comics sales Archives - Page 3 of 6 - Robot 6 @ Comic Book Resources
Publishing | Comics sales were up 22 percent in the direct market over January 2012, and graphic novels increased by nearly 38 percent. This good news is tempered a bit by the fact there were five Wednesdays in this January (or 25 percent more Wednesdays, if you want to look at it that way), but that fifth week is usually a quiet one for new releases, so I think we can call this a win. The retail news and analysis site ICv2 credits Marvel NOW! and a strong backlist for the boost. [ICv2]
Publishing | Dark Horse’s video-game art book The Legend of Zelda: Hyrule Historia last week was the No. 1 book in the United States, according to Nielsen BookScan — not merely in the graphic novel category, but in any category. The initial print run was 400,000 copies. (Comic Book Resources interviewed the book’s editor Patrick Thorpe last month.) [ICv2]
Comics | A Columbus, Ohio, entertainment weekly lays out a case for the city — home of Jeff Smith, the Billy Ireland Cartoon Library & Museum and the Small Press and Alternative Comics Expo — becoming, like Portland, Oregon, a hub for comic books. “Comics in Columbus is a weird underground, sort of hip-hop thing,” indie publisher Victor Dandridge Jr. says. “We’re like hip-hop in the Bronx in ’79, just on the corner doing our thing.” [Columbus Alive]
Conventions | Bart Beaty files a final report on this year’s Angouleme International Comics Festival, and his verdict is … meh. “There was a consensus all around that the show was flat. People would throw around adjectives like “fine,” “good,” and “okay.” It wasn’t a disaster (as were some of the shows disrupted by construction), but it also wasn’t that memorable either” [The Comics Reporter]
Publishing | As the smoke settles around the turmoil at Platinum Studios, it appears that company founder and CEO Scott Rosenberg remains in his position following an attempt by President Chris Beall to unseat him — and it’s Beall instead who’s been voted out. According to Deadline, Beall stands by his claims that Rosenberg has mismanaged Platinum and transferred controlling interest in the company to a shell entity called RIP Media without the approval of shareholders. Rosenberg denies the accusations, including that he controls RIP. The Beat has background on the whole mess. [Deadline]
Passings | Cartoonist Chris Cassatt, one of the contributors to the comic strip Shoe, has passed away following a short illness. He was 66. Cassatt started out in 1993 as the assistant to Shoe creator Jeff MacNelly and worked with him until MacNelly’s death in 2000. After that, he collaborated with Susie MacNelly and Gary Brookins on the strip. In earlier days he was a photographer for the Aspen Times in Colorado and also created a local comic featuring a character named Sal A. Mander whom he had run in actual local elections. “After candidate Sal A. Mander was thrown off the ballot in an Aspen mayoral election on the shaky (in Aspen, anyway) grounds that he was not a ‘real person,’ Cassatt legally changed his name to Sal A. Mander and ran for Colorado governor in 1978, finishing fifth in a six-candidate contest,” the newspaper writes. The following year, he mounted a write-in campaign for Sal against an unpopular district attorney who was running unopposed. He lost, but the ridicule Cassatt’s character heaped on the D.A. during the campaign took its toll, and he didn’t stay in office for long. [Aspen Times]
Publishing | The Amazing Spider-Man #700 led the pack in the December comics numbers with 200,000 copies selling to comics shops, and with a cover price if $7.99, it racked up a cool $1.6 million in sales. Avengers #1 sold 186,000 copies but at a more reasonable price, so the dollars didn’t pile up as high for that one. ICv2 also has the December charts for the Top 300 comics and graphic novels in the direct market. John Jackson Miller takes it to the next level with sales estimates for the top 1,000 comics and trades of 2012. [ICv2]
Publishing | At the other end of the scale, Rob Clough talks to Chuck Forsman, the guy behind micropublisher Oily Comics. [The Comics Journal]
Legal | A Belgian court of appeals has ruled that Tintin in the Congo is not racist and stated that the book has “gentle and candid humour.” The ruling came in a case brought in 2007 by Bienvenu Mbutu Mondondo, an immigrant from the Congo, and the Belgian Council of Black Associations. Although Herge himself expressed regret in later life for the book, which includes numerous depictions of black characters as stupid and inferior, the court did not support the plaintiffs’ claim that “The negative stereotypes portrayed in this book are still read by a significant number of children. They have an impact on their behaviour.” [Sky News]
Retailing | Retailers are “cautiously ecstatic,” ICv2 reports, ecstatic because comics sales have increased in the direct market every month for the past 12 months, and cautious because this “return to floppies” comes after years of a seesawing market and they know things can change at any time. The article contains links to the news and analysis site’s lists of the top graphic novel properties in a number of categories, including superheroes, manga, and kids’ comics. [ICv2]
