EXCLUSIVE: "Arrow" Brings Back Amy Gumenick as Cupid
Conventions | The winter edition of Comic Market (aka Comiket), held Dec. 29-31 at the Tokyo Big Sight, drew 520,000 attendees across three days, down from 560,000 last year. (Note that figures are based on the number of visits to the convention site over the three days, rather than individual attendees.) The largest comic convention in the world, Comic Market is held each year in August and December. [Anime News Network]
Conventions | Comiket, the world’s largest comics expo, drew 550,000 attendees to its summer edition, which ended Sunday at to the Tokyo Big Sight. That’s about the same number of people as the summer 2014 installment. (Note: Those figures account for the number of visits during the three-day convention to the Tokyo Big Sight, rather than individual attendees.) The winter installment of the biannual event will be held in December. [Anime News Network]
Conventions | In an attempt to avoid the sort of bad press they got last year, organizers of Rhode Island Comic Con put a clause in this year’s press application requiring news organizations promise to avoid “insulting or disrespectful comments and giving a bad image of the show” in order to get press passes. That worked about as well as you would expect: The convention quickly apologized and reversed course following push-back from not only the Rhode Island Press Association but also the Rhode Island Convention Center and Dunkin’ Donuts Center. [GoLocal Providence]
Comiket attracted a reported 560,000 attendees over the course of three days (Sunday to Tuesday), according to Anime News Network. That’s a record for the winter edition of the biannual event — it’s held in August and December — but about 30,000 shy of the all-time high set in summer 2013.
Held at the massive Tokyo Big Sight, the 39-year-old Comiket (aka Comic Market) is the largest comics festival in the world (Lucca Comics & Games is second, with paid attendance of about 240,000).
As the headline states, this may be the absolute worst or the most inspired Pikachu cosplay in history, Really, it could go either way, likely depending to some extent on your fondness for the Greendale Human Being.
The photos — yes, there are more, below — were snapped at Comiket 87, which wrapped up today at the Tokyo Big Sight. Held twice annually, in August and December, Comiket (aka Comic Market) is the world’s largest dojinshi fair, drawing more than a half-million attendees. This edition opened Sunday with 180,000 people, an increase of about 10,000 from the first day of August’s Comiket 86.
Conventions | About 180,000 people flocked to the Tokyo Big Sight on Sunday for the first day of Comiket 87, the world’s largest convention dedicated to self-published comics. That’s an increase of about 10,000 from the opening day of the summer edition — Comiket is held twice yearly, in August and in December — and about the same as last winter’s event. Comiket continues through Tuesday. [Anime News Network]
Comics | Kevin Drum does some very loose calculations to check the claim that millennials are addicted to comics, and he reckons that given the current size of the market, about 2 percent of millennials are comics readers. [Mother Jones]
Manga creator Shuho Sato is drawing a manga “inspired by” Orson Scott Card’s novel Ender’s Game. It’s not clear whether this is an authorized version, but the first chapter will appear on Sato’s website, Manga on Web, on Jan. 11, a week before the movie premieres in Japan.
The impending release of the movie seems to be creating a bit of a stir in Japan, as the a new translation of the novel was published this year, and Disney is exhibiting at the massive doujinshi event Comiket for the first time ever to promote the film.
Conventions | This Japan Times article about Comiket provides a fascinating look behind the scenes of the dojinshi (self-published manga) fair, which each August and December new draws between 560,000 to 590,000 visitors to Tokyo Big Sight. However, even that massive convention center is becoming too small for the event; of the 51,000 booth applications for August’s Comiket 84, only 35,000 were granted because of space limitations. Incredibly, the organizing Comic Market Committee has just eight full-time employees (but more than 3,000 volunteers). [The Japan Times]
Creators | MariNaomi discusses her experience of being sexually harassed by another creator while participating in a panel at a comics convention. That’s right, she was sexually harassed onstage. [xojane]
“Let me say that it’s great that every summer my area is crowded with people for Comiket. But for the love of god, take a bath! I live fairly close to the venue and there is an intense smell. Really, it’s a hell of an odor.
If you were to ask me to describe it, it’s as if you splattered someone with rotten eggs and then let it stand for another week. If someone swallowed poison, I would take them to Comiket to induce vomiting. I’m really not trying bash the people who go to Comiket, but it really stinks when these freaking people are here.
I think it’s fine if your hobby is to line up outside in the scorching sun to get your favorite dojinshi. But take bath. Seriously. Please.”
— an open letter from a resident of Odaiba, Tokyo, where twice yearly 560,000 or so fans flock to the Tokyo Big Sight for Comiket (Comic Market), the world’s largest fair for self-published manga, novels and other works. It’s a sentiment familiar to many who have attended decidedly smaller fan gatherings in North America and beyond.
