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Publishing | DreamWorks Animation’s announcement on Monday that it is launching its own book-publishing unit doesn’t mean the end of the road for its comics licensees, at least not yet: ICv2 talked to representatives from IDW Publishing, which publishes the Rocky & Bullwinkle comics, and Ape Entertainment, which has had a number of DreamWorks licenses, and both say that this won’t affect their comics. [ICv2]
Auctions | A collection of comics that included the first issues of The Amazing Spider-Man and the British satirical comic Viz, as well as long runs of several Marvel series, brought in almost £25,000 (about $41,300 U.S.) at an auction in Newcastle, England. The majority of the comics were from a single collector whose wife decided to put them up for sale after he died. For those who are curious about the details, Duncan Leatherdale of The Northern Echo liveblogged the auction. [BBC News]
Three months after an original 1986 Sunday installment of Calvin and Hobbes, drawn and hand-colored by Bill Watterson, sold for $203,150, another original strip is going on the auction block.
Like the previous piece, this daily strip was part of a 1986 swap between Watterson and Adam@Home and Red and Rover cartoonist Brian Bassett. However, The Daily Cartoonist notes that while Bassett sold the other original to help with the expenses of a divorce and upcoming marriage, this one is being offered by his ex-wife Linda through Heritage Auctions (both are signed by Watterson to Brian and Linda).
The strip, part of Heritage’s Feb. 21-23 Vintage Comics & Comic Art Signature Auction in New York City, has already garnered a top online/telephone bid of $15,000. The company cautions, “We know you’ve heard us say this before, but consider this a rare opportunity that may not be repeated for a long time to come. We have no more Watterson Calvin originals ‘waiting in the wings’ to trot out next time around.”
See the full strip below.
Digital comics | Today, Viz Media marks the first anniversary of the launch of its digital magazine by changing its name from Shonen Jump Alpha to Weekly Shonen Jump (the same as its Japanese counterpart) and going to simultaneous release of most series with Japan as well. Editor-in-Chief Andy Nakatani talks about the changes as well and looks back at how the magazine has done in the year since it changed from a print monthly to a digital weekly. [ICv2]
Digital comics | The U.K. children’s comic The Phoenix just became available internationally with its release as an iOS app, and I interviewed Russell Willis of Panel Nine, which created the app, about the challenges involved. Panel Nine has also published Eddie Campbell’s Dapper John comics, David Lloyd’s Kickback, and the works of underground cartoonist Hunt Emerson as standalone apps, and Willis has big plans for more digital indy comics in the future. [Good E-Reader]
An ill-timed installment of Broom-Hilda has forced the Chicago Tribune to explain how the comic made its way into the newspaper in the aftermath of last week’s shootings in a Colorado theater.
Part of a series of gags involving a conversation between the title character and a little girl who talks really loud, Wednesday’s strip (above) featured the child relating, “It makes people mad when I talk at movie theaters. Especially during action-adventure films. They can’t hear the gunshots!”
In an article on the newspaper’s website, Associate Managing Editor Geoff Brown wrote, “What might have caused a smile before the Aurora, Colo., mass slayings last week at a screening of The Dark Knight Rises seemed inappropriate today.”
Passings | The Comics Journal collects tributes to Maurice Sendak, the legendary children’s book author and illustrator who passed away Tuesday at age 83. Philip Nel, director of Kansas State University’s Program in Children’s Literature, also writes an obituary for the influential creator of Where the Wild Things Are. [TCJ.com]
Publishing | In an interview with the retail news and analysis site ICv2, IDW Publishing President and CEO Ted Adams says that while digital sales are at 10 percent of print sales, both are going up: “There’s just no question at this point that selling comics digitally is definitively not impacting [print] comic book sales. If anything you could make the argument that the success of digital is driving more print comic book sales. The correlation at this point is that increased digital has resulted in increased print. Whether or not that is a direct correlation, I don’t know how you would figure that out. I can say with no uncertainty that our increased digital revenue has come at a time when we’ve had increased comic book sales.” [ICv2]