comics creators
Travel Foreman explains his departure from Animal Man
Animal Man #9, by Travel Foreman
Following today’s creative-team reshuffling that sees Steve Pugh return to DC Comics’ Animal Man, artist Travel Foreman stopped by the Comic Book Resources forums to explain why he’s leaving the well-received series for Birds of Prey.
“The change on Animal Man boils down to the reason I was on the book to begin with, which was that I needed to take on a job after my mother died (to deal with the financial end of someone being sick for a while and then passing) and Animal Man was the only thing DC was going to let me do. Which in any other time frame would have been perfect,” Foreman wrote. “But really the context of me dealing with the death of my mom and drawing the kind of content in Animal Man just burned me out sooner than I thought.”
Foreman, who before Animal Man was best known for his work on Com.x’s Cla$$war and Marvel’s Immortal Iron Fist, launched the series in September with writer Jeff Lemire as part of DC’s New 52. But with the solicitations for March’s Issue 7 came the news that Pugh would fill in as artist — well ahead of today’s announcement. Pugh continues his fill-in with Issue 8 before becoming the regular artist the following month.
“I had hoped to stay on the book until at least the spring so that the artist I wanted to replace me was free from his commitments,” Foreman continued, “but I would have ultimately just dragged the book down if I did, because it was becoming harder and harder to concentrate on the work. Steve was bending over backwards on his fill-ins to keep the book on schedule so you have to keep that in consideration. Really, he won’t skip a beat once he’s doing the book full time.”
On his blog, Lemire wished his collaborator well, writing that, “The success of Animal Man is due in no small part to Travel’s artistic vision and I was lucky to have worked with him.”
(via The Beat)
- February 9, 2012 @ 03:00 PM by Kevin Melrose
Comics A.M. | Digital comics market triples to $25 million
DC Comics app
Digital comics | ICv2 estimates the total value of the digital comics market in 2011 as $25 million, triple the 2010 figure, and boldly predicts that digital will account for 10 percent of the entire comics market in 2012. Digital sales grew faster in the second half of the year, which ICv2 attributes to three factors: DC’s decision to release its New 52 comics digitally the same day as print, the industry-wide trend toward same-day print and digital releases, and the proliferation of different platforms on which to read digital comics. As for digital taking away from print, the publishing executives ICv2 has spoken to over the past few months don’t seem to think that is happening. [ICv2]
Retailing | Retailer and journalist Matt Price takes the temperature at the ComicsPRO Annual Members Meeting, which kicks off today in Dallas, noting that members remain interested in DC’s publishing plans, and report “very strong sales” for Image’s Fatale and Thief of Thieves. [Nerdage]
- February 9, 2012 @ 07:15 AM by Brigid Alverson and JK Parkin
Comics A.M. | James Sturm on why he’s boycotting The Avengers
Artwork by James Sturm
Creators | Market Day creator James Sturm explains he’ll be boycotting The Avengers movie because he believes Jack Kirby, co-creator of many of Marvel’s longest-lasting characters, “got a raw deal”: “What makes this situation especially hard to stomach is that Marvel’s media empire was built on the backs of characters whose defining trait as superheroes is the willingness to fight for what is right. It takes a lot of corporate moxie to put Thor and Captain America on the big screen and have them battle for honor and justice when behind the scenes the parent company acts like a cold-blooded supervillain. As Stan Lee famously wrote, ‘With great power comes great responsibility.’” Tom Spurgeon notes the position seems to mark a shift for Sturm, who wrote the Eisner-winning 2003 miniseries Fantastic Four: Unstable Molecules for Marvel. [Slate, The Comics Reporter]
- February 8, 2012 @ 07:55 AM by Brigid Alverson and JK Parkin
Comics A.M. | Is Amazon planning its own brick-and-mortar chain?
Amazon
Retailing | Rumors have begun to swirl that online retail giant Amazon plans to open a brick-and-mortar store in Seattle within the next few months to help gauge the profitability of a chain. The store reportedly won’t just sell e-readers and tablets, but also books from Amazon’s newly launched publishing division. [Good E-Reader, Gawker]
Publishing | Japanese publisher Shueisha Inc. released the 65th volume of Eiichiro Oda’s pirate manga One Piece last week with a first printing of 4 million copies, tying the record set in November by the previous volume. [The Mainichi Daily News]
Retailing | Howard Ackler writes about the final days of Dragon Lady Comics, the Toronto retailer that closed last week after 33 years in business. [National Post]
- February 7, 2012 @ 06:55 AM by Brigid Alverson and JK Parkin
Before Watchmen’s Straczynski addresses Babylon 5 comparisons
Addressing one of the more frequent reactions to his involvement in DC Comics’ newly announced Before Watchmen project, J. Michael Straczynski has tackled the question, “How would you feel if Babylon 5 was being done without your permission?” His answer is, well, a little complicated.
