comics industry Archives - Page 2 of 78 - Robot 6 @ Comic Book Resources
“Oh, always press. Just understand the difference between useless whining and actual pressing. What corporations understand is money. They don’t give a toss about blog posts or combative questioners at conventions. Clearly.
You vote and make change by the strategic application or withdrawal of money. Buy the products you want and withhold money from those companies that don’t produce said product. And say why you’ve done so in both cases.
But this isn’t politics. It’s business. At least, we’re all pretending it’s only business.”
– actor, screenwriter, novelist and comics writer Geoffrey Thorne, when asked whether consumers should give up hope that Marvel and DC will hire “a respectable amount” of writers of color
Conventions | As comics conventions continue to become an international phenomenon, ReedPOP bags a big one: The company behind New York Comic Con, C2E2, Star Wars Celebration and Penny Arcade Expo has announced a partnership with Oz Comic-Con, which runs several conventions in different locations in Australia. [press release]
Passings | Paul Burgarino reports on Sunday’s memorial service for Wee Pals cartoonist Morrie Turner, who died last month at the age of 90. Wee Pals was the first comic strip by a black creator to get a national syndication deal, and speakers remembered him as both a pioneer and an inspiration. “Through your unique artistry and personal kindness, you’ve helped show the world what we can be, should be and must be,” said David Shaffer, the son of one of Turner’s close friends. [Contra Costa Times]
In recent years, it’s become fashionable to refer to Bill Finger as the “secret” co-creator of Batman. And while that’s an attention-grabber for the uninformed, it’s more accurate to say the writer, who died in 1974, is the uncredited, unrecognized and unsung creative force in the creation of DC Comics’ Dark Knight Detective.
Saturday marks the 100th anniversary of Finger’s birth. It’s an occasion many in the comics community have been promoting as an opportunity to correct the record in some small way, such as with biographer Marc Tyler Nobleman’s quest to get a Google Doodle in his honor.
But for the average comic fan, there are also plenty of ways to celebrate the legacy of Bill Finger and his unquestionable contribution to one of comics’ most enduring character. Here is just a handful of suggestions:
Sequart, the folks behind Grant Morrison: Talking with Gods and Warren Ellis: Captured Ghosts, has launched a Kickstarter campaign to fund a film celebrating female comics creators and fans.
Directed by Marisa Stotter, She Makes Comics “intends to emphasize the valuable contributions women have made since the Golden Age of comics,” combining an oral history told by many of the key figures with commentary from industry observers. Production began late last year — interviews have already been shot with the likes of Karen Berger, Joan Hilty, Chris Claremont and Joyce Farmer — but funding is still needed to cover additional travel and interviews, as well as more than 800 hours of editing.
To help reach its $41,500, the campaign is offering some unique incentives, ranging from original art from Jill Thompson and Colleen Doran (they’ll draw you into a page illustrating the history of women in comics) to a script review to a certificate for a custom corset. The campaign ends March 7.
“While we don’t have any market research, the eyes don’t lie. If you go to conventions and comic book stores, more and more female readers are emerging. They are starved for content and looking for content they can relate to.”
– Marvel Editor-in-Chief Axel Alonso, discussing comics’ shifting demographics
VentureBeat reports that Jon Goldman, previously chairman and CEO of Foundation 9 Entertainment, will focus on emerging and new business, overseeing “the strategic direction for the company and [operating] businesses around games and live events.”
“Our collective goal is to build major enterprises surrounding the remarkable worlds that Robert creates within his comics all while remaining true to fans,” Goldman is quoted as saying.
The news comes just a week after Skybound announced that its “Walking Dead Escape” obstacle course, already popular at Comic-Con International and New York Comic Con, will launch a cross-country tour in April. The bestselling Walking Dead comic series has, of course, already spawned a hit television drama (with a spinoff in development), video games and numerous collectibles.
