comics creators Archives - Robot 6 @ Comic Book Resources
“No idea has proven more damaging to the comics industry than the myth that its professionals — not just creators, but retailers, even distributors — work for love and not money. It’s a philosophy that has justified exploitation of creators and theft of intellectual property. It’s allowed the entire industry to pass the buck for its failures — from publishers to retailers, and retailers to — for decades. And it’s why the comics industry lingers in a frozen adolescence, clinging to a shrinking target audience like a sea captain railing at the storm — when the real problem is the rotting wood of his own hull.”
– Rachel Edidin, former Dark Horse editor turned freelance writer and editor, addressing reactions to Amazon’s announced purchase of comiXology for Wired.com
Joe Phillips has been drawing comics for 25 years, telling stories of superheroes in the pages of Mister Miracle, Timber Wolf and Wonder Woman. Now he could use some heroes in his corner.
Last fall, complications from diabetes forced the artist to have his foot amputated. He’s received generous charitable assistance during that time from The Hero Initiative and IDW Publishing, for whom he recently drew Star Trek, but at the end of the day it’s not enough. But Phillips has incurred sizeable medical bills, and understandably has trouble getting up and about for work each day. So fellow artist Cully Hamner has stepped in to kickstart a $5,000 fundraising drive to pay for a prosthetic foot for Phillips.
Robert Kanigher, Bill Mantlo and Jack Mendelsohn have been named the recipients of the 2014 Bill Finger Award for Excellence in Writing, named in honor of the uncredited co-creator of Batman.
Although the committee typically selects one posthumous and one living honoree, this year it voted to recognize two living creators, Mantlo and Mendelsohn.
“This year, the judges couldn’t decide between two living recipients so one said, ‘Why don’t we just give it to both of them?’ And we decided to give it to both of them,” committee chair Mark Evanier explained in a statement. “They’re two men who deserve the honor and we figured, why make one of them wait until next year, especially in light of the fact that Bill Finger would have turned 100 this year? And as for our posthumous recipient, Robert Kanigher, that one’s long overdue.”
Legal | Those wondering how Stan Lee Media can possibly afford its long, and so far entirely unsuccessful, legal battle with Marvel and Disney may want to read this brief Wall Street Journal article about “litigation finance” — which it characterizes as the growing practice of investing in lawsuits. However, pointing to the fight over the rights to Spider-Man and other characters, writer Rob Copeland points out there are high risks: namely, that investors could never see financial return. As we’ve noted before, Stan Lee Media’s efforts are backed by a group of investors that includes the $21 billion hedge fund Elliott Management, which helps to explain why the lawsuits keep coming. [MoneyBeat]
Veteran British writer Steve Moore, one of the original contributors to The Fortean Times who’s also credited with teaching a young Alan Moore how to write comics scripts, passed away over the weekend at age 64.
The news was first reported this morning by Strange Attractor, a journal for which Moore regularly wrote. “Steve was a warm, wise and gentle man, with a surreal sense of humour and an astoundingly deep knowledge that covered history, the I Ching, forteana, magic, oriental mysticism, martial arts cinema, science fiction, underground comics and worlds more,” the remembrance states.
A contributor to 2000AD, Warrior and Doctor Who Magazine, Moore’s list of accomplishments includes pioneering the Future Shocks story format and co-creating “Red Fang,” “Valkyries” and Axel Pressbutton. A longtime friend of Alan Moore (no relation), he wrote “Young Tom Strong” and “Jonni Future” in Tom Strong’s Terrific Tales, as well as a novelization of the film V For Vendetta.
Manga | In Japan, as elsewhere, people would rather read about farming than actually do it; agriculture has become a popular topic for manga, and the Agriculture Ministry recently announced an award for manga that raise interest in farming. The article mainly focuses on Hiromu Arakawa’s Silver Spoon, which has recently been made into a movie; Arakawa is also the creator of Fullmetal Alchemist, a fact the article omits. [The Wall Street Journal]
Awards | Silver Spoon was on of the 10 nominees for this year’s Osamu Tezuka Cultural Prize; two manga that are published in English, Attack on Titan and Animal Land, also made the list. [Anime News Network]
The first of the Comic Art Professional Society benefit auctions for Usagi Yojimbo creator Stan Sakai and his wife Sharon has launched on eBay, featuring original artwork by the likes of Mike Allred, Dan Brereton, Josè Luis Garcìa-Lòpez, Mike Mignola and Jeff Smith.
Sharon Sakai suffers from a debilitating illness that required an extended hospital stay and convalescence; she’s back at home but requires 24-hour care and medications that exceed their insurance coverage. All of the proceeds from the auction will go to the Sakais to help cover their medical expenses.
“We know that our fans — and fans of pop culture — come from all races and beliefs, and any sexual orientation,” Bruce MacIntosh, director of programming, said in a statement. “Denver Comic Con guests and programming are deliberately geared towards informing and entertaining the fanboy and fangirl in all of us! Being inclusive of the entire community — both the communities of Denver and the pop-culture community as a whole — has been a focus of DCC since its inception.”
