Conventions | Japan’s Comic Market (aka Comiket), the world’s largest convention dedicated to self-published comics, stands to lose about $117,900 because of a decision to bar artist groups (“circles”) dedicated to the manga Kuroko’s Basketball following a threat letter. Organizers are refunding entrance fees to about 900 Kuroko’s Basketball circles that registered for the Dec. 29-31 event, and must help pay for increased security in cooperation with local police and the Tokyo Big Sight complex. Since October, letters containing powdered and liquid substances have been sent to more than 20 locations linked to Kuroko’s Basketball creator Tadatoshi Fujimaki. At least six Kuroko’s Basketball doujinshi events have been canceled. [Anime News Network]
Publishing | Declaring this “the year of The Walking Dead,” the retail news and analysis site ICv2 notes the $60 Compendium volumes One and Two could “easily” be the top-selling graphic novels of 2012. Those two books also topped the Nielsen BookScan chart of graphic novels sold in bookstores in November, joined by six other collections from the acclaimed horror series in the Top 20. Chris Ware’s $50 Building Stories, which has emerged on best-of lists as one of the books — and the graphic novel — of 2012, was No. 3 in November, followed by DC Comics’ Superman: Earth One, Vol. 2, and, in a surprise Top 20 appearance by Marvel, the $75 Avengers Vs. X-Men hardcover at No. 5. [ICv2]
Passings | Italian comics artist Sergio Toppi has died at the age of 79. Most of his work seems to have been in Italian and French, but Archaia has plans to publish an English-language edition of his version of the Arabian Nights, Sharaz-De. [The Beat, Archaia]
Comics | Brian Truitt marks Spider-Man’s 50th anniversary by talking to creators from Stan Lee to Brian Michael Bendis about the 10 traits that make the web-slinger special. On a related note, Complex runs down the 50 most iconic Spider-Man images. [USA Today]
Publishing | If you’re interested in self-publishing, Todd Allen’s latest article about Ingram’s new, lower-cost color print-on-demand service is a must-read. Allen does the math for several different scenarios, in terms of format and distribution method, and boils it down into several handy charts. [Publishers Weekly]
Creators | How did Darwyn Cooke get involved with the Before Watchmen comics? “I was kind of dragged into it kicking and screaming by [DC Comics Co-Publisher] Dan DiDio. He had been discussing this for what does amount to several years now, and the first time he had approached me about it, I had actually turned it down simply because I couldn’t see doing anything that would live up to the original. And, it was about a year later, the story idea that I’m working on now sort of came to me and I realized that there was a way to do the project, and I had a story that I thought was exciting enough to tell. So I phoned Dan up and said, ‘Hey, if you still got room, I’m in.’” [Rolling Stone]
Creators | Ron Marz discusses Prophecy, his upcoming comic that turns the whole Mayan calendar thing into a crossover event that will bring together an eclectic group of characters, and defends the idea of crossovers in general: “If your objection is “they’re not in the same universe,” or a crossover somehow offends your sense of continuity, I’d suggest you’re missing the point. More than any other medium, comics are about unfettered imagination, about making the impossible possible. If you’re going to let some perceived “rules” prevent you from telling an exciting story, you’re just not trying very hard. Having a sense of wonder, of discovery, is much more important than following some set of perceived rules and regulations.” [MTV Geek]
Crowd control at comic conventions can be generally, if not creatively, described as “organized chaos” — emphasis more often that not on the latter — as thousands of fans determined to lay their hands on that special sketch, autograph or issue are poured into narrow entry points like so many grains of sand in an hourglass.
If you’ve attended Comic-Con International or New York Comic Con, or even read the tweets, blog entries and forum posts from those who have, what a delicate, frustrating and, yes, frequently sweaty and smelly dance that crowd flow can be, with one untied shoe, inconsiderate mid-aisle conversation or loud protest over access botching the choreography and sending everything into a horrible, grumbling snarl.
But at Tokyo’s Comiket, the world’s largest self-published comics fair, organizers have transformed crowd control into an artform.
Passings | British cartoonist Ronald Searle, best known as the creator of the fictional St. Trinian’s School, passed away Friday at a hospital near his home in southeastern France. He was 91. His spiky drawings of the wicked pupils of the girls school debuted in 1941 in Lilliput magazine, leading to five books and seven films. Searle, a Cambridge native, also co-authored (with Geoffrey Willans) the Molesworth book series. [Reuters]
Conventions | Four-day passes for New York Comic Con go on sale for $85 today at noon ET/9 a.m. PT. The event will be held Oct. 11-14 at the Jacob Javits Convention Center in New York City. [press release]
Conventions | Comiket, the world’s largest self-published comic book fair, drew a total of 500,000 people for its winter convention, held Thursday through Saturday at the Tokyo Big Sight in Japan. Held twice a year, in August and December, the event doesn’t use turnstiles or unique passes, so a visitor who attends all three days would be counted each time. [Anime News Network]
Here’s a quick thought experiment: What would happen to you if you made your own Mickey Mouse comic and sold it online or at conventions? You would expect to feel the wrath of Disney pretty quickly, wouldn’t you?
Yet doujinshi, fan-made comics, are a huge part of Japanese culture, and many of them involve characters from existing manga series. And Ken Akamatsu, creator of Negima and Love Hina—as well as his own doujinshi—wants it to stay that way, which is why he is speaking out against Japan joining the Trans-Pacific Partnership Agreement, a trade agreement would make copyright laws uniform among the nine signatories, including the U.S. If Japan signs on, Akamatsu says, the new regulations would have a chilling effect on the doujinshi market.
Japan’s current copyright laws allow publishers to tolerate a certain amount of remixing of copyrighted characters, although there are limits: In 2007, for instance, the publisher Shogakukan took legal action against the creator of a Doraemon doujinshi that not only perfectly mimicked the look of the original manga (one of the most popular in all of Asia) but also sold over 13,000 copies.
Conventions | Comiket 79, the winter installment of the self-published comic book fair held twice a year in Tokyo, set a turnstile attendance record last week with 520,000 people over three days. That’s just 20,000 less than the summer record — and the equivalent of about four Comic-Cons. [Anime News Network]
Legal | Archie Comics reportedly has threatened legal action against the in-production Indian film Boys Toh Boys Hain, which, according to this description, is “based on the lines of the celebrated [Archie] comic book but set in Delhi instead of Riverdale.” However, the director now claims that, “We never made any statement which suggested that the film is inspired from Archie comics. One of my actors may have said in an interview that the film has a feel similar to Archie, but never that the film is based on it.” The publisher was dealt a blow in an unrelated legal matter in September when India’s Delhi High Court refused to hear a complaint challenging the use of the name “Archies” by a Mumbai company. The court said it had no jurisdiction in the matter because Archie Comics doesn’t have an office in India. [Hindustan Times]