comics industry Archives - Robot 6 @ Comic Book Resources
Conventions | The San Diego Tourism Authority is asking hotels in the Comic-Con International room block to freeze their rates at the 2016 level for the following two years, as part of its bid to keep the convention in the city. Already, 30 of the 50 participating hotels have agreed to do so. Meanwhile, Mayor Kevin Faulconer will attend the next Comic-Con board meeting to make an appeal to organizers to remain in the city; Tourism Authority CEO Joe Terzi said Anaheim has made a bid for Comic-Con, but the city’s convention bureau wouldn’t comment.
A plan to expand the San Diego Convention Center collapsed after the hotel-tax funding scheme was ruled unconstitutional, but Anaheim is preparing to break ground on its own 200,000-square-foot expansion. However, Comic-Con spokesman David Glanzer said, “Some people had mistakenly implied that an expanded convention center would be the thing that solidified our decision to stay or go, but there are a number of factors to be addressed: hotel room rates, available space within hotels and outside the center, things that could mitigate the issue of having outgrown the convention center. An expansion would be great for the city and us, but if it doesn’t happen we’ve been able to make do without it, and if we can mitigate the concerns we do have we’ll be able to stay here.” [U-T San Diego]
SLG Publishing has been a major part of the American comics industry, helping to usher in notable creators like Charles Soule, Jhonen Vasquez and Jim Rugg. But for the past few years the publisher has been struggling.
Founder Dan Vado has been public about the company’s financial status, turning to crowdfunding platforms for help in keeping the business afloat — but with little success. He organized two unsuccessful Kickstarter campaigns in 2012, and returned this year, first with a GoFundMe effort and now with Patreon.
While none of the campaigns have reached the stated goal, Vado remains hopeful. The comics industry has witnessed numerous successful crowdfunding campaigns (even on a publisher level, such as with Fantagraphics), but SLG’s plight underscores that, unfortunately, they don’t all work out that way. But what’s so different about SLG’s situation?
Political cartoons | Turkish cartoonist Musa Kart, who was acquitted last month on charges of insulting President Recep Tayyip Erdogan, speaks out: “It’s a well known fact that Erdogan is trying to repress and isolate the opponents by reshaping the laws and the judiciary and by countless prosecutions and libel suits against journalists.” Kart faced a possible penalty of nine years in prison if he had been found guilty, and it’s not clear the case is over yet, as Erdogan could appeal the acquittal.“Unfortunately, day by day, life is getting harder for independent and objective journalists in Turkey,” Kart said. [Index on Censorship]
Political cartoons | Syrian Kurdish cartoonist Dijwar Ibrahim talks about his anti-ISIS cartoons, which are on exhibit in Iraq. [Al-Shorfa]
On Saturday, comic shops across North America and around the world will celebrate Halloween ComicFest, which has taken on the dimensions of a second Free Comic Book Day. This is a relatively new event — the first was held in 2012 — but according to the HCF website, more than 1,400 stores participated last year, attracting 100,000 customers. The event is run by a group of retailers, publishers and suppliers, with Diamond Comic Distributors handling publicity and a lot of the logistics.
This year’s comics lindup includes 12 full-size comics and seven minicomics, although all retailers may not offer all titles. It looks like most of the comics are repackaged first issues of series that have been around for a little while, like Afterlife With Archie, Rachel Rising and Scooby-Doo Team-Up — all fitting choices for Halloween reading. Zenoscope offers a reprint of its first Halloween Special, and Avatar Press has the first issue of Max Brooks’ Extinction Parade.
Legal | Former Turkish Prime Minister Recep Tayyip Erdoğan has filed a criminal complaint against cartoonist Musa Kart over a cartoon caricaturing Erdoğan’s attempts to cover up a graft investigation. The prosecutor initially decided that there were no grounds for legal action, but Erdoğan took his case to the Bakırköy 14th High Criminal Court, which ruled that the cartoon exceeded the bounds of normal criticism and allowed the indictment to proceed. Kart could face nearly 10 years in prison if convicted and given the maximum sentence.