Conventions | Japan’s Comic Market (aka Comiket), the world’s largest convention dedicated to self-published comics, stands to lose about $117,900 because of a decision to bar artist groups (“circles”) dedicated to the manga Kuroko’s Basketball following a threat letter. Organizers are refunding entrance fees to about 900 Kuroko’s Basketball circles that registered for the Dec. 29-31 event, and must help pay for increased security in cooperation with local police and the Tokyo Big Sight complex. Since October, letters containing powdered and liquid substances have been sent to more than 20 locations linked to Kuroko’s Basketball creator Tadatoshi Fujimaki. At least six Kuroko’s Basketball doujinshi events have been canceled. [Anime News Network]
Publishing | Declaring this “the year of The Walking Dead,” the retail news and analysis site ICv2 notes the $60 Compendium volumes One and Two could “easily” be the top-selling graphic novels of 2012. Those two books also topped the Nielsen BookScan chart of graphic novels sold in bookstores in November, joined by six other collections from the acclaimed horror series in the Top 20. Chris Ware’s $50 Building Stories, which has emerged on best-of lists as one of the books — and the graphic novel — of 2012, was No. 3 in November, followed by DC Comics’ Superman: Earth One, Vol. 2, and, in a surprise Top 20 appearance by Marvel, the $75 Avengers Vs. X-Men hardcover at No. 5. [ICv2]
Passings | Italian comics artist Sergio Toppi has died at the age of 79. Most of his work seems to have been in Italian and French, but Archaia has plans to publish an English-language edition of his version of the Arabian Nights, Sharaz-De. [The Beat, Archaia]
Comics | Brian Truitt marks Spider-Man’s 50th anniversary by talking to creators from Stan Lee to Brian Michael Bendis about the 10 traits that make the web-slinger special. On a related note, Complex runs down the 50 most iconic Spider-Man images. [USA Today]
Publishing | If you’re interested in self-publishing, Todd Allen’s latest article about Ingram’s new, lower-cost color print-on-demand service is a must-read. Allen does the math for several different scenarios, in terms of format and distribution method, and boils it down into several handy charts. [Publishers Weekly]
Creators | How did Darwyn Cooke get involved with the Before Watchmen comics? “I was kind of dragged into it kicking and screaming by [DC Comics Co-Publisher] Dan DiDio. He had been discussing this for what does amount to several years now, and the first time he had approached me about it, I had actually turned it down simply because I couldn’t see doing anything that would live up to the original. And, it was about a year later, the story idea that I’m working on now sort of came to me and I realized that there was a way to do the project, and I had a story that I thought was exciting enough to tell. So I phoned Dan up and said, ‘Hey, if you still got room, I’m in.'” [Rolling Stone]
Creators | Ron Marz discusses Prophecy, his upcoming comic that turns the whole Mayan calendar thing into a crossover event that will bring together an eclectic group of characters, and defends the idea of crossovers in general: “If your objection is “they’re not in the same universe,” or a crossover somehow offends your sense of continuity, I’d suggest you’re missing the point. More than any other medium, comics are about unfettered imagination, about making the impossible possible. If you’re going to let some perceived “rules” prevent you from telling an exciting story, you’re just not trying very hard. Having a sense of wonder, of discovery, is much more important than following some set of perceived rules and regulations.” [MTV Geek]
Crowd control at comic conventions can be generally, if not creatively, described as “organized chaos” — emphasis more often that not on the latter — as thousands of fans determined to lay their hands on that special sketch, autograph or issue are poured into narrow entry points like so many grains of sand in an hourglass.
If you’ve attended Comic-Con International or New York Comic Con, or even read the tweets, blog entries and forum posts from those who have, what a delicate, frustrating and, yes, frequently sweaty and smelly dance that crowd flow can be, with one untied shoe, inconsiderate mid-aisle conversation or loud protest over access botching the choreography and sending everything into a horrible, grumbling snarl.
But at Tokyo’s Comiket, the world’s largest self-published comics fair, organizers have transformed crowd control into an artform.
Passings | British cartoonist Ronald Searle, best known as the creator of the fictional St. Trinian’s School, passed away Friday at a hospital near his home in southeastern France. He was 91. His spiky drawings of the wicked pupils of the girls school debuted in 1941 in Lilliput magazine, leading to five books and seven films. Searle, a Cambridge native, also co-authored (with Geoffrey Willans) the Molesworth book series. [Reuters]
Conventions | Four-day passes for New York Comic Con go on sale for $85 today at noon ET/9 a.m. PT. The event will be held Oct. 11-14 at the Jacob Javits Convention Center in New York City. [press release]
Conventions | Comiket, the world’s largest self-published comic book fair, drew a total of 500,000 people for its winter convention, held Thursday through Saturday at the Tokyo Big Sight in Japan. Held twice a year, in August and December, the event doesn’t use turnstiles or unique passes, so a visitor who attends all three days would be counted each time. [Anime News Network]
Here’s a quick thought experiment: What would happen to you if you made your own Mickey Mouse comic and sold it online or at conventions? You would expect to feel the wrath of Disney pretty quickly, wouldn’t you?
Yet doujinshi, fan-made comics, are a huge part of Japanese culture, and many of them involve characters from existing manga series. And Ken Akamatsu, creator of Negima and Love Hina—as well as his own doujinshi—wants it to stay that way, which is why he is speaking out against Japan joining the Trans-Pacific Partnership Agreement, a trade agreement would make copyright laws uniform among the nine signatories, including the U.S. If Japan signs on, Akamatsu says, the new regulations would have a chilling effect on the doujinshi market.
Japan’s current copyright laws allow publishers to tolerate a certain amount of remixing of copyrighted characters, although there are limits: In 2007, for instance, the publisher Shogakukan took legal action against the creator of a Doraemon doujinshi that not only perfectly mimicked the look of the original manga (one of the most popular in all of Asia) but also sold over 13,000 copies.