ComicsPRO Archives - Robot 6 @ Comic Book Resources
THE DARE: To create a complete 24 page comic book in 24 continuous hours.
That means everything: Story, finished art, lettering, color (if applicable), paste-up, everything. Once pen hits paper, the clock starts ticking. 24 hours later, the pen lifts off the paper, never to descend again. Even proofreading has to occur in the 24 hour period. (Computer-generated comics are fine of course, same principles apply).
No sketches, designs, plot summaries or any other kind of direct preparation can precede the 24 hour period. Indirect preparation such as assembling tools, reference materials, food, music etc. is fine.
The 24 hours are continuous. You can take a nap, but the clock keeps ticking. If you get to 24 hours and you’re not done, either end it there (“the Gaiman Variation”) or keep going until you’re done (“the Eastman Variation”). I consider both of these “Noble Failure” Variants and true 24 hour comics in spirit; but you must sincerely intend to do the 24 pages in 24 hours at the outset.
It was Nat Gertler who turned the dare into an event: As he told ROBOT 6’s Tim O’Shea earlier this year, on the 10th anniversary, it started as a way to drum up publicity for an anthology of 24-hour comics he was publishing, and it snowballed from there. Now it is organized by the retailer group ComicsPRO, and participants are invited to send their 24-hour comics to the the national 24-Hour Comics Day archive at the Billy Ireland Cartoon Library and Museum at Ohio State University.
Retailing | Dennis Barger, co-owner of Wonderworld Comics in Taylor, Michigan, and the driving force behind the new retailer association CBRA (Comic Book Retailers Alliance), says direct-market stores want publishers to pull back on same-day digital release, and debut the print comics first. He says ComicsPRO, the established, much larger, trade organization, is taking the wrong approach in trying to adapt to digital. Barger also feels that hand-selling by employees, not social media, is what propels sales of comics, especially non-Big Two titles: “The employees at local comic shops pushing these books is the difference in being in the top 200 and the bottom 300 in sales for those books.” A shift to digital, which removes the local comics shop from the equation, would thus harm second-tier publishers such as Dark Horse, BOOM! Studios and IDW. The association was able to purchase an exclusive variant cover for The Amazing Spider-Man #1, drawn by John Romita Sr., for its members. [The News-Herald]
Thursday marks 10 years since the first 24 Hour Comics Day. In recognition of this milestone, Nat Gertler, who organized that first day and orchestrated the event annually through 2007, was more than happy to share his recollections of its formation. One detail that surprised was that the 2005 collection features the first sold story by award-winning artist Fiona Staples.
Eric Stephenson means well. As publisher of Image Comics, and even before he held that position, he’s often called out for change in the comics industry. I love these calls to action, even if they’re not always graceful; change usually isn’t. Most of us agree that changing the comics industry for the better is in everyone’s best interest, but how to change it and how we define better is when things get messy. I’m usually in agreement with what Stephenson is saying, but his speech last week at the ComicsPRO annual meeting was jumbled and tripped over itself when it came to licensed comics.
Stephenson got hung up on a significant sector of comics publishing, and I think it muddied his larger message. In his speech, as I’m sure you’ve seen re-quoted multiple times by now, he claimed that licensed comics like IDW’s Transformers and GI Joe, and Dark Horse’s Star Wars “will never be the real thing.” In the lead-up, he also explained there are “only two kinds of comics that matter: good comics and bad comics.” Now, he never outright said licensed comics are in the “bad” category, but some certainly viewed that as the implication.
His argument is that comics should rely on original ideas to produce original content, a point he underscored by pointing to the perennial bestseller The Walking Dead and the fast-growing Saga, both coincidentally published by Image. I agree original comics are where the magic can happen, and where the creators can most benefit. But that doesn’t mean everything else is by default a waste of time.
Publishing | Viz Media’s Kevin Hamric discusses how the availability of streaming anime has been boosting sales of the related manga. Series that have gotten a boost lately include Blue Exorcist and Kamisama Kiss: “Overall streaming has had a positive effect on our book sales. In recent years, Blue Exorcist is probably the biggest example I can give — one of newest hits under our Shonen Jump Advanced imprint. We launched our series [in 2010] and had very good sales (they matched our expectations), but once the anime was available through streaming, sales jumped through the roof, and that was in 2011. So streaming was fairly young at that time. Once the anime was streaming, sales of the manga were way above expectations.” [ICv2]
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.
And what a week it was, as we learned about a new Rocket Raccoon series by Skottie Young, Paul Levitz getting a new gig at BOOM!, the return of Jellaby and more. So let’s get to it …
Passings | Lew Stringer reports that British artist Charles Grigg died Wednesday at age 97. Grigg is probably best known for drawing Korky the Cat, whose adventures graced the cover of the weekly comic The Dandy for decades, and he drew a number of other strips for The Dandy and The Topper as well. After he retired he had a second career drawing naughty postcards. [Blimey!]
