Why The Russos Are The Best Thing to Happen to the MCU Since Joss Whedon
Publishing | Admitting that “I don’t think men are as sexualized as women” in Marvel comics, Editor-in-Chief Axel Alonso says the publisher is moving toward including more types of female characters: “We believe there’s an audience of women out there who are hungry for this and we want to make sure they get it. This is affirmative action. This is capitalism.” Later he states, “I challenge you to find in Ms. Marvel anything that resembles the Playboy model standard. But I don’t want to be Mr. Goody-Two-Shoes. We’re creating stories. I don’t want to say there’s no room for stuff that’s not just fun. Then you’re censoring yourself. I want to make sure I have books like Ms. Marvel and Black Widow that I’m proud about and could give to my daughter. But at the same time I don’t want to be the PC police and say you can’t be naughty; you can’t be fun.” [The Telegraph]
Over the weekend, I witnessed what has the potential to turn into a grassroots campaign to help one of my favorite charities, The Hero Initiative.
Singaporean author Wayne Rée released his debut book Tales from a Tiny Room at the Singapore Toy, Games and Comic Convention, perhaps not the obvious venue for the introduction of a collection of short stories. Sure, there are accompanying illustrations by several comics artists, and a number of the stories seem ripe for adaptation as comics, but it’s definitely straight prose. Still, Rée chose the convention because comic books have long influenced him. This is not some keen observation; he’s open about it. For about a year, he wrote a series of columns about his journey of discovering comics at The Comics Observer (no relation to this column!).
On Twitter and Tumblr, he frequently cites his love of Spider-Man, Warren Ellis and Jamie S. Rich. He even received permission to use a portion of Matt Fraction’s talk “Batman Dreams of Hieronymus Machines” as the opening quote for Tales from a Tiny Room. And so, as a way to give back to what has given him so much, Rée announced he would donate one Singapore dollar to The Hero Initiative for every copy sold at the convention.
Presented Saturday in a ceremony at Baltimore Comic Con, the awards are named in honor of the late Harvey Kurtzman, the cartoonist and founding editor of MAD magazine, and selected entirely by creators. Longtime Batman film producer Michael Uslan served as the emcee, and writer Gail Simone delivered the keynote address.
The special awards were presented: the late Peanuts creator Charles M. Schulz was the first recipient of the Harvey Kurtzman Hall of Fame Award; longtime Archie Comics cartoonist Stan Golberg, who passed away Aug. 31, received the Dick Giordano Humanitarian of the Year Award; and seminal Incredible Hulk artist Herb Trimpe was given the Hero Initiative Lifetime Achievement Award.
The winners can be found in bold below:
Comics | Almost half the attendees at this year’s Comic-Con International in San Diego were women, writes Yael Kohen in an article about the growing importance of women to the comics industry. He cites statistics showing that young women are the fastest-growing segment of the comics audience, talks to Image Comics President Eric Stephenson and a woman who works in a comic shop, and mentions the enduring popularity of manga and Marvel’s recent introduction of more interesting female characters. With all that material to work with, it’s too bad he started with a lead right out of the 1950s, something about a fashion show at Comic-Con, as if that’s what all those women were there for. [BloombergBusinessweek]
Creators | Writer Jen Van Meter discusses her newest project, Valiant’s first female-led series, The Death-Defying Doctor Mirage. [Hero Complex]
Conventions | Although the planned $500 million expansion of the San Diego Convention Center is, by all appearances, dead, Comic-Con International isn’t ready to say what it will do when its contract expires in 2016. “With regard to the convention center expansion, I can say that any decision to remain in San Diego has always been dependent upon a number of factors, and no one issue could really trump the others,” says David Glanzer, Comic-Con’s director of marketing and public relations. He notes that organizers previously worked with the city, convention center and hotels to expand programming venues, and they continue to discuss such issues as “space, hotel rates and other logistical factors that need to be addressed if we are to remain in San Diego.”
The proposed expansion would have added 740,000 square feet of exhibit space, a five-acre rooftop park, a waterfront promenade with retail shops and restaurants, and a second, 500-room tower to the adjacent Hilton San Diego Bayfront Hotel. However, a California appeals court ruled Aug. 1 that a planned hotel tax intended to pay for the bulk of the costs was unconstitutional, as it was never put to a citywide vote. Anaheim and Los Angeles attempted to woo Comic-Con away from San Diego in 2010. [ICv2.com]
JL8 creator Yale Stewart announced he’s “stepping away” from his popular fan comic amid sharp criticism of his charity wallpapers, and allegations that he’s sent unsolicited sexual photos to women in the comics industry.
Update (10:44 a.m.): Stewart admitted this morning to sending photos to two women with whom he was involved, writing, in part, “Two years ago, I was engaged in two separate relationships with women whom I was sexually active with. Given the nature of these relationships, my experiences in past relationships, and various dialogues with these women, I thought it had been established within each relationship that intimate or explicit photos were acceptable, possibly even desired. I GROSSLY misread the situation. It has been brought to my attention that both of these women were uncomfortable with my behavior, and needless to say, I’m absolutely disgusted with myself.”
“[…] I have reached out to both of these women and have made private apologies, but I felt it was my responsibility to make a public one as well. As stated earlier, I believe sexual harassment to be an incredibly serious issue, and while the harassment in question was a terrible and ignorant mistake, it does not change the fact that that’s what this was, and I accept full responsibility.”