Creators | The Sri Lankan political cartoonist Prageeth Eknelygoda has been missing for 1,000 days as of Tuesdayy, and his wife is convinced the government has something to do with that. [The Daily Cartoonist]
Creators | This article about T. Casey Brennan, who wrote for Creepy, Eerie and Vampirella, takes a number of weird turns, not least when Brennan claims to have shot JFK — and when he shows up in the comments section to dispute everything in the article. Brennan’s life seems to have taken a turn after he was injured in an automobile accident, and he now is homeless and but apparently happy. [The Washtenaw Voice]
Publishing| Comics sales in the direct market were down in September relative to last year, but that may be because the launch of DC’s New 52 pushed sales unusually high in September 2011. Graphic novels were up by 14.4 percent, making for a slight uptick in the overall market. Year-to-date and third-quarter sales were also up by a goodly amount from last year. [ICv2]
Editorial cartooning | The position of editorial cartoonist as a staff job on a newspaper is rapidly becoming a thing of the past, but attendees at the American Association of Editorial Cartoonists meeting in Washington, D.C., don’t seem too downhearted; new opportunities are opening up, and this year’s presidential campaign is presenting them with plenty of material. “Times are tough for the old idea of cartoonists, but all kinds of other things have opened up,” said cartoonist Chip Bok, “And editorial cartoons, all cartoons, are more popular than ever. You see them all over the Internet. The problem now is figuring out how to get paid.” [Voice of America]
Graphic novels | The seventh volume of Sailor Moon was the top-selling graphic novel in bookstores in September, according to BookScan, followed by Naruto,Vol. 58, an Avengers character guide, the third volume of Batman: Knightfall, and vol. 3 of Avatar: The Last Airbender: The Promise. ICv2 notes that, the Avengers book aside (and it is published by DK Publishing), Marvel is completely absent from the top ten, although DC makes a strong showing. [ICv2]
Creators | Hope Larson, who adapted Madeline L’Engle’s A Wrinkle in Time into graphic novel form, chats with Margaret Ferguson, her editor on the project. [Publishers Weekly]
Retailing | ICv2 analyzes the August direct market numbers and comes up with some interesting patterns: While the market as a whole is up, the number of comics with sales of more than 1,000 has been declining; sales dropped a bit for most ongoing comics series in the Top 25, but strong sales of Before Watchmen and two annuals more than compensated for that; and graphic novels sell in far lower numbers than comics, but because many of them are backlist titles, the numbers still increase from year to year. ICv2 also posted lists of last month’s Top 300 comics and graphic novels. [ICv2]
Publishing | Yet another big publisher spawns a graphic novel imprint: This time it’s Penguin, whose Berkley/NAL division will launch a graphic novel imprint, InkLit, next month. Helmed by former DC vice president and Yen Press co-founder Rich Johnson, InkLit will publish both original graphic novels and adaptations of prose works. The line will begin with Vol. 1 of Patricia Briggs’s Alpha and Omega, which collects the trades published by Dynamite; the second volume will be all new material. Also in the works are books by Charlaine Harris, Laurell K. Hamilton, and Sage Stossel. [Publishers Weekly]
Comics | The August direct market sales numbers are in, and things look good: Comics sales are up almost 20 percent over August 2011, and graphic novels are up 15 percent. This isn’t just a fluke, either: Year-to-date sales are up about the same in both categories. DC had a slight edge in market share, Marvel did slightly better on unit sales, and interestingly, the Big Two stole back a bit of market share from everyone else. And as with bookstore sales, Batman ruled the direct market: “The influence of The Dark Knight Rises is more obvious in the bookstore channel with its tendency to foster backlist sales (Frank Miller’s 1980’s classic, The Dark Knight Returns was tops in the bookstores), while the direct market sales are concentrated more on the most recent releases such as Johns’ Batman: Earth One, which was released in July and Snyder’s New 52 volume that was out in May.” [ICv2]
Passings | Illustrator and panel cartoonist Art Cumings has died at the age of 90. Mike Lynch describes Cumings as “an illustrator’s illustrator and a cartoonist’s cartoonist”; his work appeared everywhere from Dr. Seuss books to Penthouse magazine, and it’s worth hitting the link to see his Balloonheads cartoons from the latter. (NSFW, but in a cute, colorful way.) [Mike Lynch Cartoons]
Retailing | DC Comics dominated bookstore graphic novel sales in August, probably because of the release of The Dark Knight Rises and a “buy two, get one free” sale on DC graphic novels at Barnes & Noble. Six of the Top 10 titles are Batman comics, with The Walking Dead, Watchmen, Avatar: The Last Airbender and Naruto each taking a slot as well. [ICv2]
