Johns & Frank Aim for 'Surprising and New' in Latest "Batman: Earth One" Volume
Creators | Garry Trudeau has some straight talk for those who criticized him for basing Sunday’s Doonesbury on the controversial Rolling Stone expose of the University of Virginia’s handling of rape cases — or thought maybe the strip was submitted before a number of commentators cast doubt on the lead anecdote in that article. The cartoonist insists that’s not the point: “We had some internal discussion about whether the flaws in the [Rolling Stone] reporting mattered here, and we concluded they didn’t. UVA is only used as setup to get the reader to consider the larger problem of institutions prioritizing their reputations over the welfare of those they’re charged with safeguarding.” [Comic Riffs]
Comic-Con International has announced the judging panel for the 2015 Will Eisner Comic Industry Awards.
The six-person committee will meet in early April in San Diego to select the nominees to be placed on the Eisner ballot, which will then be voted on by comics industry professionals. The judges are:
Guidelines for submitting materials will be released in early January; deadline for entries is March 17. The winners will be announced July 10 during an awards ceremony held in conjunction with Comic-Con International in San Diego.
Publishing | Alex Abad-Santos examines how Marvel has created a mystique around its writers’ retreats, using the necessary secrecy to transform the planning meetings “into something fans are genuinely interested in.” The piece goes beyond that, however, touching upon recent accusations of sexism, and the inclusion of newly Marvel-exclusive writer G. Willow Wilson in this month’s retreat. [Vox]
Comics | Matt Cavna interviews Matt Bors, editor of The Nib, the comics section of the website The Medium, which has become the go-to site for journalism and commentary in comics form. [Comic Riffs]
Best of the year | The Publishers Weekly critics vote for the best graphic novels of the year; Jillian and Mariko Tamaki’s This One Summer tops the list, and there are plenty of interesting suggestions as books that got even one or two votes are included. [Publishers Weekly]
The shortlist has been announced for the 2015 Stan Lee Excelsior Award and the new Stan Lee Excelsior Award Junior, whose winners are selected by students at secondary and primary schools, respectively, across the United Kingdom.
Established in 2011 by Paul Register, a school librarian in Sheffield, the Stan Lee Excelsior Award is designed to promote comics and to encourage children and teenagers to read. The Stan Lee Excelsior Award Junior is being introduced this year.
The winners — first, second and third place — will be announced in July. The nominees are:
Stan Lee Excelsior Award
Publishing | The British independent publisher Great Beast, which has released the work of Dan Berry, Marc Ellerby and Isabel Greenberg, among others, will close on Jan. 7. Founded in 2012 by Ellerby and Adam Cadwell, the publisher was something of a victim of its own success, as Cadwell explains: “As the group got bigger, as the books became more successful and as we widened the range of shops we sold to there became more of a need for the management and promotion to come from one or two people and Marc Ellerby and I (Adam Cadwell) happily took up that role. However, as time went on we found that the time spent working for the benefit of the group was getting in the way of us actually making our own comics, which is why we started the group in the first place… We looked at many ways of monetising the group so we could pay someone to run things whilst still giving the creators the bulk of the profits but we just couldn’t find a fair way to make it work.” [Great Beast Blog]
“What keeps this industry alive is creators doing their own work. Once you change a costume or origin enough times, it’s a dead body — you’re just electrocuting it and keeping it sort of shambling on. There is a lot more creator-owned stuff now, and some of it I look at and go, ‘Oh, that’s his pitch for a TV show. That’s his pitch for a movie. That’s him saying oh, this kind of thing sells.’ I didn’t do that. My one piece of advice to people who are saying “‘I wanna do it, but DC and Marvel pay so well …’ is that in between your big paying gigs, just find time just to do one comic! It doesn’t have to be a 6,000-page epic! It doesn’t have to be Hellboy! Ten years down the road, when you’re scrambling for work or drawing some book you hate, at least you did something when you had fire in your belly that’s really you.”
Diamond Comic Distributors has unveiled the Free Comic Book Day 2015 commemorative T-shirt designed by Amanda Conner and colored by Paul Mounts.
The tee, which will be available in adult and youth sizes from the January issue of Previews, depicts images of a variety of young readers — one of them otherworldly — enjoying comic books, set against a FCBD logo.
“I remembered what many of us comic book readers actually are … frustrated superheroes,” Conner said in a statement. “I thought about making a piece of art that would resemble a superhero insignia. Hopefully when you see it from a distance, that’s what it looks like.”
Diamond Comic Distributors has officially announced the date for Free Comic Book Day: May 2, 2015, the event’s traditional spot on the first Saturday in May, which coincides with the opening weekend of Marvel Studios’ Avengers: Age of Ultron.
Last year’s Free Comic Book Day saw a record-breaking turnout, with a reported 4.7 million comic books handed out to more than 1 million customers who showed up at the 2,100 participating locations across North America and around the globe. Diamond anticipates that next year’s celebration — the 14th — will be even bigger.
The 42nd Angouleme International Comics Festival is coming up Jan. 29, and over the Thanksgiving holiday organizers announced the nominations for the four juried prizes: the Sélection Officielle (the general category), Sélection Jeunesse (young people), Sélection Patrimoine (classics and reprints) and Sélection Polar (mysteries and thrillers).