Launched in 2010, Skybound is an Image Comics imprint that serves as home to Kirkman’s titles, like The Walking Dead, Invincible, Thief of Thieves and the upcoming Outcast, as well as books from other creators — among them, Witch Doctor, Manifest Destiny and Dead Body Road.
Time Inc. confirmed this morning that long-expected layoffs, which widespread reports place at as high as 500 employees, will begin immediately as parent company Time Warner prepares to spin off its low-performing publishing division. Time Inc., which publishes more than 20 magazines, employees about 7,800 people worldwide.
DC Entertainment, a subsidiary of Warner Bros. Entertainment, won’t be affected by either the layoffs or the spinoff.
The New York Post contends the newly acquired American Express Publishing (Food & Wine, Travel & Leisure, Departures), with about 400 employees, is expected to be hit hard by the cuts; its Executive Travel magazine could be shuttered immediately.
In documents filed last week in federal bankruptcy court in Omaha, Nebraska, the retailer lists $45,000 in assets and $919,000 in debt, of which $325,000 is owed to Diamond Comic Distributors.
Signs of trouble with Mail Order Comics became apparent last month when customers began complaining on the store’s now-deleted Facebook page about unfulfilled orders and website troubles. Discount Comic Book Service quickly stepped in to fulfill all orders.
“If you’d asked me several years ago, I likely would have spoken about some tipping point where you have too much and everything crashed. Part of that is that I grew up in a world where there was one X-MEN book, one AVENGERS book and, well, three SPIDER-MAN books (counting MARVEL TEAM-UP.) But today, I think that, while there is a tipping point potentially somewhere out there on the horizon, it’s nowhere near as close as we sometimes like to think (or fear.) What matters is the quality of the work. How many BATMAN books are there at this point, every month? How many WOLVERINE books? And still, those characters are more likely to sell better than, I don’t know, THE FLASH or STORM. The audience likes what it likes, and so long as what you produce is good, they will always be content to have more. It’s when the quality goes down that you have a problem — but you have that problem with there being only one book as well.”
– Tom Brevoort, Marvel’s senior vice president of publishing, responding to a question on his Formspring about how to address character “oversaturation,” if it’s even an issue that exists
Where is the line? When is an image empowering, and when is it too risque? While the case of the contested variant cover of The Powerpuff Girls #6 has a lot of silly aspects, its core speaks to larger issues the comic book industry has been wrestling with of late, and may find itself wrestling with even more. The questions it raises aren’t always easy to answer — as is so often the case, the devil is in the details.
All-ages comics have a larger presence now than they have in decades. Every month, tie-ins to popular kids’ shows and original books suitable for readers are released in high enough numbers that you could open a comic book store that’s just for kids. Many stores have increased their kids sections, and with events like Free Comic Book Day, it’s easier for those shops to prove themselves to parents as a safe place. Meanwhile, awareness of the industry’s female readership has never been higher; in October, digital comics platform comiXology released some startlingly specific data: Its average female reader is “17-26 years old, college-educated, lives in the suburbs, and is new to comics. She prefers Tumblr to Reddit. She may have never even picked up a print comic.” In six years, female readership on comiXology increased from less than 5 percent to 20 percent.
Passings | Bomb Queen and Five Weapons creator Jimmie Robinson writes a touching remembrance of pioneering cartoonist Morrie Turner, who passed away Saturday at age 90. Widely recognized as the first nationally syndicated African-American cartoonist, the Wee Pals creator frequently spoke at schools, and it was during one of those visits that he inspired a young Jimmie Robinson: “When he came to our class he spoke about his craft and showed us how he worked and what his job demanded. He spoke about his newspaper comic strip and how he had to write it every day. He spoke about the diverse cast of characters in his strip, but he never once spoke about the issue of his race. But for me he didn’t have to. The fact that he, a black artist, even existed, spoke volumes.” The New York Times also has an obituary for Turner. [Jimmie Robinson]
Industry mainstay Jackie Estrada, administrator of the Eisner Awards and co-publisher of Exhibit A Press, has launched a Kickstarter campaign to fund a coffee-table book collecting photos of creators she took of comic creators and related figures in the 1970s and ’80s.