Meanwhile, prosecutors have dropped charges against all 209 of the people suspected in participating in the actual corruption Erdoğan is accused of covering up; those charges would have included “the transfer of lands with a value of billions of dollars at very low prices, the seizure of mines from businessmen by force, tender-rigging, illegally giving state tenders worth billions of dollars to businessmen, changing the status of protected areas through bribery, opening these [areas] for construction and making large profits off of them.” [Today's Zaman]
Publishing | DC Entertainment Co-Publishers Dan DiDio and Jim Lee talk about the state of the comics market, DC’s upcoming move from New York City to Burbank, the growing female audience and more. “There’s also a diversification within the audience itself the past couple of years,” Lee observed. “You’ve seen more women, more female readers, in general. When we launched Batgirl and Gotham Academy, those books struck a different note, different tonality, and that was in large part due to editor Mark Doyle bringing these projects together with different kinds of creators. It was our way of broadening the base of the Batman family of books but doing it in a different way to attract a different audience. I think it speaks well to the future that we’re not just going to strike the same note looking for the same customer. [...] You can’t necessarily rely on the same continuity, the same core hardcore comics-driven material; you have to diversify, broaden your net and bring in different voices to the company.” [ICv2]
Cosplay | Visiting New York Comic Con, Andrea Romano takes a look at the world of cosplay, the issue of sexual harassment — one person notes it’s certainly not exclusive to cosplay, observing, “There’s harassment when a woman is just wearing a crop top on the street” — and efforts being made to stop it. Convention organizers placed their new anti-harassment policy front and center this year, and it seems to have helped: There were just eight reported incidents of sexual harassment during the four-day event. [Mashable]
Conventions | Fensterman talks at greater length about NYCC’s anti-harassment measures in this article, which contrasts the comics scene with what’s going on in the gaming world. [Time]
What a difference a decade makes. New York Comic Con is now North America’s biggest comic book convention, attracting a reported 151,000 people to this year’s event, and surpassing Comic-Con International, which has been forced to cap attendance at about 130,000. In just eight years, producer ReedPOP has managed to surpass what San Diego organizers took 40 years to build.
It may sound like exciting news, but here on the West Coast, we’re crestfallen, heartbroken even. I’ve lived in Los Angeles for nearly 15 years, which virtually makes me a native. The city has a long-running rivalry with New York City, which always goes on about how it’s the best at everything. Well, you can have your best pizzas, but this was ours! OK, sort of. San Diego is close enough to LA to pretend as if Comic-Con International is ours. Let’s face it: Every other part of Southern California is essentially a suburb of Los Angeles, so it’s always been a point of pride that although modern comics were born in New York City, here is where they’re celebrated the loudest and biggest.
New York Comic Con is now the largest pop-culture convention in North America, with producer ReedPOP reporting it sold tickets for this weekend’s event to 151,000 unique individuals.
Comic-Con International has been forced to cap attendance at about 130,000 due to the capacity San Diego Convention Center, leading organizers to turn to nearby hotels and Petco Park for additional space. New York Comic Con last year strained the limits of the Javitz Center with 133,000 attendees. However, ReedPOP Global Senior Vice President Lance Fensterman told ICv2.com that by expanding Thursday to a full day this year, organizers were able to sell another day’s worth of tickets.
This year’s figure doesn’t include the inaugural New York Super Week, the weeklong series of 110 events held at 25 venues across New York City, Fensterman said.
Banned Books Week | National Public Radio’s Lynn Neary covers Banned Books Week, with interviews with frequently banned creators Jeff Smith (Bone) and Dav Pilkey (Captain Underpants). Although Smith acknowledges he was initially shocked to see his acclaimed fantasy adventure among the 10 most challenged books of 2013, he soon came to terms with the distinction. “I mean my heroes are on this list,” he says. “People like Mark Twain and Steinbeck and Melville and Vonnegut, so part of me also kind of says, ‘OK, fine I can be on this list.'” [NPR]
Banned Books Week | Michael Dooley runs a brief excerpt from Fun Home, and Keith Knight does a show-and-tell of his comics that were too controversial for some newspapers. [Print Magazine]
Long Beach Comic Con organizers have announced the Dwayne McDuffie Award, named in honor of the influential comics and animation writer who passed away in 2011. Details will be revealed Sept. 27 at the convention.
