Axel-In-Charge: In-Depth with Alonso on Marvel's "All-New, All-Different" Lineup
As DC Entertainment continues to staff its Burbank, California, headquarters, prolific writer Jamie S. Rich announced he’s been hired by Vertigo as senior editor. He began work there Wednesday.
“Lots of exciting things in the works,” he wrote on Twitter. “Stay tuned.”
Writer and director Reginald Hudlin has joined the board of directors of the Comic Book Legal Defense Fund.
“Freedom of expression is a cornerstone of democracy,” he said in a statement. “As Americans, we all need to stand united to protect our liberties. I’m flattered to be asked to join an organization that does just that.”
With a week left in the Kickstarter campaign, industry veteran Jackie Estrada is still a little more than $6,000 short of the funding goal for her hardcover Comic Book People 2: Photographs From the 1990s.
As the title indicates, the planned 176-page book is a follow-up to last year’s Comic Book People: Photographs From the 1970s and 1980s, and collects snapshots taken mostly at Comic-Con International, but also at other conventions and trade shows of the era.
Estrada, administrator of the Eisner Awards and co-publisher of Exhibit A Press, promises photos of Will Eisner, Jack Kirby, Stan Lee, Paul Norris, Nick Cardy, Neil Gaiman, George Perez, Frank Miller, Grant Morrison, Todd McFarlane, Rob Liefeld, Garth Ennis, Jeff Smith, Carla Speed McNeil, Paul Pope, Colleen Doran and more — about 600 shots in all.
The finalists have been announced for the inaugural Dwayne McDuffie Award for Diversity, named in honor of the influential comics and animation writer who passed away in 2011. The winner will be announced Feb. 28 at Long Beach Comic Expo.
“I am so proud that my husband’s personal mission to include a more diverse array of voices — both in content and creators — is able to continue now through this award in his name, by encouraging others who share his vision of comics, characters and the industry itself better mirroring society,” Charlotte McDuffie said in a statement.
The finalists are:
If you had already had plans for Saturday morning, you’ll probably want to change them — at least if you’re hoping to buy badges for Comic-Con International.
Open online registration will begin shortly before 9 a.m. PT, although the EPIC Registration landing page will be accessible starting at 8 a.m. to allow hopefuls to enter their personal registration code and authorize their device or browser to enter the waiting room.
Manga | The 72nd and final volume of Masashi Kishimoto’s Naruto, released in Japan on Feb. 4, topped the weekly sales charts, with 874,120 volumes sold in its first week. [Crunchyroll]
Conventions | With 10 fan conventions coming to Indianapolis this year, David Lindquist takes a look at the business of comics-themed entertainment, with interviews with Wizard World CEO John Macaluso and Comic-Con and the Business of Pop Culture author Rob Salkowitz. [Indianapolis Star]
IDW Publishing has announced it will relocate in June to the former Navy barracks within San Diego’s historic NTC at Liberty Station, where it will open a comics art gallery.
Located within the publisher’s new offices, the San Diego Comic Art Gallery will serve as a permanent home to showcase sequential and animation art, with retail space and working artists. Harry L. Katz, former head curator in the Prints and Photographs Division of the Library of Congress, has been named as the gallery’s curator.
“I’ve been such a jerk. (Your pull quote.) I used to look down my nose at stores that would order only Marvel and DC Comics and only enough to sate their Wednesday customer base, and now I get it. At Aw Yeah Comics, we’re far more diverse than that, but even still, there’s only so much money we can spend because there’s only so much money our customer base — not just our regulars, but even our potential customer base — has.”
— writer Mark Waid, on what being a retailer has taught him about comics, in an interview with Comic Book Resources announcing that he and partner Christy Branch are reincorporating their Indiana store Alter Ego Comics as Aw Yeah Comics Muncie
Speaking up is a hard thing to do for many creators, because as freelancers they often work at the whim of others. But Sean Murphy has made a name for himself beyond his actual work as an outspoken member of the artist community. Recently, he took to his deviantART page to pull back the curtain on an overlooked aspect of a creator’s life — one rife with doubts and unfulfilled promises, but with the occasional bright spot: conventions.
“While many of my pro friends are eternally grateful for their careers and for these generous invites, some of the shows are taking advantage of creators — ALL levels of creators — and not following through with what’s promised,” Murphy wrote. “Believe me, I love traveling and I want to visit all my readers in every country I can, but there’s nothing worse than getting to the ‘convention reserved’ hotel room and finding out you wasted your money staying in some foreign ghetto.”
While Murphy might now be in the upper echelon of creators vied for by conventions and stores, the New England artist has been attending cons for more than a decade.
Murphy is doing more than just complaining, however; he’s offering a solution — what he calls a list of “Creator’s Rights” pertaining to conventions.
