Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
Like the early-morning regrets after an all-night bender, DC Comics reportedly has decided to pull back from plans for its “WTF Certified” cover promotion — at least in terms of the controversial title.
Newsarama reports that Co-Publisher Dan DiDio told attendees at last week’s ComicsPRO annual meeting the “WTF Certified” logo won’t appear on any of the comics released in April, “because we don’t need it.” According to an unnamed retailer, DiDio said there’s already awareness of the event among store owners and readers.
When contacted this morning by ROBOT 6, DC declined comment.
The title refers to the linewide event featuring gatefold covers designed to reveal scenes that “leave reader in a state of shock.” “This was a way to accentuate that threat or shocking moments in our heroes’ lives,” Editor-in-Chief Bob Harras said in a Jan. 14 interview with Comic Book Resources. “What we’re doing with the covers is thematically linked to that. They will be page-fold covers; the covers will tell you a story. There will be an image that will crack the page fold, and as you open up the cover, you’ll say, ‘Oh, wow!'”
It sounds like some interesting announcements were made at the ComicsPRO meeting over the weekend in Atlanta, and one that is already hitting the streets is that IDW Publishing will release an entire line of comics based on Cartoon Network properties.
“Many of these Cartoon Network shows have only grown in popularity since they originally aired,” Chris Ryall, IDW’s chief creative officer and editor-in-chief, said in the press release, “and we’re excited to be able to offer new iterations of the characters in comic-book form alongside both our planned reprint material and also some new animated ventures Cartoon Network has planned, too. There’s a wealth of fun properties to play with here, and we’ve already got some unique things in mind for them.”
The starting lineup will include The Powerpuff Girls, Ben 10, Dexter’s Laboratory, Samurai Jack, Johnny Bravo and Generator Rex. Many, if not all, have been made into comics before: DC released 70 issues of its Powerpuff Girls comic and 34 issues of Dexter’s Laboratory, in addition to a Cartoon Network Action Pack anthology, which featured many of the network’s other characters (like DC Entertainment, Cartoon Network is a subsidiary of Time Warner), and Del Rey published a Ben 10 graphic novel that was written by Peter David and illustrated by Dan Hipp. So there is an interesting back catalog to draw on in addition to new material.
An IDW spokesperson told ICv2 that the first release in the new line will be a Powerpuff Girls comic this fall.
George A. Romero’s not-so-secret Marvel project appears to be lumbering toward a fall debut.
As part of its presentation on Friday to the annual meeting of ComicsPRO, the direct-market trade organization, the publisher released a blood-spattered “Marvel of the Dead” teaser (below) that could only be for the comic the horror legend revealed four months ago.
“I’m writing it now, but its plot is a secret,” the filmmaker said in October. Prodded for details, he added, “Well, I can tell you it won’t involve any of their on-going characters, there will be no superheroes. But it will involve zombies!”
Comics | The Wall Street Journal takes a look at comics as investments. Interestingly, while the rare, old issues bring in the big money, some more recent comics, like the first issue of Saga, have appreciated quite a bit. There’s also an accompanying video. [The Wall Street Journal]
Retailing | ComicsPRO, the comics retailers’ association, held its annual meeting over the weekend in Atlanta, where the group bestowed its Industry Appreciation Award on Cindy Fournier, vice president of operations for Diamond Comic Distributors. Thomas Gaul, of Corner Store Comics and Beach Ball Comics in Anaheim, California, also was elected as president of the board of directors. [ComicsPRO]
ComicsPRO, the trade organization for comics retailers, has announced the nominees for its fourth annual Industry Appreciation Awards recognizing those who make the direct market “more successful for all of us.”
The awards are divided into two categories, one for professionals still active in the industry, and a Memorial Award for those who have passed away. The nominees are:
Industry Appreciation Award
Banned Books Week kicks off today, and the American Library Association’s Office of Intellectual Freedom has lots of resources for those who are interested, including a blog and lists of the most challenged books over the past 10 years or so.
The Comic Book Legal Defense Fund, which is a co-sponsor of Banned Books Week, has a comics-specific list on their site as well, compiled by Betsy Gomez. Click on the title of any comic and you will get more details about the book, why it was challenged, and what the outcome was. The list includes everything from J. Michael Straczynski’s The Amazing Spider-Man to Alan Moore and Dave Gibbons’ Watchmen, and you could do a lot worse than to just spend the week reading those graphic novels.