Retailing | The direct-market trade organization ComicsPRO has announced its annual membership meeting will be held Feb. 26-March 1 in Atlanta. [ICv2.com]
Creators | Art Spiegelman talked to students at Lakeland College recently and then sat down to answer some questions about his love of comics, how his depression affected his work, and whether he has any regrets about the way he portrayed his father in Maus. [The Lakeland Mirror]
Publishing | John Jackson Miller dissects the latest sales numbers and finds July 2013 to be the second-best month for comics sales in the direct market so far this century—actually, since 1997. Combined comics and graphic novel sales were up almost 17 percent compared to July 2012, and year-to-date sales are up almost 13 percent compared to last year. [The Comichron]
Retailing | Brian Hibbs, one of the founding members of the direct-market trade organization ComicsPRO, has left the group “because of the reactions of the Board to recent DC moves.” He revealed his decision in the comments on his blog post about DC’s allocation of 3D covers for Villains Month: “The org that I formed was intended to look out for the little guy; the current Board seems much more interested in keeping the big guys big. Democracy in action, I suppose, so I vote with my dollars.” [ICv2]
Comics sales | Is Mark Millar on to something after all? The first issue of Jupiter’s Legacy sold more than 105,000 copies to direct market stores in April; the only other Image comic to reach those numbers in recent years is The Walking Dead. ICv2 runs the numbers and also posts the Top 300 comics and graphic novels for April. [ICv2]
Passings | Matt Groening’s mother has died at the age of 94. Although she always went by Margaret, Groening borrowed her name for Marge Simpson in his animated series The Simpsons. [Comic Riffs]
Retailing | Amanda Emmert has resigned after nine years as executive director of ComicsPRO, the direct-market trade organization. [ComicsPRO]
Digital comics | The manga publisher Viz Media has signed on to iVerse’s digital comics app for libraries; this is big news, because manga, especially Viz’s teen-friendly line, is still very popular in libraries. [press release]
Publishing | In his address last weekend to the ComicsPRO annual meeting in Atlanta, Image Comics Publisher Eric Stephenson urged the audience to continue asking “What’s next?” [Comics Alliance]
Retailing | Journalist and retailer Matthew Price wraps up the ComicsPRO meeting, noting Diamond’s report of a healthy year for comics retailers, with comics sales up 16 percent, graphic novels up 13 percent, and merchandise up 9 percent from last year. [The Oklahoman]
Like the early-morning regrets after an all-night bender, DC Comics reportedly has decided to pull back from plans for its “WTF Certified” cover promotion — at least in terms of the controversial title.
Newsarama reports that Co-Publisher Dan DiDio told attendees at last week’s ComicsPRO annual meeting the “WTF Certified” logo won’t appear on any of the comics released in April, “because we don’t need it.” According to an unnamed retailer, DiDio said there’s already awareness of the event among store owners and readers.
When contacted this morning by ROBOT 6, DC declined comment.
The title refers to the linewide event featuring gatefold covers designed to reveal scenes that “leave reader in a state of shock.” “This was a way to accentuate that threat or shocking moments in our heroes’ lives,” Editor-in-Chief Bob Harras said in a Jan. 14 interview with Comic Book Resources. “What we’re doing with the covers is thematically linked to that. They will be page-fold covers; the covers will tell you a story. There will be an image that will crack the page fold, and as you open up the cover, you’ll say, ‘Oh, wow!'”
It sounds like some interesting announcements were made at the ComicsPRO meeting over the weekend in Atlanta, and one that is already hitting the streets is that IDW Publishing will release an entire line of comics based on Cartoon Network properties.
“Many of these Cartoon Network shows have only grown in popularity since they originally aired,” Chris Ryall, IDW’s chief creative officer and editor-in-chief, said in the press release, “and we’re excited to be able to offer new iterations of the characters in comic-book form alongside both our planned reprint material and also some new animated ventures Cartoon Network has planned, too. There’s a wealth of fun properties to play with here, and we’ve already got some unique things in mind for them.”
The starting lineup will include The Powerpuff Girls, Ben 10, Dexter’s Laboratory, Samurai Jack, Johnny Bravo and Generator Rex. Many, if not all, have been made into comics before: DC released 70 issues of its Powerpuff Girls comic and 34 issues of Dexter’s Laboratory, in addition to a Cartoon Network Action Pack anthology, which featured many of the network’s other characters (like DC Entertainment, Cartoon Network is a subsidiary of Time Warner), and Del Rey published a Ben 10 graphic novel that was written by Peter David and illustrated by Dan Hipp. So there is an interesting back catalog to draw on in addition to new material.
An IDW spokesperson told ICv2 that the first release in the new line will be a Powerpuff Girls comic this fall.
George A. Romero’s not-so-secret Marvel project appears to be lumbering toward a fall debut.
As part of its presentation on Friday to the annual meeting of ComicsPRO, the direct-market trade organization, the publisher released a blood-spattered “Marvel of the Dead” teaser (below) that could only be for the comic the horror legend revealed four months ago.
“I’m writing it now, but its plot is a secret,” the filmmaker said in October. Prodded for details, he added, “Well, I can tell you it won’t involve any of their on-going characters, there will be no superheroes. But it will involve zombies!”
Comics | The Wall Street Journal takes a look at comics as investments. Interestingly, while the rare, old issues bring in the big money, some more recent comics, like the first issue of Saga, have appreciated quite a bit. There’s also an accompanying video. [The Wall Street Journal]
Retailing | ComicsPRO, the comics retailers’ association, held its annual meeting over the weekend in Atlanta, where the group bestowed its Industry Appreciation Award on Cindy Fournier, vice president of operations for Diamond Comic Distributors. Thomas Gaul, of Corner Store Comics and Beach Ball Comics in Anaheim, California, also was elected as president of the board of directors. [ComicsPRO]
ComicsPRO, the trade organization for comics retailers, has announced the nominees for its fourth annual Industry Appreciation Awards recognizing those who make the direct market “more successful for all of us.”
The awards are divided into two categories, one for professionals still active in the industry, and a Memorial Award for those who have passed away. The nominees are:
Industry Appreciation Award
- Scott Dunbier, senior editor of special projects at IDW Publishing
- Cindy Fournier, vice president of operations for Diamond Comic Distributors
- David Gabriel, senior vice president of sales and circulation for Marvel
- Bill Schanes, vice president of purchasing for Diamond Comic Distributors
- Eric Stephenson, publisher of Image Comics