Creators | Judge Dredd writer John Wagner talks about the origins of his character, the importance of U.K. publisher DC Thomson, and his dislike of digital comics. [The Daily Record]
Creators | Nick Spencer guests on Kieron Gillen’s podcast to discuss Morning Glories. [Kieron Gillen's Workblog]
Publishing | Kodansha’s Attack on Titan, the action-fantasy manga by Hajime Isayama, has sold more than 9 million copies in Japan, according to the Sports Nippon newspaper. The eighth volume was released last week in Japan; Kodansha USA will publish the second volume next month in North America. [Anime News Network]
Publishing | Alex Zalben pays a visit to the Valiant offices and talks shop with editor Warren Simons: “Asking whether the idea was to set these up so that you can go right to TV, video games, or other properties, Simons strongly denies that was behind the relaunch. ‘I think you have guys who really love comic books,’ said Simons. ‘I’m just interested in publishing comic books. Obviously in this space, in this day and age you want to pay attention to everything – just like everyone does. But I think it all derives from publishing … [The publishers] just wanted to read comics about the characters that they loved growing up!’” [MTV Geek]
John Jackson Miller takes a hard look at the July sales charts, starting by parsing the numbers for the month’s top seller, The Walking Dead #100. Diamond Comic Distributors estimates place sales of the regular comic at 335,000 copies, plus almost 31,000 of the $9.99 Chromium Edition. That’s a bit less than the 383,612 copies Image Comics announced, but as Miller notes, the Diamond numbers don’t include reorders, overseas sales, newsstand sales and other channels.
Anyway, just adding those first two numbers, U.S. direct-market sales of the regular issue and the variant cover, this comic sold 366,000 copies, setting a new record for the highest orders for a comic in a single month, handily beating The Amazing Spider-Man #583 (the Barack Obama issue), the previous top seller for the 21st century, and The Darkness #11, Image’s previous all-time top seller.
Miller spends a bit of time contemplating whether variant covers should be included in the one-month total. I paused to wonder how many of the variants are being bought by collectors who are picking up the standard cover as well, but in the end, a sale is a sale, regardless of why it occurs.
While all this is great news for Image, Miller makes an observation further down in the post that should give readers pause: “As reported last Friday, the market overall continued to percolate, up nearly 20% over the previous year. A gap is developing between the sales of the Top 300 graphic novels and graphic novel sales overall; the Top 300s for the last seven months are up 25% over last year, whereas everything in the category is only up 14%. That suggests a list that’s been top-heavy with unit volume and/or dollars.”
It would be interesting to take a closer look and see where the drop-off occurs; it may not be at 300, and if it’s further up the list, that would suggest a winners-and-losers scenario that could be bad news in the long run.
Publishing | ICv2 sits down for a three-part interview with DC Comics Co-Publishers Jim Lee and Dan DiDio that takes the long view of the past year, covering the launch of the New 52, the effect of digital and the loss of Borders, and the recent discussions around creators’ rights. “It’s a cyclical thing. It’s an issue that constantly comes back,” DiDio said. “We hear about the great jobs and the great books that creators might participate in, but what we don’t hear about are all the books we’ve invested in over the years that never delivered, where we’ve invested in the talent and the time to make sure they had the opportunity to tell the stories they tell. It’s a very big picture, and it’s a very complex issue that can’t be boiled down. One thing I feel the most strongly is that I feel extraordinarily confident that we do everything we can to make this a very creator friendly company, to make sure they have an opportunity to tell the stories they want to tell with our characters and also in their creator owned stories too.” [ICv2]
Legal | In a motion for summary judgment filed Monday in the long-running legal battle for the rights to Superman, attorneys for Warner Bros. are revisiting their 2009 argument that the estate of Joe Shuster has no grounds to reclaim the artist’s share of the copyright to the Man of Steel. They point to a 1992 agreement in which the estate relinquished all claims in exchange for “more than $600,000 and other benefits,” which included DC Comics paying Shuster’s remaining debts follow his death earlier that year, and providing his sister Jean Seavy with a $25,000 annual pension. Daniel Best has the documents, while Jeff Trexler provides context, noting that the new filing “filing wasn’t a Perry Mason-esque unveiling of surprising new facts. Rather, it was a routine motion for summary judgment.” A hearing is scheduled for Aug. 20. [20th Century Danny Boy, The Beat]