Titled simply Comic Book People: Photographs from the 1970s and 1980s, the hardcover collects about 600 photos taken at comics and sci-fi conventions and other events, and includes shots of Jerry Siegel, Joe Shuster, Bob Kane, C.C. Beck, Murphy Anderson, Jack Kirby, Alan Moore, Archie Goodwin, Moebius, Osamu Tezuka, Charles Schulz, Chuck Jones and many more.
“These are rare shots from the days before comics and conventions were big pop culture events,” Estrada explains on the Kickstarter page, “when the founding fathers of the artform were still among us and today’s top talents were just aspiring young pros trying to get noticed. If you were there, this is a great way to recall fond memories. If you weren’t, these photos are a candid and unfiltered picture of a simpler time, familiar but far away.”
Her goal is $18,000; to help get there, she’s offering incentives like postcards and a calendar featuring photos from the book, signed copies and a one-of-a-kind booklet containing photos selected by the backer.
“No one gets to have their cake and eat it too. So I don’t get to talk about the problems with the lack of diversity in both the books we put out and the creators behind them, I don’t get to speak up about that and then not have my gender brought up as an issue as well. … People will often apologize when they ask me about feminist issues in the industry, and it’s tough. I don’t want them to apologize. These are things that need to be discussed. … My husband’s [comics writer Matt Fraction] gender never comes up in an interview. I think it’s a thing that, if we want it to get better, we have to talk about it. It’s on the table whether we like it or not, so let’s go ahead and – if it’s there, let’s sit down and feast.
I’ve been accused of putting forth sort of an agenda in Captain Marvel, which I actually don’t think I’m doing at all. I think I’ve been very true to what the character was created for, the roots of the character that I had nothing to do with. I was 7 years old when that character’s first book came out under Ms. Marvel. I’ve been accused of putting forth an agenda and so on and so forth. There’s a certain part of me that’s just like, ‘If I’m going to take the heat for it, well … let’s do it then. Let’s steer into the curve.’”
– writer Kelly Sue DeConnick, discussing Bitch Planet, Captain Marvel and feminism
DC Entertainment led with six awards, including Top Dollar Comic of the Year for Superman Unchained #1, with Dark Horse closed behind with five wins, including Original Graphic Novel of the Year for Hellboy: The Midnight Circus hardcover. Marvel earned honors for Top Dollar Comic Book Publisher of the Year and Comic Book of the Year (Under $3), for The Superior Spider-Man #1 NOW!
Other winners include Archie Comics’ Afterlife with Archie #1 for Comic Book of the Year (Under $3), Top Shelf Productions’ March: Book One for Indie GN of the Year, and Image Comics’ East of West for Best New Comic Book Series. The complete list can be found below.
Nominees were selected by a panel of Diamond Comic Distributors product specialist based on their impact on the industry (for the vendors), and sales performance and quality (for the products). The winners were then chosen by direct market retailers.
Conventions | Registration begins Friday for the Small Press Expo 2014 Exhibitor Table Lottery, a new system designed to both bring the old process into the 21st century and address rapidly increasing demand. Online registration will continue through Feb. 14, with lottery winners announced on Feb. 21. There’s a good deal of information to absorb, but convention organizers have created a lottery FAQ. [SPX]
Publishing | Reports of the demise of Ape Entertainment turns out to have been premature. The company, which had one of the bestselling digital comics a few years ago with Pocket God, has been quiet of late and recently canceled a number of outstanding orders. However, COO Brett Erwin emerged Tuesday to say the publisher is simply going through a period of reorganization after the departure of CEO David Hedgecock, who now works for IDW. Ape will release a new Fruit Ninja comic at the end of the month. [The Beat]