The CBLDF also has a list of ComicsPRO retailers who are having special events around the country to celebrate banned comics, and offers brochures and other resources for retailers who want to have their own events.
Publishing | Matthew Garrahan’s profile of reclusive Marvel CEO Ike Perlmutter is somewhat sharper than the Los Angeles Times story linked last week, as it includes accusations that the 69-year-old billionaire threatened an employee, made a racially insensitive remark, and maneuvered Disney Consumer Products chairman Andy Mooney and three other executives (all African-American women who reportedly referred to themselves as “The Help”) out of their jobs. Nikki Finke follows up at Deadline with details of Disney and Marvel’s attempts at damage control, as well as the news that Disney has settled with the three former execs. [Financial Times]
Retailing | Comics shop veteran Amanda Emmert, executive director of the retailers’ association ComicsPRO and owner of Muse Comics in Colorado Springs, talks about retailing, the health of the industry, and the popular perception of comics shops as men’s clubs: “I have new customers who walk in and tell me how strange it is for a woman to work in a comic book store or a gaming store. Their experience comes more from watching The Simpsons and The Big Bang Theory, as you pointed out, than from seeing a great number of stores, though. I am very lucky to work for ComicsPRO; I get to work with hundreds of stores around the country, a large percentage of which are owned or operated by women.” [Colorado Springs Gazette]
Digital | Archie Comics will begin selling its comics through its Facebook page, which connects readers with Graphicly. With almost 120,000 fans, the page does seem like fertile ground. “It’s really a major move toward connecting the potential reader to the product,” said Archie Co-CEO Jon Goldwater. “We make it easy and hopefully create a new, lasting part of our fan base.” [The Huffington Post]
Retailing | Matthew Price takes the temperature in the room at ComicsPRO and says that retailers want stability — they credit the consistent shipping schedule for the New 52 for part of that line’s success — and creativity. The overall mood seemed to be optimism, with Diamond Comic Distributors reporting that comics sales were up slightly in 2011. [NewsOK.com]
ComicsPRO, the trade organization for direct market comic book retailers, held its annual meeting last week, welcoming retailers from all over for presentations and discussions with various comic companies and other industry reps.
“Advocacy is a vital and important cog in the ComicsPRO machine. Too often, the retail segment is absent when industry plans are formulated and partnerships are forged,” says Joe Field ComicsPRO president, on the group’s website. “As ComicsPRO grows, our goal is to give retailers an equal voice with our other industry partners, so we can take an active role in the decisions that affect all of us.”
Although the meetings are typically closed to the press, some information from the three days in Dallas has come out:
DC Comics’ sweeping linewide relaunch appealed primarily to avid fans and lapsed readers, according to the unprecedented survey conducted last fall by the Nielsen National Research Group. The publisher presented the results Thursday in Dallas at the annual meeting of ComicsPRO, the direct-market trade association.
More than 70 percent of respondents described themselves as avid fans who visit the comic shop once a week, while more than 25 percent of in-store consumers were lapsed readers. Just 5 percent characterized themselves as new or first-time readers.
Ninety-three percent of respondents were male, and more than 50 percent reported an annual income of less than $60,000 — a figure that John Rood, executive vice president of sales, marketing and business development, told ICv2.com “validated DC’s attempt to hold the price point for most comics to $2.99.” Just 2 percent were under the age of 18, with an overwhelming majority of respondents falling between the ages of 18 and 44 (no real surprise).
Also worth noting: 50 percent of digital readers also read print comics, while just 16 percent of print readers said they read or purchased digital comics. Forty-eight percent of digital buyers were over the age of 35.
The three-pronged survey was conducted between Sept. 26 and Oct. 11, specifically targeting consumers who purchased DC’s New 52 titles. In-store questionnaires — you’ll recall Patton Oswalt’s encounter with a “pushy” Nielsen employee — accounted for 167 responses, while 5,336 came from the online survey. A third group of 626 was pulled from customers who purchased New 52 books through comiXology or the DC app.