Angouleme lives up to the “international” part of its name, as many of the selections were first published in English, including Chris Ware’s Building Stories, Brian K. Vaughan and Fiona Staples’ Saga, and Jillian and Mariko Tamaki’s This One Summer.
See the full list below.
Conventions | The San Diego Tourism Authority is asking hotels in the Comic-Con International room block to freeze their rates at the 2016 level for the following two years, as part of its bid to keep the convention in the city. Already, 30 of the 50 participating hotels have agreed to do so. Meanwhile, Mayor Kevin Faulconer will attend the next Comic-Con board meeting to make an appeal to organizers to remain in the city; Tourism Authority CEO Joe Terzi said Anaheim has made a bid for Comic-Con, but the city’s convention bureau wouldn’t comment.
A plan to expand the San Diego Convention Center collapsed after the hotel-tax funding scheme was ruled unconstitutional, but Anaheim is preparing to break ground on its own 200,000-square-foot expansion. However, Comic-Con spokesman David Glanzer said, “Some people had mistakenly implied that an expanded convention center would be the thing that solidified our decision to stay or go, but there are a number of factors to be addressed: hotel room rates, available space within hotels and outside the center, things that could mitigate the issue of having outgrown the convention center. An expansion would be great for the city and us, but if it doesn’t happen we’ve been able to make do without it, and if we can mitigate the concerns we do have we’ll be able to stay here.” [U-T San Diego]
SLG Publishing has been a major part of the American comics industry, helping to usher in notable creators like Charles Soule, Jhonen Vasquez and Jim Rugg. But for the past few years the publisher has been struggling.
Founder Dan Vado has been public about the company’s financial status, turning to crowdfunding platforms for help in keeping the business afloat — but with little success. He organized two unsuccessful Kickstarter campaigns in 2012, and returned this year, first with a GoFundMe effort and now with Patreon.
While none of the campaigns have reached the stated goal, Vado remains hopeful. The comics industry has witnessed numerous successful crowdfunding campaigns (even on a publisher level, such as with Fantagraphics), but SLG’s plight underscores that, unfortunately, they don’t all work out that way. But what’s so different about SLG’s situation?
Political cartoons | Turkish cartoonist Musa Kart, who was acquitted last month on charges of insulting President Recep Tayyip Erdogan, speaks out: “It’s a well known fact that Erdogan is trying to repress and isolate the opponents by reshaping the laws and the judiciary and by countless prosecutions and libel suits against journalists.” Kart faced a possible penalty of nine years in prison if he had been found guilty, and it’s not clear the case is over yet, as Erdogan could appeal the acquittal.“Unfortunately, day by day, life is getting harder for independent and objective journalists in Turkey,” Kart said. [Index on Censorship]
Political cartoons | Syrian Kurdish cartoonist Dijwar Ibrahim talks about his anti-ISIS cartoons, which are on exhibit in Iraq. [Al-Shorfa]
On Saturday, comic shops across North America and around the world will celebrate Halloween ComicFest, which has taken on the dimensions of a second Free Comic Book Day. This is a relatively new event — the first was held in 2012 — but according to the HCF website, more than 1,400 stores participated last year, attracting 100,000 customers. The event is run by a group of retailers, publishers and suppliers, with Diamond Comic Distributors handling publicity and a lot of the logistics.
This year’s comics lindup includes 12 full-size comics and seven minicomics, although all retailers may not offer all titles. It looks like most of the comics are repackaged first issues of series that have been around for a little while, like Afterlife With Archie, Rachel Rising and Scooby-Doo Team-Up — all fitting choices for Halloween reading. Zenoscope offers a reprint of its first Halloween Special, and Avatar Press has the first issue of Max Brooks’ Extinction Parade.
Legal | Former Turkish Prime Minister Recep Tayyip Erdoğan has filed a criminal complaint against cartoonist Musa Kart over a cartoon caricaturing Erdoğan’s attempts to cover up a graft investigation. The prosecutor initially decided that there were no grounds for legal action, but Erdoğan took his case to the Bakırköy 14th High Criminal Court, which ruled that the cartoon exceeded the bounds of normal criticism and allowed the indictment to proceed. Kart could face nearly 10 years in prison if convicted and given the maximum sentence.
Meanwhile, prosecutors have dropped charges against all 209 of the people suspected in participating in the actual corruption Erdoğan is accused of covering up; those charges would have included “the transfer of lands with a value of billions of dollars at very low prices, the seizure of mines from businessmen by force, tender-rigging, illegally giving state tenders worth billions of dollars to businessmen, changing the status of protected areas through bribery, opening these [areas] for construction and making large profits off of them.” [Today’s Zaman]
Publishing | DC Entertainment Co-Publishers Dan DiDio and Jim Lee talk about the state of the comics market, DC’s upcoming move from New York City to Burbank, the growing female audience and more. “There’s also a diversification within the audience itself the past couple of years,” Lee observed. “You’ve seen more women, more female readers, in general. When we launched Batgirl and Gotham Academy, those books struck a different note, different tonality, and that was in large part due to editor Mark Doyle bringing these projects together with different kinds of creators. It was our way of broadening the base of the Batman family of books but doing it in a different way to attract a different audience. I think it speaks well to the future that we’re not just going to strike the same note looking for the same customer. […] You can’t necessarily rely on the same continuity, the same core hardcore comics-driven material; you have to diversify, broaden your net and bring in different voices to the company.” [ICv2]