“Dwayne’s influence on comics is incredible, and we look forward to helping preserve his legacy through this award,” convention co-founder Martha Donato said in a statement.
Donato will be joined for the official announcement by fellow co-founder Phil Lawrence, and Neo Edmund, Joan Hilty, Joseph Illidge, Heidi MacDonald, Glen Murakami, Eugene Son, William J. Watkins, Len Wein, Charlotte Fullerton McDuffie and Matt Wayne.
Co-founder of the pioneering Milestone Media, McDuffie’s comics work ranged from Marvel’s Damage Control and Fantastic Four to Milestone’s Static and Icon to DC’s Justice League of America and Batman: Legends of the Dark Knight.
His animation credits include Static Shock, Justice League, Justice League: Crisis on Two Earths, All-Star Superman and Justice League: Doom.
Publishing | Admitting that “I don’t think men are as sexualized as women” in Marvel comics, Editor-in-Chief Axel Alonso says the publisher is moving toward including more types of female characters: “We believe there’s an audience of women out there who are hungry for this and we want to make sure they get it. This is affirmative action. This is capitalism.” Later he states, “I challenge you to find in Ms. Marvel anything that resembles the Playboy model standard. But I don’t want to be Mr. Goody-Two-Shoes. We’re creating stories. I don’t want to say there’s no room for stuff that’s not just fun. Then you’re censoring yourself. I want to make sure I have books like Ms. Marvel and Black Widow that I’m proud about and could give to my daughter. But at the same time I don’t want to be the PC police and say you can’t be naughty; you can’t be fun.” [The Telegraph]
Over the weekend, I witnessed what has the potential to turn into a grassroots campaign to help one of my favorite charities, The Hero Initiative.
Singaporean author Wayne Rée released his debut book Tales from a Tiny Room at the Singapore Toy, Games and Comic Convention, perhaps not the obvious venue for the introduction of a collection of short stories. Sure, there are accompanying illustrations by several comics artists, and a number of the stories seem ripe for adaptation as comics, but it’s definitely straight prose. Still, Rée chose the convention because comic books have long influenced him. This is not some keen observation; he’s open about it. For about a year, he wrote a series of columns about his journey of discovering comics at The Comics Observer (no relation to this column!).
On Twitter and Tumblr, he frequently cites his love of Spider-Man, Warren Ellis and Jamie S. Rich. He even received permission to use a portion of Matt Fraction’s talk “Batman Dreams of Hieronymus Machines” as the opening quote for Tales from a Tiny Room. And so, as a way to give back to what has given him so much, Rée announced he would donate one Singapore dollar to The Hero Initiative for every copy sold at the convention.
Presented Saturday in a ceremony at Baltimore Comic Con, the awards are named in honor of the late Harvey Kurtzman, the cartoonist and founding editor of MAD magazine, and selected entirely by creators. Longtime Batman film producer Michael Uslan served as the emcee, and writer Gail Simone delivered the keynote address.
The special awards were presented: the late Peanuts creator Charles M. Schulz was the first recipient of the Harvey Kurtzman Hall of Fame Award; longtime Archie Comics cartoonist Stan Golberg, who passed away Aug. 31, received the Dick Giordano Humanitarian of the Year Award; and seminal Incredible Hulk artist Herb Trimpe was given the Hero Initiative Lifetime Achievement Award.
The winners can be found in bold below:
Comics | Almost half the attendees at this year’s Comic-Con International in San Diego were women, writes Yael Kohen in an article about the growing importance of women to the comics industry. He cites statistics showing that young women are the fastest-growing segment of the comics audience, talks to Image Comics President Eric Stephenson and a woman who works in a comic shop, and mentions the enduring popularity of manga and Marvel’s recent introduction of more interesting female characters. With all that material to work with, it’s too bad he started with a lead right out of the 1950s, something about a fashion show at Comic-Con, as if that’s what all those women were there for. [BloombergBusinessweek]
Creators | Writer Jen Van Meter discusses her newest project, Valiant’s first female-led series, The Death-Defying Doctor Mirage. [Hero Complex]