The writer, who’s penning Dr. Manhattan and Nite Owl for the sprawling prequel to the acclaimed 1986 miniseries by Alan Moore and Dave Gibbons, drew some criticism yesterday when he told Comic Book Resources, “A lot of folks feel that these characters shouldn’t be touched by anyone other than Alan, and while that’s absolutely understandable on an emotional level, it’s deeply flawed on a logical level. Based on durability and recognition, one could make the argument that Superman is the greatest comics character ever created. But neither Alan nor anyone else has ever suggested that no one other than Shuster and Siegel should ever be allowed to write Superman. Alan didn’t pass on being brought on to write Swamp Thing, a seminal comics character created by Len Wein, and he did a terrific job. He didn’t say ‘No, no, I can’t, that’s Len’s character.’ Nor should he have.”
That of course led more than a few people to ask how Straczynski, who created the 1990s space opera Babylon 5, would feel if someone else were to develop a sequel, or prequel — “Babylon 4″? — to the television series (a revival has been long hoped for by fans, but the writer denied rumors as recently as August that he’s in negotiations with Warner Bros.). To answer the question, which he characterizes as “How would you feel if Babylon 5 was being done without your permission?,” Straczynski took to his Facebook page last night, writing, “It’s a fair question, and it needs to be fairly answered … but it has to be an honest comparison, apples to apples, not apples to pomegranates.”
- February 2, 2012 @ 08:00 AM by Kevin Melrose
Quote of the day #1 | ‘… I’m qualified to handle blue penises’
Dr. Manhattan, by Dave Gibbons
“My history with Watchmen goes way back. In 1986 I was working at Thunder Road Comics in Burlington, New Jersey, and I sold every issue of Watchmen as they came out. It was a pretty amazing time: The Dark Knight Returns was also shipping, so superhero comics were enjoying a banner year. The mullets, parachute pants, and New Coke made up for it, though. YIKES.
Several years back, I was one of the first artists to contribute designs to Zack Snyder’s film adaption of Watchmen. I mean, I only worked on the film for, like, eight minutes, but I cast a long shadow! Did you like Silk Spectre in latex? That was ALL ME. That’s right — I’m preening!
So, you see, I have some strange sort of orbital relationship to Watchmen. I feel pretty honored to be working it. I’m looking forward to drawing all these characters. Yes, Doctor Manhattan is an unusual choice to assign me to, but I’m assured that DC has a plan! Maybe they believe that, since I’m well-associated with drawing female anatomy, I’m qualified to handle blue penises. Wait … that doesn’t sound right …”
– Dr. Manhattan artist Adam Hughes, kind of addressing one of the first questions that arose when he was confirmed as one of the creators involved with DC Comics’ Before Watchmen prequels
- February 1, 2012 @ 12:00 PM by Kevin Melrose
Before Watchmen creators on bold moves, gut reactions & Alan Moore
Along with the official announcement of Before Watchmen, its long-rumored prequels to the seminal 1986 miniseries by Alan Moore and Dave Gibbons, DC Comics trotted out several of the creators involved to talk about the legacy of the original work, their approach to the new project, what they expect from initial reactions — and, of course, Moore’s objections to the undertaking.
Here’s a selection of some of the more interesting quotes:
J. Michael Straczynski, who’s working with Adam Hughes on Dr. Manhattan, and Andy and Joe Kubert on Nite Owl: “Ever since Dan DiDio was handed the reins (along with Jim Lee) over at DC, he’s been making bold, innovative moves that might have scared the hell out of anyone else. At a time in the industry when big events tend to be ‘Okay, we had Team A fight Team B last year, so this year we’re gonna have Team B fight team C!’ Dan has chosen to revitalize lines, reinvent worlds and come at Watchmen head-on. It was, I think, about two years ago that he first mentioned that he was considering the idea, and he’s to be commended for fighting to make this happen.”