There’s more at the link. The original story continues below …
The nominees have been announced for the 2014 Ignatz Awards, which will be presented Sept. 13 during the Small Press Expo in Bethesda, Maryland.
Named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat strip, the awards recognize achievement in comics and cartooning. Nominees are selected by a panel of five cartoonists — this year it was Darryl Ayo, Austin English, Melissa Mendes, Thien Pham and Whit Taylor — and then voted on by SPX attendees.
The nominees are:
Publishing | Seconds, by Scott Pilgrim creator Bryan Lee O’Malley, had an impressive debut, landing at No. 2 and No. 5 on the BookScan chart of graphic novels sold in the book channel in July. The book had a standard edition and a Barnes & Nobles exclusive. ICv2 reckons if there had been a single edition, Seconds would have topped the list; instead, the No. 1 spot went to the latest volume of Naruto. It was also a good month for DC Comics, which charted seven titles, six of which involve Batman.[ICv2]
Publishing | In an overview of the comics and graphic novel market, ICv2 reports direct market retailers are optimistic despite flat sales in the first half of the year. [ICv2]
Jack Kirby’s granddaughter Jillian has kicked off the third annual Kirby4Heroes campaign to help creators in need.
On Aug. 28, what would’ve been the legendary artist’s 97th birthday, comics stores across the country will donate a portion of that day’s sales to The Hero Initiative, a nonprofit organization dedicated to providing a financial assistance to creators. (An in-progress list of participating stores can be found on the Kirby4Heroes Facebook page.)
Publishing | Leyla Aker, Viz Media’s vice present of publishing, and Kevin Hamric, its director of publishing sales and marketing, discuss the state of the manga market and how the company’s books are selling through the print and digital channels (including comiXology, where Viz just signed on last month). One interesting tidbit: Viz products are carried by 64 percent of Diamond Comic Distributors’ accounts (i.e., comic shops). “Some of the store owners just don’t understand manga yet,” Hamric said. “They’re like librarians were years ago. They’re afraid of it, but if it’s children’s and Pokemon, or has a tie-in, especially to anime or television, then they’re not afraid to take it.” [ICv2]
Publishing | Tom Spurgeon talks to Drawn and Quarterly’s Tracy Hurren about the company’s new website, which launched this week, as well as life in the D+Q offices. [The Comics Reporter]
With Comic-Con International 2014 a few day behind us, everyone has a chance to unpack, rest up and get ready for the next big convention (New York Comic Con is Oct. 9-12, by the way). But before we’re completely finished with San Diego, let’s take a look at some interesting numbers from the big event:
• Comic-Con International is by far the largest event on the San Diego Convention Center’s 2014 calendar, with its 130,000 attendees, in the words of The New York Times, “far outstripping the combined total of its next four largest conventions, expected to be about 62,500 people.” According to a convention center report (PDF), this year’s installment was estimated to have a $177.8 million economic impact.
Conventions | Image Comics content manager David Brothers explains why this year’s Comic-Con International was a great convention, pointing out that there’s a lot more to the event than movies and television, and there’s a lot more to comics than the Big Two: “Marvel and DC are comics, just like the other publishers, and they make some great ones when they let the creators do their own thing. But at this point? You can’t treat them like the entirety of the comics industry, or even two companies that can dictate the future of comics. They run the movies, and that’s cool, but running comics? It’s just not true any more. Image in particular outsells Marvel in the book market as far as trade paperbacks go, and that holds true in the comics market lately, too. That’s no coincidence. People enjoy Marvel and DC, but they want more than Marvel and DC.” [io9.com]
Merchandise — toys, apparel, posters, etc. — was the strongest category, climbing 10.4 percent over the same period in 2013, while graphic novels inch upward 2.9 percent. Sales of comics slipped 1.4 percent. In a statement, Chris Powell, Diamond’s vice president of retailer services, framed the performances of the comics and graphic novel categories as “level compared to last year, but [they] are still 12 percent above 2012 sales figures.”
Conventions | An advocate for the homeless claims San Diego police are harassing homeless people to keep them away from downtown during Comic-Con International. The mayor and police chief deny the accusation and say officers are simply doing outreach, but at least one homeless man has been given a “stay away” order. Comic-Con begins Wednesday with Preview Night. [ABC 10 News]
Digital comics | Following the news that the comics market was estimated at $850 million in 2013, of which $90 million was digital, George Gene Gustines looks at a couple of different digital models, including Thrillbent’s new subscription service and Panel Syndicate, Brian K. Vaughan and Marcos Martin’s name-your-own-price approach. [The New York Times]
Superhero comics deal in extremes: Characters overreact, the world is in constant jeopardy, and the solution almost always involves physical combat. So maybe I shouldn’t have been surprised when the #FireRickRemender fiasco erupted. There was no conversation. Instead, people hurled accusations and argued over whether a writer should keep his job, while others mocked the whole thing. The rest of us silently watched from the sidelines, and that was pretty much it: That was how comics professionals, fans and industry observers handled a three-page scene from Captain America #22.
I guess I should be happy that people are so passionate about these stories and the creators behind them. If we were all so blasé and detached, sales would probably not just be flat so far this year, they’d be in the gutters. Yet I can’t help but feel disappointed, because I know we can do better than this.