The Eisner Awards judges have selected Little Lulu creator Marjorie “Marge” Henderson Buell and Katy Keene creator Bill Woggon for automatic induction into the Will Eisner Comic Awards Hall of Fame.
Marge debuted the single-panel Little Lulu in 1935 in The Saturday Evening Post. She continued to write and draw the antics of the mischievous little girl until 1947, by which time Lulu was the story of a syndicated strip, comic books and animated shorts. Although Marge stopped drawing the comic, the retained creative control, finally selling Little Lulu to Western Publishing upon her retirement in 1971. She passed away in 1993 at age 88.
Spring 1992’s Batman #475 may not be all that important in the Dark Knight’s history, but it was a pretty pivotal issue in my own history with comics. It wasn’t just the first time I bought a Batman comic — beginning a growing interest in superhero comics that has yet to subside — but it was also the first time I encountered the work of artist Norm Breyfogle.
It was his incredible artwork that convinced me to purchase that issue over all of the other Batman comics on the stands and in the beat-up boxes of my local comic shop, and that fueled my many return visits, to buy new Breyfogle-drawn Batman comics as they arrived and dig out the dozens of earlier ones from the back-issue bins.
At the time, comics cost just $1 — a quarter of what the average issue costs today — but I was 14 years old, so my only income came from allowance, birthday and Christmas gifts, and what my grandfather paid me to mow his lawn. Comics were to me then, as they are now, a luxury purchase of sorts, something one spent one’s extra money on. As adults, that means they’re what we buy after we’ve paid the rent and utilities, bought groceries and filled up the gas tank.
St. Louis comic store Star Clipper is closing its doors after 27 years.
Owners Ben and A.J. Trujillo, who bought the shop in 2001, delivered the news to customers in a message sent this morning.
“The personal and professional experience of managing Star Clipper has been the most important of our lives,” the wrote. “We were lucky to inherit the legacy from wise people ahead of their time, grow with the medium, and love the job. But the time has come to bring Star Clipper to a natural conclusion.”
In an interview with St. Louis Magazine, Ben Trujillo pointed to a number of factors in the store’s closing.
Tentative categories — they may be altered at the discretion of the judges — are: best short story, best single issue, best continuing series, best limited series, best new series, best publications for kids and teens, best humor publication, best anthology, best digital comic, best graphic album–new material, best graphic album–reprint, best reality-based work, best adaptation from another medium, best archival collection, best U.S. edition of foreign material, best writer, best writer/artist, best penciler/inker (individual or team), best painter (interior art), best lettering, best coloring, best comics-related book, best scholarly/academic work, best comics journalism periodical or website, and best publication design.
Publishers who wish to submit entries must send one copy each of the comics or graphic novels, along with a cover letter that includes what’s being nominated, and in what categories, and the names of the creators. Creators may submit works for consideration if their publisher is no longer in business or is unlikely to submit nominations itself.
Entries should be mailed to: Jackie Estrada, Eisner Awards Administrator, Comic-Con International, P.O. Box 128458, San Diego, CA 92112. Submissions for the best digital comic category can be emailed to Estrada. The full list of nominees will be announced in April.
Additional details can be found on the Eisner Awards website.
It’s deja vu all over again for the Diamond Gem Awards: Voted on by comics retailers, the winners this year look a lot like the 2013 lineup, with Image Comics and BOOM! Studios once again taking honors as top publishers in their divisions. Marvel was named top dollar publisher, DC Comics as top backlist publisher and Viz Media as top manga publisher — just like in 2012 and 2013.
The first issue of the widely acclaimed Ms. Marvel was honored as comic book of the year in the under $3 division, and Thor #1 was the choice among pricier comics. The Amazing Spider-Man #1 brought in the most dollars, however. My Little Pony: Friendship Is Magic was named the best all-ages comic of the year, Batman: Earth One took the honors as best original graphic novel, and Box Brown’s Andre the Giant was the best indie comic.
In terms of who got what, DC Comics won seven awards, Marvel won six and Dark Horse won three, including best anthology for Dark Horse Presents, another three-peat.
Here’s the full list of winners:
Publishing | In a three-part interview, First Second Books Editorial Director Mark Siegel talks about 2014, the upcoming year, and the emergence of a “new mainstream.” In Part 1 he discusses the 2014 releases and ends with some numbers (print runs rather than sales); the imprint’s top books are Ben Hatke’s Zita the Spacegirl and Jillian and Mariko Tamaki’s This One Summer, both of which have 30,000 copies in print. In Part 2 he looks at the importance of the library market and support from librarians, especially for children and teens, as well as the emergence of a new category of graphic novels that he calls “new mainstream.” Part 3 focuses on First Second’s planned releases for 2015, including Scott McCloud’s The Sculptor, which will have a print run of 100,000. [ICv2]