The arrival today of the second collection of Saga, the hit space opera by Brian K. Vaughan and Fiona Staples, will be met with glee not only by readers following the Image Comics series in trade paperback but also by a good number of retailers — and Brian Hibbs in particular.
The owner of Comix Experience in San Francisco (and Comic Book Resources columnist) commented last week on our post about the first volume’s strong performance in the direct market eight months after its debut, saying, that “Saga is, by far, our best-selling title.” Hibbs expanded upon that last night on his own blog, revealing that Saga, Vol. 1, “is now my second-best selling title in the store’s history of point-of-sale. Nearly seven years.”
“It just passed into that spot a few days ago, where it passed the previous #2, The Walking Dead v1,” he continued. “Understand, that is for sales of TWD v1 OVER THE LAST SEVEN YEARS. Uh, yeah. What’s the most remarkable about Saga is that it steadily sells even at this point. When it crossed into #2 position, it was something like 243 copies sold in 248 days — even at this point, months and months after it first came out, we’re still selling 5+ copies a week.”
Crime | Comix Experience in San Francisco was robbed at gunpoint Friday afternoon, with two young men demanding that owner Brian Hibbs empty the cash register containing about $75 and turn over an iPhone used for credit card transactions. A Lower Haight neighborhood blog interviewed Hibbs about the incident: “Divis [Divisadero Street] is generally pretty safe these days, so I was a LITTLE shocked at, y’know, a ‘brazen daylight armed robbery’ of it — but I am kind of more shocked that anyone thought that a comic book store was a high value target about an hour after they opened. Hell, life is like 85% credit cards these days, so even at our fattest there’s seldom enough to risk that kind of jail time, in my opinion …” [Haighteration]
History | Scholar Carol Tilley gives a first-person account of her research on Fredric Wertham, the super-villain of comics history, and how looking through his papers led her to an unexpected conclusion: His published works misrepresented what his research subjects had told him: “For many hard-to-articulate reasons, I didn’t want to write the scholarly paper on Wertham and the problems I found in his evidence, but not to write it seemed a disservice to the young people whose words and experiences Wertham distorted to help make his case against comics.” [Boing Boing]