Libraries | A middle school library in New Brunswick, Canada, has been asked to remove Joann Sfar and Lewis Trondheim’s Dungeon series for review after the mother of a 12-year-old student complained about the depictions of sex and violence in one of the volumes. The CTV News reporter goes for the easy gasp by showing the scenes in question to a variety of parents, all of whom agree they don’t think the book belongs in a school library, and in this case the mom has a good point: The book received good reviews but is definitely not for kids. [CTV News]
Publishing | John Jackson Miller has been looking at the fine print in old comics — the statement of ownership, which spells out in exact numbers just how many copies were printed, how many were sold, etc. One of the highlights is Carl Barks’ Uncle Scrooge, which sold more than 1 million copies, making it the top seller of the 1960s. “It’s meaningful, I think, that the best-seller of the 1960s should come from Barks, whose work was originally uncredited and who was known originally to fans as ‘the Good Duck Artist,'” Miller concludes. “Fandom in the 1960s was bringing attention to a lot of people who had previously been unheralded, and Barks is a great example. He changed comics — and now comics were changing.” [The Comichron]
Digital comics | ICv2 estimates the total value of the digital comics market in 2011 as $25 million, triple the 2010 figure, and boldly predicts that digital will account for 10 percent of the entire comics market in 2012. Digital sales grew faster in the second half of the year, which ICv2 attributes to three factors: DC’s decision to release its New 52 comics digitally the same day as print, the industry-wide trend toward same-day print and digital releases, and the proliferation of different platforms on which to read digital comics. As for digital taking away from print, the publishing executives ICv2 has spoken to over the past few months don’t seem to think that is happening. [ICv2]
Retailing | Retailer and journalist Matt Price takes the temperature at the ComicsPRO Annual Members Meeting, which kicks off today in Dallas, noting that members remain interested in DC’s publishing plans, and report “very strong sales” for Image’s Fatale and Thief of Thieves. [Nerdage]
Internet | Sandman co-creator Neil Gaiman joined with Trent Reznor, Aziz Ansari, OK Go and 14 other members of the creative community in signing an open letter to Congress against the PROTECT IP Act and the Stop Online Piracy Act. “We fear that the broad new enforcement powers provided under SOPA and PIPA could be easily abused against legitimate services like those upon which we depend. These bills would allow entire websites to be blocked without due process, causing collateral damage to the legitimate users of the same services – artists and creators like us who would be censored as a result,” the letter states.
Warren Ellis and Fantagraphics have also come out against the bill, while Peter David, who is against the bill in its current form, takes aim at those who “endorsed the piracy, supported the piracy, enabled the piracy, felt their own actions weren’t piracy, and now refuse to accept the consequences of their own actions.” ComicsAlliance has posted an editorial against the bill and rounded up webcomic reactions to the blackout. [NeilGaiman.com]
Creators | The Hero Initiative offers an update from colorist Tom Ziuko, who was hospitalized earlier this year for acute kidney failure and other health conditions, and then returned to the hospital for emergency surgery about a month ago. “I can’t impress upon you enough how frightening it is to actually come up against a life-threatening medical situation (not to mention two times in less than a year), and not have the financial means to survive if you’re suddenly not able to earn a living. Like so many other freelancers out there, I live paycheck to paycheck, unable to afford health insurance. Without an organization like the Hero Initiative to lend me support in this time of dire need, I truly don’t know where I would be today,” Ziuko said. [The Hero Initiative]
Publishing | CNN asks the question “Are women and comics risky business?” as Christian Sager talks to former DC editor Janelle Asselin, blogger Jill Pantozzi, Womanthology organizer Renae De Liz and others about the number of women who work in comics, the portrayal of female characters and why comic companies don’t actively market books to women. “Think about it from the publisher’s point of view,” Asselin said. “Say you sell 90 percent of your comics to men between 18 and 35, and 10 percent of your comics to women in the same age group. Are you going to a) try to grow that 90 percent of your audience because you feel you already have the hook they want and you just need to get word out about it, or b) are you going to try to figure out what women want in their comics and do that to grow your line?” [CNN]
The American comic retailer organization ComicsPro recently released the results from an internal poll questioning which incentives from publishers do the most to increase their orders of a particular book.
Although ComicsPro’s Amanda Emmert didn’t elaborate as to how many retailers responded, the percentages reveal a lot. According to the survey, 63 percent of comics retailers who responded said that discounts for larger orders of a book are the most effective incentive for them. This outpaced other incentives by a 3:1 ratio, with returnability and free additional comics coming in at around 20 percent each. Of all responses, none said alternative covers were an effective means to stoke retailer’s purchase orders.
Emmert added at the end that smaller comic retailers might be more welcoming of free copies and returnable comics, while “larger retail accounts look more for deep discount offers, although the correlation was anecdotal.”
It’s worth a look for anyone working in the publishing — or creative — side of the comic industry, and even armchair comics quarterbacks like you and me.