Brian Azzarello, who’s collaborating with Lee Bermejo on Rorschach, and J.G. Jones on Comedian: “I think the gut reaction is going to be, ‘Why?’ But then when the actual books come out, the answer will be, ‘Oh, that’s why.’ ”
- February 1, 2012 @ 06:15 AM by Kevin Melrose
Watchmen prequels announced, with Gibbons’ blessing, Moore’s scorn
Following years of rumors, DC Comics announced this morning it’s revisiting the characters introduced by Alan Moore and Dave Gibbons in the seminal 1986 miniseries Watchmen with seven inter-connected prequels collectively titled … Before Watchmen. What’s more, the project now has the blessing of Gibbons, who as recently as last summer seemed resistant to the idea.
“The original series of Watchmen is the complete story that Alan Moore and I wanted to tell,” the artist said in a statement. “However, I appreciate DC’s reasons for this initiative and the wish of the artists and writers involved to pay tribute to our work. May these new additions have the success they desire.”
Moore, however, isn’t as generous, describing the prequels as “completely shameless.” “I tend to take this latest development as a kind of eager confirmation that they are still apparently dependent on ideas that I had 25 years ago,” he told The New York Times.
The writer, who stopped working for DC in 1989 following disputes about Watchmen royalties and a proposed age-rating system, revealed in July 2010 that the publisher had at last offered to return the rights to his most famous creation, if he “would agree to some dopey prequels and sequels.”
“So I just told them that if they said that 10 years ago, when I asked them for that, then yeah it might have worked,” he said at the time. “But these days I don’t want Watchmen back. Certainly, I don’t want it back under those kinds of terms.”
- February 1, 2012 @ 04:00 AM by Kevin Melrose
Quote of the day | Erik Larsen on the curse of Shazam!
“By that logic I should change my name to Eric Larson. Geoff Johns should change his name to Jeff Johns since everybody spells it that way anyway.”
– Savage Dragon creator Erik Larsen, responding to the news that, after 40 years of dancing around Marvel’s trademark by using titles like Shazam and The Power of Shazam, DC Comics is officially changing Captain Marvel’s name to … Shazam. Geoff Johns explained the decision was made, in part, because “everybody thinks he’s called Shazam already, outside of comics.”
- January 31, 2012 @ 11:00 AM by Kevin Melrose
Comics A.M. | Neil Gaiman comments on end of Spawn dispute
Spawn #26
Legal | Neil Gaiman comments briefly on the settlement agreement that ends his decade-long legal dispute with Todd McFarlane over Medieval Spawn, Angela and Cogliostro, and a handful of derivative characters: “The main thing is, I feel like an awful lot of good things have come out of it. … I think the various decisions, particularly the [Judge] Posner decision, were huge in terms of what the nature of dual copyright in comics is. What is copyrightable in comics is now something that there is a definite legal precedent for. There were a lot of things that were … misty in copyright [law] that are now much clearer. And it’s of benefit to the creator.”
While the details of the settlement are confidential, it’s known that Gaiman and McFarlane now share ownership of Spawn #9 and #26, as well as the first three issues of an Angela spin-off series. [Comic Riffs]
- January 31, 2012 @ 06:55 AM by Brigid Alverson and JK Parkin
Comics A.M. | Guy Delisle, Jim Woodring win Angoulême honors
Jerusalem
Awards | The gold medal for Best Graphic Album at the Angoulême International Comics Festival went to Guy Delisle for Jerusalem, and the jury awarded a Special Prize to Jim Woodring for his Congress of the Animals. Veteran French creator Jean-Claude Denis was awarded the Grand Prix de la ville d’Angoulême, so he will preside over next year’s festival, as Art Spiegelman did this year. Two manga won awards as well: Kaoru Mori’s A Bride’s Story won the Intergenerational Award, and Yoshihiro Tatsumi’s autobiographical A Drifting Life received the World Outlook Award. The Heritage Award went to Glenat’s edition of Carl Barks’ Donald Duck. [Paris Match]
Conventions | New Orleans Comic Con, held over the weekend, receives plenty of coverage, with spotlights on Stan Lee’s panel, aspiring creators and cosplayers. [Reuters, The Times-Picayune]
- January 30, 2012 @ 06:55 AM by Brigid Alverson and JK Parkin
Faith Erin Hicks opens up about the financial realities of cartooning
Friends With Boys
Robot 6 has covered cartoonist Faith Erin Hicks on multiple occasions concerning her comics, but this time we’re discussing something new: what kind of living she makes as a cartoonist. Hicks recently opened up about the financial realities of her life as a working cartoonist in a blog post supplementing her current webcomic Friends With Boys, which First Second will release later this year as a graphic novel. Hicks isn’t the first to share such intimate details on the business of comics, but the picture she paints with it is surprising in many ways.
