show and organizers of SpringCon, a 26-year-old annual event that’s being held two weeks later.
“We don’t have William Shatner at $199 an autograph, we don’t have the stars and that kind of thing,” Nick Postiglione of the Midwest Comic Book Association, which organizes SpringCon, tells the TV station. “We have comic book creators, writers and artists.”
The nonprofit group’s displeasure with the timing of Wizard World Minneapolis Comic Con is no secret: When the convention was announced last year as part of an expansion that included shows in Sacramento, San Antonio and Atlanta, an email circulated accusing the company of “specifically and strategically” selecting a date so close to Spring Con, contrary to assurances by chairman John Macaluso that the established event “was not on our radar.” The email also quoted Postiglione as saying Wizard had previously approached the Midwest Comic Book Association regarding the possibility of purchasing or absorbing SpringCon, an offer organizers declined.