ComicWalker Archives - Robot 6 @ Comic Book Resources

Comics A.M. | Carol Corps, and the changing face of fandom

Captain Marvel #1

Captain Marvel #1

Fandom | Rachel Edidin attends a gathering of the Carol Corps, the group of mostly female Carol Danvers/Captain Marvel fans that has built a community around a shared interest. “It is not a formal organization,” says Captain Marvel writer Kelly Sue DeConnick. “There are no rules. People write and ask me all the time, ‘How do I join the Carol Corps?’ You join Carol Corps by saying you are Carol Corps. There is no test. You don’t have to buy anything. You don’t need to sign up anywhere. If you decide you are a part of this community, bam, you are. The other part of that is that if you decide you are a part of this community, you will be embraced and welcome.” [Wired]

Piracy | The Japanese government will consider several measures to fight online piracy of anime and manga in the next few months, while publishers are taking a if-you-can’t-beat-’em-join-’em approach by launching two free digital manga services, ComicWalker and Manga Box, to lure readers away from bootleg scanlation sites. [The Japan News]

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Comics A.M. | Stan Lee Media, Spider-Man & ‘litigation finance’

Spider-Man

Spider-Man

Legal | Those wondering how Stan Lee Media can possibly afford its long, and so far entirely unsuccessful, legal battle with Marvel and Disney may want to read this brief Wall Street Journal article about “litigation finance” — which it characterizes as the growing practice of investing in lawsuits. However, pointing to the fight over the rights to Spider-Man and other characters, writer Rob Copeland points out there are high risks: namely, that investors could never see financial return. As we’ve noted before, Stan Lee Media’s efforts are backed by a group of investors that includes the $21 billion hedge fund Elliott Management, which helps to explain why the lawsuits keep coming. [MoneyBeat]

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Comics A.M. | More details surface on Kadokawa’s manga app

ComicWalker

ComicWalker

Digital comics | Casey Baseel has more details on Kadokawa’s new digital manga service ComicWalker, which will launch on March 22. The service will include a mix of original comics and manga that are currently serialized in Kadokawa’s magazines, such as Shonen Ace. The comics will be available in English and Chinese as well as Japanese, although initially just 40 will be translated. Kadokawa hopes to add French translations as well, to bring in readers in France and French-speaking Africa, which is not well served by manga publishers right now. The first three chapters of each series will always be available for free; collected editions will be available online two weeks after print publication and will remain available, for free, until the next volume comes out. The idea is clearly to use digital to entice people to buy the volumes in print, and to draw new readers to older series, Kadokawa is adding color pages to the classics Mobile Suit Gundam and Neon Genesis Evangelion. [Japan Today]

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Comics A.M. | Kadokawa’s app to offer manga in English

ComicWalker

ComicWalker

Digital comics | Japanese publisher Kadokawa plans on March 22 to launch ComicWalker, a digital comics service that will carry manga in three languages: Japanese, English and Chinese. The stories will include some well-known classics (Sgt. Frog, Neon Genesis Evangelion, Gundam: The Origin) as well as new manga, and apparently they will be free. The launch will include 150 titles, 40 of which will be translated, so it sounds like not everything will be available in English right away. [Anime News Network]

Conventions | Lewis Trondheim, a former winner of the Grand Prix d’Angoulême and therefore a member of the academy that chooses each year’s winners, provides an insider’s view of the voting and the causes and effects of the changes that have been made over the past two years: “In its forty-three years, the festival has had, I believe, three Americans, one Argentine, one Swiss, three Belgians, and over thirty Frenchmen. This doesn’t seem to correspond with the reality of the comics world to me.” [The Comics Journal]

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