“First of all, never in a million years did I think I would be able to pay my rent by drawing comics,” Hicks wrote, “or even through doing the freelance art thing. Sometime I cringe inwardly when I tell people that I write and draw comics for a living, because sometimes it doesn’t feel like that; it’s more like I’ve taken a vacation from some real job to draw comics, and eventually I will return to the workforce when I run out of money.”
- January 27, 2012 @ 09:00 AM by Chris Arrant
YALSA announces 2012 Great Graphic Novels for Teens
Thor: The Mighty Avenger, Vol. 1
The American Library Association’s Young Adult Library Services Association has unveiled its annual list of Great Graphic Novels for Teens. The 56 titles come from 24 publishers, led by First Second Books with nine and Marvel/Icon with seven.
Chosen by the Great Graphic Novels for Teens Committee from among 78 official nominations, the books are recommended for readers age 12 to 18 as meeting “the criteria of both good quality literature and appealing reading for teens.” In addition, the committee singled out 10 titles “that exemplify the quality and range of graphic novels appropriate for teen audiences”:
- Zahra’s Paradise, by Amir and Khalil (First Second)
- Scarlet, by Brian Michael Bendis and Alex Maleev (Marvel/Icon)
- Anya’s Ghost, by Vera Brosgal (First Second)
- The Influencing Machine: Brooke Gladstone on the Media, by Brooke Gladstone, Josh Neufeld and others (W.W. Norton and Company)
- Thor: The Mighty Avenger, Vols. 1 and 2, by Roger Langridge, Chris Samnee and others (Marvel)
- Infinite Kung Fu, by Kagan McLeod (Top Shelf Productions)
- A Bride’s Story, Vol. 1, by Kaoru Mori (Yen Press)
- Axe Cop, Vol. 1, by Malachai Nicolle and Ethan Nicolle (Dark Horse)
- Daybreak, by Brian Ralph (Drawn and Quarterly)
- Wandering Son, Vol. 1, by Takako Shimuro (Fantagraphics Books)
The complete list of the 2012 Great Graphic Novels for Teens can be found at the YALSA website.
- January 25, 2012 @ 08:00 AM by Kevin Melrose
Comics A.M. | San Diego Convention Center plan advances
San Diego Convention Center
Conventions | San Diego City Council on Tuesday approved the basic funding plan for the proposed $500 million expansion of the San Diego Convention Center, home to Comic-Con International. At the center of the financing scheme is an assessment district that adds between between 1 cents and 3 cents per dollar to room taxes of 224 hotels with more than 30 rooms. Those hotels closest to the convention center would be assessed an extra 3 cents per dollar, and those farthest away could be charged an extra penny per dollar.
The expansion plan has a ticking clock, as Comic-Con has signed a deal to remain in San Diego through 2015, but larger venues in Las Vegas and Anaheim have been lobbying organizers to look elsewhere. [NBC San Diego]
- January 25, 2012 @ 06:55 AM by Brigid Alverson and JK Parkin
Cleveland airport display to celebrate city as Superman’s birthplace
An artist's rendition of what the Superman display might look like
If everything goes as planned, by this summer visitors arriving in Cleveland by plane will be greeted by a display marking the city as the birthplace of Superman.
The Plain Dealer reports Cleveland City Council was expected last night to approve a proposal by the Siegel and Shuster Society to install a permanent display in Cleveland Hopkins International Airport honoring the Man of Steel and his creators Jerry Siegel and Joe Shuster, who dreamed up the superhero as teenagers living in the city’s Glenville neighborhood.
The display, which is expected to cost between $40,000 and $50,000, would include a larger-than-life statue of Superman, facts about his creation and related sightseeing information, all under the familiar logo and the words “Greater Cleveland’s Greatest Hero” and “Did You Know Superman Was Born in Cleveland?”
An anonymous donor has already given $5,000 toward the project, and organizers hope to raise more from Superman fans. Donations can be sent to: The Siegel and Shuster Society, 7100 Euclid Ave., Cleveland, Ohio, 44103.
- January 24, 2012 @ 08:00 AM by Kevin Melrose