“I know there’s a certain appeal for creators to work on the classic characters like Batman, Superman and Spider-Man, but I’ve said this before: I asked creators who have worked on those books who the people were doing the books ten years ago, and they don’t know! But I can say, ‘Who worked on Sin City?’ and they’ll go ‘Frank Miller.’ Who worked on Hellboy? Mike Mignola. Who worked on The Goon? Eric Powell. They know it instantly. So to me, the lure of creating your own character and owning it — owning your own universe and being associated with that — in the long run for talented writers and artists makes me question why someone would toil away on a company owned character for years and years of their lives.”
– Dark Horse founder Mike Richardson, discussing his company’s commitment to publishing creator-owned work
In a relatively brief amount of time, crowdfunding platforms like Kickstarter and Indiegogo have changed the way comics are published. From providing start-up funds for projects that wouldn’t otherwise exist to creating an influx of cash to prop up a publisher that’s hit a rough patch, it allows creators to go directly to potential readers for support. Services like Kickstarter have proved popular, but they’re not the only way it can be done. Enter Patreon.
Launched last year, Patreon doesn’t focus on funding a specific project, but instead allows fans to become patrons of their favorite creators by contributing money on a regular basis. Creators can choose to ask for money to be given on a monthly or, say, per-comic basis.
The Eisner Awards judges have selected trailblazing publisher Orrin C. Evans and Golden Age artists Irwin Hasen and Sheldon Moldoff for automatic induction this summer into the Will Eisner Comic Awards Hall of Fame.
Evans, who passed away in 1971, edited and published the first all-black comic book, 1947′s All-Negro Comics. Hasen, who created the comic strip Dondi with Gus Edson, drew the Golden Age adventures of such heroes as Green Lantern, Wildcat, the Flash and the Justice Society. One of Bob Kane’s primary ghost artists, the late Moldoff co-created such Batman characters as Poison Ivy, Mr. Freeze, Bat-Mite and the original Batwoman and Bat-Girl.
The judges also chose 14 nominees from which voters may select four to be inducted into the 2014 Hall of Fame:
Publishing | DreamWorks Animation’s announcement on Monday that it is launching its own book-publishing unit doesn’t mean the end of the road for its comics licensees, at least not yet: ICv2 talked to representatives from IDW Publishing, which publishes the Rocky & Bullwinkle comics, and Ape Entertainment, which has had a number of DreamWorks licenses, and both say that this won’t affect their comics. [ICv2]
Auctions | A collection of comics that included the first issues of The Amazing Spider-Man and the British satirical comic Viz, as well as long runs of several Marvel series, brought in almost £25,000 (about $41,300 U.S.) at an auction in Newcastle, England. The majority of the comics were from a single collector whose wife decided to put them up for sale after he died. For those who are curious about the details, Duncan Leatherdale of The Northern Echo liveblogged the auction. [BBC News]
Conventions | As comics conventions continue to become an international phenomenon, ReedPOP bags a big one: The company behind New York Comic Con, C2E2, Star Wars Celebration and Penny Arcade Expo has announced a partnership with Oz Comic-Con, which runs several conventions in different locations in Australia. [press release]
Passings | Paul Burgarino reports on Sunday’s memorial service for Wee Pals cartoonist Morrie Turner, who died last month at the age of 90. Wee Pals was the first comic strip by a black creator to get a national syndication deal, and speakers remembered him as both a pioneer and an inspiration. “Through your unique artistry and personal kindness, you’ve helped show the world what we can be, should be and must be,” said David Shaffer, the son of one of Turner’s close friends. [Contra Costa Times]
In recent years, it’s become fashionable to refer to Bill Finger as the “secret” co-creator of Batman. And while that’s an attention-grabber for the uninformed, it’s more accurate to say the writer, who died in 1974, is the uncredited, unrecognized and unsung creative force in the creation of DC Comics’ Dark Knight Detective.
Saturday marks the 100th anniversary of Finger’s birth. It’s an occasion many in the comics community have been promoting as an opportunity to correct the record in some small way, such as with biographer Marc Tyler Nobleman’s quest to get a Google Doodle in his honor.
But for the average comic fan, there are also plenty of ways to celebrate the legacy of Bill Finger and his unquestionable contribution to one of comics’ most enduring character. Here is just a handful of suggestions:
“Forget the mythology. I don’t care that Hemingway was a drunk or the Beatles dropped acid or [Insert famous artist here] did [insert drug here]. If you are using drugs or alcohol as part of your creative process you are killing yourself slowly and as a friend of mine once put it, you’re ‘committing a sin against your talent.’
You can’t die of a heroin overdose if you never try heroin. You can’t kill someone in a drunk driving accident if you never pick up the first drink. You won’t throw up your guts or have liver failure or lose your mind from illegal substances if you don’t put things in your body that do not belong there.
There are other ways to sin against your talent, but drugs and alcohol are easily avoided and if you are serious about being a writer/artist/musician/creative soul. Madness is not mandatory. It is not even recommended. The romanticized idea that the drug-addled creative lives a more authentic life is 100% horseshit manufactured to justify self-destructive behavior.
You can create art while sober. You can experience mind-blowing sights and sounds with a clear head. You can access deeper meaning and glimpse the secrets of the universe just by being present.
The world will be more beautiful, more authentic, more amazing, because you will be a part of it instead of stumbling towards it.”